twi-ny recommended events

MAD. SQ. EATS FALL 2015

Fall edition of Mad. Sq. Eats continues through October 1 (photo by twi-ny/mdr)

Fall edition of Mad. Sq. Eats continues through October 1 (photo by twi-ny/mdr)

Worth Square, across from Madison Square Park
Broadway & Fifth Ave. at 24th St.
Daily through October 1, free admission, 11:00 am – 9:00 pm
www.madisonsquarepark.org

The fall edition of Mad. Sq. Eats is up and running in the pedestrian plaza known as Worth Square at the intersection of Broadway and Fifth Ave. at 24th St., where more than two dozen gourmet vendors are serving culinary delights through October 1. People flock to the area, just across the street from Madison Square Park, to amass their own international multicourse tasting menu. This season’s participants are Arancini Bros., ASIADOG, Bar Suzette Crêperie & Bistro, Bangkok Bar, Calexico, the Cannibal Beer and Butcher, Farm Road, Fire Belly Korean BBQ, the Gumbo Bros., Hong Kong Street Cart, ilili, Jicama “California Street Food,” KOA, Macaron Parlour, Mayhem & Stout, Melt Ice Cream Sandwiches, Mexicue, Momofuku Milk Bar, Nunu Chocolates, Paella Shack by Barraca, Red Hook Lobster Pound, Roberta’s, Sigmund’s, La Sonrisa Empanadas, Takumi Taco, Cheesesteaks by the Truffleist, Two Tablespoons, and Uma Temakeria.

VITTORIO DE SICA: MARRIAGE ITALIAN STYLE

Sophia Loren and Marcello Mastroianni star as lovers in a rather tempestuous relationship in MARRIAGE ITALIAN STYLE

Sophia Loren and Marcello Mastroianni star as lovers in a rather tempestuous relationship in MARRIAGE ITALIAN STYLE

MARRIAGE ITALIAN STYLE (Vittorio De Sica, 1965)
Film Forum
209 West Houston St.
Sunday, September 20, and Monday, September 21
212-727-8110
filmforum.org

Marcello Mastroianni and Sophia Loren have a blast playing off their reputations in Vittorio De Sica’s Oscar-nominated romantic farce, Marriage Italian Style. The colorful 1964 film is a kind of follow-up to Pietro Germi’s 1961 comedy, Divorce Italian Style, which earned Mastroianni an Oscar nomination for Best Actor. In Marriage, which is based on Eduardo De Filippo’s 1946 play, Filumena Marturano, Mastroianni stars as Domenico Soriano, a well-to-do businessman who takes an instant liking to seventeen-year-old prostitute Filumena (an Oscar-nominated Loren) in a Naples brothel during a WWII air raid. Their relationship secretly blossoms, but when Filumena grows tired of being hidden by Domenico, treated more like a maid than a lover, she decides to take matters into her own hands, with more than a few surprises. Mastroianni is exceptional as the smooth-talking, dapper, and elegant Domenico, who can’t keep away from beautiful young women, while Loren, who previously worked with De Sica in The Gold of Naples and Two Women, winning an Oscar for Best Actress in the latter, is at her fiery best as the hot-blooded hooker trying to raise her station in life. Produced by Carlo Ponti during the brief annulment period in his marriage to Loren, the film, which is told partly in flashback, also features Tecla Scarano as Domenico’s maid, Rosalia, and Aldo Puglisi as Domenico’s right-hand man, Alfredo, who takes quite a shine to Filumena. Armando Trovajoli’s lush, romantic score adds wonderful irony to the comic proceedings. And just wait till you see Loren in that mind-blowing black lingerie. Marriage Italian Style is screening September 20 & 21 as part of Film Forum’s twenty-four-day retrospective of elegant actor-director De Sica, one of the great Italian neorealists; the series continues through October 8 with such other seminal works as Bicycle Thieves, Miracle in Milan, Umberto D., General Della Rovere, Shoeshine, Two Women, and The Earrings of Madame De . . .

