twi-ny recommended events

HARLEM DAY 2020

Who: Alvin Ailey Dance Company, the Chamber Music Society of Lincoln Center, Doug E. Fresh, Harlem Music Festival All Star Band, Ray Chew, Alyson Williams, the Georgie Gee Orchestra
What: Harlem Week special event
Where: Harlem Week
When: Sunday, August 23, free with RSVP, 1:00
Why: The forty-sixth annual Harlem Week celebration has been a virtual potpourri of fun events that continue this weekend with an online 5K run, a vendor village, live music, a fashion show, dance parties, discussions, a story slam, film screenings, and foodie programs. The highlight could very well be Harlem Day on August 23, which features appearances by the Alvin Ailey Dance Company, the Chamber Music Society of Lincoln Center (performing “Chamber Music of the Harlem Renaissance” by Duke Ellington and Harold T. Burleigh, with clarinetist David Shifrin, pianists Gloria Chien and Wu Han, and violinist Chad Hoopes), Doug E. Fresh, the Harlem Music Festival All Star Band featuring Ray Chew with special guests, and Jazzmobile Great Jazz on the Great Hill with Alyson Williams and the Georgie Gee Orchestra. (Stevie Wonder had been on the bill for a talk with Fresh but that seems to no longer be happening.) Admission to Harlem Week is free with registration. Have a great day!

PERSPECTIVES ENSEMBLE PRESENTS CELLIST WENDY SUTTER: THE SIX BACH SOLO CELLO SUITES

Wendy Sutter will perform Bach’s Six Solo Cello Suites live from Judson Memorial Church on Sunday

Who: Wendy Sutter, Don Byron, Tim Page, George Stauffer, Kira Thurman
What: Live performance
Where: Judson Memorial Church (livestream)
When: Sunday, August 23, free with RSVP, Suites 1-3 at 3:00, Suites 4-6 at 6:00
Why: On August 23, New York Philharmonic and Perspectives Ensemble cellist Wendy Sutter will perform, as only she can, Johann Sebastian Bach’s Six Solo Cello Suites live in the Meeting Room at Judson Memorial Church; although no crowd will be present, you can watch the livestream for free with advance registration. She will play Suites 1, 2, and 3 at 3:00, followed by 4, 5, and 6 at 6:00. In addition, there will be live commentary by Don Byron, Tim Page, George Stauffer, and Kira Thurman.

RAY BRADBURY CENTENNIAL READ-A-THON

Who: Neil Gaiman, Susan Orlean, William Shatner, Carla Hayden, Charles Bolden Jr., Marlon James, Ann Druyan, Marjorie Liu, more
What: Livestreamed marathon reading
Where: Ray Bradbury marathon
When: Saturday, August 22, free, 4:30 (available through September 5)
Why: “It was a pleasure to burn.” So begins Ray Bradbury’s 1953 novel, Fahrenheit 451, one of the most banned books ever in America. The protagonist is Guy Montag, whose job it is to burn down houses where he finds outlawed books. In honor of the hundredth anniversary of Bradbury’s birth — the novelist and screenwriter (The Martian Chronicles, Something Wicked This Way Comes) was born on August 22, 1920, in Waukegan, Illinois, and passed away on July 5, 2012, in Los Angeles — a wide ranging group of people will read the book online, including writers, actors, scholars, and librarians. The stream begins August 22 at 4:30 and continues through September 5, with such participants as Neil Gaiman, Susan Orlean, William Shatner, Carla Hayden, Charles Bolden Jr., Marlon James, Ann Druyan, and Marjorie Liu reading the three parts of the book, “The Hearth and the Salamander,” “The Sieve and the Sand,” and “Burning Bright.”

JUDGMENT DAY: ONLINE BENEFIT READING

Who: Jason Alexander, Patti LuPone, Santino Fontana, Michael McKean, Loretta Devine, Josh Johnston, Bianca LaVerne Jones, Julian Emile Lerner, Justina Machado, Carol Mansell, Michael Mastro, Elizabeth Stanley
What: Online benefit reading of new play
Where: Barrington Stage Company
When: Saturday, August 22, $35+, 7:30 (available through August 25)
Why: The Pittsfield-based Barrington Stage Company will be holding an all-star benefit reading of a new work on August 22 at 7:30, with proceeds going to the Massachusetts troupe and the Actors Fund. For a donation of $35 or more, you will gain access to the live reading, which features Jason Alexander, Patti LuPone, Santino Fontana, Michael McKean, Loretta Devine, Josh Johnston, Bianca LaVerne Jones, Julian Emile Lerner, Justina Machado, Carol Mansell, Michael Mastro, and Elizabeth Stanley in Rob Ulin’s Judgment Day, directed by Matthew Penn. A near-death experience results in a lawyer (Alexander) examining himself and his faith as questions of morality take center stage. “Judgment Day is the perfect panacea for today’s world — a smart, funny play with a brilliant cast; the play gives us an opportunity to laugh out loud — something we’ve had little opportunity to do recently,” Barrington founder and artistic director Julianne Boyd said in a statement. The link will be available for viewing through August 25.

