twi-ny recommended events

THE PONDEROSA STOMP: SONGS OF SOULFUL ACTIVISM

Ponderosa Stomp will celebrate the legacy of Gil Scott-Heron and others at the free Roots of American Music Festival at Lincoln Center this weekend

LINCOLN CENTER OUT OF DOORS: ROOTS OF AMERICAN MUSIC FESTIVAL
Lincoln Center
Bruno Walter Auditorium, Damrosch Park Bandshell, Hearst Plaza
Saturday, August 11, and Sunday, August 12, free
www.lcoutofdoors.org
www.ponderosastomp.com

The Ponderosa Stomp, whose official mission is “to ensure that the unsung heroes of American music are given their due: celebrated, included, and remembered, but most of all, heard,” returns to New York City for its fourth year participating in the Roots of American Music series at the free Lincoln Center Out of Doors festival, and the nonprofit organization has again brought an amazing cast of characters. “Songs of Social Activism” will take place August 11-12, with the first day dedicated to soulful songwriters and the second to socially conscious musicians. Saturday begins with the Stoned Soul Symposium at 12:30 in Bruno Walter Auditorium, with Michele Kort hosting a discussion on Laura Nyro, Gayle Wald talking about the fortieth anniversary of the Soul at the Center festival, and Greg Tate moderating a panel on Gil Scott-Heron. At 5:00, everyone will head outside to the Damrosch Park Bandshell for Willie Mae Rock Camp for Girls All-Stars Band: Sister Songwriters, led by drummer LaFrae Sci, followed at 6:00 by the Triple Goddess Twilight Revue — Celebrating the Music of Laura Nyro, with such performers as Nona Hendryx, Sarah Dash, Desmond Child & Rouge, Melissa Manchester, and Kate Ferber. At 7:30, the Soulful Songwriters Circle consists of Dan Penn, Teenie Hodges, and William Bell, with the great Otis Clay and the Platinum Band closing the night at 8:45. On Sunday from 12 noon to 5:30, Hearst Plaza will be home to Erin McKeown & Her Fine Parade, Taylor Mac, Tom Paxton, Daniel Kahn & the Painted Bird, and the Pura Fé Trio. The party then moves back to the bandshell, where Swamp Dogg takes the stage at 6:00 and Aloe Blacc at 7:00 before the festivities come to a stirring close with Pardon Our Analysis: An All-Star Gathering for Gil Scott-Heron, featuring the Black Rock Coalition Orchestra and such poets, writers, and musicians as Brian Jackson, Sapphire, Martha Redbone, Abiodun Oyewole, Sandra St. Victor, Cark Hancock Rux, A. Van Jordan, Gordon Voidwell, Hanifah Walidah, Willie Perdomo, and more.

DOWNTOWN DANCE FESTIVAL

Saturday, August 11, and Sunday, August 12, Battery Park lawn, 1:00 – 4:00
Monday, August 13, through Friday, August 17, One New York Plaza, Water St. at Whitehall St., 12 noon – 2:00 pm
Saturday, August 18, Dance New Amsterdam, 280 Broadway (enter on Chambers St.), 6:00
Admission: free
www.batterydanceco.com

The thirty-first annual Downtown Dance Festival grooves into Battery Park this weekend, kicking off eight days of free music and movement from around the world, including global fusion dance theater, soul-driven contemporary dance, a teenage group from New York City, an Indian company from Petrozavosk, Russia, and other troupes and disciplines. Sponsored by the Battery Dance Company, the festival gets under way on Saturday afternoon at 1:00 on the Battery Park Lawn with Figures of Flight, the Jamal Jackson Dance Company, Morales Dance, Phoenix Project Dance, Roschman Dance Company, and Singapore’s Sri Warisan Som Said Performing Arts. Sunday includes the host company as well as Buglisi Dance Theatre, Dancewave Company, Exit 12 Dance Company, Kun-Yan Lin/Dancers, Peridance Contemporary Dance Company, and Jamal Jackson and Phoenix. The festival continues Monday through Friday with performances at One New York Plaza, including Vanaver Caravan’s tribute to Woody Guthrie on Thursday and the Erasing Borders of Indian Dance Festival on Friday with Bageshree Vaze, Jaikishore & Mosilikanti, Mayuri Dance Group, Sonali Skandan & Jiva Dance, and the Trinetra Chhau Dance Company. Things conclude on Saturday night at Dance New Amsterdam with Exit 12 and Battery Dance; DNA and Battery Dance Studios will also hold master classes and workshops through August 17.

