WILLIAM KENTRIDGE & THE NOSE
The Metropolitan Opera, Lincoln Center
Between West 62nd & 65th Sts. and Columbus & Amsterdam Aves.
March 5-25, $15 standing room - $375
212-362-6000
www.metoperafamily.org
In spring 2007, William Kentridge’s magical production of Mozart’s THE MAGIC FLUTE dazzled audiences at BAM. Now, as part of numerous events across the city celebrating the multifaceted career of the South African artist, his highly anticipated adaptation of Shostakovich’s version of Gogol’s 1836 short story THE NOSE will have six performances at the Metropolitan Opera this month. The multimedia presentation, conducted by Valery Gergiev and featuring baritone Paulo Szot as Kovalyov and tenors Andrei Popov as the police inspector and Gordon Gietz as the Nose, was designed by Kentridge with Sabine Theunissen. Tickets are going fast in the lower-priced sections, so act quickly if you’d rather pay $150 or less rather than as much as $375. In addition, Kentridge’s NOSE-related drawings and collages are on view at the Gallery Met, his limited edition SHEETS OF EVIDENCE book is on display at Dieu Donné through March 27, he will be in conversation with Paul Goldberger discussing “Learning from the Absurd” at the New York Public Library on March 12, “Sounds from the Black Box: The Music of Philip Miller for the Films of William Kentridge” screens at the World Financial Center, with live music by Ensemble Pi, March 21-22, and the major retrospective “William Kentridge: Five Themes” runs at MoMA through May 17.
NATIONAL BOOK CRITICS CIRCLE READING AND AWARDS CEREMONY

Edmund White is among the National Book Critics Circle nominees
The New School, Tishman Auditorium
66 West Twelfth St. at Fifth Ave.
Wednesday, March 10, and Thursday, March 11, free, 6:00
212-229-5353
www.newschool.edu
www.bookcritics.org
On January 23, the National Book Critics Circle announced the finalists for its 2009 awards, in the categories of Fiction, Nonfiction, Autobiography, Biography, Criticism, and Poetry. Among the nominees are Bonnie Jo Campbell for AMERICAN SALVAGE, Tracy Kidder for STRENGTH IN WHAT REMAINS, William T. Vollmann for IMPERIAL, Edmund White for CITY BOY, Brad Gooch for FLANNERY: A LIFE, Stephen Burt for CLOSE CALLS WITH NONSENSE: READING NEW POETRY, and Rachel Zucker for MUSEUM OF ACCIDENTS. The New School celebrates the awards with its annual free two-day presentation, with many of the nominees reading from their works on March 10, followed the next night by the awards ceremony. In addition, JOyce Carol Oates will be receiving the Ivan Sandrof Lifetime Achievement Award. Both events are free and first come, first served.
WALES WEEK USA

Dylan Thomas celebration is at center of 2010 Wales Week in New York
EXPERIENCE DYLAN THOMAS IN NEW YORK
Multiple locations
March 2-7, free - $150
www.wales.com
www.dylanthomas.com
Wales Week USA celebrates Welsh culture and history with special presentations across the country March 2-7. Here in New York, Wales Week focuses on poet Dylan Thomas, who spent a lot of time in the city, including dying at St. Vincent’s in 1953 at the age of thirty-nine. The Morgan Library will be displaying rare manuscripts and other artifacts in addition to serving a special Welsh afternoon tea March 3-7. On March 6, Dr. Rhian Davies and pianist Simon Crawford-Phillips honor composer Alec Templeton at the New York Library for the Performing Arts at 3:00, followed by the Music Masters of Wales concert at Carnegie Hall, guest-conducted by 2010 William R. Hopkins Bronze Medal recipient Dr. Karl Jenkins. On March 7 at 9:30 am, you can learn all about Thomas’s relationship with New York City on the Dylan Thomas Walking Tour of Greenwich Village, put together by scholar Peter Thabit Jones and Aeronwy Thomas, the poet’s daughter ($25, advance RSVP required at catrin.brace@wales-uk). Wales Week concludes that afternoon at 4:00 with David Enlow playing “The Organ Works of Cesar Franck” at Rutgers Presbyterian Church on West 73rd St.
PURIM 2010

Masks and Mayhem is only one of many Purim parties taking place all over the city on February 27
The Jewish holiday of Purim is a time of rejoicing, celebrating the defeat of the Persian leader Haman, who, serving under Persian king Ahasuerus in the fifth century BCE, sought to kill all the Jews. There will be Purim parties all over town on Saturday night, when people will gather with noisemakers and good grog, partaking in the triangular delicacy known as hamentashen, and reading from the Megillah. Chris Noth will host the Aish Center’s “Masks and Mayhem” in the Sony Atrium, with food from Eli Kirshstein, a free drink, music by DJ Roy Baron, and a costume contest that can earn you a pair of first-class tickets to Israel or a Private Chef’s Table for Ten at Solo. The Shushan Channel will be going crazy at 92yTribeca with their eighth annual Purim spiel, “Lady Graga,” led by Daily Show creator Lizz Winstead and taking on pop culture as only they can. JDub records will be getting down at the CSV Cultural Center with a Hamanbashin costume contest and party featuring live performances by the Shondes, Can!!Can, and Gangsta Rabbi, DJ sets by Ultragrrrl and Matt Elkin, and Patrick Aleph delivering the whole Megillah channeled through Sid Vicious. Israeli hip-hoppers Hadag Nahash will be partying late into the night at (le) poisson rouge. At City Winery, Storahtelling presents Bloody Esther, starring Rebbetzin Hadassah Gross, better known as the First Lady of Judeo Kitsch. And in Brooklyn, Heeb magazine has teamed up with 3rd Ward for the Pour ’em Party, featuring Team Facelift, the Shining Twins, Dirty Fences, and DJs Johnny Tropical, Drew Heffron, and Kool Jew, while the Sway Machinery will headline the third annual Purim Bash at Littlefield, along with Djarara.
QUARTET v4.0

WaxFactory revisits its history and lays a course for its future with QUARTETv4.0 at Abrons Arts Center
WaxFactory YEAR 11 RETROSPECTIVE
Abrons Arts Center, Henry Street Settlement
466 Grand St. at Pitt St.
February 24-28, $15
212-352-3101
www.henrystreet.org
www.waxfactory.org
www.performingrevolution.org
The SoHo-based experimental theater company WaxFactory is celebrating the completion of its eleventh year with a series of programs that look back at the company’s founding, in 1998, as well as ahead toward its future. The “Year 11 Retrospective” began in January with the presentation of BLIND.NESS (LOVE IS A FOUR-LETTER WORD) as part of P.S. 122’s COIL festival and continues this week with WaxFactory’s new version of QUARTET v4.0, based on Heiner Müller’s controversial adaptation of Pierre Choderlos de Laclos’s 1782 novel LES LIAISONS DANGEREUSES. Part of the New York Public Library’s Performing Revolution in Central and Eastern Europe, the multimedia production, which uses surveillance cameras, live video capture, and real-time editing and processing, was conceived and directed by Ivan Talijancic and stars Erika Latta and Todd Thomas Peters. The celebration concludes next month with the American premiere of the company’s DELIRIUM 27, directed by Latta and running March 24-28 at Abrons Arts Center.