OKINAWAN VIBES: TRADITIONAL DANCE FROM OKINAW, WITH LIVE MUSIC

Japan Society
333 East 47th St. at First Ave.
Friday, September 18, and Saturday, September 19, $40, 7:30
212-715-1258
www.japansociety.org

As part of its 2015-16 performing arts season, Japan Society is celebrating the history of culture of Okinawa, located in the Ryukyu island chain south of mainland Japan, with the three-month series “Okinawan Vibes.” The festival begins September 18-19 with “Traditional Dance from Okinawa, with Live Music,” copresented with Yokohama Noh Theater. The event features dancers Satoru Arakaki, Sayuri Chibana, Izumi Higa, Kota Kawamitsu, Sonoyo Noha, Yoshikazu Sanabe, and Ayano Yamashiro and musicians Shingo Nakamine, Kazuki Tamashiro, Hiroya Yokome, Hokuto Ikema, Hideo Miyagi, Natsuko Morita, and Satoshi Higa from Okinawa Prefectural University of Arts performing a quartet of court and folk dances from during and immediately after the Ryukyu Kingdom (fifteenth to nineteenth centuries), including the women’s dance onna odori, the masked classical dance shundo, and folk dances known as zo odori; the dancers will be wearing such extravagantly colored costumes as the bingata, the hanagasa, and kasuri kimonos, while the musicians will be playing the taiko, the koto, the sanshin, the kokyu, and the fue. Each evening will be preceded by a lecture led by Dr. James Rhys Edwards and will be followed by a meet-the-artists reception. In addition, Japan Society is hosting an Okinawan dance and music workshop on September 19 ($45, 4:00), in which participants will learn about the karaya dance and sanshin and see an onnagata demonstration. “Okinawan Vibes” continues with Go Takamine’s rarely shown Paradise View on October 2, “Obake Family Day: Experience Japan’s Ghosts & Goblins” on November 1, “Explore Okinawa: Art, Culture, and Cuisine from the Ryukyu Islands” on November 3, the lecture “Okinawa, the Birthplace of Karate” on November 7, and the workshop “Creating Bingata, Okinawa’s Vibrant Textile” on November 8.

BROOKLYN BOOK FESTIVAL

Lovers of all things literature will flock to Brooklyn this year for tenth annual Brooklyn Book Festival

Lovers of all things literature will flock to Brooklyn this weekend for tenth annual Brooklyn Book Festival

Children’s Day: Saturday, September 19, MetroTech Commons, free, 10:00 am – 4:00 pm
Brooklyn Book Festival: Sunday, September 20, Brooklyn Borough Hall and Plaza, free, 11:00 am – 6:00 pm
www.brooklynbookfestival.org

The Brooklyn Book Festival celebrates its tenth anniversary with a full slate of special events this weekend, beginning on Saturday as Children’s Day takes over MetroTech Commons with more than forty authors participating, followed on Sunday with more than 250 writers around Borough Hall. There will be plenty of booths and signings, with lots of books for sale. In addition, there will be such bookend and satellite programs as “Kevin Geeks Out About the Apocalypse” on Thursday at Nitehawk Cinema, “Granta Presents . . .” on Friday at BookCourt with Tracy O’Neill, Greg Jackson, Jesse Ball, Peter Gizzi, A. M. Homes, and moderator Sigrid Rausing, “Lost in NYC: A Subway Adventure with Author Nadja Spiegelman” on Saturday at the New York Transit Museum, “Strings and Slams” on Sunday in Brooklyn Bridge Park with poets Liza Jessie Peterson and Tongo Eisen-Martin performing to live music by violinists Jennifer Choi and Cornelius Dufallo, and “Net Lit Unlimited” on Monday at the Goethe-Institut with Geoff Mack, Eric Becker, and Katy Derbyshire. Below are only some of the many events honoring the rich literary tradition of the greatest borough in the world.

Saturday, September 19
What Are You Waiting For? Kevin Henkes in Conversation with Jon Scieszka, followed by a Q&A and book signing, NYU Polytechnic School of Engineering Auditorium, 10:00 am

Where We Belong, with R. J. Palacio, Kat Yeh, and Corey Ann Haydu, moderated by Andrew Harwell, Young Readers Stage, 11:00 am

What a Character!, with Abby Hanlon, Lenore Look, and Jon Scieszka, moderated by Anica Rissi, Young Readers Stage, 12 noon

Readers Theatre of Mystery and Magic, with Chris Grabenstein, Tracey Baptiste, Emily Jenkins, and Sarah Mlynowski, moderated by Adam Gidwitz, Young Readers Stage, 1:00

Do You Dig Worms?!, with Kevin McCloskey, Workshop Spot, fourth floor, NYU MetroTech Center, 2:00

