Tag Archives: korean cultural service

WILD DAYS — COMING OF AGE IN 2014: COMMITMENT

COMMITMENT

K-pop star T.O.P., aka Choi Seung-hyun, stars as a teenage assassin in COMMITMENT

KOREAN MOVIE NIGHT: COMMITMENT (DONG-CHANG-SAENG) (Park Hong-soo, 2013)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, January 14, free, 7:00
212-759-9550
www.koreanculture.org
www.wellgousa.com

After their father (Park Sung-woong) is declared a traitor to North Korea and killed, Lee Myung-hoon (Choi Seung-hyun) and his younger sister, Lee Hye-in (Kim Yoo-jung), are placed in a forced labor camp. When Myung-hoon is nineteen, North Korean agent Moon Sang-chul (Jo Sung-ha) offers him a way out: if he agrees to be a spy/assassin for Kim Jong-Il’s regime, he and his sister will eventually be freed. Accepting the mission, Myung-hoon goes to Seoul, where he attends high school as a cover and makes friends with a loner girl (Han Ye-ri) with the same name as his sister. This Hye-in wants to be a dancer, which brings up memories of Myung-hoon’s childhood dreams of becoming a successful pianist — a long way from being an expert killer, as he carries out his jobs with pinpoint precision. But as Kim Jong-il suddenly falls ill and his son, Kim Jong-un, prepares to take over as supreme leader, all bets are off and it gets harder and harder to know who’s on which side. One day Myung-hoon is messing with a group of tough students who are bullying Hye-in, and the next he is in the middle of a complex plot involving drugs, laundered money, diamonds, and double crosses. Also known as Alumni, Park Hong-soo’s Commitment is an exciting if bumpy thriller about family, loyalty, and friendship. Choi, who is better known as K-pop star T.O.P. of Big Bang, is dark and moody as the teenage assassin who will do anything to protect his sister, while Kim’s character goes through a sudden, hard-to-believe change about halfway through the film. Things get far too convoluted in the final scenes, the plot heading off in all kinds of ridiculous directions, but Choi manages to make it all worthwhile. Commitment, which is playing in several New York City theaters right now, can be seen for free on January 14 at 7:00 at Tribeca Cinemas, kicking off the Korean Movie Night series “Wild Days: Coming of Age in 2014.” Presented by the Korean Cultural Service, the series continues on January 28 with Kwak Kyung-taek’s Friend: The Great Legacy and February 11 with Won Shin-eon’s The Suspect before concluding February 25 with Kang Yi-kwan’s Juvenile Offender.

REMEMBERING PARK CHEOL SOO — A KOREAN FILMMAKING LEGEND: THE GREEN CHAIR

Hyun (Shim Ji-ho) and Kim Mun-hee (Seo Jung) have a torrid affair in Park Cheol Soo’s THE GREEN CHAIR

Hyun (Shim Ji-ho) and Kim Mun-hee (Seo Jung) have a torrid affair in Park Cheol Soo’s THE GREEN CHAIR

KOREAN MOVIE NIGHT: THE GREEN CHAIR (NOKSAEK UIJA) (Park Cheol Soo, 2005)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, October 15, free, 7:00
212-759-9550
www.koreanculture.org
www.tribecacinemas.com

Korean Cultural Service continues its three-part tribute to South Korean auteur Park Cheol Soo, who died in a traffic accident earlier this year at the age of sixty-four, with the erotically charged The Green Chair. Shortly after being arrested for having sex with a minor, thirty-two-year-old Kim Mun-hee (Seo Jung) rejoins her barely underage lover, nineteen-year-old Hyun (Shim Ji-ho), as they continue their torrid affair, which led to Mun-hee’s divorce. Mun-hee is sentenced to one hundred hours of social service, working in a ward with women suffering from dementia. A concerned police detective (Sun Wook-hyun) and a sneaky journalist (Kim Jun-han) try to keep close tabs on the lovers, so Hyun and Mun-hee soon end up at the country home of her best friend, Jean (Oh Yun-hong), as things keep heating up, both sexually and emotionally. Park fills the first half of The Green Chair with beautiful shots of Mun-hee’s and Hyun’s naked bodies in artistic arrangements, almost like they are one. But in the second half, things get a bit more abstract, culminating in a bizarre, surreal party that incorporates some of the stranger elements of the French New Wave. The Green Chair ends up being a satisfying, if at times extremely confusing and even maddening, exploration of fantasy, desire, and responsibility, not shy in the least. The Green Chair is screening for free October 15 at Tribeca Cinemas as part of the Korean Movie Night series “Remembering Park Cheol Soo: A Korean Filmmaking Legend,” which began October 1 with Park’s 301, 302 and concludes October 29 with B.E.D.

