Who: Dylan Baker, Eric Bogosian, David Cale, Michael Chernus, Richard Kind, Anson Mount, Billy Crudup, Gaby Hoffmann, Danny Mastrogiorgio, Craig “muMs” Grant, Marin Ireland, Matthew Maher, and Jennifer Tilly
What: Eric Bogosian’s 100 Monologues
Where: The Players, 16 Gramercy Park South
When: Monday, November 16, and Tuesday, November 17, $122-$222, 7:30
Why: In his 2014 book, 100 (Monologues), Eric Bogosian writes, “I did not set out to write monologues, but the more involved with the form I got, the more interesting it became to me. I liked the energy and excitement of speaking directly to an audience. I liked arranging the portraits of characters to create a larger whole. I liked the difficulty of writing and performing such complex stuff.” On November 16 & 17, a prestigious group of actors will join Bogosian at the Players to perform many of his monologues, in a two-night benefit supporting PS122’s “Give Performance Space” campaign, raising funds as the ultracool downtown institution prepares for the grand reopening of its renovated space at First Ave. and Ninth St. next summer. Among those performing hand-selected monologues are Dylan Baker, Jennifer Tilly, Billy Crudup, Gaby Hoffmann, Richard Kind, Anson Mount, Marin Ireland, and Bogosian, directed by longtime Bogosian collaborator Jo Bonney.
twi-ny recommended events
MARINELLA SENATORE AND NÁSTIO MOSQUITO: VISIBLE ON THE HIGH LINE

Nástio Mosquito will perform “S.E.F.A. Se Eu Fosse Angolano (If I Were Angolan)” to help kick off Creative Time Summit
The High Line
Gansevoort St. entrance to Chelsea Market Passage
Friday, November 13, free, 6:00
thehighline.org
creativetime.org
The Creative Time Summit, a two-day series of workshops, roundtables, and open discussions exploring the intersection of art and social justice, takes place November 14-15 at the Boys and Girls High School campus on Fulton St. in Brooklyn, featuring such participants as keynote speakers Nikole Hannah-Jones and Boots Riley along with Bill Ayers, Hans Haacke, Leonard Lopate, Luis Camnitzer, Hope Ginsburg, Tahir Hemphill, Chloë Bass, Tania Bruguera, and many others. But the summit, “The Curriculum NYC,” kicks off Friday night with the special event “Visible on the High Line,” an evening of site-specific participatory performances focusing on collaboration and social interaction, curated by Matteo Lucchetti and Judith Wielander of the Visible Project, “a research project in contemporary art devoted to art work in the social sphere, that aims to produce and sustain socially engaged artistic practices in a global context.” Italian visual artist Marinella Senatore will present the latest iteration of her “School of Narrative Dance” project, beginning at the Gansevoort St. entrance to the High Line and continuing on to the Chelsea Market Passage above Sixteenth St., where Angolan artist and musician Nástio Mosquito will perform “S.E.F.A. Se Eu Fosse Angolano (If I Were Angolan),” a look at media and identity, with visuals by Vic Pereiro. Admission to the High Line performance is free; tickets to the Creative Time Summit run from $25 to $350, depending on what you can afford.
SPECTATOR

Company Derashinera stages North American premiere of multimedia SPECTATOR at Japan Society on Friday and Saturday
Japan Society
333 East 47th St. at First Ave.
Friday, November 13, and Saturday, November 14, $30, 7:30
212-715-1258
www.japansociety.org
Spectators can check out the North American premiere of Shuji Onodera’s Spectator at Japan Society on November 13 & 14. The multimedia dance-theater work was developed out of Tokyo workshops with deaf students, two of whom (Maki Yamada and Mai Nagumo) are part of the cast, along with Naoya Oda from Butoh company Dairakudakan. Spectator, choreographed by Company Derashinera director Onodera, consists of lighthearted vignettes that include a woman manipulating tiny chairs that are echoed by performers in regular-size chairs, Japanese text projected in word bubbles on a screen, and a man and a woman playing with a small ball. The November 13 performance will be followed by a reception with the artists.
WUNDERBAUM: LOOKING FOR PAUL

