Tag Archives: Untitled Ukraine Project

NYC INDIE THEATRE FILM FESTIVAL 2023

Samantha Soule and Daniel Talbott’s Midday Black Midnight Blue kicks off New Ohio Theatre’s seventh and final NYCITFF

NYC INDIE THEATRE FILM FESTIVAL
New Ohio Theatre
154 Christopher St.
February 16-19 in person, February 20-26 streaming, passes $35-$50, individual screenings $14-$20
newohiotheatre.org

There will be a melancholy cloud hovering over New Ohio Theatre’s seventh NYC Indie Theatre Film Festival (NYCITFF); this iteration will be its last, as founding artistic director Robert Lyons announced earlier this week that the company will cease operations at the end of the current season after thirty years of presenting experimental and cutting-edge theater and film.

“The decision is the result of a confluence of factors, including my intention to step down as artistic director, the shifting landscape and dynamics of the field, and increased financial pressures on the organization,” Lyons wrote in a statement. “The board and I believe theater organizations have their own natural life spans, and felt the time was right for New Ohio to step aside and make space for the next generation of theater-makers and producers. We believe this is an important moment for new ideas, new energy, and new models for the indie theater scene.”

The final NYCITFF takes place February 16-19 at New Ohio’s longtime home on Christopher St., with encore streamings of all films February 20-26. The festival consists of six features, thirty-four shorts in four programs (“Non-traditional Storytelling,” “Dating Drama,” “Everything Changes,” “Friendship Bonds”), two workshops (“Infinite Space: Making Theater in Virtual Reality” with Jocelyn Kuritsky, Alex Basco Koch, and Meghan Finn, and “Staging Film: Tricks of the Trade, Merging Stage and Film” with Kevin Laibson), and a reception and a happy hour.

The opening night selection on February 16 at 8:00 is Samantha Soule and Daniel Talbott’s Midday Black Midnight Blue, a drama set on Whidbey Island where a man (Chris Stack) is haunted by a lost love (Soule); the cast includes two-time Emmy winner Merritt Wever (Nurse Jackie, Godless) and off-Broadway favorite Dale Soules (I Remember Mama, The Capables). In-person screenings conclude February 19 at 4:00 with Rat Queen Theatre Co and Colt Coeur’s The Goddamn Looney Tunes, a multimedia musical about a teen punk band.

Director Reid Farrington gives instructions to Rafael Jordan on set of Mendacity (photo by Miguel Aviles)

The work that perhaps best encompasses the intersection of film and theater is Mendacity, which uses real political protests as a way into exploring lies through a production of Tennessee Williams’s Cat on a Hot Tin Roof at the Connelly Theater, starring Lindsey Graham as Maggie the Cat (Adam Patterson), the United States of America as Brick (Rafael Jordan), AOC as SisterWoman (Jennifer McClinton), Tr*mp as Big Daddy (Kevin R. Free), and Jared Kushner as Big Mama (assistant director Laura K Nicoll). When Brick tells Maggie, “I can’t be trusted anymore,” it takes on multiple meanings. Married director and editor Reid Farrington and writer Sara Farrington have been melding film and theater for more than fifteen years, in such original and complex shows as The Passion Project (Carl Th. Dreyer’s The Passion of Joan of Arc), Gin & “It” (Alfred Hitchcock’s Rope), and CasablancaBox (Michael Curtiz’s Casablanca), so Mendacity is a natural next step for them. (In addition, Sara Farrington’s Untitled Ukraine Project was part of New Ohio’s “Now in Process” earlier this month.)

NOW IN PROCESS 2023

Untitled Ukraine Project kicks off “Now in Process” at New Ohio Theatre (photo courtesy the Mill)

NOW IN PROCESS 2023
New Ohio Theatre
154 Christopher St.
February 1-12, $15, 7:00
newohiotheatre.org/now-in-process

New Ohio’s annual “Now in Process” series returns February 1-12 with sneak peeks at four intriguing works-in-progress, either in person at the theater’s downstairs space on Christopher St. or available via livestream (for each second performance).

The showcase begins February 1-2 at 7:00 with Untitled Ukraine Project, Sara Farrington’s adaptation of short stories from Kyiv-born photographer and author Yevgenia Belorusets’s 2022 book, Lucky Breaks. In the note before the preface, Belorusets explains, “With these photographic sequences and stories I want to show how collisions of different contexts inform and transform the manufacture of narratives, resulting in the rejection of any instrument of certainty.” In the hourlong play, Monica Goff, Rachel Griesinger, Kara Jackson, Jennifer McClinton, and Aurea Tomeski portray five women impacted differently by war. In her collaborations with her husband, Reid Farrington, including CasablancaBox, BrandoCapote, and the upcoming film Mendacity, which will premiere February 17 at the NYC Indie Theatre Film Festival at the New Ohio, Sara Farrington mixes fantasy and reality in cutting-edge ways, developing “collisions of different contexts [that] inform and transform the manufacture of narratives,” so she’s the right person for this job. Presented by the Mill, Untitled Ukraine Project is directed by Jaclyn Biskup, with costumes by Kristy Hall and lighting by Jackie Fox.

“Now in Process” continues February 4-5 with writer-director Jaime Sunwoo’s Embodied, a multimedia production from Free Rein Projects in which Ella Dershowitz, Blaze Ferrer, Vanessa Rappa, and Saadiq Vaughan portray fifty-five interviewees responding to the prompt “Describe a time you were acutely aware of your race.” The forty-five-minute work features sound and lighting by Matt Chilton and video design by Andrew Murdock, with interactive projections and live camera feeds.

Rubalee follows the plight of a solitary whale trying to return home (photo courtesy Caborca)

On February 8-9, Caborca presents excerpts from writer-director Javier Antonio González’s Rubalee, an experimental musical about a North Atlantic right whale journeying from the equator to her ancestral home of Eubalena (named after their genus, Eubalaena), battling global warming, human hunters, industrial pollution, and more. The forty-five-minute work, performed by Yaraní del Valle Piñero, Courtney Ellis, Susannah Hoffman, Marty Keiser, Tania Molina, Jordan Rutter, Pelé Sanchez Tormes, and David Skeist, combines choral singing and black metal percussion; the music was composed by Skeist and Michael Rekevics.

The festival concludes February 11-12 with writer-director Deniz Khateri’s Longing Lights, an adaptation of thirteenth-century poet and mystic Attar Neishabouri’s Tazkirat al-Owlia, about Sufi saints and their miracles. The thirty-five-minute opera, with music by Bahar Royaee, focuses on the only female subject in the book, Rabia of Basra.