
Documentary turns the camera on mysterious street photographer Vivian Maier (photo by Vivian Maier / courtesy of the Maloof Collection)
FINDING VIVIAN MAIER (John Maloof & Charlie Siskel, 2013)
MoMA Film, Museum of Modern Art
11 West 53rd St. between Fifth & Sixth Aves.
Tuesday, December 30, 7:30
Series runs through January 16
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk beginning at 9:30 am
212-708-9400
www.moma.org
www.findingvivianmaier.com
By their very nature, street photographers take pictures of anonymous individuals, capturing a moment in time in which viewers can fill in their own details. In the wonderful documentary Finding Vivian Maier, codirectors John Maloof and Charlie Siskel turn the lens around on a street photographer herself, attempting to fill in the details of the curious life and times of Vivian Maier, about whom very little was known. “I find the mystery of it more interesting than her work itself,” says one woman for whom Vivian Maier served as a nanny decades earlier. “I’d love to know more about this person, and I don’t think you can do that through her work.” In 2007, while looking for historical photos for a book on the Portage Park section of Chicago, Maloof purchased a box of negatives at an auction. Upon discovering that they were high-quality, museum-worthy photographs, he set off on a mission to learn more about the photographer. Playing detective — while also developing hundreds of rolls of film, with thousands more to go — Maloof meets with men and women who knew Maier as an oddball, hoarding nanny who went everywhere with her camera and shared little, if anything, about her personal life. “I’m the mystery woman,” Maier says in a color home movie. Her former employers and charges, including talk-show host Phil Donahue, debate her background, the spelling and pronunciation of her name, her accent, and how she might have felt about a documentary delving into her secretive life.

Street photographer Vivian Maier captured a unique view of the world in more than 100,000 pictures (photo by Vivian Maier / courtesy of the Maloof Collection)
Maloof also discusses Maier’s work with such major photographers as Joel Meyerowitz and Mary Ellen Mark. “Had she made herself known, she would have become a famous photographer. Something was wrong. . . . A piece of the puzzle is missing,” Mark says while comparing Maier’s work to such legends as Robert Frank, Lisette Model, Helen Levitt, and Diane Arbus. Maloof tries to complete what becomes an ever-more-fascinating puzzle in this extremely enjoyable documentary that gets very serious as he finds out more about the mystery woman who is now considered an important twentieth-century artist. Finding Vivian Maier also has an intriguing pedigree; codirector and producer Siskel (Religulous) is executive producer of Comedy Central’s Tosh.0, executive producer Jeff Garlin (I Want Someone to Eat Cheese With) is a comedian who played Larry David’s best friend and agent on Curb Your Enthusiasm, and Kickstarter contributor and interviewee Tim Roth (Reservoir Dogs, Lie to Me) is an Oscar-nominated actor who collects Maier’s work. Finding Vivian Maier, which has made the Academy Award shortlist for Best Documentary, is screening December 30 at 7:30 as part of MoMA’s annual series “The Contenders,” which consists of films the institution believes will stand the test of time; the series continues with such other 2014 works as Ava DuVernay’s Selma, Paul W. S. Anderson’s Pompeii, Dan Gilroy’s Nightcrawler, and Alejandro González Iňárritu’s Birdman (The Unexpected Virtue of Ignorance). And as an added bonus, you can see the exhibition “Vivian Maier: In Her Own Hands” through December 31 at the Howard Greenberg Gallery in the Fuller Building on East Fifty-Seventh St.


Paweł Pawlikowski’s Ida is one of the most gorgeously photographed, beautifully told films of the young century. The international festival favorite and shortlisted Foreign Language Oscar contender is set in Poland in 1962, as eighteen-year-old novitiate Anna (Agata Trzebuchowska) is preparing to become a nun and dedicate her life to Christ. But the Mother Superior (Halina Skoczyńska) tells Anna, an orphan who was raised in the convent, that she actually has a living relative, an aunt whom she should visit before taking her vows. So Anna sets off by herself to see her aunt Wanda (Agata Kulesza), a drinking, smoking, sexually promiscuous, and deeply bitter woman who explains to Ida that her real name is Ida Lebenstein and that she is in fact Jewish — and then reveals what happened to her family. Soon Ida, Wanda, and hitchhiking jazz saxophonist Dawid Ogrodnik are on their way to discovering some unsettling truths about the past.

The most infamous film of 2014 was released in theaters on Christmas after all, following the embarrassing hacking of Sony’s servers and George Clooney and the president sharing their opinions about violent threats from North Korea over a movie — and a stupid movie, at that. But as it turns out, The Interview is stupid fun, even if it does lose its way amid the bizarre absurdity of its final scenes. James Franco — we’re sorry, but we still can’t get enough of him — stars as superbly sycophantic celebrity talk show host Dave Skylark, who just happens to be one of reclusive North Korean Supreme Leader Kim Jong-un’s (Randall Park) personal favorites. So Skylark’s best friend and producer, Aaron Rapoport (Rogen), sets up a live interview with Kim, agreeing to the leader’s rigidly controlled set of conditions delivered by his gorgeous security chief, Sook (Diana Bang). When the CIA hears about the interview, they send agent Lacey (Lizzy Caplan) to convince Skylark and Rapoport that they must assassinate Kim for the good of the world. But their best-laid plans go awry when Kim charms Skylark as they embark on a brief bromance that threatens the bromance that already exists between Dave and Aaron. Codirected by Rogen and Goldberg, whose collaborations have also included Superbad, Pineapple Express, This Is the End, and other hits and misses, and written by first-time screenwriter Dan Sterling (The Office, King of the Hill), The Interview is, for the most part, a very funny, extremely juvenile comedy that never misses a chance to make a butt joke. With a little bit of Stripes here, a splash of Spies Like Us there, it follows in the tradition of crazy lowbrow military comedies that eventually go off the deep end but contain more than their fair share of laugh-out-loud silliness. Franco and Rogen, who have been working together since the days of the great Freaks and Geeks, are so much fun to watch as a duo that things don’t completely fall apart even when the script lets them down. Oh, and meanwhile, Eminem comes out of the closet, Rob Lowe reveals a frightening secret, and other celebrities show up as themselves in this bromantic comedy that nearly started WWIII.

