twi-ny recommended events

JOURNEY INTO BUDDHISM: VAJRA SKY OVER TIBET

Thangka Festival in Drepung is one of the many highlights of VAJRA SKY OVER TIBET (photo by John Bush/Direct Pictures)

THE YATRA TRILOGY: VAJRA SKY OVER TIBET (John Bush, 2006)
Asia Society
725 Park Ave. at 70th St.
Friday, May 7, free, 6:45 (free tickets available beginning at 6:00)
212-517-asia
www.journeyintobuddhism.com
www.asiasociety.org
www.vajra-sky.com

The Asia Society’s presentation of John Bush’s Yatra Trilogy concludes on May 7 with VAJRA SKY OVER TIBET: JOURNEY INTO AN ENDANGERED WORLD, a reverential documentary that examines the history of the Tibetan people, focusing on the long-standing battle with China. In 1959, the fourteenth Dalai Lama was forced into exile, finding safe haven in India. Although many Tibetans escaped with him, many stayed behind, where they practice their faith under the sharp watch of the Chinese government, which would like to name their own Dalai Lama in time. VAJRA SKY OVER TIBET is the third part of the Yatra Trilogy by producer/director John Bush, following DHARMA RIVER and PRAJNA EARTH, as Bush completes his Buddhist pilgrimage that previously took him to Southeast Asia. Bush, a Western Buddhist himself, gained remarkable access to some of Vajrayana Buddhism’s holiest palaces and sites of worship, including Jokhang Temple in Llasa, the Potala, and the Norbulinka. Bush winds his way through the Drepung Festival, traveling with a Tibetan guide whose name he can’t share because of possible reprisals. Bush narrates much of the film, along with Tenzin L Choegyal, the nephew of the current Dalai Lama, and Dadon, a popular Tibetan singer. The meditative score is by David Hykes and the Harmonic Choir, supplemented with devotional music by Dadon and other Himalayan musicians. Although it often plays too much like a travel show on PBS or the Travel Channel, VAJRA SKY, which has been personally endorsed by the Dalai Lama, is an illuminating look into a fascinating culture that is in serious danger of disappearing. “Tibetan civilization,” writes the Dalai Lama as the film begins, “forms a distinct part of the world’s precious common heritage. Humanity would be the poorer if it were to be lost.” For nearly ninety minutes, with beautiful cinematography, captivating music, and gorgeous settings, Bush, who will introduce the Asia Society screening in conjunction with the exhibit “Pilgrimage and Buddhist Art,” takes you deep inside a mysterious, peaceful, and threatened world that you will not soon forget.

sex & drugs & rock & roll

Andy Serkis gives many reasons to be cheerful channeling Ian Dury in biopic

Andy Serkis gives many reasons to be cheerful channeling Ian Dury in biopic

sex & drugs & rock & roll (Mat Whitecross, 2010)
Tribeca Cinemas
54 Varick St. at Laight St.
May 5-11
212-941-2001
www.tribecafilm.com

British actor Andy Serkis, who has appeared in such diverse roles as Gollum in the Lord of the Rings trilogy and Rigaud in the widely hailed 2008 LITTLE DORRIT miniseries, transforms himself into punk rocker Ian Dury in the biopic sex & drugs & rock & roll. Directed by documentarian Mat Whitecross (THE ROAD TO GUANTANAMO, THE SHOCK DOCTRINE), the film follows Dury as an adult desperate to make it in the music biz, putting his career ahead of his family. The first half is awkward to watch, as there is not much to like about the character, a nasty, self-centered brute with a huge chip on his shoulder who leaves his caring wife (Olivia Williams) for a young fan (Naomie Harris). But as Whitecross and actor-turned-writer Paul Viragh reveal more of Dury’s past, centering on his relationship with his father (Ray Winstone) and being confined to a poorly run hospital after he contracted polio, Dury becomes a more compelling figure, especially as success approaches. Serkis does all his own singing in the film, set to newly recorded versions of such Ian Dury and the Blockheads classics as “Hit Me with Your Rhythm Stick,” “What a Waste,” “Reasons to Be Cheerful, Part 3,” and the title song. The soundtrack was composed by Dury’s longtime collaborator, Blockhead Chaz Jankel (played by a bland Tom Hughes), who also served as a consultant on the film. It takes a while to get going, but once it does, sex & drugs & rock & roll grabs you, anchored by Serkis’s remarkable performance.

