Museum of Comic and Cartoon Art
594 Broadway (Suite 401) between Houston & Prince Sts.
Thursday, February 23, $7, 7:00
212-254-3511
www.moccany.org
For more than forty-five years, nearly every issue of MAD magazine ended with a fold-in surprise by Al Jaffee, a full-page piece of art that became something completely different when readers brought the A and the B together and folded it in. In conjunction with the recent release of The MAD Fold-In Collection: 1964-2010 (Chronicle, September 2011, $125) — a deluxe four-volume hardcover set that includes a reproduction of every one of the 410 fold-ins Jaffee and the “usual gang of idiots” created, including a copy of the original unfolded page as well as a digital image of the folded result — the ninety-year-old Jaffee will be at the Museum of Comic and Cartoon Art on Thursday night at 7:00, participating in a panel discussion with MAD art director Sam Viviano, MAD writer Arie Kaplan, and illustrator Arnold Roth, moderated by Danny Fingeroth. This is a rare chance to meet a living legend in the industry, a highly influential illustrator who counts among his minions Stephen Colbert, Gary Larson, and many others. You should also check out MOCCA’s current exhibits, which include “Michael Uslan: The Boy Who Loved Batman,” “Bat-Manga: The Secret History of Batman in Japan,” “Artists of Batman,” and “The Art of Howl: A Collaboration between Eric Drooker and Allen Ginsberg.”
From 1967 to 1975, a group of more than two dozen Swedish journalists came to America to document the civil rights movement. More than thirty years later, director and cinematographer Göran Hugo Olsson discovered hours and hours of unused 16mm footage — the material was turned into a program shown only once in Sweden and seen nowhere else — and developed it into The Black Power Mixtape 1967-1975, a remarkable visual and aural collage that focuses on the Black Panthers and the Black Power movement, a critical part of American history that has been swept under the rug. Olsson and Hanna Lejonqvist have seamlessly edited together startlingly intimate footage of such seminal figures as Eldridge Cleaver, Bobby Seale, Huey P. Newton, Dr. Martin Luther King, Jr., and Stokely Carmichael, including a wonderfully personal scene in which Carmichael interviews his mother on her couch. But the star of the film is the controversial political activist Angela Davis, who allowed the journalists remarkable access, particularly in a jailhouse interview shot in color. (Most of the footage is in black and white.) Davis also adds contemporary audio commentary, sharing poignant insight about that tumultuous period, along with Abiodun Oyewole of the Last Poets, singer Erykah Badu, professor, poet, and playwright Sonia Sanchez, Roots drummer Ahmir Questlove Thompson (who also composed the film’s score with Om’Mas Keith), and rapper Talib Kweli, who discusses specific scenes in the film with a thoughtful grace and intelligence. The Black Power Mixtape 1967-1975 is an extraordinary look back at a crucial moment in time that has long been misunderstood, if not completely forgotten. The Black Power Mixtape 1967-1975 is screening on February 3 as part of the Bronx Museum of the Arts’ free First Fridays program honoring Black History Month and will be followed by a Q&A with coproducer Joslyn Barnes. There will also be performances by GIF, Latasha N. Nevada Diggs, Mahogany L. Browne, and M.C. K~Swift, and the galleries will remain open until 10:00, giving visitors plenty of time to check out the exhibition “Urban Archives: Emilio Sanchez in the Bronx” and the Acconci Studio long-term installation “Lobby-for-the-Time-Being.”
