this week in literature

TWI-NY TENTH ANNIVERSARY TALK: ANDREW GIANGOLA

Mario Batali, Andrew Giangola, and Rachael Ray party it up at Texas Motor Speedway

Mario Batali, Andrew Giangola, and Rachael Ray party it up at Texas Motor Speedway

Fontana’s
105 Eldridge St. between Grand & Broome Sts.
Wednesday, May 18, free, 7:00 – 9:30
212-334-6740
www.fontanasnyc.com
www.theweekendstartsonwednesday.blogspot.com

We’ve known Andrew Giangola since we were kids, playing baseball in the street, sledding down what we thought were enormous hills in the local park, and going to semipro football games. Although New York is far from the center of the auto racing world, we did go to the track once, when a cigar-chomping family friend took us behind the scenes and into the pit. That apparently rubbed off on Giangola, who was the director of communications for NASCAR for nine years, traveling around the country chaperoning star drivers and meeting the fans. Last February he turned his adventures into an entertaining book, The Weekend Starts on Wednesday: True Stories of Remarkable NASCAR Fans, which looks at dozens of NASCAR’s most dedicated fanatics, from movie icons and beauty queens to military heroes and astronauts, from news anchors and celebrity chefs to an acrophobic mountain climber and a dude who wears nothing but a tire.

“After sleeping in their buses, watching races in their homes, spending countless hours on the phone, sitting in the grandstands, and walking campgrounds on the circuit,” Giangola writes in the introduction, “I’m convinced NASCAR’s ‘core’ fans are a special, different breed…. I want to perpetuate a new stereotype of NASCAR fans. They are, at their core, very good people.” Giangola, who lives in New York City with his wife, daughter, and dog — and whose last driving ticket was for going zero miles per hour, blocking the box at the Holland Tunnel — will read from The Weekend Starts on Wednesday as part of twi-ny’s free tenth anniversary celebration May 18 at Fontana’s, which will also feature readings from Dean Haspiel, Nova Ren Suma, and Kyle Thomas Smith and live performances from James Mastro and Megan Reilly, Paula Carino and the Sliding Scale, and Evan Shinners.

twi-ny: You grew up on the South Shore of Long Island, not exactly a hotbed of auto racing. You’ve always been a huge sports fan, but tell the truth — what did you think of NASCAR when you first applied for the position, and how do you feel about it now?

Andrew Giangola: Your father took us to a stock car race at the old short track in Freeport, LI, when I was eleven and I loved it. (That track is now a strip mall.) I also watched [Richard] Petty and [David] Pearson and [Cale] Yarborough on Wide World of Sports when NASCAR snippets were shown between Ping-Pong and cliff diving. When I was exposed to the sport, I always liked it. But growing up on Long Island in the ’70s, you didn’t see a lot of NASCAR; the sport might as well have been racing on Mars. There was no ESPN or 24/7 sports coverage. I was by no means a fan.

When I got the job offer, after a quick web search it was pretty clear pretty fast that this was a big, powerful brand with a lot of company involvement. My real shock was at the first race; it happened to be Talladega, NASCAR’s biggest and rowdiest track, in the heart of Alabama. I was wearing black slacks and a black shirt. A fan gripping a large beer yells down from the top of his converted school bus, “When are the aliens coming?” It was immediately clear NASCAR fans were familiar with the film Men in Black and that I’d need to learn the rules of the road, so to speak. Seven years later, I was sleeping with those fans — not in the biblical sense; it was research — and published The Weekend Starts on Wednesday about the most amazing fan stories.

weekend starts 2

twi-ny: You’ve worked in communications for Pepsi and Simon & Schuster, spent nine race seasons at NASCAR, and now are brand new at IMG. What was the hardest part of the NASCAR job? You’re also a wise-ass who was once championed as the savior of the PR business. How do you get away with your sarcastic sense of humor at such giant, serious companies?

Andrew Giangola: I’m not sure anyone ever championed me as a savior but that’s awfully nice of you to say, and please let me introduce you to my new boss. At NASCAR, I really had a blast. Workplace humor is a dicey proposition. You have to pick and choose your spots and make sure you’re overdelivering, because a comedian who puts up weak numbers is nothing but a liability. Of course, we dealt with some serious issues at NASCAR. It’s such a decentralized, multifaceted industry. You have NASCAR the sanctioning body, teams, tracks, drivers, sponsors, licensees, media partners. In a sense, in my job in PR out of NASCAR’s New York office, I had to serve them all. It kept a man busy. I literally wore out about five BlackBerries. (When I left, I offered to donate one to the NASCAR Hall of Fame; no one got back to me.) My daughter, Gaby, once said, “If work were crack, you’d sell me for a bag of it.” The toughest challenge was keeping some semblance of family balance while attempting to make every man, woman, child, and dog in the US of A a stock car racing fan.

twi-ny: You’re a die-hard Rangers fan, but you’ve claimed on your blog and in the book that NASCAR fans are the greatest in the world. Is that a diss to the Garden Faithful?