KIM IN SOOK: INSIDE OUT

Kim In Sook, “Saturday Night,” C-print, Diasec, 2007

Gana Art New York
568 West 25th St. between Tenth & Eleventh Aves.
Through May 8
Admission: free
212-229-5858
www.ganaart.com

We were terrifically excited when we heard that Korean photographer Kim In Sook was having her first solo show in New York this spring, at Gana Art in Chelsea. Kim’s large-scale “Saturday Night” was a hit at several art fairs over the last few years, a giant shot of a colorful hotel in which various activities are taking place in each room, usually involving some form of sex and violence. It’s like Alfred Hitchcock’s “Rear Window” taken to the extreme, mixed in with a little Gregory Crewdson, Thomas Struth, and Thomas Ruff as the viewer becomes the voyeur. Last fall, we were invited to a private showing of more of her outstanding, provocative work at Gana, celebrating the publication of some of her architectural photos in the New York Times Magazine, where we got the opportunity to meet the charming Kim, speaking with her outside as she nervously smoked cigarettes to get away from the adoring crowd. So it was with great disappointment that we finally made our way to Chelsea to see her series on the all-glass German museum the Langen Foundation and her “Kokain” and “Heroin” duo only to be told that those pictures, which were in the upstairs gallery, had already been taken down in preparation for Gana’s next exhibition, even though this one was not scheduled to end until May 8. Still, seeing “Saturday Night” again is a delight, as are her other frontal shots of buildings in New York and Germany filled with people in the midst of carefully choreographed activities and “Die Auktion,” a stunning shot of a nude woman standing on a pedestal on a red carpet, surrounded by men in suits bidding on her. If you’ve never seen her work, it’s absolutely worth a visit, but we can’t help feeling that it’s now only half an exhibit.

DRINK UP BUTTERCUP

Drink Up Buttercup is back in their second home to celebrate the release of their debut album (photo by twi-ny/mdr)

Wednesday, May 5, Brooklyn Bowl, 61 Wythe Ave., free, 8:00
Friday, May 14, Mercury Lounge, 217 East Houston St., $10, 7:30
www.myspace.com/drinkupbuttercupband
www.mercuryloungenyc.com
www.brooklynbowl.com

On the first song on their debut album, Philly band Drink Up Buttercup sings, “Remember your seasickness pills,” an apt warning to listeners about to delve into the many giddy pleasure of BORN AND THROWN ON A HOOK (Yep Roc, March 2010). Over the course of fourteen songs, Jamers Harvey, Farzad Houshiarnejad, Ben Money, and Mike Cammarata let loose with a barrage of sea shanties, garage rock, waltzes, Goth moments, and Beatles-esque harmonies on such infectious tunes as “Doggy Head,” “Even Think,” “Gods and Gentlemen,” and the gorgeous “Lovers Play Dead.” The record is anchored by DUB’s wild and crazy double shot of “Sosey and Dosey” and “Mr. Pie Eyes,” which glory in the raw energy of rock and roll. As strong as the album is — these guys really know how to write a hook, and they fearlessly take off in whichever direction the music takes them — it’s their live shows that make them special, as they bang on trash cans, trade off instruments, knock over mannequin heads, and play with a reckless abandon that will have you wasted and begging for more. DUB will be playing a free show at Brooklyn Bowl on May 5 with the King Expressers and Givers, then will head to Mercury Lounge on May 14 with the King Left, the upstate New York band who are finishing up their tour in support of their EP NEW YORK NOTHING.

