twi-ny recommended events

INAUGURAL HARLEM FESTIVAL OF CULTURE

Who: Adam Blackstone, Bell Biv DeVoe, Cam’ron, Coco Jones, Doug E. Fresh, Eric Bellinger, Fat Joe, Ferg, Jozzy, MAJOR., MA$E, Muni Long, Remy Ma, Ro James, Teyana Taylor, Tink, Wyclef Jean, Patra, Lumidee, Max Glazer, Mr. Killa, Nadine Sutherland, Nina Sky, Rupee, Serani, Wayne Wonder, more
What: First annual Harlem Festival of Culture (HFC)
Where: Randall’s Island
When: July 28-30, $82-$108 per day, VIP $187-$266 per day, weekend bundle $240-$635, 3:00 – 11:00
Why: Questlove’s Oscar- and Grammy-winning 2021 Summer of Soul (. . . Or, When the Revolution Could Not Be Televised) reintroduced the world to the mostly forgotten 1969 Harlem Cultural Festival, when an extraordinary group of performers — including Stevie Wonder, Mahalia Jackson, Nina Simone, the 5th Dimension, the Staple Singers, Gladys Knight & the Pips, Mavis Staples, Blinky Williams, Sly and the Family Stone, and the Chambers Brothers — gathered at what is now Marcus Garvey Park over the course of six Sundays and played their hearts and souls out.

The inaugural Harlem Festival of Culture (HFC), taking place July 28-30 on Randall’s Island, seeks to recapture that feeling with live music, art, food, and more, hosted by MC Lyte. Friday’s lineup features Bell Biv DeVoe, Cam’ron, Doug E. Fresh, Ferg, MA$E, and Estelle Presents “The LinkUp” with Patra, Lumidee, Max Glazer, Mr. Killa, Nadine Sutherland, Nina Sky, Rupee, Serani, and Wayne Wonder. On Saturday’s roster are Jozzy, Major, Muni Long, Teyana Taylor, and Tink. Sunday’s headliner is Wyclef Jean, preceded by Adam Blackstone, Coco Jones, Eric Bellinger, Fat Joe, Remy Ma, and Ro James.

“From the Harlem Renaissance to the Harlem Cultural Festival of 1969 to the Harlem Shake, this community is known worldwide for its immeasurable contributions in fashion, sports, dance, art and music — and has always played an integral role in moving culture forward,” HFC cofounder Yvonne McNair said in a statement. “For this inaugural year, we were very thoughtful and intentional in building what is an amazing lineup that aptly reflects the incredibly unique legacy that is intrinsic to the village of Harlem as well as the breadth and brilliance of Black music and culture.”

LINCOLN CENTER SUMMER FOR THE CITY: THIRD ANNUAL BAAND TOGETHER DANCE FESTIVAL

Who: Ballet Hispánico (BH), Alvin Ailey American Dance Theater (AAADT), American Ballet Theatre (ABT), New York City Ballet (NYCB), Dance Theatre of Harlem (DTH)
What: Free dance festival
Where: Damrosch Park, Lincoln Center for the Performing Arts
When: July 25-29, free, workshops 5:00, performances 7:30 [ed note: The July 28 workshop and performance have been canceled due to extreme heat]
Why: The third annual BAAND Together Dance Festival once again brings together Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem for five nights of free contemporary dance performances on the Damrosch Park stage as part of Lincoln Center’s Summer for the City programming.

Dancers rehearse Pas de O’Farill for BAAND Festival at Lincoln Center this week (photo by Lawrence Sumulong)

From July 25 to 29 at 7:30, the troupes will present one work apiece: BH’s Línea Recta by Annabelle Lopez Ochoa (a unique take on flamenco, set to music by guitarist Eric Vaarzon Morel), ABT’s Other Dances by Jerome Robbins (choreographed for Natalia Makarova and Mikhail Baryshnikov, set to works by Frédéric Chopin), DTH’s Nyman String Quartet No. 2 by Robert Garland (a mix of styles and cultures), the world premiere of the BH/NYCB collaborative duet Pas de O’Farill by Pedro Ruiz (a tribute to Arturo O’Farill), an excerpt from AAADT’s Dancing Spirit by Ronald K. Brown (a tribute to Judith Jamison, with music by Duke Ellington, Wynton Marsalis, and War), and NYCB’s The Times Are Racing by Justin Peck (a sneaker ballet set to songs from Dan Deacon’s 2012 album, America). In addition, each show will be preceded by a workshop at 5:00 led by members of one of the five companies.

“The BAAND Together Dance Festival is a testament to the vibrancy and diversity of the New York City dance community,” the five artistic directors said in a group statement. “We are thrilled to be returning with a spectacular program that features the city’s most internationally revered repertory companies. This year’s program highlights the innovative visions that have made New York City our nation’s dance capital.”