Andrew Giangola: When the Rangers play on Saturday night, do the fans start sleeping in front of the Garden on a Wednesday? That’s what it’s like in NASCAR. But I think Ranger fans and NASCAR fans have a lot in common in their tremendous passion for their sports. (Go to a NASCAR track like Pocono Raceway or Dover and you’ll see a lot of cops and firemen in the infield who are big Ranger fans.) Remember, on any given Sunday in NASCAR there’s one winner and forty-two losers. Ranger fans can relate to that continual, gut-wrenching, seemingly endless heartbreak. All that said, I still tell my wife, Viviane, that the day we were married was almost as good as that warm night in June of 1994 when the Rangers finally won the Stanley Cup.

FRAN REISNER: THE DOGS OF CENTRAL PARK

Saturday, May 14, under the loggia at the Dairy Visitor Center, Central Park, East Drive and 65th St., free, 12 noon – 2:00
Saturday, May 14, Fetch Bar & Grill, 1649 Third Ave at 93rd St., free, 4:00 – 6:00
www.thedogsofcentralpark.com

“Let Maine have its moose and Florida its manatees!” writes Parks commissioner Adrian Benepe in the preface to Fran Reisner’s The Dogs of Central Park (Rizzoli Universe, May 2011, $19.95). “In the heart of Manhattan, it takes a dog to understand the beauty of autumn leaves, the thrill of new-fallen snow, and the promise of flowers on a rainy spring day.” The Dogs of Central Park features nearly 150 photographs of all kinds of breeds playing, posing, and relaxing in such park locations as the Mall, Belvedere Castle, the Boat House, the Great Lawn, Bethesda Fountain, Conservatory Gardens, the lake, and Cedar Hill. Reisner had been in New York City only twice before an assignment brought her here and she went to Central Park, where, she writes, “What I saw as I crested the first hill on my path was unforgettable: dogs, everywhere! Big dogs, little dogs, and many breeds I’d never seen before.” In the occasional text, Reisner relates brief stories of various canines, including the rescued Obie and Toby, the world-traveling Lenny, the three-legged Scheki, Best in Show couple Mikimoto and Gem, and the hat-munching Brinkley. There will be two special events on Saturday, May 14, celebrating the release of the book. Reisner will be signing copies under the loggia at the Dairy from 12 noon to 2:00, with all dogs welcome, but they have to be left at home for the 4:00 book party at Fetch Bar & Grill. Each gathering will include a raffle for a Central Park photo shoot with Reisner; part of the proceeds from the Dairy event will benefit the North Shore Animal League, with Animal Haven benefiting from the Fetch party. (Winners must be present to claim their prize.)

NEW YORK GALLERY WEEK 2011

William Kentride will be signing books at Marian Goodman on Saturday as part of New York Gallery Week (William Kentridge, “Drawing for ‘Other Faces,’” charcoal and coloured pencil on paper, 2011; courtesy of the artist and Marian Goodman Gallery, New York / Paris)

Multiple locations
May 6-8, free
www.newyorkgalleryweek.com

More than sixty galleries and organizations will be participating in this weekend’s New York Gallery Week festivities, featuring a host of opening receptions, walking tours, and other special events, including being open late Friday night (till 8:00) and all day Sunday, when most galleries are closed. Among the many Saturday highlights are William Kentridge signing books at Marian Goodman from 11:00 to 1:00, Barnaby Furnas and Ivan Witenstein in conversation at Derek Eller at 12 noon, Amy Granat/Cinema Zero and a dance performance by Felicia Ballos at Nicole Klagsbrun at 1:00, an artist talk with Sara VanDerBeek at Leo Koenig at 2:30, the panel discussion “New Directions in Curatorial Models” at Sean Kelly at 3:00, and a live performance by Black Lake at David Nolan at 5:00. On Sunday, Louise Lawler’s Birdcalls will be screening at Metro Pictures from 11:00 to 6:00, Marianne Boesky will host a panel discussion on Salvatore Scarpitta’s “Trajectory” at 12 noon (with Germano Celant, Nicholas Cullinan, James Harithas, Jeff Koons, Nancy Rubins, and Paul Schmmel, moderated by Anne-Marie Russell), Hilton Als and Kara Walker will lead an artist walk-through of Walker’s “Dust Jackets for the Niggerati — and Supporting Dissertation” at Sikkema Jenkins at 2:00, Liam Gillick and Sean Landers will lead a walk-through of Landers’s “Around the World Alone” at Friedrich Petzel at 3:00, and Stephen Vincent will give a talk and poetry reading at Jack Hanley at 6:00.

