Tag Archives: tom sachs

THE HOLLYWOOD CLASSICS BEHIND WALKERS: BE KIND REWIND

Mos Def and Jack Black have a wacky plan to save their video store in BE KIND REWIND

Mos Def and Jack Black have a wacky plan to save their video store in BE KIND REWIND

BE KIND REWIND (Michel Gondry, 2008)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Sunday, November 8, 4:30
Series runs through November 8 – December 27
718-777-6800
www.movingimage.us

When old man Fletcher (Danny Glover) takes off for a week, leaving Mike (Mos Def) in charge of his soon-to-be-demolished video store called Be Kind Rewind (they don’t have any DVDs or recent movies), his most important rule is to “Keep Jerry Out.” Jerry (Jack Black) is a crazy conspiracy theorist who covers himself in metal to ward off alien rays. After a botched attack on the local power plant, Jerry becomes a walking magnet (in a laugh-out-loud hysterical scene) and unknowingly erases all the videos in the store. Taking a page from the Little Rascals plots when Spanky and Alfalfa would suddenly put on a show for some local cause, Mike and Jerry recruit Alma (Melonie Diaz) as they proceed on their very strange attempts at Sweding — making their own versions of such films as Ghostbusters, Rush Hour 2, and Robocop and renting them out as if they were the real thing. Following the brilliant Eternal Sunshine of the Spotless Mind and the extremely strange The Science of Sleep, writer-director Michel Gondry has fashioned a really stupid movie that has an overabundance of heart and charm. Glover and Mos Def are soft and gentle in this Capra-esque comedy, offsetting Black’s hyperactivity. Every time you’re ready to write the film off as being just too silly and ridiculous, something comes along to make you double over in laughter. Be Kind Rewind kicks off the Museum of the Moving Image series “Walkers: Hollywood Afterlives in Art and Artifact,” being held in conjunction with the new exhibition that examines how contemporary artists have used iconic Hollywood imagery in their work, with sculptures, photographs, paintings, videos, drawings, and more by Francis Alÿs, Richard Avedon, Jim Campbell, Gregory Crewdson, Jean-Luc Godard, Douglas Gordon, Isaac Julien, Martin Kippenberger, Guy Maddin, Mary Ellen Mark, Richard Prince, Tom Sachs, Hiroshi Sugimoto, Piotr Uklanski, Pierre Bismuth, and many others. Be Kind Rewind is screening November 8 at 7:00, preceded by Oscar winner Bismuth’s Where Is Rocky II? trailer. Bismuth will introduce the films, then participate in an artist talk with curator Robert M. Rubin afterward. After a break, the series picks up after Thanksgiving, continuing through December 27 with such iconic and influential classics as Dr. Strangelove, Sunset Boulevard, Double Indemnity, Chinatown, Psycho, and The Wild Bunch as well as several cult faves by Maddin, who will be on hand to talk about his latest, The Forbidden Room, on December 12.

SPACE PROGRAM: MARS

Tom Sachs takes visitors on a trip to Mars in the Park Avenue Armory (photo by twi-ny/mdr)

Park Avenue Armory
643 Park Ave. at 67th St.
Tuesday – Sunday through June 17, $12, 12 noon – 7:00 pm (open till 9:00 on Fridays)
212-933-5812
www.armoryonpark.org
tomsachsmars.com
space program: mars slideshow

You don’t have to have grown up dreaming of becoming an astronaut to get a huge kick out of Tom Sachs’s immersive “Space Program: Mars” experience at the Park Avenue Armory. In September 2007, the New York native and his well-trained team traveled to the moon at the Gagosian Gallery in Los Angeles, but this time around he sets his sights much bigger, as Sachs and crew have filled the armory’s expansive Wade Thompson Drill Hall with all the elements needed to journey to and explore the Red Planet. Curated by Creative Time’s Anne Pasternak and the armory’s Kristy Edmunds, “Space Program: Mars” begins with “Working to Code,” a series of short films (10 Bullets, Color, Love Letter to Plywood, Space Camp, How to Sweep, several made with Van Neistat) that detail Sachs’s bricolage DIY artistic process and hysterically precise rules (“When in doubt, leave it out! Or Die!”) that must be followed while toiling in the studio. You need to pay close attention to the very droll and funny movies if you want to pass the indoctrination test that is the only way to gain entrance to the life-size Lunar Excursion Module. (If you want a head start, you can check out all of the films in advance here.) And you’re going to want to get into the LEM, which is loaded with fascinating pieces that playfully evoke the real thing.