LAUGHTER AND LOVE AT THE BOX OFFICE! SUNNY

SUNNY

Kang Hyeong-cheol’s SUNNY goes back and forth between 1986 and 2011 as a group of friends reunites when one of them faces tragedy

KOREAN MOVIE NIGHT: SUNNY (Kang Hyeong-cheol, 2011)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, May 28, free, 7:00
212-759-9550
www.koreanculture.org
www.tribecacinemas.com

A huge critical and popular hit in South Korea, Sunny is a delightful melodrama about a group of high school friends who attempt to reunite after twenty-five years when one of them becomes seriously ill. Taking its name from Bobby Hebb’s bright and cheery 1966 song (“Sunny, yesterday my life was filled with rain / Sunny, you smiled at me and really eased the pain”), the film opens with Im Na-mi (Yoo Ho-jeong) discovering that the leader of their old high school gang, Ha Chun-hwa (Jin Hee-kyung), has only two months to live. Na-mi, a housewife who is seeking more out of her boring, less-than-satisfying existence, decides to track down the rest of the members, none of whom, it turns out, is really happy with how their life turned out. Cowriter and director Kang Hyeong-cheol (Speedy Scandal) seamlessly weaves between 1986 and 2011 as the modern-day Na-mi looks back at her first days at school as a transfer student (played as a teenager by Shim Eun-kyung) befriended by the tough Chun-hwa (Kang Sora). Teaming up with the goofy Kim Jang-mi (Go Soo-hee as an adult, Kim Min-yeong as a teen), the older Na-mi tries to find Hwang Jin-hee (Hong Jin-hee / Park Jin-joo), Seo Geum-ok (Lee Yun-kyung / Nam Bo-ra), Ryu Bok-hee (Kim Sun-kyung / Kim Bo-mi), and Jung Su-ji (Yoon Jung / Min Hyo-rin), each of whom has their own personality and story both as teens and as grown-ups. Although it often gets silly, the film deals with such serious topics as bullying, terminal cancer, extramarital affairs, and slave labor as the young girls’ hopes and dreams seemingly remain just out of reach, anchored by the honest relationship among the characters, particularly between Na-mi and Chun-hwa, with standout performances by the adorable Shim and the compelling Kang, who won numerous awards for the role. Sunny is screening for free May 28 at Tribeca Cinemas as part of the Korean Movie Night series “Laughter and Love at the Box Office!,” which continues June 11 with Lee Yong-joo’s Architecture 101 and June 25 with Jo Sung-hee’s A Werewolf Boy.

MICRO-BUDGET GENRE INVASION! BLOODY FIGHT IN IRON-ROCK VALLEY

BLOODY FIGHT

Lee Moo-saeng and Choi Ji-eun are after revenge in Ji Ha-jean’s debut thriller, BLOODY FIGHT IN IRON-ROCK VALLEY

KOREAN MOVIE NIGHT: BLOODY FIGHT IN IRON-ROCK VALLEY (CHEOLAM GYEKOKUI HYEOLTU) (Ji Ha-jean, 2011)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, March 26, free, 7:00
212-759-9550
www.koreanculture.org
www.tribecacinemas.com

