this week in literature

UNDER THE RADAR

Judith Malina of the Living Theatre and Silvia Calderoni of Motus collaborate on THE PLOT IS THE REVOLUTION, a special Under the Radar presentation on January 9 at La MaMa (photo by End & Dna)

The Public Theater and other venues
425 Lafayette St. between East Fourth St. & Astor Pl.
January 4-15, free-$25
212-967-7555
www.undertheradarfestival.com

The eighth annual Under the Radar: A Festival Tracking New Theater from Around the World offers another diverse collection of live performances that provide a welcome alternative to conventional theater. Running January 4-15, this year’s fest includes such promising productions as Hideki Noda’s The Bee, an English-language drama at Japan Society about a horrible surprise waiting for a businessman upon returning home from the office; Bambï & Waterwell’s Goodbar, a live concept album reimagining of Looking for Mr. Goodbar, at the Public Theater; Suli Holum & Deborah Stein’s Chimera, about a woman who is her own twin, at HERE; and Stefan Zeromski Theatre’s unique musical take on Bernard-Marie Koltès’s In the Solitude of Cotton Fields, set to live Polish punk rock, at La MaMa. The Public will also be home to the LuEsther Lounge, presenting free live music throughout the festival. Among the other free events are the installation Gob Squad Resource Room at the Goethe-Institut’s Wyoming Building (the Gob Squad Arts Collective will also be presenting the interactive Super Night Shot at the Public); Camille O’Sullivan’s Feel, in which the Irish singer will play a different character for songs by Jacquel Brel, Nick Cave, Tom Waits, David Bowie, and others, at the Public; and the panel discussion “Performance and Context: The Black Box and the White Cube,” January 8 at 1:00 at the Public. In addition, a post-show discussion will follow the January 7 performance of Motus’s Alexis. A Greek Tragedy at La MaMa, a preshow talk will precede the January 8 performance of the Living Word Project’s Word Becomes Flesh at the Public, a panel will follow the January 11 performance of biriken & Ayça Damgaci’s Lick But Don’t Swallow! at La MaMa, chelfitsch’s Toshiki Okada (Hot Pepper, Air Conditioner, and the Farewell Speech) will lead a workshop for theater and dance professionals on January 14 at 1:00 at Japan Society, and “Everyone’s a Critic! Exploring the Changing Landscape of Arts Writing” will take place January 15 at 1:00 at the LuEsther Lounge. As always, Under the Radar offers adventurous theatergoers a chance to see a bunch of very different works, from an excellent selection of international companies.

NEW YEAR’S DAY POETRY MARATHONS

Visual artist and bilingual poet Yuko Otomo will participate in both New Year’s Day marathons (photo by Marilyn Kaggen)

Every January 1, a pair of poetry marathons do battle on the Lower East Side in celebration of the new year. The Poetry Project at St. Marks Church (131 East 10th St. at Second Ave., $20, 3:00 – 12 midnight) will be hosting its thirty-eighth annual New Year’s Day Marathon Benefit Reading, featuring 140 artists, 52 of whom contributed a line to the broadside “Exquisite Corpse,” which begins, “Language is what the rocks thought of when they wanted to walk.” The always spectacular lineup includes Anne Waldman with Ambrose Bye & Daniel Carter, Bob Hershon, Church of Betty, Eileen Myles, Elinor Nauen, Elliott Sharp, John Giorno, John S. Hall, Jonas Mekas, Judith Malina, Lee Ranaldo, Lenny Kaye, Mónica de la Torre, Nick Hallett, Patti Smith, Penny Arcade, Steve Earle, Susie Timmons, Suzanne Vega, Taylor Mead, Thurston Moore, Wayne Koestenbaum, Yoshiko Chuma, and Yvonne Meier with Aki Sasamoto. The exact schedule is available only onsite. Meanwhile, over at the Bowery Poetry Club (308 Bowery between Houston & Bleecker Sts., free with suggested donation of paperback books for Books Through Bars, 2:00 – 12 midnight), the eighteenth annual Alternative New Year’s Day Spoken Word and Performance Extravaganza features more than 150 performers as well an open mic, with such guests as Corrina Bain, Richard Kostelanetz, Ocean Vuong, EJ Antonio, Adam Falkner, Marcy Alexis, Steve Cannon, Emanuel Xavier, Kathi Georges, Jackie Sheeler, Eve Packer, Nancy Mercado, Ngoma, Sparrow, Laura Dinnebeil, Angelo Vergas, and such double-duty poets as Steve Dalachinsky, Anselm Berrigan, and Yuko Otomo, who will read at both marathons. This year’s Bowery theme is “Kaleidoscope”: “Come observe what happens when words shift and flicker! We are a circle of mirrors. Together we reflect the rest of the world.”