COSMIC CABARETCINEMA: THE DAY THE EARTH STOOD STILL

Gort makes his way through the shadows in Robert Wise’s sci-fi gem

THE DAY THE EARTH STOOD STILL (Robert Wise, 1951)
Rubin Museum of Art
150 West 17th St. at Seventh Ave.
Friday, May 7, free with $7 bar minimum, 9:30
212-620-5000
www.rmanyc.org/cabaretcinema

This cold-war-era classic stars Michael Rennie as an alien who lands on earth with a very important message: No peace, no planet. He brings along with him one of the great robots in cinema history, Gort (Lock Martin), and later utters to Patricia Neal one of the ten best lines ever: “Klaatu borada nikto.” This science-fiction fave works on a number of different and fascinating levels; during a 1998 UC Berkeley interview, director Robert Wise even noted, “Some people read a religious connotation into the thing, the resurrection and all. If you want to put a beard on Rennie and all, he could be a Christ figure.” The film will be screening May 7 at the Rubin Museum as part of its Cosmic Cabaretcinema series, featuring “films that explore a new frontier in humankind’s understanding of the universe,” and will be introduced by writer Larry Doyle, a veteran of THE SIMPSONS and BEAVIS AND BUTT-HEAD.

MONEYBROTHER

Moneybrother will open up terrific double bill with Rhett Miller at City Winery

Moneybrother will make his full-band New York City debut on May 5 at Mercury Lounge

Mercury Lounge
217 East Houston St.
Wednesday, May 5, $10, 6:30
www.mercuryloungenyc.com
www.myspace.com/moneybrother

Earlier this year, Moneybrother played an acoustic gig with Rhett Miller at City Winery. The creation of former Monster Anders Wendin, Moneybrother is back in town, making its full-band debut at Mercury Lounge on May 5. A soulful mix of pop, punk, reggae, classic rock, and disco, Moneybrother’s latest album, REAL CONTROL (April 2010), is a musical tour de force, from the funky opener, “Born Under a Bad Sign,” to the rollicking gem “Get Some Tonight,” from the infectious choruses of “We Die Only Once” and “Just Another Part of Me That Breaks Down” to the power ballad “6 AM” and the lovely closer, “Showdown,” a song that would make Ian Hunter proud. At times, Wendin’s voice is a little Mick Jones and a lot Joe Strummer, turning REAL CONTROL into a Clash-like foray into love and heartbreak, with horns and strings and other accoutrements. Moneybrother is sharing the bill with Michael Leonhart and the Avramina 7, featuring the Antibalas Horns, and DJ Sean Lennon, which should make for quite an unusual night of cool music.

HA HA TONKA

Bowery Ballroom
6 Delancey St.
Tuesday, May 4, $16, 8:30
212-533-2111
www.myspace.com/hahatonka
www.boweryballroom.com

The Missouri Department of Natural Resources describes Ha Ha Tonka State Park as “the ideal place for the adventurous.” They could just as easily been talking about native sons Ha Ha Tonka, the four-piece Ozark band consisting of Brett Anderson on keyboards and guitar, Lennon Bone on drums, Lucas Long on bass, and Brian Roberts on guitar. Originally called Amsterband, Ha Ha Tonka has made a name for itself with its unique take on southern music on their two fine albums, 2007’s BUCKLE IN THE BIBLE BELT and 2009’s NOVEL SOUNDS OF THE NOUVEAU SOUTH, both released by Bloodshot Records. The group investigates the South’s “horrific past” while celebrating its reputation for “enormous hospitality” on gospel-tinged pop songs such as “Hold My Feet to the Fire” and “The Outpouring,” in which they proclaim, “We bled it out.” You might have missed the pride of Springfield, Missouri, on May 2 in Brooklyn, but they’ll be at the Bowery Ballroom on May 4, playing with Murder by Death and Linfinity. Check them out for a novel musical journey through the New South.