GARY SHTEYNGART: SUPER SAD TRUE LOVE STORY PAPERBACK RELEASE PARTY

BookCourt
163 Court St. between Dean & Pacific Sts.
Tuesday, May 3, free, 7:00
718-875-3677
www.bookcourt.org
www.supersadtruelovestory.com

Gary Shteyngart’s third novel, following 2003’s hugely successful The Russian Debutante’s Handbook and 2006’s Absurdistan, paints a wildly inventive and entertaining dystopian picture of New York City in the just-barely-distant future. In the New York Times Notable Book Super Sad True Love Story, now available in paperback (Random House, May 3, $15), the American government, the so-called “Restoration authority,” is falling to the Central Chinese Bank and Norwegian oil overlords while the Harm Reduction program rids Manhattan of the last remaining poor and unattractive. AssLuxury has replaced Amazon for constant consumption. All the while, hapless Russian Jewish immigrant schlemiel Lenny pursues the beautiful young Eunice to the home of her Korean immigrant parents and back. It all goes down against a backdrop of always-on äppärät (thinly disguised iPhones and such), 24/7 personal broadcasting, and corporations like the one run by Lenny’s childhood friend and boss, who sells immortality. Everything is just slightly ahead of where it is now, except the human emotions driving the super sad love story of the title. The New York City-based, Leningrad-born Shteyngart will be at BookCourt in Brooklyn on May 3 for the paperback release party of this hilarious tome about a ludicrous world that is uncomfortably close to our own.

WORLD NOMADS MOROCCO

Najia Mehadji’s “Mystic Dance,” from the series Volutes, will be part of multidisciplinary site-specific Moroccan exhibit at FIAF Gallery

French Institute Alliance Française (and other venues)
Florence Gould Hall, 55 East 59th St.
Le Skyroom, 22 East 60th St.
Tinker Auditorium, 55 East 59th St.
April 30 – May 31, free – $40
212-355-6100
www.fiaf.org

in its annual World Nomads celebration of global culture, the French Institute Alliance Française journeyed to Africa in 2008, Haiti in 2009, and Lebanon last year; this year’s destination is Morocco, where the festivities began April 30 with a sold-out concert featuring the Orchestra of Fes with Françoise Atlan. Special events continue throughout May, with a pair of free literature talks Sunday with Abdellah Taïa (1:00) and Mahi Binebine (5:00) at the Cooper Union, screenings of Nour Eddine Lakhmari’s controversial 2008 film, Casa Negra, which deals realistically with contemporary social problems in Morocco, on May 3 ($10), a free concert with multi-instrumentalist Brahim Fribgane and trumpeter Ibrahim Maalouf on May 5 at 8:30 at Lincoln Center’s David Rubenstein Atrium, the New York debut of Rabat rapper Soultana at Joe’s Pub on May 6 ($15), and the installation “Untangling Threads: Soundwalk & Kantara Crafts” on May 7 that is also part of the Festival of Ideas for the New City. Other highlights include the panel discussion “Regenerating Morocco’s Architecture” on May 9 at 7:00 in FIAF’s Tinker Auditorium ($15), the May 11 keynote talk “Essaouira and Fes: Sustaining Cultures” with Royal Advisor André Azoulay and cultural critic Faouzi Skali at Le Skyroom (free with RSVP), a Master Gnaoua Musicians concert May 21 at 8:00 at Florence Gould Hall ($20, preceded by the free talk “Stories from the Gnaoua and World Music Festival”), and pianist Marouan Benabdallah performing at Zankel Hall on May 26 at 8:00 ($25). Additional screenings of Moroccan film will take place every Tuesday as part of FIAF’s regular CinémaTuesdays series, and the FIAF Gallery will hos the site-specific exhibition “Senses and Essence: Amina Agueznay, Safaa Erruas, and Najia Mehadji,” focusing on the work of three leading woman contemporary artists from Morocco (May 5-28, free).