Writer-director Ji Ha-jean offers new twists on the Korean revenge thriller in Bloody Fight in Iron-Rock Valley. Winner of the European Fantastic Film Festival Asian Award for best Asian genre film and the Fujifilm Eterna Award for best Korean independent at the 2011 Puchon International Fantastic Film Festival in South Korea, Bloody Fight stars Lee Moo-saeng as a nameless antihero who is released from prison with vengeance on his mind. He sets out on his motorcycle, carrying with him a music box with a ballerina on top of it, determined to find the cold-blooded killers known as Ghostface and Ax who work for a gangster boss in a wheelchair and his drug-addled son. As he gets closer to his prey, coming upon gambling dens, a corrupt construction business, and a quiet monastery where a prostitute is staying, bits and pieces of his past are shown in flashback, slowly explaining the motive behind his spree. Filmed for thirty-five thousand dollars in a month in Gangwon province, Bloody Fight in Iron-Rock Valley combines such spaghetti Westerns as Once Upon a Time in the West and High Plains Drifter with such violent revenge films as Old Boy and Death Wish. Ji uses a wide range of weaponry throughout, including a nail gun, a blowtorch, and a unique little ax, in scenes that often involve torture as well as some head scratching, as Ji does not fill up the various plot holes and several inexplicable elements. Still, it’s a compelling revenge thriller that doesn’t try to be anything more than what it is. Bloody Fight in Iron-Rock Valley is screening for free March 26 at Tribeca Cinemas as part of the Korean Cultural Service Korean Movie Night series “Micro-Budget Genre Invasion!,” which continues April 16 with Oh Young-doo’s Invasion of Alien Bikini and April 30 with the four-part omnibus The Neighbor Zombie.

KOREAN MOVIE NIGHT: PADAK

PADAK

Flappy the mackerel teaches a greenling about life and survival in Lee Dae-hee’s PADAK

PADAK (Lee Dae-hee, 2012)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, January 29, free, 7:00
212-759-9550
www.koreanculture.org
www.tribecacinemas.com

In June 2011, the Korean Cultural Service’s Korean Movie Night series presented Lim Woo-seong’s Vegetarian, a film that we said “is likely to put you off your lunch.” On January 29, the free biweekly series at Tribeca Cinemas will be screening Lee Dae-hee’s Padak, an animated film that might put you off sushi for quite a while. Lee’s twisting of Pixar’s Finding Nemo focuses on a small group of fish in a tank outside a seafood restaurant, desperately hoping they will not get scooped up and become someone’s dinner. A microcosm of Korean society, the fish are led by a grumpy old flounder who is protected by a sly eel; the handful of others just fall into line until a mackerel named Flappy is dumped into the tank. Flappy comes from the sea, while the others were farm raised, so they are intrigued by his tales of freedom and his desire to break through the “invisible walls” and return to the ocean, which is so close on the dock yet so far away. While most of the fish resent Flappy’s constant yapping and continued attempts to escape, a young greenling falls under his wing, deciding he too would rather not just keep playing dead in order not to get chosen for dinner and instead do anything and everything he can to get out and live a real life. Using a compelling animation style that combines hand drawing with CGI, Lee holds nothing back in Padak; when a fish from any of the tanks gets selected, Lee shows the sushi chef slicing him or her up with his sharp knife, then being served to hungry families who dig in, the fish’s head still alive, eyes crying out in pain. Lee does a good job establishing the main characters, voiced by Kim Hyeon-ji, Ahn Yeong-mi-I, Hyeon Kyeong-soo, Lee Ho-san, and Si Yeong-joon, who represent various classes and political beliefs. The film also features a trio of musical numbers with surreal animation that is just plain crazy. Padak is a heart-wrenching tale that is definitely not for young children, and adults are likely to find it extremely sad and disturbing as well. The Korean Movie Night series continues February 12 with The House and February 26 with Yuen Sang-ho’s The Window and other animated shorts.