ROBERT BURNS AND “AULD LANG SYNE”

Robert Burns, “Auld Lang Syne” (detail), autograph manuscript written within a letter, dated (September 1793), to George Thomson

Morgan Library & Museum
225 Madison Ave. at 36th St.
Tuesday – Sunday through February 5, $15 (free Fridays 7:00 – 9:00)
212-685-0008
www.themorgan.org

Tonight at midnight, people around the world will break out into the same song, “Auld Lang Syne,” welcoming in 2012, but how many of those revelers know the true story about the famous tune? The Morgan Library is currently hosting a splendid little exhibition that examines the details behind the music and lyrics of the popular ditty, whose three-word title translates to “old,” “long,” “since.” It was Scottish poet Robert Burns who combined the familiar music and lyrics for publisher James Johnson in 1796, although there were different versions both before and after, from a 1667 lover’s lament and a 1760s Caledonian country dance to William Shield’s 1782 opera, Rosina, and Rudyard Kipling’s 1900 Boer War revision. The show, which comprises original letters, manuscripts, portraits, rare books, and even an arrangement by Beethoven, also features a strong online component where you can read and listen to snippets of the evolution of the complete song, so you’ll be able to surprise your fellow partyers tonight by breaking out into all four Burns stanzas, including “We twa hae run about the braes, / And pu’t the gowans fine; / But we’ve wander’d mony a weary foot, / Sin auld lang syne.” In addition, the Morgan will be celebrating the eve of Burns Day on January 24 with the special concert “Days of Auld Lang Syne: Euan Morton Sings Songs of Scotland,” in which the singer and actor will perform Scottish works, accompanied by composer Bryan Reeder on piano. (Also currently on view at the Morgan are “Charles Dickens at 200,” “Treasures of Islamic Manuscript Painting from the Morgan,” and “David, Delacroix, and Revolutionary France: Drawings from the Louvre.”

SAKS FIFTH AVENUE: THE SNOWFLAKE & THE BUBBLE SPECTACULAR

Saks Fifth Avenue
611 Fifth Ave. at 49th St.
212-753-4000
www.saksfifthavenue.com

Once again inspired by the 2009 picture book Twinkle, Twinkle, Little Flake, in which writer Mike Reiss and illustrator Roger Chouinard tell the story of a snowflake discovering the Saks Fifth Avenue holiday window display, Saks is presenting its sixth annual 3-D musical projection on the iconic store’s Fifth Ave. facade. “The Snowflake & the Bubble Spectacular” begins with a gear countdown, then turns windows into doors that creak open to reveal falling snowflakes and pipes that emit bubbles that explode, set to a newly commissioned soundtrack. The window displays themselves are based on the book Who Makes the Snow?, Naresh Ramchandani and Ilyanna Kerr’s children’s book about little Holly, Yottoy the Yeti, and Saks, with elements from the story accompanied by fashion creations from Alexander McQueen, Nina Ricci, Proenza Schouler, Stella McCartney, Haider Ackermann, Naeem Khan, Rag & Bone, Olivier Theyskens, Marchesa, and Erdem.

