twi-ny recommended events

WOODYFEST

Steve Earle and special guests will celebrate Woody Guthrie’s centennial at City Winery this week

CELEBRATION OF WOODY GUTHRIE’S 100th BIRTHDAY
City Winery
155 Varick St.
July 11-13, $60-$80, 8:00
212-608-0555
www.citywinery.com

One hundred years ago this Saturday, folk-singing legend Woody Guthrie was born in Okemah, Oklahoma. In his too-brief career — he died from Huntington’s Disease in 1967 in Creedmoor State Hospital in Queens at the age of fifty-five, his ashes sprinkled in the ocean at Coney Island — he created a lasting legacy that proved that music can make a difference in changing socioeconomic and -political times. His 1940 album, Dust Bowl Ballads, is still a primer for the folk movement, containing such songs as “I Ain’t Got No Home in This World Anymore,” “Vigilante Man,” “Pretty Boy Floyd,” and “Blowin’ Down This Road.” This week City Winery will pay tribute to Woodrow Wilson Guthrie — yes, he was named after the New Jersey governor who was soon to become president — with the centennial celebration WoodyFest, part of a yearlong series of concerts put together with the Grammy Museum, the Woody Guthrie Archives, and the Guthrie family. The three-day event will be hosted by actor, author, activist, and folk troubadour Steve Earle, who is a kind of illegitimate son of Guthrie and Hank Williams. On July 11, Earle will be joined by John Hammond, Tim Robbins, and Diana Jones, followed on July 12 by Rachael Yamagata, the Wood Brothers, and Allen Toussaint and July 13 by Billy Bragg, Amy Helm, and Joe Purdy, with more to come. Be sure to study up on those other verses of “This Land Is Your Land,” because there’s sure to be a sing-along of the whole song.

BACK BY POPULAR DEMAND — ALL ME: THE LIFE AND TIMES OF WINFRED REMBERT

Winfred Rembert will be back at the Maysles Institute on July 11 to once again share his fascinating life story

ALL ME: THE LIFE AND TIMES OF WINFRED REMBERT (Vivian Ducat, 2011)
Maysles Institute
343 Malcolm X Blvd. between 127th & 128th Sts.
Wednesday, July 11, $10, 7:30
212-582-6050
www.allmethemovie.com
www.mayslesinstitute.org

Born in 1945 in rural Georgia to a mother who abandoned him when he was three months old, Winfred Rembert grew up picking cotton, dropped out of high school, spent time in jail and on a chain gang, and lost nearly all his teeth. But it was his years behind bars that turned him into a new man, as he learned to read and write and developed a unique art style that soon had him carving out the tales of his life on leather. Longtime journalist, producer, and writer Vivian Ducat tells Rembert’s amazing story in her engaging feature-length debut, All Me: The Life and Times of Winfred Rembert. Ducat follows the oversized Rembert, who regularly bubbles over with joy, as he returns for a show in Cuthbert, Georgia, and prepares for a big opening in New York City. “I know he’s here for a reason,” his sister Lorraine says in the film. “To help people and to be a witness through his art.” Throughout All Me, Rembert discusses many of his works, in which he uses indelible dyes on carved leather, in great detail, each one representing a part of his life, focusing on being a poor black man in a white-dominated society. It is quite poignant late in the film when he points out that his art seems to be most appreciated by whites even though it is meant as a visual history for blacks. But what really makes the documentary work is not just that Rembert is such an enigmatic, larger-than-life figure but that his art is exceptional, his self-taught, folksy style reminiscent of such forebears as Romare Bearden and Jacob Lawrence, capturing a deeply personal, intensely intimate part of the black experience in twentieth-century America. The film was previously shown at the Maysles Institute this past January, but it’s now back for a return engagement July 11, with Rembert and Ducat participating in a Q&A following the screening of this extraordinary story.

LOWDOWN HUDSON BLUES FESTIVAL

The legendary Buddy Guy will headline the two-day Lowdown Hudson Blues Festival on July 11 (photo by Christian Lantry)

World Financial Center Plaza
220 Vesey St. between North End Ave. & West St.
July 11-12, free, 6:00
212-417-7050
www.artsworldfinancialcenter.com

The blues return to World Financial Center Plaza this week with another diverse lineup for the second annual Lowdown Hudson Blues Festival. Last July, such greats as Taj Mahal and James Blood Ulmer played in the shadow of the Hudson River; this year features seventy-four-year-old living legend Buddy Guy, who will be headlining the July 11 show (after signing copies of his new memoir, When I Left My Home: My Story). Wednesday will also feature thirteen-year-old-prodigy Quinn Sullivan and the one and only John Mayall, the seventy-eight-year-old British master who led one of the seminal blues groups, the Bluesbreakers, which gave rise to such guitarists as Eric Clapton, Peter Green, and Mick Taylor. On July 12, Rob and Rachel Kolar’s He’s My Brother She’s My Sister kicks things off, joined by tap dancer Lauren Brown, followed by sixty-three-year-old Charles Bradley and His Extraordinaires. Born in Florida but raised in Brooklyn, Bradley has lived the life he sings about on his debut album, No Time for Dreaming. The evening concludes with a performance by indie fave Neko Case, the northwest singer-songwriter who is a member of the New Pornographers and has released such well-received solo albums as 2006’s Fox Confessor Brings the Flood and 2009’s Middle Cyclone.