Illustrators in Action, live-action drawing competition with Kevin Sherry, Kazu Kibuishi, George O’Connor, Aimee Sicuro, Frank Morrison, and Raúl Colón, moderated by Ayun Halliday, NYU Polytechnic School of Engineering Auditorium, 3:00

Sunday, September 20
Pen American Center Presents: The Words Your Children Cannot Read, with Matt de La Peña, Libba Bray, Robie Harris, and Christopher Myers, Main Stage, Columbus Park, 10:00 am

The Writer’s Life, with Joyce Carol Oates, Ben Greenman, and Pico Iyer, moderated by Elissa Schappell, St. Francis College Auditorium, 11:00 am

Concrete Jungle — Where Dreams Are Made, with John Leguizamo and Jonathan Lethem, moderated by Steph Opitz, St. Francis College Auditorium, 12 noon

Modern Families, with Kate Bolick, Augusten Burroughs, and Robert Christgau, moderated by Lisa Lucas, North Stage, Cadman Plaza East, 1:00

Redrawing Boundaries, with Eduardo Halfon, Geoff Dyer, and Francine Prose, moderated by Ryan Chapman, St. Francis College Auditorium, 2:00

Retribution, with Laura Lippman, Dennis Lehane, and Nina Revoyr, moderated by Clay Smith, St. Francis College Auditorium, 3:00

David Simon and Nelson George in Conversation, moderated by Farai Chideya, Main Stage, Columbus Park, 4:00

Brooklyn Places and Spaces, with Arabella Bowen and Oriana Leckert, moderated by Carlo Scissura, Main Stage, Columbus Park, 5:00

BUNNY LAKE IS MISSING

(Keir Dullea) comforts his sister (Carol Lynley) in BUNNY LAKE IS MISSING

Stephen (Keir Dullea) tries to comfort his sister, Ann (Carol Lynley), in BUNNY LAKE IS MISSING

BUNNY LAKE IS MISSING (Otto Preminger, 1965)
Film Forum
209 West Houston St.
Sunday, September 20, $7, 5:30
212-727-8110
filmforum.org

“I had heard all the rumors about Preminger, but I felt he wouldn’t do that to me. I was wrong, oh so wrong,” Keir Dullea told Foster Hirsch in the 2007 biography Otto Preminger: The Man Who Would Be King, referring to the making of the 1965 psychological noir thriller Bunny Lake Is Missing and Otto Preminger’s notorious treatment of actors. “I was playing a crazy character and the director was driving me crazy. . . . About halfway through the shoot, I began to wonder, Who do you have to f&ck to get off this picture?” On September 20, Dullea and Hirsch will be at Film Forum for a one-time-only screening of the fiftieth anniversary 4K digital restoration of Bunny Lake, which will be introduced by Dullea (2001: A Space Odyssey, David and Lisa) and followed by a Q&A with the actor, moderated by Hirsch. In the intensely creepy film, loosely based on the novel by Merriam Modell (under the pseudonym Evelyn Piper), Carol Lynley stars as Ann Lake, a young woman who has just moved to London from New York. She drops off her daughter, Bunny, for her first day of school, but when she returns later to pick her up, there is no evidence that the girl was ever there. When Superintendent Newhouse (Laurence Olivier) and his right-hand man, Sergeant Andrews (Clive Revill), begin investigating the case, they are soon wondering whether Bunny really exists, more than hinting that she might be a figment of Ann’s imagination.

bunny lake is missing 2

Television veteran Lynley, who seemed on the verge of stardom after appearing in such films as Return to Peyton Place, Bunny Lake Is Missing, Shock Treatment, and The Poseidon Adventure but never quite reached that next level, gives one of her best performances as Ann, a tortured woman who is determined to stop her world from unraveling around her. Dullea is a model of efficiency as the cold, direct Stephen, a character invented by Preminger and screenwriters John and Penelope Mortimer. Shot in black-and-white by Denys N. Coop on location in London, the film also features cameos by longtime English actors Martita Hunt, Anna Massey, and Finlay Currie as well as the rock group the Zombies and Noël Coward, who plays Ann’s very kooky landlord, Horatio Wilson. Saul Bass’s titles, in which a hand tears paper as if the story is being ripped from the headlines, set the tense mood right from the start. The ending offers some neat twists but is far too abrupt. “No actor ever peaked with him. How could you?” Dullea added to Hirsch about Preminger (Laura, Stalag 17). “The subtlety that I felt I was able to give to my work in 2001, because Stanley Kubrick created a safe atmosphere where actors were not afraid to be foolish or wrong, was missing on Otto’s set. I don’t hate him; it’s too long ago. But the experience was the most unpleasant I ever had.” It should be quite fascinating to hear more from Dullea and Hirsch at Film Forum on September 20.

