Tag Archives: Tuco Benedicto Pacifico Juan Maria Ramirez

COUNTRY BRUNCHIN’: THE GOOD, THE BAD AND THE UGLY

Clint Eastwood is the Good in classic Sergio Leone operatic oater

NITEHAWK BRUNCH SCREENINGS: THE GOOD, THE BAD AND THE UGLY (Sergio Leone, 1966)
Nitehawk Cinema
136 Metropolitan Ave. between Berry St. & Wythe Ave.
August 6-7, 11:00 am
718-384-3980
www.nitehawkcinema.com

One of the all-time-great spaghetti Westerns, Sergio Leone’s dusty three-hour operatic oater stars Clint Eastwood as the Good (Blondie), Lee Van Cleef as the Bad (Angel Eyes), and Eli Wallach as the Ugly (Tuco Benedicto Pacifico Juan Maria Ramirez, whose list of criminal offenses is a riot), three unique individuals after $200,000 in Confederate gold buried in a cemetery in the middle of nowhere. Nearly twenty minutes of never-before-seen footage was added to the film several years ago, with Wallach and Eastwood overdubbing brand-new dialogue, so if you haven’t seen it in a while, it might just be time to catch it again. Ennio Morricone’s unforgettable score and Torino delli Colli’s gorgeous widescreen cinematography were also marvelously enhanced; their work in the scene when Tuco first comes upon the graveyard will make you dizzy with delight. And then comes one of the greatest finales in cinema history. The Good, the Bad and the Ugly is screening at Nitehawk Cinema on August 6 & 7 at eleven in the morning in the dual series “Nitehawk Brunch Screenings” and “Country Brunchin’” (will spaghetti be on the menu?) and will kick off with a set by Arthur Vint & Associates, led by Arizona-born, Brooklyn-based drummer Vint; the group’s debut album, Through the Badlands, came out in January, mixing jazz, rock, and Native American spiritual music. “Nitehawk Brunch Screenings” continues in August with such other films as Gillian Robespierre’s Obvious Child, Richard Donner’s The Goonies, and Susan Seidelman’s She-Devil, among others.

SPAGHETTI WESTERNS: THE GOOD, THE BAD AND THE UGLY

Clint Eastwood is the Good in classic Sergio Leone operatic oater

THE GOOD, THE BAD AND THE UGLY (Sergio Leone, 1966)
Film Forum
209 West Houston St.
June 9, 10, 12, 21
Series runs through June 21
212-727-8110
www.filmforum.org

One of the all-time-great spaghetti Westerns, Sergio Leone’s dusty three-hour operatic oater stars Clint Eastwood as the Good (Blondie), Lee Van Cleef as the Bad (Angel Eyes), and Eli Wallach as the Ugly (Tuco Benedicto Pacifico Juan Maria Ramirez, whose list of criminal offenses is a riot), three unique individuals after $200,000 in Confederate gold buried in a cemetery in the middle of nowhere. Nearly 20 minutes of never-before-seen footage added to the film several years ago, with Wallach and Eastwood overdubbing brand-new dialogue, so if you haven’t seen it in a while, it might just be time to catch it again, this time on the big screen as part of Film Forum’s impressive “Spaghetti Westerns” series. Ennio Morricone’s unforgettable score and Torino delli Colli’s gorgeous widescreen cinematography were also marvelously enhanced; their work in the scene when Tuco first comes upon the graveyard will make you dizzy with delight. And then comes one of the greatest finales in cinema history. The Good, the Bad and the Ugly is screening at Film Forum on June 9, 10, 12, and 21, with the series continuing with such well-known classics and under-the-radar gems as Damiano Damiani’s A Bullet for the General, Giulio Petroni’s Death Rides a Horse, Monte Hellman’s China 9, Liberty 37, and Giulio Questi’s Django Kill . . . If You Live, Shoot!

SEE IT BIG! THE GOOD, THE BAD AND THE UGLY

Clint Eastwood is the Good in classic Sergio Leone operatic oater

THE GOOD, THE BAD AND THE UGLY (Sergio Leone, 1966)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Friday, February 10, $12, 7:00
Series runs through March 17
718-777-6800
www.movingimage.us

One of the all-time-great spaghetti Westerns, Sergio Leone’s dusty three-hour operatic oater stars Clint Eastwood as the Good (Blondie), Lee Van Cleef as the Bad (Angel Eyes), and Eli Wallach as the Ugly (Tuco Benedicto Pacifico Juan Maria Ramirez, whose list of criminal offenses is a riot), three unique individuals after $200,000 in Confederate gold buried in a cemetery in the middle of nowhere. Nearly 20 minutes of never-before-seen footage added to the film a few years ao, with Wallach and Eastwood overdubbing brand-new dialogue, so if you haven’t seen it in a while, it might just be time to catch it again, this time on the big screen as part of the Museum of the Moving Image’s “See It Big!” series. Ennio Morricone’s unforgettable score and Torino delli Colli’s gorgeous widescreen cinematography were also marvelously enhanced; their work in the scene when Tuco first comes upon the graveyard will make you dizzy with delight. And then comes one of the greatest finales in cinema history. The Good, the Bad and the Ugly is screening at the museum on February 10 at 7:00, with the series continuing with such classics as Samuel Fuller’s Forty Guns on February 19 (introduced by Dan Callahan), The Sound of Music on March 3, North by Northwest on March 9-10, Andrei Tarkovsky’s The Mirror on March 11 (introduced by Geoff Dyer), and Touch of Evil on March 16-17.