twi-ny recommended events

INSPIRING SPACES: TWENTY-FIVE YEARS OF MTA ARTS FOR TRANSIT

Arts in Transit is celebrating its twenty-fifth anniversary with dual exhibit looking as its past, present, and future (photo by twi-ny/mdr)

New York Transit Museum
Boerum Pl. & Schermerhorn St.
Tuesday – Sunday through February 2011, $6
718-694-1600
New York Transit Museum Gallery Annex
Grand Central Terminal
Shuttle Passage next to Station Masters’ Office
Through October 31, free
212-878-0106
www.mta.info

The Metropolitan Transportation Authority is celebrating the twenty-fifth anniversary of its wonderful Arts in Transit program, which has been beautifying stations in the New York City subway and on the Long Island Rail Road and Metro-North since 1985, with a two-part exhibit that continues through October 31 at the Gallery Annex in Grand Central Terminal and through February at the Transit Museum in Brooklyn. The show examines dozens and dozens of the more than two hundred installed works, as well as some that are in progress, including a brief history of each installation and the artist and displaying photographs, fabrication samples, proposal drawings, silkscreen studies, and models of the final pieces. The exhibit also explains the selection process and divides the works into such categories as Transformation, Tradition Renewed and Reinvented, and Monumentality. Among the projects on view at the annex are Houston Cornwill’s 1986 “Open Secret” at the 125th St. 4/5/6 station, Mark Gibian’s 1996 “Cable Crossing” at the Brooklyn Bridge City Hall 4/5/6, R. M. Fischer’s 1992 “Brooklyn-Battery Tunnel Clock,” Sol Lewitt’s 2009 “Whirls and Twirls” at Columbus Circle, Michele Oka Doner’s “Radiant Site” at 34th St. Herald Square, and Ming Fay’s 2004 “Shad Crossing” and “Delancey Orchard” at the Delancey St.-Essex St. F/M/J/Z.

Exhibit focuses on such Arts in Transit installations as Al Held’s “Passing Through” (photo by twi-ny/mdr)

The larger Brooklyn section of the exhibit includes looks at Jacob Lawrence’s 2001 “New York in Transit” in Times Square, Tom Otterness’s “Life Underground” at the 14th St. A/C/E/L, Ingo Fast’s upcoming “On and Off the Boardwalk” at the Beach 67th St. A, Faith Ringgold’s 1996 “Flying Home: Harlem Heroes and Heroines (Downtown and Uptown)” at the 125th St. 2/3, and the 2000 “For Want of a Nail” collaboration with the American Museum of Natural History at the 81st St. B/C as well as original subway posters and a short film about the program. Other prominent artists who have participated in the project are Vito Acconci, Elizabeth Murray, Nancy Spero, Jane Dickson, Doug and Mike Starn, Jean Shin, Peter Sis, Daniel Kirk, and Roy Lichtenstein. On November 25, the museum is offering a tour of new projects on the Brighton Line, featuring works by Mary Temple, Jason Middlebrook, and Rita MacDonald ($25). We absolutely love Arts in Transit and have been documenting many of the projects on twi-ny and our Flickr site since we began in 2001. In the midst of all the maelstrom of the city’s transportation system, these installations offer a much-needed respite, like mini-galleries, on your way to where you need to be. After seeing this dual exhibit, you’ll spend more time in the future checking out these splendid works. Also on display at the museum, which is one of the gems of the city and a great place for families, are “Steel, Stone & Backbone: Building New York’s Subways 1900-1925,” “On the Streets: New York’s Trolleys,” “The Triborough Bridge: Robert Moses and the Automobile Age,” and “Moving the Millions: New York City’s Subways from Its Origins to the Present.”

NYC HALLOWEEN HAUNTED HOUSE

Things can get a little touchy at NC-17 attraction (photo by Altered Nightmares)

115 West 27th St. between Sixth & Seventh Aves.
Tuesday – Sunday through October 31, $15-$30
212-352-3101
www.nychalloweenhauntedhouse.com

Unlike most of the other haunted-house attractions in New York City this Halloween season, this one, created by the Vortex Theater’s Josh Randall and Kris Thor, involves actual contact, and you have to go through it alone, not in a group, take off your shoes and socks, wear a facemask, and carry a flashlight. In addition, no one under eighteen will be admitted because of scenes of extreme sex and violence, and you will have to sign a waiver because of the many rules. Remember, the emergency word is “safety.”