KOREAN MOVIE NIGHT: CHOKED

Kwon Youn-ho (Um Tae-goo) seems disinterested in life in Kim Joon-hyun’s CHOKED

GEMS OF KOREAN CINEMA: CHOKED (KASHI) (Kim Joong-hyun, 2011)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, October 9, free, 7:00
212-759-9550
www.koreanculture.org
www.tribecacinemas.com

After his mother’s (Kil Hae-yeon) get-rich-quick scheme doesn’t quite work out as planned, she disappears, leaving her laconic son, Kwon Youn-ho (Um Tae-goo), to continually fight off her ever-more-crazed business partner, Seo-hee (Park Se-jin), a divorced mother desperate to get back the money she claims she is owed. Meanwhile, Youn-ho is trying to make a life for himself and his fiancée, Se-kyung (Yoon Che-yong), but her mother doesn’t approve of his job in reconstruction — he convinces people to leave their homes with small payments so that buildings can be knocked down and fancier residences put up in their place. But neither Youn-ho nor Seo-hee is evil; both have been cast in difficult situations that lead to extreme measures that they regret as they try to put their lives back together. Kim Joon-hyun’s first feature film is a patiently paced drama that subtly examines how the global financial crisis affects families in both large and small ways. Everyone in the film is seeking to maintain or renew a relationship with a loved one, be it a parent, a child, a sibling, or a lover, but money complicates their situations. Um is excellent as Youn-ho, a young man seemingly disinterested in his own existence, letting life just happen to him, a fine counterpart to Park’s Seo-hee, a woman willing to do just about anything to prevent her life from getting completely away from her. Choked is screening for free October 9 at 7:00 at Tribeca Cinemas as part of the Korean Cultural Service film series “Gems of Korean Cinema,” which looks at recent independent works from South Korea.

KOREAN MOVIE NIGHT: ROMANCE JOE

ROMANCE JOE is made up of an interweaving collection of related narratives built around the suicide of a famous actress

GEMS OF KOREAN CINEMA: ROMANCE JOE (RO-MAEN-SEU-JO) (Lee Kwang-kuk, 2011)
Tribeca Cinemas
54 Varick St. at Laight St.
Tuesday, September 11, free, 7:00
212-759-9550
www.koreanculture.org
www.tribecacinemas.com

Following in the footsteps of his mentor, Hong sang-soo, for whom he served as assistant director for five years, Lee Kwang-kuk’s debut film, Romance Joe, is a complex, engaging narrative about the art of storytelling. Made up of interweaving tales that eventually come together in surreal ways, mixing fantasy and reality, Romance Joe begins as an elderly mother and father (Kim Su-ung and Park Hye-jin) arrive in Seoul to surprise their son, a film director, but they are informed by his friend, Seo Dam (Kim Dong-hyeon), that he has disappeared after the suicide of a popular actress and has given up the film business. Soon Dam is telling his friend’s parents his own idea for a screenplay, about a determined young boy (Ryu Ui-hyeon) who runs away from home to find his mother at the only address he has for her, a teahouse brothel, where the owner, Re-ji (Shin Dong-mi), isn’t sure what to do with him. Meanwhile, Lee (Jo Han-cheol), a director with one hit under his belt and now facing writer’s block, has been left at a country inn without his cell phone, forced to finish his next screenplay. He orders coffee that is delivered by the movie-obsessed Re-ji, who tells him the story of Romance Joe (Kim Yeong-pil), a suicidal film director who relates a story of his own from his youth, when he (Lee David) saved a girl he loved, Cho-hee (Lee Chae-eun), after she slit her wrist in a forest. The various narratives — flashbacks, stories within stories, the modern-day framing, and script ideas — slowly merge in fascinating and confusing ways, reminiscent of such Hong films as Oki’s Movie, Like You Know It All, and Tale of Cinema. Although suicide is a major theme running through all of the stories, Romance Joe is not a sad melodrama; instead, it is an entertaining, thoughtful, if overly long exploration of narrative in film. Romance Joe, which was part of this year’s “New Directors, New Films” series at MoMA and Lincoln Center, is screening for free September 11 at Tribeca Cinemas, kicking off the Korean Cultural Service film series “Gems of Korean Cinema,” which focuses on indie works and continues September 25 with Moon Si-hyun’s Home Sweet Home and October 9 with Kim Joong-hyun’s Choked.