LITTLE RED RIDING HOOD: EPITAPH

The Acorn Theater at Theatre Row
410 West 42nd St. between Ninth & Tenth Aves.
Tuesday, December 20, $51.25 – $71.25, 7:00
www.hdcny.com

The Hip-Hop Dance Conservatory Repertory Company is presenting a very different take on the classic fairy tale “Little Red Riding Hood” on December 20 with Epitaph. Artistic director Safi A. Thomas has created a brutal, violent version of Charles Perrault’s story of the girl in red who meets the big bad wolf, incorporating elements from tales by such other masters as the Brothers Grimm and Hans Christian Andersen (“The Little Match Girl”). The thirty-minute piece, which explores issues of gender, sexuality, patriarchy, and female empowerment, will be followed by a thirty-minute Q&A with the cast and creative team and a forty-five-minute reception. Premium tickets include a commemorative booklet, with part of the proceeds benefiting the Crime Victims Treatment Center of St. Luke’s Roosevelt Hospital.

MORE BETWEEN HEAVEN AND EARTH

THOMAS JEFFERSON, MARIA COSWAY, AND THE MUSIC AND PHILOSOPHY OF THE ENLIGHTENMENT
Abigail Adams Smith Auditorium
417 East 61st St. between First & York Sts.
Saturday, December 17, $50-$100, 8:00
www.mbhe.charityhappenings.org

It’s right there in the Bill of Rights at the very beginning. Adopted on December 15, 1791, the First Amendment to the U.S. Constitution says, “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.” The separation of church and state has been a central issue in America for hundreds of years, and with good reason as fundamentalists from many religions continue to seek to take hold of the political discourse. Since 1947, the nonprofit Americans United for Separation of Church and State has sought to “preserve the constitutional principle of church-state separation as the only way to ensure religious freedom for all Americans.” On Saturday, December 17, the organization, headed by executive director Barry W. Lynn, will host a benefit at the Abigail Adams Smith Auditorium in Manhattan, raising funds and strongly defending the very basic need for the separation of church and state. Award-winning actors Melissa Errico, Matthew Modine, and Kathleen Chalfant will read from the letters of Thomas Jefferson and composer-artist Maria Cosway, who had a lifelong correspondence after meeting when Jefferson was the U.S. envoy in Paris. “Those, which depend on ourselves, are the only pleasures a wise man will count on, for nothing is ours which another may deprive us of,” Jefferson wrote to Cosway in his famous “Dialogue of the Head vs. the Heart” in 1786. “Hence the inestimable value of intellectual pleasures. Even in our power, always leading us to something new, never cloying, we ride serene & sublime above the concerns of this mortal world, contemplating truth & nature, matter & motion, the laws which bind up their existence, & that eternal being who made & bound them up by those laws. Let this be our employ.” The two also discussed art and music, some of which will be performed by members of the Clarion Society Orchestra and guest soloists Jessica Gould (soprano) and Karim Sulayman (tenor), including works by Sacchini, Hewitt, Corelli, Duphly, and Cosway. Directed by Erica Gould, the evening will take place in the elegant auditorium at the Mount Vernon Hotel Museum and Garden, a historic location built in 1799, during the time that Jefferson and Cosway were well in the midst of their very passionate epistolary relationship.

CAROLING AT THE MORGAN

Charles Dickens’s original marked-up manuscript of A CHRISTMAS CAROL is on view at the Morgan

Morgan Library & Museum
225 Madison Ave. at 36th St.
Friday, December 16, free, 6:30 – 8:30
212-685-0008
www.themorgan.org

As part of its free Friday programming on December 16, the Morgan Library will feature singers from the Mannes College the New School for Music performing Christmas carols throughout the museum from 6:30 to 8:30. And you can continue the holiday spirit at the Morgan exhibition “Charles Dickens at 200,” which celebrates the Christmas Carol scribe’s life and career with original manuscripts, letters, books, photographs, illustrations, caricatures, and more. There will be a docent tour of the show, which runs through February 12, on Sunday at 2:00. As Dickens wrote in the preface to the book in 1843, “I have endeavoured, in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it!” To which we add, “Merry Christmas to all, and to all a good night.”