Tatsuo (Kinya Kitaoji) battles more than nature in Mitsuo Yanagimachi’s controversial HIMATSURI
HIMATSURI (FIRE FESTIVAL) (Mitsuo Yanagimachi, 1985)
Japan Society
333 East 47th St. at First Ave.
Friday, January 24, $12, 7:00
Series runs monthly through February
212-715-1258
www.japansociety.org
There’s something always lurking just beneath the surface of Mitsuo Yanagimachi’s 1985 drama, Himatsuri, and when it finally arrives, it’s shocking and explosive. In the small coastal village of Nigishima, the fishermen are at odds with the lumberjacks. Someone is dumping oil in the water, killing the fish, and the chief suspect is Tatsuo (Kinya Kitaoji), a strong woodsman who chops down trees, raises dogs to hunt down wild boars, shoots monkeys, cheats on his wife with a former girlfriend turned hussy (Kiwako Taichi), and is the only villager who refuses to sell his property to a company intent on building a marine park there. He both cavorts with and defies nature and the local spiritual beliefs, at one point swimming naked in the waters leading to a sanctuary. “Only I can make the goddess feel like a woman,” he proclaims. Carefully watching and worshiping Tatsuo is young Ryota (Ryota Nakamoto), who also oversteps boundaries, using sacred branches in animal traps, and is forced to expose himself to the goddess in retribution. Soon a storm comes, transforming Tatsuo and leading to a horrific conclusion. Set in the area where the Japanese creation myth takes place, Himatsuri is a strange creature indeed, with confusing plot twists, bizarre transitions, and some very weird scenes, with a creepy score by Tōru Takemitsu and lush photography by Tamura Masaki. Yanagimachi’s tale, written by Kenji Nakagami, is no mere clarion call to save the environment; instead, it’s an examination of man’s inhumanity to nature, the disregard for the trees, the oceans, the animals (while also commenting on religion, homosexuality, and contemporary society). Yanagimachi (God Speed You! Black Emperor; Ai ni tsuite, Tokyo) mixes genres, from horror to thriller to romance to musical, as he tells the story of one man who just can’t stop himself.
Fire Festival doesn’t sit well for Tatsuo (Kinya Kitaoji) in Yanagimachi’s HIMATSURI
Himatsuri is screening on January 24 at 7:00 at Japan Society, introduced by Bard College professor Ian Buruma, as part of the monthly tribute series “Richie’s Fantastic Five: Kurosawa, Mizoguchi, Ozu, Yanagimachi & Kore-eda,” which honors Ohio-born writer, critic, scholar, curator, and filmmaker Donald Richie, who died in February 2013 at the age of eighty-eight. Richie was a tireless champion of Japanese culture and, particularly, cinema, and the series features six works by five of his favorite directors. Here’s what Richie said about Himatsuri: “The power of Fire Festival has allowed the film to live on in the minds of those who have experienced it. It is occasionally revived in art cinemas abroad though it remains unseen in Japan. Its power is such that it is impossible to forget once seen. Not only does it reach beyond appearances to suggest a further reality, it also displays a seriousness of intent rare in any national cinema.” The series concludes on February 19 with Hirokazu Kore-eda’s After Life, appropriately on the one-year anniversary of Richie’s passing.