A CELEBRATION — THE ROOF GARDEN COMMISSION: LAUREN HALSEY

Lauren Halsey’s Met Roof Garden Commission will be activated by live performances and more this weekend (photo by twi-ny/mdr)

the eastside of south central los angeles hieroglyph prototype architecture (I)
Metropolitan Museum of Art, Met Fifth Avenue
The Iris and B. Gerald Cantor Roof Garden
1000 Fifth Ave. at 82nd St.
July 21-23, free with museum admission
Exhibit continues through October 22 (weather permitting)
Admission: $30 adults, children under twelve free (New York State residents pay-what-you-wish)
212-535-7710
www.metmuseum.org
the eastside of south central slideshow

“I get to build the worlds I wish I lived in,” artist Lauren Halsey says in a promotional video about her Met Roof Garden Commission, the eastside of south central los angeles hieroglyph prototype architecture (I). “I collapse all of these worlds: street, pyramid, gorgeous nature, domestic worlds, into one composition to create new opportunities that are about uplift, that are about togetherness.” Wanting to build an Egyptian-style modern-day temple, Halsey studied works at the Met, including the Temple of Dendur, listened to PFunk, and constructed the eastside, which will be part of her community center Summereverything in South Central after the roof show is over.

This weekend Metlivearts will activate the sculpture, which features likenesses of Halsey’s loved ones and influences and carvings of local images and text she’s collected over the last fifteen years, with a series of special events, all free with museum admission and first come, first served. On Friday at 6:30 and 7:30 on the roof, California-born disabled choreographer, dancer, and sound artist Jerron Herman will perform the solo piece LAX, with an ornate costume by unsighted textile artist Sugandha Gupta, as part of Disability Pride Month. On July 22 at 6:00 and 7:15 on the roof, Moten/López/Cleaver will present a new work inspired by the eastside, with Fred Moten on vocals, Brandon López on double bass, and Gerald Cleaver on drums. And on Sunday from 11:00 to 2:00, “A Celebration — The Roof Garden Commission: Lauren Halsey” consists of interactive drop-in stations, a creative writing workshop in the Charles Engelhard Court, a Scent Lab and Architectural Art Making at the Temple of Dendur, and gallery chats on the roof and at the famed temple.

Lauren Halsey Met roof installation features carved text and imagery (photo by twi-ny/mdr)

“This work is aspirational,” Halsey continues in the video. “They’re images around community, transcendence, self-determination, and autonomy. . . . I hope when folks come to the Met and experience my piece, they walk away with a more holistic view about South Central that aren’t about the violence, they aren’t about dread, they’re very much about survival, vibrancy, love. And they also are just into me reinvisioning the hieroglyph as a form to tell stories.”

YAYOI KUSAMA: I SPEND EACH DAY EMBRACING FLOWERS

Twenty-five of Yayoi Kusama’s “Every Day I Pray for Love” paintings are part of new show at David Zwirner in Chelsea (photo by twi-ny/mdr)

YAYOI KUSAMA: I SPEND EACH DAY EMBRACING FLOWERS
David Zwirner
519, 525, 533 West Nineteenth St. between Tenth & Eleventh Aves.
Through July 21, free, 10:00 am – 6:00 pm
www.davidzwirner.com
online slide show

There are only two days left to see Yayoi Kusama’s latest exhibition of new works at David Zwirner, a three-part show entitled “I Spend Each Day Embracing Flowers.” Kusama is ninety-four and has been living voluntarily in the Seiwa Hospital for the Mentally Ill in Tokyo since 1977; every day she gets up and walks over to her studio across the street and works. There are long lines to get into the show on West Nineteenth St., but that is primarily for Dreaming of Earth’s Sphericity, I Would Offer My Love, a Mirror Infinity Room where groups of no more than five people can spend sixty seconds in a seemingly endless space of red, yellow, blue, and green disks; while it’s very cool, it’s not necessarily a must-see if you have to wait online for an hour or more to get inside.

There is less of a line, if any at all, to see the rest of the exhibit, a kind of organic follow-up to her wonderful “Cosmic Nature” display throughout the New York Botanical Garden in 2021. The title piece at Zwirner consists of thee large-scale, colorful, and hugely adorable stainless-steel flower sculptures, a celebration of the beauty of the natural world while also touching on the impermanence of life. In a back room, there are three dozen new acrylic and ink paintings, mostly from her “Every Day I Pray for Love” series, canvases that feature many of her favorite elements, from dots and circles to squiggly lines and abstract geometric shapes; twenty-five of the pieces hang together in a lovely display on one wall.