SAKURA MATSURI: CHERRY BLOSSOM FESTIVAL 2011

The annual two-day Sakura Matsuri will beautify Brooklyn this weekend (photo by twi-ny/mdr)

Brooklyn Botanic Garden
900 Washington Ave. at Eastern Parkway
Saturday, April 30, and Sunday, May 1, $10-$15
718-623-7200
www.bbg.org

For many New Yorkers, it isn’t really spring until the cherry blossoms are in bloom at the Brooklyn Botanic Garden. The spectacular trees should be gushing this weekend for the annual Sakura Matsuri, two days of Japanese art, food, and culture that usually is jam-packed with families, photographers, and other celebrants. The weather is currently forecast as partly cloudy with a high of sixty-seven, perhaps not ideal but a whole lot better than rain. There will be special events held throughout the beautiful botanic garden, including a children’s Suzuki recital, anime stand-up comedy, Butoh dance, cosplay cabaret, origami workshops, an ikebana flower exhibit, an interactive tea installation, a vintage kimono display, fish-printing demos, enka poetry, manga and anime artist and book signings, logic puzzles and other games, numerous bonsai events, garden tours, Japanese karate demonstrations, and much more, with such special guests as April Vollmer, Godfather of Sudoku Maki Kaji, Jack Schwartz, Fumiko Allinder, Michele Brody, Grandmaster Kaicho T. Nakamura, and Pokémon voice artist Veronica Taylor; below are some of the recommended highlights.

Saturday
Hanagasa Odori: Flower Hat Dance Procession, Japanese Folk Dance Institute of NY, Osborne Garden North, 1:00

Nihon Buyo Classical & Ryukyu Buyo Okinawan Dance, Dancejapan with Sachiyo Ito, Cherry Esplanade Stage, 1:15

BBG Parasol Society Promenade, with live music by happyfunsmile, registration 11 a.m.–1 p.m. behind Cherry Esplanade Stage, parade from Cherry Esplanade Stage to Osborne Garden, 3:00

Traditional Tea Ceremony, Urasenke Chanoyu Center, A.T. White Amphitheater, 3:30

Split Spirits/Spirit Splits: A Samurai Drama, Samurai Sword Soul, Cherry Esplanade Stage, 4:15

Sunday
Taiko Drumming, Soh Daiko, Cherry Esplanade Stage, 12 noon

Origami Paper Folding with Jeremy Aaron Horland, Lily Pool Terrace, 1:00

Butoh Dance, Dean Street FOO Dance, Osborne Garden North, 2:00

Cooking Demonstration: Authentic Dashi Making, with Momo Sushi Shack’s Chef Makoto Suzuki and Phillip Gilmour, A.T. White Amphitheater, 3:00

Cosplay Fashion Show, hosted by Uncle Yo, with live music by Morning Musuko, Cherry Esplanade Stage, 6:15

PEN WORLD VOICES FESTIVAL: KARMA CHAIN

Khenpo Lama Pema Wangdak will kick off human Karma Chain of “telephone” on the High Line on Saturday morning

The High Line
Under the Standard, New York
848 Washington St. at 13th St.
Saturday, April 30, free, 11:00 am
www.rmanyc.org
www.pen.org
karma chain slideshow

In conjunction with the seventh annual PEN World Voices Festival of International Literature, the Rubin Museum is sponsoring a rather unique game of “telephone” Saturday morning on the High Line, revolving around the idea of karma. Karma, which means “cause and effect,” is a lot more than just trying to influence how you’ll come back in your next life; karma is basically neutral, what’s happening now, based on innumerable conditions created by previous actions. We are all creating karma right now, at the same time, impacting future events. On Saturday morning, what will probably be a very large number of people from all walks of life will descend on the High Line and form an extended human Karma Chain across a significant portion of the elevated park, set on the old abandoned railway lines on the West Side. At one end of the chain, Khenpo Lama Pema Wangdak — teacher, founder of the Vikramasila Foundation, and creator of Bur Yig (Tibetan Braille) — will whisper a sutra, a verse from the teachings of the Buddha, to the person next to him; that sutra will then be verbally passed down the line, person to person, across three city blocks as it makes its way toward the anchor at the other end, author Salman Rushdie, chair and founder of the festival, who will announce both the starting sutra and what it transformed into. It should be another fascinating and fun one-of-a-kind event of the sort that the Rubin is becoming known for, a gathering that should provide good karma for all those involved. Registration is free and open to the general public and must be completed by 10:45 am on the High Line under the Standard at Washington & 13th Sts.