2020 NEA JAZZ MASTERS TRIBUTE CONCERT

Who: Dorthaan Kirk, Bobby McFerrin, Roscoe Mitchell, Reggie Workman, Dee Dee Bridgewater, Terri Lyne Carrington, Mary Anne Carter, Randall Kline, James Carter, Gerald Clayton, Vincent Davis, Lisa Fischer, Morgan Guerin, Oliver Lake, Christian McBride, Jevon McFerrin, Madison McFerrin, Taylor McFerrin, Kanoa Mendenhall, Junius Paul, Steve Turre, the SFJAZZ High School All-Stars
What: Livestreamed tribute concert and discussion
Where: National Endowment for the Arts, SFJAZZ Center
When: Thursday, August 20, free, 8:00
Why: The National Endowment for the Arts will be honoring the 2020 class of Jazz Masters with a virtual tribute concert on August 20 at 8:00; this year’s honorees are Dorthaan Kirk, Bobby McFerrin, Roscoe Mitchell, and Reggie Workman, who will perform and receive their accolades from wherever they are sheltering in place. The evening will be hosted by 2017 NEA Jazz Master Dee Dee Bridgewater and also features appearances by NEA chairman Mary Anne Carter, SFJAZZ founder and executive artistic director Randall Kline, music director Terri Lyne Carrington, and musicians Ambrose Akinmusire, James Carter, Gerald Clayton, Vincent Davis, Lisa Fischer, Morgan Guerin, Oliver Lake, Christian McBride, Jevon McFerrin, Madison McFerrin, Taylor McFerrin, Kanoa Mendenhall, Junius Paul, Steve Turre, and the SFJAZZ High School All-Stars. Following the concert, Kline will moderate a live, interactive Q&A with the newly inducted masters in which the audience can ask questions on YouTube.

KAUFMAN MUSIC CENTER PRESENTS LISA BIELAWA’S BROADCAST FROM HOME

Who: Lisa Bielawa, Gregory Purnhagen, John Glover, Natalie Mallis, Edith Knight Magak, Benjamin Barham-Weise, Federico Ramirez, Seth Brenzel, Elizandro Garcia Montoya, Deborah Meadows
What: Livestreamed two-night concert and discussion
Where: Kaufman Music Center and Facebook
When: Thursday, August 20, and Friday, August 21, free with RSVP, 2:00
Why: Since April 9, composer, producer, and vocalist Lisa Bielawa has been presenting Broadcast from Home, a weekly series in which she creates a communal work based on testimonies about the coronavirus pandemic sent to her from the public, setting the text to music played by her, special guests, and the public as well. In such chapters as ”After-Lives,” ”Where Is Everybody?,” “The City Is Not the Same,” and ”The New Abnormal,” each of which can be individually heard here, she has collaborated with dozens of other musicians and sing coleader Gregory Purnhagen. “Broadcast from Home arose organically out of an unprecedented moment: worldwide stay-at-home orders in response to a global pandemic, and the universal feelings of shock, grief, disorientation, hope, and fear that overtook us as we navigated our strange new isolation, and then the surge of calls for justice in the midst of it all,” Bielawa said in a statement. “I am so grateful to the hundreds of people, sheltering in place from NYC to Nairobi to Melbourne to Rio de Janiero, who shared their personal experiences and raised their singing voices from their own homes to build this work with me. It stands as a document of the crisis through the lens of people’s most private experiences. Ironically, I have never felt more connected to people through my work than I did through this period of utter isolation. I’ve learned how transformative radical listening can be.”

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On August 20 and 21, the cycle will be streamed in its entirety for the first time by Kaufman Music Center, along with live discussions between Rome Prize winner Bielawa and many contributors from around the world, moderated by John Glover. August 20 will feature Natalie Mallis, Edith Knight Magak, Benjamin Barham-Weise, and Federico Ramirez, while Seth Brenzel, Elizandro Garcia Montoya, Deborah Meadows, and Purnhagen will participate on August 21. Following the two-night event, Bielawa will take a break from Broadcast from Home and move on to Voters’ Broadcast, which looks at the current presidential campaign and upcoming election. “The organic moment of a monolithic, shared reality has begun to transform and fragment, as different parts of the world grapple and react,” she explained. ”Testimony submissions are slowing as people begin to take up the challenging work of reengaging with the world. It feels like the right moment for me to step back and observe, and rest. But I will continue to communicate with this community as we move into this new phase.”

ARTIST CONVERSATION: IGOR GOLYAK & WANG CHONG

Who: Igor Golyak, Wang Chong, Annie G. Levy
What: Artist conversation
Where: ArtsEmerson, HowlRound
When: Wednesday, August 19, free with RSVP, 10:00 am
Why: Back in June, I called Arlekin Players’ virtual interactive play State vs. Natasha Banina “the future of online productions.” On August 19 at 10:00 am, ArtsEmerson’s Together Apart Series will present a live conversation between Arlekin Players artistic director Igor Golyak, who directs the one-woman show — which stars his wife, Darya Denisova, and which you can still catch here — and Théâtre du Rêve Expérimental artistic director Wang Chong, moderated by theater maker and Emerson artist-in-residence Annie G. Levy. Golyak and Chong will focus on the place of theater during a pandemic.

In his Online Theater Manifesto, Chong writes, “The ancient Greeks probably could not have imagined that the public forum they called theater would still exist more than two thousand years in the future. They absolutely could not have imagined that, more than two thousand years later, a plague like the one in their play Oedipus Rex would suffocate theater. Performances have stopped; venues have closed; theater has disappeared. . . . In this world, theater artists can start from scratch with just their bare hands. We can define all time and space; we can control all language and symbols; we can create all the currents and futures. In this world, it is easier for us to find the Dionysian spirit or the ‘immediate theater’ imagined by Peter Brook.” The talk will have live captioning and ASL interpretation, and the audience is encouraged to ask questions.