IMAGENATION OUTDOORS — EVERYDAY SUNSHINE: THE STORY OF FISHBONE

Angelo Moore and Norwood Fisher are the heart and soul of Fishbone (photo by Erin Flynn)

EVERYDAY SUNSHINE: THE STORY OF FISHBONE (Lev Anderson & Chris Metzler, 2010)
Marcus Garvey Park
18 Mount Morris Park West
Wednesday, July 11, free, music at 7:30, film at 8:30
imagenation.us
www.fishbonedocumentary.com

When they were junior high school students in South Central Los Angeles in 1979, Angelo Moore and Norwood Fisher formed the core of Fishbone, what would soon become one of the most exciting live bands on the planet. Chris Metzler and Lev Anderson document the band’s rise and fall — and rise and fall, and rise and fall, etc. — in the stirring Everyday Sunshine: The Story of Fishbone. Using archival footage, old and new interviews, and playful animation, Metzler and Anderson follow the group — Moore and Fisher along with fellow founding members Chris Dowd, Walter “Dirty Walt” Kibby II, and Kendall Jones — through its many personal and financial struggles as it tries to deal with such socioeconomic issues as racism, violence, and the anti-liberal bias taking hold of the nation in Ronald Reagan’s 1980s. Fishbone held nothing back on such albums as In Your Face (1986), Truth and Soul (1988), The Reality of My Surroundings (1991), Give a Monkey a Brain and He’ll Swear He’s the Center of the Universe (1993), and Chim Chim’s Badass Revenge (1996), mixing in pop, punk, funk, ska, reggae, R&B, soul, jazz, and hardcore, prancing about the stage without shirts, diving into the crowd, and always speaking their mind, and they hold nothing back in Everyday Sunshine as well. Narrated by Laurence Fishburne, the film really picks up speed when it delves into the Rodney King beating and the mysterious circumstances involving Jones’s religious transformation and the band’s attempt at an intervention. The decidedly unusual tale also features an impressive lineup of talking heads offering their views on the history of Fishbone, including Flea from the Red Hot Chili Peppers, Perry Farrell from Jane’s Addiction, fIREHOSE’s Mike Watt, No Doubt’s Gwen Stefani and Tony Kanal, the Roots’ ?uestlove, Gogol Bordello’s Eugene Hutz, Parliament-Funkadelic’s George Clinton, Primus’s Les Clayool, Living Colour’s Vernon Reid, Circle Jerk Keith Morris, Ice-T, and, perhaps most informatively, Columbia Records executive David Kahne, who lends fascinating insight into what made Fishbone great — and what kept them from greater success. While you definitely don’t have to know a thing about Fishbone to enjoy this very intimate documentary, longtime fans should eat it up. Everyday Sunshine is screening on July 11 in Marcus Garvey Park as part of the ImageNation Outdoors summer series and will be preceded by live performances by GAME Rebellion and Daví. The festival continues with such free screenings as Night Catches Us on July 21 at Weekesville, Africa United with live music by Taj Weekes & Adowa, Shine & the Moonbeams, and Randolph Matthews on July 29 in Springfield Park, and Taking Root! A Tribute to Wangari Maathal on August 1 in West Harlem Pier Park.

RIVER FLICKS FOR GROWN-UPS: MONEYBALL

Oscar nominees Brad Pitt and Jonah Hill take a different approach with the Oakland A’s in MONEYBALL

MONEYBALL (Bennett Miller, 2011)
Hudson River Park, Pier 63 at 23rd St.
Wednesday, July 11, free, dusk
www.moneyball-movie.com
www.riverflicks.com/RFgrownups.html

