Crowds take to the streets for annual Museum Mile Festival, beginning at the Met
Multiple locations on Fifth Ave. between 82nd & 105th Sts.
Tuesday, June 14, 6:00 – 9:00 pm
Admission: free
www.museummilefestival.org
The Metropolitan Museum of Art, now known as the Met Fifth Avenue with the addition of the Met Breuer in the old Whitney space, is the host of the thirty-ninth annual Museum Mile Festival, in which seven arts institutions along Fifth Avenue between 82nd and 105th Sts. open their doors for free between 6:00 and 9:00. (Met prez Daniel H. Weiss will deliver his opening remarks at 5:45.) There will be live outdoor performances by Dusan Tynek Dance Theatre, DJ Mickey Perez, Sammie & Trudie’s Imagination Playhouse, Mariachi Flor de Toloache, Silly Billy the Very Funny Clown, Miss 360, Alsarah and the Nubatones, Magic Brian, Kim David Smith, and Justin Weber Yo Yo in addition to face painting, art workshops, chalk drawing, and more. The participating museums (with at least one of their current shows listed here) are El Museo del Barrio (“Antonio Lopez: Future Funk Fashion”), the Museum of the City of New York (“Roz Chast: Cartoon Memoirs”), the Jewish Museum (“Isaac Mizrahi: An Unruly History,” “The Television Project: Some of My Best Friends”), the Cooper-Hewitt, National Design Museum (“Beauty — Cooper Hewitt Design Triennial,” “Pixar: The Story of Design”), the Guggenheim (“Moholy-Nagy: Future Present”), the Neue Galerie (“Munch and Expressionism”), and the Metropolitan Museum of Art (“Manus x Machina: Fashion in an Age of Technology,” “Court and Cosmos: The Great Age of the Seljuqs”), along with presentations by the New York Academy of Medicine, the 92nd St. Y, and Asia Society. Don’t try to do too much, because it can get rather crowded; just pick one or two exhibitions in one or two museums and enjoy.
Jeremy Sims’s Last Cab to Darwin is a poignant road-trip movie about a man determined to end things on his own terms. Australian star Michael Caton (The Castle, The Sullivans) is Rex, a grizzled, gruff cabdriver who has never been outside his small hometown of Broken Hill, a mining city in the far west of the country. In his late sixties, he has reached the point where he says and does whatever he wants in life, regardless of the consequences. But when he is diagnosed with stomach cancer and given three months to live, he decides to get in his taxi and drive nearly two thousand miles across Australia to meet with Dr. Farmer (Oscar nominee Jacki Weaver), who has just developed a controversial new assisted suicide method in Darwin that Rex wants to be the first to use. Barely acknowledging his neighbor and lover, an Aboriginal woman named Polly (Ningali Lawford-Wolf), Rex hits the road, where he eventually picks up a young indigenous hustler, Tilly (Mark Coles Smith), and a British nurse-slash-barmaid, Julie (Emma Hamilton), and the three get caught up in some crazy adventures.
About midway through The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble, the renowned international group performs an exhilarating song in a studio that leaves them just as thrilled as the audience. Renowned cellist Ma might be the heart of the ensemble, but it’s the joy of creating and playing music no matter what that makes this documentary soar. And music is something that director Morgan Neville clearly understands, having previously made the Oscar-winning 20 Feet from Stardom as well as Muddy Waters: Can’t Be Satisfied, Respect Yourself: The Stax Records Story, and Johnny Cash’s America. In The Music of Strangers, Neville traces the history of the Silk Road Ensemble, named for the thousands-of-years-old trading route across Asia, from China to the Mediterranean. Born as an improvised gathering of musicians at Tanglewood in 2000, it became a venture that tours the world, promoting collaboration and celebrating international interaction. “The idea of culture is not so much to preserve tradition but to keep things alive and to evolve things,” says Ma, who has had to deal with accusations of cultural appropriation and dilution. Neville focuses on five members of the ensemble: Ma, the Paris-born Chinese-American cellist who has been a star his whole life (archival footage shows him at age seven with Leonard Bernstein, performing for President Kennedy and first lady Jacqueline); Chinese pipa virtuoso Wu Man, the first Chinese artist to play at the White House; Kinan Azmeh, a Syrian clarinetist who is the artistic director of the Damascus Festival Chamber Music Ensemble; Cristina Pato, a rock star on the gaita, the Galician bagpipe; and Iranian Kayhan Kalhor, a three-time Grammy nominee who is an expert on the kamancheh, the Persian bowed lute. Each shares stories of their personal history, focusing on their relationship with their native countries, which have undergone major changes over the last fifteen years.
Michael Collins’s emotionally gripping documentary, Almost Sunrise, is built around an absolutely shocking statistic: According to the Department of Veteran Affairs, twenty-two U.S. veterans commit suicide every day. That’s one self-inflicted death every sixty-five minutes. In the film, two young veterans of Operation Iraqi Freedom, facing depression and suicidal thoughts themselves, decide to walk from their homes in Milwaukee, Wisconsin, to Los Angeles, California, in order to clear their own heads and raise awareness of this horrifying issue. Tom Voss and Anthony Anderson, a pair of big, bushy-haired men, became media darlings as they continued what became known as 