The highlight is Aspiring to Pumpkin’s Love, the Love in My Heart, a trio of long, undulating, somewhat flattened black and yellow bronze pumpkin sculptures winding their way through their own room. They evoke Richard Serra’s freestanding sets of weatherproof steel plates, only here bright with color and charm; I dare you to try not to smile as you follow the paths in and around the works, which reflect the light and passersby. See if you can find the two areas where Kusama used a camera obscura, resulting in upside-down images

Kusama has also delivered a special message for the show, summing up her world view: “I’ve Sung the Mind of Kusama / Day by Day, / a Song from the Heart. / O Youth of Today, / Let Us Sing Together a Song from / the Heart of the Universe!”

(To receive a digital booklet of select poems from Kusama’s 2023 collection Every Day I Pray for Love, go here.)

ADAA CHELSEA GALLERY WALK: NXTHVN WALKTHROUGH AND LIVE PERFORMANCE

“NXTHVN: Reclamation” at Sean Kelly features curator tour, artist discussions, and live performance on July 19 (photo by Jason Wyche / courtesy Sean Kelly)

Who: Cornelia Stokes, Kiara Cristina Ventura, Athena Quispe, Ashanté Kindle, Donald Guevara, Edgar Serrano, Anindita Dutta
What: Curator-led walkthrough, artist discussions, live performance
Where: Sean Kelly Gallery, 475 Tenth Ave. at Thirty-Sixth St.
When: Wednesday, July 19, free, 6:00
Why: In 2016, arts incubator NXTHVN was founded by American artist Titus Kaphar, private equity entrepreneur Jason Price, and Canadian artist Jonathan Brand. Based in two former manufacturing plants in New Haven, Connecticut, the nonprofit’s mission is “to build an alternative model of art mentorship and career advising through a specially designed curriculum, and to simultaneously set into motion significant opportunities for emerging local entrepreneurs.” Sean Kelly Gallery is currently hosting the two-floor exhibition “NXTHVN: Reclamation,” continuing through August 11, featuring painting, drawing, collage, video, sculpture, installation, and performance by six artists from NXTHVN’s Cohort 04 Fellowship Program: Anindita Dutta, Donald Guevara, Ashanté Kindle, Athena Quispe, Edgar Serrano, and Capt. James Stovall V.

On July 19, as part of ADAA Chelsea Gallery Walk, the gallery will present a walkthrough of the show at 6:00, led by NXTHVN curatorial fellows Cornelia Stokes and Kiara Cristina Ventura, joined by Quispe, Kindle, Guevara, and Serrano, who will discuss their contributions. “It is in this dance that the display of contradictory bodies and settings superimposed and cut together become a new whole; the cyborg of cultural mixture in a new virtualized arena where the procession of time can be known but not yet felt,” Guevara says of his work.

At 6:30, there will a live performance by Dutta, who uses such found materials as clothing, shoes, fabric, rawhide, chairs, and horns to take on gender conflict, sexual violence, and impermanence. “When victims and perpetrators remain silent about heinous crimes, the truth remains obscured and inaccessible,” she notes in her artist statement. “I wonder who holds the truth? Who is the witness to the events that transpired? Who is the knower of all thoughts and feelings, pain and suffering, stigma, and depression?”

KOREAN ARTS WEEK AT LINCOLN CENTER: ONE DANCE BY SEOUL METROPOLITAN DANCE THEATRE

SUMMER FOR THE CITY AT LINCOLN CENTER: ONE DANCE
David H. Koch Theater at Lincoln Center for the Performing Arts
20 Lincoln Center Plaza
July 20-22, $24-$190 (use code KCCNYOD for 20% discount)
Korean Arts Week runs July 19-22, free
www.davidhkochtheater.com
www.lincolncenter.org

“All on the same line, in the same shape, with the same heart, it’s a heartfelt piece that brings us together,” Seoul Metropolitan Dance Theatre artistic director and choreographer Hyejin Jung says in a promotional video for One Dance (Il-mu), making its North American premiere at the David H. Koch Theater during Korean Arts Week, part of Lincoln Center’s Summer for the City program. The four-act, seventy-minute work, which melds traditional and contemporary Korean dance in stunning re-creations, debuted in May 2022 at the Sejong Grand Theater in Seoul.

One Dance is choreographed by Jung, Sung Hoon Kim, and Jae Duk Kim, with music by Jae Duk Kim and mise-en-scène by Ku-ho Jung, incorporating dazzling costumes and such props as bamboo sticks, swords, poles, and ritual objects. “I don’t think the beauty of Korea is an intricate technique but rather a symbolism of emptiness and abundance,” Ku-ho Jung explains in the video. “It’s really important to show the symbolism of the nuances. In fact, the process of staging One Dance was to show the Korean nuances by emptying out a lot of the material and focusing on the moves.”