After winning 102 games during the 2001 season but then falling to the New York Yankees in the American League Division Series in five tough games, the cash-poor Oakland A’s also lost three of their most prominent players, Jason Giambi, Johnny Damon, and Jason Isringhausen, to free agency. To rebuild the team with limited funds, general manager Billy Beane (Brad Pitt) turns to an unexpected source: Peter Brand (Jonah Hill), a young stat geek who believes that on-base percentage is the key to the game. The A’s scouts find it hard to believe that Beane is looking at has-been catcher Scott Hatteberg (Chris Pratt), aging outfielder David Justice (Stephen Bishop), and underperforming submariner Chad Bradford (Casey Bond) to get the A’s to the World Series, as does manager Art Howe (Philip Seymour Hoffman), who refuses to use the new players the way Beane insists. But when the A’s indeed start winning after a few more questionable deals pulled off by Beane and Brand, the entire sport world starts taking a much closer look at what is soon known as “moneyball.” Based on the 2003 bestseller Moneyball: The Art of Winning an Unfair Game by Michael Lewis, Moneyball is an exciting film even though the vast majority of it occurs off the field. Pitt is wonderfully understated as Beane, a former five-tool prospect for the Mets and divorced father of a twelve-year-old girl (Kerris Dorsey). Pitt earned an Oscar nod for Best Actor for his portrayal of the real-life Beane, a confident but nervous man who may or may not have a big chip on his shoulder. Hill was nominated for Best Supporting Actor for his role as wiz-kid Brand, a fictional character inspired by Paul DePodesta, who refused to let his name and likeness be used in the film; Brand instead is an amalgamation of several of the people who work for Beane. Director Bennett Miller (The Cruise, Capote) takes the viewer into a number of fascinating back-room dealings, including a revealing scene in which Beane tries to acquire Ricardo Rincon from the Cleveland Indians, furiously working the phones to pull off the deal. Also nominated for Best Picture, Best Editing, Best Sound Mixing, and Best Adapted Screenplay, Moneyball firmly belongs in the playoff pantheon of great baseball movies, with the added bonus that you don’t have to be a fan or know a lot about the game to get sucked into its intoxicating tale. Moneyball is screening July 11 at Hudson River Park’s Pier 63, kicking off the free River Flicks for Grown-Ups series, which continues through August 22 with such films as Super 8, Bridesmaids, Limitless, Cowboys & Aliens, Crazy, Stupid Love, and Horrible Bosses. For a day-by-day listing of free summer movie screenings in New York City, go here.

A.O. MOVEMENT COLLECTIVE: barrish

AOMC’s “barrish” comes together at HERE (photo by Sarah A. O. Rosner)

HERE Arts Center
145 Sixth Ave. at Dominick St.
July 12-14, $18
212-647-0202
www.here.org
www.theaomc.org

Over the last two years, Brooklyn-based A.O. Movement Collective has been preparing its evening-length piece, barrish, in a very public way, raising funds on Kickstarter, staging segments in such locations as La MaMa, Exit Art, Dance New Amsterdam, and various homes and apartments, and working with numerous curators as part of its MENU project. The world premiere is now set for July 12-14 at Here, where all twenty-seven sections will be performed for the very first time. Featuring Lillie DeArmon, Leah Ives, Anna Adams Stark, and Emily Skillings along with twenty guest performers, barrish examines desire, power, and threat in unique ways, one of its signature moves involving two dancers’ shirts suddenly becoming stuck together as issues of gender and intimacy and public and private space take center stage. The work, which is influenced by Law and Order SVU and the writings of Virginie Despentes, Andrea Dworkin, Catherine A. MacKinnon, and Virginia Woolf and consists of such sections as “SVU,” “Gyroscopic Pillow Score,” “Get the Fuck Out,” and “Skinless,” is choreographed by Sarah A. O. Rosner and the dancers, with a score by Jonah Rosenberg and lighting by Edward Rice.

NEW YORK ASIAN FILM FESTIVAL: SECRET LOVE

Yeon’s (Yoon Jin-seo) and Jin-ho (Yoo Ji-tae) get caught up in complex family affair in SECRET LOVE

KOREAN MOVIE NIGHT: SECRET LOVE (Kwon Ji-yeon & Ryoo Hoon-I, 2010)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, July 10, free, 7:00
212-759-9550
www.koreanculture.org
www.subwaycinema.com

A soap-opera melodrama that morphs into an erotic thriller, Secret Love tells the intense story of a complex and dangerous love triangle in modern-day Korea. Shortly after a whirlwind courtship, Yeon’s (Yoon Jin-seo) new husband, Jin-woo (Yoo Ji-tae), lapses into a coma that he might never awake from. Yeon is soon shocked to meet Jin-woo’s twin brother, Jin-ho (also played by Yoo Ji-tae), who recently emerged from a coma himself. As Yeon and Jin-ho grow closer, their relationship threatens to go to the next level — but when Jin-woo suddenly and unexpectedly arises from his coma, the love triangle becomes overwhelmed by betrayal, uncontrollable passion, and mistaken identity. Directed by Kwon Ji-yeon and cowriter Ryoo Hoon-I (who penned the screenplay with Park Hyun-soo), Secret Love, which is also known as The Secret River, uses water as an underlying motif, with many scenes taking place over a river, in the shower or bath, or at an aquarium. Although it begins slowly and sappy, the film picks up speed as hidden passions explode and danger lurks at every twist and turn. Secret Love is screening for free July 10 at Tribeca Cinemas as part of the ongoing Korean Movie Night series as well as the New York Asian Film Festival, which continues through July 12 at Lincoln Center and July 15 at Japan Society in conjunction with Japan Cuts. As an added bonus, Yoon Jin-seo, who has also appeared in such films as Oldboy, Chihwaseon, and A Good Day to Have an Affair, will participate in a Q&A following the screening. She had to cancel an earlier appearance at a screening of Oldboy because she was rushed to the emergency room less than two weeks ago after an overdose of cold medication that was initially — and apparently falsely — reported to be a suicide attempt, so it should make for a lively discussion on July 10.