Wunderbaum makes its New York debut with work examining controversial public art project by Paul McCarthy (photo by Steven A. Gunther)
New York Live Arts
Bessie Schönberg Theater
219 West 19th St. between Seventh & Eighth Aves.
November 11-14, $15-$35, 7:30
212-691-6500
www.newyorklivearts.org
thenewforest.nl
In 2001, controversial Utah-born, California-based artist Paul McCarthy was commissioned by Rotterdam to make a public sculpture for Shouwburgplein, or Theater Square. However, the city ultimately rejected McCarthy’s work, a giant Santa Claus holding a rather phallic pine tree that soon became known as “Kabouter Buttplug,” or “Buttplug Gnome.” The sculpture was moved several times before finally parading into its new home in the Eendrachtsplein. The eco-conscious Dutch-Flemish collective Wunderbaum examines the controversy, and public art in general, in the multimedia Looking for Paul, which is having its New York premiere November 11-14 at New York Live Arts. In the piece, bookstore owner Inez van Dam has no appreciation for “Kabouter Buttplug,” so she decides to do something about it, going out to Los Angeles to confront McCarthy, who is rather familiar with confrontation. Looking for Paul features actors and creators Walter Bart, Inez van Dam, Matijs Jansen, Maartje Remmers, Marleen Scholten, and guest Daniel Frankl, with design by Maarten van Otterdijk.
BLACK
The Brooklyn Hangar
140 53rd St. at Second Ave. Dr.
Saturday, November 14, $30-$80, 10:00 pm – 6:00 am
black-nyc.com
thebrooklynhangar.com
Tickets are going fast for BLACK, a combined music-and-art experience taking place at the Brooklyn Hangar, a thirteen-thousand-square-foot, two-floor warehouse space that hosts unique events. Run by MATTE Projects, the downtown Manhattan company that also promotes the Full Moon Festival and Kitsuné Club Nights, BLACK will feature music by Gesaffelstein, Jon Hopkins, GENER8ION, Virgil Abloh of FLAT WHITE, and NSR (The Deep) x Haruka. (You can hear a mix of songs from the musicians here.) While music is going on upstairs, the basement will be divided into six interactive rooms designed by six visual artists — Cara Stricker, Jesper Just, Nate Brown, Toki Series, Abloh, and Zach Walker, each in a different color. There will also be DJ sets by Tummetott and MASHA downstairs.
WIKIPEDIA EDIT-A-THON: BASQUIAT STILL FLY @55
Museum of Modern Art
The Lewis B. and Dorothy Cullman Education and Research Building
The Library and Archives Reading Rooms, sixth floor
4 West 54th St. between Fifth & Sixth Aves.
Tuesday, November 10, free with RSVP
www.moma.org
Influential artist Jean-Michel Basquiat, who died at the age of twenty-seven in 1988, would have turned fifty-five this December 22, so MoMA is using that as the inspiration behind its November 10 event, “Wikipedia Edit-a-thon: Basquiat Still Fly @55.” On Tuesday night at 6:00, everyone is invited to bring their own laptops and power cords and help update Wikipedia articles on Basquiat and other black artists, focusing on “the multicultural and gender gaps in Wikipedia.” No art, editing, writing, or HTML experience or knowledge is required, and light refreshments will be served. Advance RSVP is required here.
THE HOLLYWOOD CLASSICS BEHIND WALKERS: BE KIND REWIND
BE KIND REWIND (Michel Gondry, 2008)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Sunday, November 8, 4:30
Series runs through November 8 – December 27
718-777-6800
www.movingimage.us
When old man Fletcher (Danny Glover) takes off for a week, leaving Mike (Mos Def) in charge of his soon-to-be-demolished video store called Be Kind Rewind (they don’t have any DVDs or recent movies), his most important rule is to “Keep Jerry Out.” Jerry (Jack Black) is a crazy conspiracy theorist who covers himself in metal to ward off alien rays. After a botched attack on the local power plant, Jerry becomes a walking magnet (in a laugh-out-loud hysterical scene) and unknowingly erases all the videos in the store. Taking a page from the Little Rascals plots when Spanky and Alfalfa would suddenly put on a show for some local cause, Mike and Jerry recruit Alma (Melonie Diaz) as they proceed on their very strange attempts at Sweding — making their own versions of such films as Ghostbusters, Rush Hour 2, and Robocop and renting them out as if they were the real thing. Following the brilliant Eternal Sunshine of the Spotless Mind and the extremely strange The Science of Sleep, writer-director Michel Gondry has fashioned a really stupid movie that has an overabundance of heart and charm. Glover and Mos Def are soft and gentle in this Capra-esque comedy, offsetting Black’s hyperactivity. Every time you’re ready to write the film off as being just too silly and ridiculous, something comes along to make you double over in laughter. Be Kind Rewind kicks off the Museum of the Moving Image series “Walkers: Hollywood Afterlives in Art and Artifact,” being held in conjunction with the new exhibition that examines how contemporary artists have used iconic Hollywood imagery in their work, with sculptures, photographs, paintings, videos, drawings, and more by Francis Alÿs, Richard Avedon, Jim Campbell, Gregory Crewdson, Jean-Luc Godard, Douglas Gordon, Isaac Julien, Martin Kippenberger, Guy Maddin, Mary Ellen Mark, Richard Prince, Tom Sachs, Hiroshi Sugimoto, Piotr Uklanski, Pierre Bismuth, and many others. Be Kind Rewind is screening November 8 at 7:00, preceded by Oscar winner Bismuth’s Where Is Rocky II? trailer. Bismuth will introduce the films, then participate in an artist talk with curator Robert M. Rubin afterward. After a break, the series picks up after Thanksgiving, continuing through December 27 with such iconic and influential classics as Dr. Strangelove, Sunset Boulevard, Double Indemnity, Chinatown, Psycho, and The Wild Bunch as well as several cult faves by Maddin, who will be on hand to talk about his latest, The Forbidden Room, on December 12.