One Dance is divided into four sections — “Munmu”/“Mumu,” “Chunaengmu,” “Jungmu,” and “New Ilmu” — with fifty-four dancers paying homage to courtly processions, ancient martial arts traditions, and contemporary styles through movement, music, and song. Ticket prices begin at $24; you can use code KCCNYOD for a 20% discount.

Korean Arts Week runs July 19-22 and also includes a bevy of free events: the digital artwork WAVE by d’strict, a K-Lit symposium, a family-friendly showcase by KTMDC Dance Company, Musical Theatre Storytime with KPOP composer Helen Park, silent discos with BIAS NYC and DJ Peach, a guided meditation set to Korean traditional music, a screening of Bong Joon Ho’s horror favorite The Host, and concerts by Crying Nut, Say Sue Me, Yerin Baek, Dongyang Gozupa, and Gray by Silver.

BOB DYLAN’S PHILOSOPHY OF MODERN SONG

André De Shields, Odessa Young, and Meshell Ndegeocello will channel the thoughts of Bob Dylan at 92Y on July 17

Who: André De Shields, Odessa Young, Meshell Ndegeocello and Her Band
What: Dramatic reading and musical performance
Where: Kaufmann Concert Hall, 92nd St. Y, 1395 Lexington Ave. at Ninety-Second St.
When: Monday, July 17, $40, 7:30
Why: “The song of the lone wolf, the outsider, the alien, the foreigner, and night owl who’s wheeling and dealing, putting everything up for sale and surrendering his self-interest. On the move aimlessly through the dingy darkness — slicing up the pie of sentimental feelings, dividing it into pieces all the time, exchanging piercing penetrating looks with someone he hardly knows,” Bob Dylan writes about “Stranger in the Night” in his book The Philosophy of Modern Song (Simon & Schuster, $45, November 2022).

He continues, “Tramps and mavericks, the object of each other’s affection, enraptured with each other and creating an alliance — ignoring all the ages of man, the golden age, electronic age, age of anxiety, the jazz age. You’re here to tell a different story, a bird of another feather. You’ve got a tough persona, like a side of beef, and you’re aroused and stimulated, with an ear-to-ear grin, like a Cheshire cat, and you’re rethinking your entire formless life, your entire being is filled with a whiff of this heady ambrosia. Something in your vital spirit, your pulse, something that runs in the blood, tells you that you must have this tender feeling of love now and forever, this essence of devoted love held tightly in your grip — that it’s essential and necessary for staying alive and cheating death. Intruders, oddballs, kooks, and villains, in this gloomy lifeless dark, fight for space. Two rootless alienated people, withdrawn and isolated, opened the door to each other, said Aloha, Howdy, How you doing, and Good Evening. How could you have known that the smooching and petting, eros and adoration was just one break down mambo hustle away — one far sided google eyed look and a lusty leer — that ever since then, that moment of truth, you’ve been steamed up, head over heels, each other’s hearts’ desire. Sweethearts and honeys right from the beginning. Right from the inaugural sidelong sneak peek, the origin — the starting point. Now you’re yoked together, one flesh in perpetuity — into the vast eternity — immortalized.”

A living legend, Dylan himself has been immortalized as the ultimate iconoclastic, unpredictable singer-songwriter rock star over the course of his seven-decade career, during which there has also been an endless debate about the quality of his voice. Dylan himself reads the audiobook, joined by Jeff Bridges, Steve Buscemi, John Goodman, Oscar Isaac, Helen Mirren, Rita Moreno, Sissy Spacek, Alfre Woodard, Jeffrey Wright, and Renée Zellweger. Like him or hate him, Dylan is still a master of vocal phrasing, as a singer and a narrator, in this case delving into sixty-six wide-ranging tunes.

There’s no argument about the mellifluous tones of Emmy, Grammy, and Tony winner André De Shields (Hadestown, Ain’t Misbehavin’), who will be at the 92nd St. Y on July 17 to present dramatic readings from The Philosophy of Modern Song and live musical performances of some of the songs Dylan waxes poetic about in the book; the special Unterberg Poetry Center event, directed by Michael Almereyda (Another Girl Another Planet, Hamlet, Paradise), also features Australian actress Odessa Young (The Daughter, High Life) and German-born American artist Meshell Ndegeocello and Her Band (Plantation Lullabies, Cookie: The Anthropological Mixtape).

Writing about Tin Pan Alley themes, Dylan explains in the book, “It is important to remember that these words were written for the ear and not for the eye. And as in comedy, where a seemingly simple sentence can transform into a joke through the magic of performance, an inexplicable thing happens when words are set to music. The miracle is their union.” That union is what Almereyda, De Shields, Young, and Ndegeocello will be celebrating Monday night at the 92nd St. Y.