DOCUWEEKS 2012: WE WOMEN WARRIORS

Three brave Colombian women fight for basic human rights in WE WOMEN WARRIORS

WE WOMEN WARRIORS (TEJIENDO SABIDURÍA) (Nicole Karsin, 2012)
IFC Center
323 Sixth Ave. at Third St.
August 10-16
Series continues through August 23
212-924-7771
www.ifccenter.com
www.wewomenwarriors.com

“If we don’t open our eyes, if we are afraid of challenges, then we won’t be cultivating life,” Flor Ilva Triochez says near the start of the compelling documentary We Women Warriors, continuing, “We will be cultivating death.” From 2002 to 2009, journalist Nicole Karsin covered the ongoing bloody battle in Colombia between the army, the paramilitary, and rebel guerrillas, a violent struggle whose collateral damage includes atrocities being suffered by the more than one hundred indigenous tribes caught in the middle, their very existence being threatened by the unending drug-related violence. Karsin picked up a camera to tell the story through the eyes of three three brave women who, independent of one another, decided to do what the government and others refused to and take matters into their own hands. Karsin follows Doris Puchana, an Awá governor who risks her life by speaking out publicly about a horrific massacre; Ludis Rodriguez, a Kankuamao mother who watched her husband get murdered and was then falsely accused of having killed fifteen policemen; and Flor Ilva, who, as the first female leader of the Nasa people in three hundred years, demands that the police take down their barracks and leave her community. Eventually the three amazing women come together to share details not only of their lives but of their organizational methods, unwilling to be silenced as they seek peace for their people. Part of the sixteenth annual DocuWeeks festival at the IFC Center, We Women Warriors is an inspiring tale filled with hope in the face of seemingly insurmountable odds, as three strong women overcome personal tragedy to fight for justice and freedom. We Women Warriors runs August 10-16, with the filmmakers on hand for one of the two daily screenings. The festival continues through August 23 with such other documentaries as Eugene Martin’s The Anderson Monarchs, about an African-American girls soccer team in an at-risk Philadelphia neighborhood, Dafna Yachin’s Digital Dharma: One Man’s Mission to Save a Culture, about Mormon E. Gene Smith’s determination to preserve ancient Sanskrit and Tibetan writings, and Thomas Riedelsheimer’s Garden in the Sea, in which Spanish artist Cristina Iglesias builds an underwater sculpture in the Mexican Sea of Cortez.

AMERICAN GAGSTERS — GREAT COMEDY TEAMS: TROUBLE IN PARADISE

Kay Francis, Miriam Hopkins, and Herbert Marshall are caught in quite a pickle in risqué Ernst Lubitsch classic

TROUBLE IN PARADISE (Ernst Lubitsch, 1932)
BAMcinématek, BAM Rose Cinemas
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Friday, August 10, 4:30 & 9:15
Series runs through September 17
212-415-5500
www.bam.org

“Beginnings are always difficult,” suave thief Gaston Monescu (Herbert Marshall) says at the beginning of Trouble in Paradise, but it’s not difficult at all to fall in love with the beginning, middle, and end of Ernst Lubitsch’s wonderful pre-Code romantic comedy. It’s love at first heist for Gaston and Lily (Miriam Hopkins) as they try to outsteal each other on a moonlit night in Venice. Soon they are teaming up to fleece perfume heir Madame Mariette Colet (Kay Francis) of money and jewels as the wealthy socialite takes a liking to Gaston despite her being relentlessly pursued by the hapless François Filiba (Edward Everett Horton) and the stiff Major (Charles Ruggles). Displaying what became known as the Lubitsch Touch, the Berlin-born director has a field day with risqué sexual innuendo, particularly in the early scene when Gaston and Lily first meet (oh, that garter!) and later as Madame Colet’s affection for Gaston grows, along with Lily’s jealousy. Loosely based on the 1931 play The Honest Finder by Aladár László, which was inspired by the true story of Romanian con man George Manolescu, the 1932 film remained out of circulation for decades during the Hays Code, and it’s easy to see why. Trouble in Paradise is screening August 10 in the BAMcinématek series “American Gagsters: Great Comedy Teams,” which runs through September 17 and consists of fifty films (all but one in 35mm), including such other classics as Some Like It Hot, Sullivan’s Travels, Born Yesterday, Blazing Saddles, Airplane! and multiple movies starring Cary Grant, Woody Allen, Peter Sellers, Steve Martin, and Bill Murray.