The Mission Control station makes sure everything is up and running in immersive space experience (photo by twi-ny/mdr)

Working with NASA, Sachs and his crew of thirteen men and women painstakingly, and with a fabulous dose of tongue-in-cheek humor, re-created a multimedia Mission Control station, surveillance cameras, refrigeration units (including the Vader Fridge in the shape of the evil Death Lord), a miniature launch pad and docking target, a Mars Excursion Roving Vehicle, helmets and space suits, an ID station, an Incinolet, a Mobile Quarantine Facility inside a 1972 Winnebago, a cooking area, a clean air room, and other items necessary for achieving and surviving intergalactic travel, all put together with wood, metal, foam core, glue, nails, and other found materials ― resulting in a number of essential parts that actually work. NASA might have canceled the space shuttle program, but Sachs is reaffirming the continuing need for manned missions ― while also displaying his unique and endearing artistic sensibilities. And don’t miss the Museum of the Moon in the Veterans Room out in the hallway, where you can delve into the previous moon mission. The installation is up through June 17 and features several special activities. On June 7, Sachs and his team will conduct live demonstrations of the program’s flight plan. From June 9 through 16, Sachs and his Grummans will be holding mini-demonstrations, including a rescue mission, daily at 1:00 and 3:00, along with a Four Horsemen of the Apocalypse bicycle race scheduled for 6:00 every evening. On June 9-10 at 10:00 am, children ages five to twelve and their parents or guardians can take part in the interactive workshop “Life on Mars: Imagining the Incredible” with members of the Armory Artists Corps. On June 16, you can have “Breakfast with Mars Scientists,” as Jet Propulsion Laboratory scientists Gregg Vane, Kevin Hand, and Tommaso Rivellini will join Sachs and moderator Lawrence Weschler for an in-depth conversation. The grand finale takes off immediately following, as Sachs and company will lead a real-time flight-plan endurance demonstration that runs until around midnight, with visitors allowed to come and go as they please, although you’ll have to get back in line for reentry.

CONTEMPORARY ART AUCTION PARTS I & II

Tom Sachs, “Lil’ T’s Toilet Town,” sink, toilet, medicine cabinet with fake shit, piss, and tampons, tanks, vac, electricals, pumps, and service ladder (photo by twi-ny/mdr)

Phillips de Pury & Co.
450 Park Ave. / 450 West 15th St.
On view through May 11, free
Thursday, May 12, 7:00, and Friday, May 13, 10:00 am & 2:00 pm
212-940-1260
www.phillipsdepury.com
tom sachs “lil’ t’s toilet town” slideshow

On May 12 and 13, Phillips de Pury & Company will be holding a two-part Contemporary Art auction at 450 Park Ave. of works that are currently on view to the public at that location as well as at 450 West 15th St. next to the High Line. Although the auction house is anticipating a sale that could reach more than $130 million, there are many pieces that surprisingly start in the four figures. Among the artists represented are George Condo (“The Housekeeper’s Diary”), Keith Haring (“Untitled [Boxers]”), Takashi Murakami (“Magic Ball 2 [Nega]”), Georgia O’Keeffe (“Yellow Jonquils IV”), Richard Prince (“Untitled Joke Painting”), Damien Hirst (“Tranquility”), John Chamberlain (“Popsicletoes”), Ellsworth Kelly (“Green White”), Joan Mitchell (“Gouise”), David Hockney (“30 Sunflowers”), and Gerhard Richter (“Abstraketes Bild”) in addition to Claes Oldenburg, Ed Ruscha, Yoshitomo Nara, Marlene Dumas, Urs Fischer, Rudolf Stingel, Roy Lichtenstein, Mark Rothko, Cindy Sherman, Donald Judd, Christopher Wool, and several Andy Warhols (“Witch,” “Liz #5,” “Mao [Mao 10]”, “Flowers”).