Hong Kong Dragon Boat Festival is set for this weekend in Flushing Meadows Corona Park
Flushing Meadows Corona Park
Saturday, August 10, and Sunday, August 11, free, 8:30 am – 6:00 pm
718-767-1776
www.hkdbf-ny.org
More than twenty-three hundred years ago, ailing and exiled Chinese minister and master poet Qu Yuan walked into the Miluo River, intent on ending his life via ritual suicide. His followers’ race to save him, and to honor his spirit by throwing dumplings into the water, is the folklore behind the annual Hong Kong Dragon Boat Festival, taking place this weekend in Flushing Meadows Corona Park. More than 150 teams will be participating in seventy-three races over the two days, in special dragon boats that can hold as many as twenty crewmembers; among the many competitors are the Schuykill Dragons, the NYHQ Baby Catchers, the Misfits, the Puff Puff Dragons, NY Presbyterian Lower Manhattan Hospital Poseidon, Dragonflies, NYSE Roar, JPMC White Tiger, DEP Dragon Pipers, TASCA Vikings, NYCB Queens Dragons, JPMC Vermillion Bird, MSKCC White Dragons, and Philadelphia Flying Phoenix Premier Flame. The twenty-third annual festivities also include live music and dance, martial arts demonstrations, food booths, and a family-friendly arts and crafts tent featuring the Balloon Man, calligraphy, rice doll making, face painting, kite building, origami, bead stringing, and more. The performances begin on Saturday morning at 10:30 with the Chinese Music Ensemble of New York and continue with Lion and Dragon Dancers with percussionists at the 11:30 opening ceremonies, indie rockers BAAM at 1:00, I Giullari di Piazza music and dance at 2:00, and Shaolin Masters at 3:00. Sunday’s lineup gets under way at 10:00 with Damien Bassman and his Broadway friends, followed by American tap dancing at 11:00, the Bailen Brothers at noon, Mariachi Aguila y Plata at 1:00, the Mawuena Kodjovi Trio at 2:00, and Shaolin Masters at 3:00.
Martin Scorsese wears his cinematic heart on his sleeve in his first family-friendly film, Hugo. Based on Brian Selznick’s Caldecott-winning 2007 illustrated historical-fiction novel The Invention of Hugo Cabret, the 3-D movie follows the adventures of the title character, a homeless orphan boy (Asa Butterfield) who survives by his wits in a Paris train station in the early 1900s. He spends his days stealing small bits of food, winding the big clock, avoiding Inspector Gustav (Sacha Baron Cohen), and trying to find parts for an automaton he is rebuilding, hoping it will have a message for him from his father (Jude Law). He soon makes his only friend, a girl named Isabelle (Chloë Grace Moretz) who is being raised by her godparents, the bitter Papa Georges (Ben Kingsley) and his wife, Mama Jeanne (Helen McCrory). When it turns out that Papa Georges is the one and only Georges Méliès, who made the world’s first science-fiction film, A Trip to the Moon, among hundreds of others, then was thought to have died in obscurity, all of his work destroyed, Hugo and Isabelle, along with the help of film historian René Tabard (Michael Stuhlbarg), are determined to resurrect Papa Georges and his reputation. Gorgeously shot by Robert Richardson and featuring marvelous period sets by Dante Ferretti, Hugo is beautiful to look at, the camera roaming through the immense train station and up the tall clock tower like in a Jules Verne story. Such side plots as the budding romances between a café owner (Frances de la Tour) and the newspaper seller (Richard Griffiths) and between Gustav and a shy flower girl (Emily Mortimer) feel forced, and the main narrative meanders its way into treacly territory as all the parts slowly come together. At its heart, Hugo is a movie about the love of movies, paying tribute to the early cinema of Méliès, Harold Lloyd, and others but it gets too stuck on the underlying theme of the preservation of old films, one of Scorsese’s driving forces. Still, Hugo is a visual treat in which Scorsese makes the most of 3-D technology, particularly in the first half, before things get a little too sticky (and slickly) sweet, even for a children’s film. Hugo, which was nominated for eleven Oscars and won five technical awards — Best Cinematography, Best Art Direction, Best Visual Effects, Best Sound Editing, and Best Sound Mixing — is screening August 10 as part of the South Street Seaport’s “Front/Row” “See/Change” series, which continues August 14 with The Amazing Spider-Man, August 17 with Chicago, and August 21 with Back to the Future. For a day-by-day listing of free summer movie screenings throughout New York City, go 
Poor Bernard Chanticleer (Peter Kastner). His mother (Geraldine Page) sends him locks of her hair and pays a prudish landlord (Julie Harris), aided by a tough cop (Dolph Sweet), to make sure no girls visit him in his new apartment. Bernard’s father (Rip Torn) rules over him with an iron fist in the basement of the New York Public Library. A nice, innocent young woman (Karen Black in her first major role) is interested in him, but he wants a psycho go-go dancer/actress (Elizabeth Hartman). Meanwhile, he is getting all the wrong advice from his best friend (Tony Bill). Francis Ford Coppola’s little-known romantic comedy — his second feature, following Dementia 13 — earned Page an Academy Award nomination, Kastner a BAFTA nomination as Most Promising Newcomer, and a Palme d’Or nomination at Cannes. Coppola uses the New York City settings with a charming intelligence and wit, whether Bernard is chasing a kite across the Sheep Meadow, wandering through the Times Square peep shows, or being chased through the New York Public Library. The Lovin’ Spoonful supplies the fabulously sixties soundtrack. Based on David Benedictus’s novel, You’re a Big Boy Now kicks off the Museum of the Moving Image series “Fun City: New York in the Movies 1967-75,” with guest curator J. Hoberman on hand to introduce the film. The festival, which runs August 10 through September 1, includes a wide range of works made in and about the Big Apple, from such familiar favorites as Rosemary’s Baby, The French Connection, Superfly, Midnight Cowboy, and Dog Day Afternoon to such lesser-known treats as Bye Bye Braverman, The Angel Levine, Little Murders, The Landlord, and Dick Fontaine’s 1970 documentary, Norman Mailer vs. Fun City.