TICKET GIVEAWAY: COUGAR THE MUSICAL

The cougar phenomenon is explored in new musical (photo by BittenByAZebra)

COUGAR THE MUSICAL
St. Luke’s Theatre
308 West 46th St. between Eighth & Ninth Aves.
Previews begin August 10 prior to an August 26 opening, $39.50-$89.50
cougarthemusical.com

In Cougar the Musical, three older women, Clarity (Brenda Braxton), Lily (Catherine Porter), and Mary-Marie (Babs Winn), set their sights on a series of younger men, Buck, Twilight Dude, Bourbon Cowboy, Eve, and Naked Peter, all played by hottie Danny Bernardy. Written and composed by former Zoom cast member Donna Moore and directed and choreographed by Tony nominee Lynn Taylor-Corbett, the show, expanded from Moore’s two-person cabaret, features such songs as “Mother’s Love,” “Let’s Talk About Me,” “On the Prowl,” and “Love Is Ageless.” To find out more about the show and its creator, read our twi-ny talk with Moore here.

TICKET GIVEAWAY: Cougar the Musical begins previews on August 10 at St. Luke’s Theatre, with the official opening slated for August 26, and twi-ny has three pairs of tickets to give away for free. Just send your name, daytime phone number, and all-time favorite show or movie about a May/December romance to contest@twi-ny.com by Monday, August 13, at 12 noon to be eligible. All entrants must be twenty-one years of age or older; three winners will be selected at random.

TWI-NY TALK: DONNA MOORE

Former child star Donna Moore treads into cougar territory in new musical

COUGAR THE MUSICAL
St. Luke’s Theatre
308 West 46th St. between Eighth & Ninth Aves.
Previews begin August 10 prior to an August 26 opening, $39.50-$89.50
cougarthemusical.com

Cougars are hot hot hot these days, and the same can be said for Donna Moore. A stunning fortysomething single mother of two, Moore has revamped her two-person cabaret show about older women with a thing for younger men into Cougar the Musical, a full theatrical production that begins previews at St. Luke’s on August 10 prior to an August 26 opening. The NYU grad, who starred on the children’s television series Zoom back in the mid-1970s, has teamed up with Tony-nominated director and choreographer Lynne Taylor-Corbett to present the sexy story of a trio of older women (Brenda Braxton, Catherine Porter, and Babs Winn) who have the hots for a series of young studs with such names as Buck, Twilight Dude, Bourbon Cowboy, and Naked Peter (all played by Danny Bernardy). The perennially upbeat Moore, who battled Lupus after giving birth to her first child, is also an affirmationist who believes strongly in the power of positive thinking, telling herself such mantras as “I love and accept myself exactly as I am,” “I am forgiven as I forgive others,” and “I am connected to the flow of life.” Moore discussed Cougar, young studs, Lupus, and more in our latest twi-ny talk. (For a chance to win free tickets to see Cougar the Musical, go here.)

twi-ny: You were a cast member on Zoom back in the mid-1970s. At the time, did you anticipate a future in the entertainment business?

Donna Moore: I started performing when I was nine as a modern dancer and all I know is that something would happen when I would get on stage — like this free spirit that was my higher self would channel through me and a nine-year-old was transformed into an ageless, graceful creature. After Zoom, I always knew I wanted to continue to perform, but I think I was more concerned about survival from my childhood fame in a city public school (I was beaten up and threatened on a daily basis in junior high) to think about my future as a performer.

twi-ny: Cougar the Musical goes back to a cabaret you performed with Danny Bernardy back in 2007. How did it develop into a bigger musical with a full cast and crew?

Donna Moore: “The Cougar Cabaret” came out of a co-creation with R. K. Greene (who is now one of my “above line” associate producers). I had a cabaret show about my divorce that ran for a year called “The unBalancing Act” and the eleventh-hour number was a song called “The Cougar” that I cowrote with John Baxindine. It brought the house down every night, and one evening R.K was in the audience with Olson Rhodes (my current and wonderful GM) and they discussed how if I wrote a whole show about the cougar, how R.K would get behind me and coproduce.

“The Cougar Cabaret” came ran for one and a half years with my beloved Danny Bernardy. We each played three different characters. (I also played his Jewish mother from Boca who wasn’t too happy her son was dating a woman old enough to be her sister, “my older sista . . . it’s just wr-aw-ng!”) The show got a lot of buzz and there were a number of Broadway producers who said if I developed it into a larger book play they would get behind me. It took threes years (a number of separate book musicals and thirty songs later) and my partnering with director and dramaturg Lynne Taylor-Corbett [LTC] to turn the two-person, six-character cabaret script into a fully fleshed (no pun intended) four-person script.