AUTUMN MOON FESTIVAL AND MORE

autumn moon festival

A CELEBRATION OF ASIAN CULTURE
Snug Harbor Cultural Center & Botanical Garden
1000 Richmond Terrace, Staten Island
Saturday, September 19, $8-$10, 12 noon – 4:00 pm
718-425-3504
snug-harbor.org

On September 19, Staten Island’s beautiful Snug Harbor Cultural Center & Botanical Garden will be hosting its sixteenth annual Autumn Moon Festival, an afternoon of special programs celebrating the Asian harvest. Taking place in the Chinese Scholar’s Garden, the festival will include an arts and crafts family workshop, a performance of Rabbit Days and Dumplings by Elena Moon Park and Friends, traditional music and dance, Asian-inspired food, martial arts and Tai Chi demonstrations, calligraphy lessons, and more. In addition, on Saturday and Sunday, Snug Harbor is holding a party for the grand opening of the Staten Island Museum, with games, live music, crafts, science, food, and more; admission for that is free. And finally, on Saturday at 2:00 and 8:00 and Sunday at 2:00, the Harbor Lights Theater Company will be presenting Rent in the Music Hall ($35-$45); the production continues through October 4.

EMPIRE TRAVEL AGENCY

It all starts out innocent enough in EMPIRE TRAVEL AGENCY — or does it? (photo by Mitch Dean)

It all starts out innocent enough in EMPIRE TRAVEL AGENCY — or does it? (photo by Mitch Dean)

Financial District, Lower Manhattan
Through September 26, free
www.empiretravelagency.com

To say too much about Woodshed Collective’s marvelously inventive Empire Travel Agency would ruin the endless surprises that make this wholly immersive production the most engaging trip of the season. Yet it is difficult not to want to share at least some of the chills and thrills that occur over the course of two and a half intense and involving hours. Six nights a week at thirty-minute intervals, four lucky individuals in four separate groups go on a wild journey through the dark passageways of Lower Manhattan, caught up in the middle of a dangerous battle over a mysterious substance. It all begins with a call at a pay phone — yes, a few of them still work — and then you are led from narrow streets through public plazas, private galleries, cars, the subway, and more. Be prepared to do plenty of walking, and climbing up and down a lot of stairs, as you get serenaded by the Avant Guardsmen, play a few games of Ordo, and meet a series of shady characters, beginning with Dr. Hans Bidity, who welcomes you to the Hidden City Excursion and proudly announces, “The only alliance I feel is to the truth. And secret societies.” From there — well, again, we’ve already said too much. (But just who is Rhonda Cadwallader?)

(photo by Mitch Dean)

A downtown art space is one of the many unusual locations audience members will visit in immersive, participatory show (photo by Mitch Dean)

Empire Travel Agency is no mere gimmicky shtick. It works because, first and foremost, Jason Gray Platt’s (There Was No Time Before the War, Agnosiophobia) script is well laid out and compelling, tackling with intelligence and wry humor such topics as Manhattan real estate, the New York City art market, government conspiracies, and constant surveillance. “Yeah, the animals are cooped up in this little cage, but can you be free in a confined space?” Frank asks. “I say, sure, we’re all livin’ inside some kinda boundary — city, country, planet, whatever, and you can decorate your little dollhouse however you like. Can you be free when you are under observation? No you cannot.” Woodshed artistic director Teddy Bergman (Twelve Ophelias, The Tenant) keeps it all moving at an exciting pace while still allowing for a few breathers as the uniformly excellent large cast (featuring particularly fine performances by Rosalie Lowe, Roger Lirtsman, Nicole Golden, and Phillip Taratula) guides you through some very cool small spaces designed by Gabriel Hainer Evansohn. You really have to let go if you want to enjoy the proceedings to the fullest; you will be touched and jostled, you’ll have to be extremely trusting of strangers, and you’ll be expected to improvise with the actors so you can dig deeper into the intriguing, if wacky, story. Oh, and did we say it’s all free? You will be asked for a five-dollar donation for an early imbibement that also serves as a souvenir, although you won’t need a physical object to help you remember this delirious production that takes adventurous, immersive, participatory theater to a whole new level.