BLOOD MANOR

Chelsea haunted house offers a bloody good time

542 West 27th St. between Tenth & Eleventh Aves.
Tuesday – Sunday through November 6, $25-$50
212-290-2825
www.bloodmanor.com

Blood Manor’s annual Chelsea haunted house promises “slutty stewardesses, slutty nurses, and creepy debauchery,” so you’d better leave the kids at home for this one. New this year are the Wolves Den, Zombie Attack, It’s Alive!, Serial Killer’s Thriller, Electrocution, the Vampire’s Lair, and the 3D Circus of Horrors.

CEDAR LAKE CONTEMPORARY BALLET AT THE JOYCE

Cedar Lake will present two programs of three works apiece during two-week season at the Joyce

Joyce Theater
175 Eighth Ave. at 19th St.
October 26 – November 7, $10-$59 (October 27 performance reviewed)
212-242-0800
www.joyce.org
www.cedarlakedance.com

The immensely talented and creative Cedar Lake Contemporary Ballet will be heading slightly southeast for its two-week fall season at the Joyce. The company, which has its own home on West 26th St., will be presenting a pair of international programs, beginning with Norwegian Jo Strømgren’s SUNDAY, AGAIN, Italian dancer-choreographer Jacopo Godani’s UNIT IN REACTION, and Swedish choreographer Alexander Ekman’s HUBBUB, running October 26-31, followed by SUNDAY, AGAIN, the London-based, Israeli-born Hofesh Shechter’s THE FOOLS, and Dutch choreographer Didy Veldman’s breathtaking FRAME OF VIEW, which we caught during its New York premiere back in January 2009. (UNIT IN REACTION, HUBBUB, and THE FOOLS are city premieres.) Last year, Cedar Lake blew away dance fans with Sidi Larbi Cherkaoui’s spectacular ORBO NOVO, so it’s a treat to have them back again.

In SUNDAY, AGAIN, Strømgren depicts man-woman dynamics among the wealthy leisure class on their day of rest. Carrying around badminton equipment, costumed in white, vaguely reminiscent of sporting clothes, with white ankle-high socks, the dancers play another game, treating each other roughly, then affectionately, then everywhere in between. Only Acacia Schachte, a central figure, wears a gray dress as she battles it out with Jason Kittelberger. Set to delightful harpsichord music by Bach, SUNDAY, AGAIN is a playful, if not particularly deep, work propped with a broken racket, a net, and a shuttlecock that emerges from unusual places. UNIT IN REACTION tests the limits of three male and three female dancers in body-tugging outfits as they move to Ülrich Müller and Siegfried Rössert’s electronic soundscapes in sharp geometric patterns, individually and together. Choreographer, costumer, and lighting designer Godani works with abrupt breaks and reconfigurations, punctuated by silences and darkness. In a series of solos and duets, the well-muscled dancers get to show off their chops, even if the narrative is too vague for some tastes. The evening concludes with HUBBUB, Ekman’s narrative-laden boot camp as each member of the company, dressed only in tight underwear, stands at their own table, listening closely as an unseen voice, reading along with a typewriter dangling in midair, takes them through a careful series of procedures, with music by Chopin and Xavier Cugat playing in the background. The dance-theater piece features a silly but engaging duet by Nickemil Concepcion and Harumi Terayama (or Oscar Ramos and Schachte, depending on the night), whose supposed internal commentary is read aloud as they move. It’s self-referential, self-indulgent, and self-deprecating all at the same time, but it’s also a fun crowd pleaser. The second program starts November 2 and repeats SUNDAY, AGAIN and adds THE FOOLS and FRAME OF VIEW; we saw the latter back in January 2009, using such words as “breathtaking” and “thrilling” in our review, available here.

REVEALING MEXICO WEEK

Rockefeller Center
47th to 50th Sts. between Fifth & Sixth Aves.
October 25-30
www.revealingmexico.com
www.rockefellercenter.com