In cabaret and stand-up, you can talk to the audience, tell it like it is, but I had to work painstakingly and determinedly to show the character development and not tell. I do credit LTC with helping me become a playwright worth her salt.

A trio of women have a thing for young studs in COUGAR THE MUSICAL (photo by BittenByAZebra)

twi-ny: What do you think of the whole Cougar phenomenon in general? What’s the difference between a cougar and a MILF?

Donna Moore: I’ll start with the easiest and then get deep on you: A MILF can be a cougar but a cougar cannot necessarily become a MILF. A MILF is required to be a mother and it’s incumbent upon the young men around her, who are friends with her teenage child, to desire this older woman, so it’s a “passive” term. A cougar is not necessarily a mom, and her cougar status has less to do with a young man desiring her as it has to do with the empowered woman desiring the young man.

I’ve been working on this project for eight years and have been interviewed by national magazines and newspapers as a “cougar expert” because of my cabaret show, lol, and there have been so many twists and turns but one thing that remains the same is my take on this cougar phenomenon. I believe the sociopolitical reason we are fixated on the cougar/older woman is that as a collective whole, we are yearning to embrace a more matriarchal system after a millennia of patriarchal dictation. And the “cougar” represents the medicine woman and the intuitive healer that older women used to represent in older societies. I believe that women have a chance to say “yes” to their innate sacred power and the access to that is to “embrace the sacred feminine” in all of us.

twi-ny: Speaking of sacred power, you are a strong believer in the healing properties of affirmations. Why do you think they work?

Donna Moore: I believe that life is holistic and metaphysical and that our experience is made up of mental, spiritual, and physical components that all exist as one whole. The thoughts you think create results, the context of which one thinks creates an attitude that serves well-being or shoots you in the foot, literally.

After the birth of my first child (who is turning twenty-two in November), I was diagnosed with Lupus, a horrible autoimmune disease where your immune system attacks your body and sees itself as a foreign threat. I was very sick, with horrible joint pain, unending fatigue, and depression. I had to crawl up the stairs and had no energy to do anything but sleep. I was only twenty-nine. I decided to take a spiritual approach and rid myself of my dis-ease. I refrained from any sort of gossip, I started to eat organically, and I submerged my consciousness with 100% positivity. I actively repeated affirmations of self-love and acceptance, ones that viscerally changed my state of being, and, happily, I was able to cure myself of Lupus. The ANA antibody is no longer positive, I was able to have a second child, and I have not experienced symptoms in over twenty years.

So yes, I believe affirmations are a powerful metaphysical medicine . . . or for those who may not be as a open-minded, it is a way to change your state into one that supports growth and happiness.

twi-ny: You are a vivacious fortysomething mother of two, prime cougar territory. Do you have any personal cougar stories you’re willing to share?

Donna Moore: I did date a man nine years my junior on and off for eight years. However, I never felt like I was older than he. . . . We were just two people who connected.

VIDEO OF THE DAY: “MY LIFE” BY SLAUGHTERHOUSE

One of Brooklyn’s newest clubs, the Well, will be throwing a monster hip-hop party on August 10 [Ed. note: Because of expected severe weather conditions, the show has been rescheduled for September 8], with DJ Soul, Rahim the Dream, Pharaohe Monch, Paul Marz, Da Circle, J the S, LAD & Willie the Kid, and Freeway paving the way for headliners Slaughterhouse, the rap supergroup formed in 2008 by Joe Budden, Crooked I, Joell Ortiz, and Royce Da 5’9. On their upcoming album, Welcome to Our House, which is due from Eminem’s Shady Records on August 28, Slaughterhouse struts its stuff with such special guests as Swizz Beatz, Skylar Grey, Busta Rhymes, Cee-Lo, and Slim Shady himself, who is also among the producers, along with Boi-1da, Mr. Porter, AraabMuzik, and Hit-Boy. The album includes such songs as “Coffin,” “Hammer Dance,” “Flip a Bird,” “Throw It Away,” and “My Life,” the video of which pretty much sums up the group’s raison d’être. Tickets are $25 in advance and $30 at the door, which opens at 6:00; the outdoor extravaganza is scheduled to end at 10:00, if the place is still standing by then.