In 1810, Mexico declared its independence from Spain. One hundred years later, the Mexican Revolution began, seeking political and social change in the country. In honor of the two events, one celebrating its bicentennial, the other its centennial, Mexican culture will be invading Rockefeller Center this week, built around a photography exhibit and book signing for John Mack and Susanne Steines’s REVEALING MEXICO (powerHouse, September 2010, $75). “Both the good things and the bad things have shown themselves to us within a short amount of time, and both have shown themselves with extreme intensity: the marvelous magic of Mexican culture and the gruesome social reality of the country,” Mack and Steines write in the book’s authors’ note. “We discovered very soon that the reasons for Mexico’s contradictions are highly complex. We also understood that it would be difficult for anybody having lived in this country for longer than ten years to still be able, after such a time span, to borrow power from the amazement that Mexican culture inspires and to use this power to call for an overcoming of anything that keeps Mexico from moving toward a dignified future.” While states such as Arizona have clamped down on foreigners, New York City will once again be opening its doors; in addition to the photo display, there will be Mexican opera and Mariachi music in the skating rink, a free concert by the Nortec Collective’s Bostich + Fussible, a meet-and-greet with Mexico’s soccer captain, Rafael Márquez, and specially prepared Mexican cuisine at the Rock Center Café, Iguana, Toloache, Yerba Buena, Café Frida, Crema, El Aquila, Casa Vieja, Barrio, Hecho en Dumbo, the Taco Truck, and La Palapa.

WORLD STAGES: PEKING OPERA FESTIVAL

The Peking Opera Festival returns to the Skirball Center for its tenth anniversary

NYU Skirball Center for the Performing Arts
566 La Guardia Pl.
Sunday, October 24, $38, 7:00
www.qishufang.com
www.skirballcenter.nyu.edu

As part of its World Stages series, the NYU Skirball Center for the Performing Arts is presenting the tenth annual Peking Opera Festival on Sunday night, October 24. Now in its twenty-second year of “promoting Chinese and Chinese-American culture by bringing Peking Opera — one of China’s national treasures — to a world audience and to foster a deeper cultural understanding between East and West,” the Qi Shu Fang Peking Opera Company will perform “The Monkey and the Princess Iron Fan,” from the epic THE JOURNEY TO THE WEST, in addition to the excerpts “Pick Up the Jade Bracelet” and “The Stone Marker at the Border,” each of which tells a traditional Chinese legend. At previous festivals, the company, which is based in New York City and incorporates martial arts, acrobatics, dance, spectacular costumes, and live music into its productions, has performed such pieces as “Women Generals of the Yang,” “Monkey King: Havoc in Heaven,” “The Flaming Phoenix,” “Melon Garden Brawl,” and “The Nine-Tailed Fox Spirit” at such area venues as the New Victory Theatre on Broadway, the Kaye Playhouse at Hunter College, the Theatre at St. Clement’s, and Flushing Town Hall, where we caught them back in June 2006. The Skirball Center’s World Stages series continues on November 13-14 with ¡Flamenco Festival Gitano! and November 20 with Taiko Thunder: Kenny Endo.

CMJ BEST OF THE FEST: CLOSING NIGHT

DOM will be back at the Bowery Ballroom on the final night of CMJ (photo by twi-ny/mdr)

Bowery Ballroom
6 Delancey St. between Bowery & Chrystie St.
Saturday, October 23, $18, 4:00
www.cmj2010.com
www.boweryballroom.com

It’s the last day of CMJ, and you can get just about the best summary of what it’s all been about at the Bowery Ballroom tonight, where a stellar lineup of bands from New York, Florida, Virginia, Maryland, and California cover the musical spectrum of the current indie world. The fun, frantic Static Jacks get things going at 4:30 with their fourth show at the festival, followed by MA.Mentor, Braids, Fake Problems, Lord Huron, and Lia Ices. Things kick into high gear with the Lower Dens at 9:15, who were impressive Thursday night at Santos Party House, concluding most songs with strong experimental meanderings. At 10:00, Jack Tatum’s one-man band, Wild Nothing, takes the stage, with DOM up next, who have been proving at CMJ that they’ve grown tremendously since their Siren set this past summer. The evening finishes up with the dreamy double bill of Neon Indian at midnight and Surfer Blood at 1:00, two of the hottest bands on the indie scene. Be sure to show up early and just stay cemented in your spot, because it’s gonna be packed.

Also
Oberhofer, Bruar Falls, 7:00
Shark?, Spike Hill, 7:15
Gringo Star, Ace of Clubs, 8:00
Sherlock’s Daughter, Piano’s, 8:00
Superhumanoids, Santos Party House, 8:00
The Golden Filter, Webster Hall, 8:00
Screaming Females, Maxwell’s, 8:15
Heavy Cream, Knitting Factory, 10:30
Turbo Fruits, Knitting Factory, 11:20
Marnie Stern, the Delancey, 12 midnight
School of Seven Bells, Santos Party House, 12 midnight