Tag Archives: Holland Andrews

MUSEUM OF CALM — IN CONVERSATION: HOLLAND ANDREWS WITH MORGAN BASSICHIS

Vocalist, composer, and performance artist Holland Andrews will discuss Museum of Calm on March 24 (photo by Maria Baranova)

Who: Holland Andrews, Morgan Bassichis
What: Live discussion about streaming performance film
Where: Baryshnikov Arts Center Zoom
When: Wednesday, March 24, free with RSVP, 8:00 (film available through March 29)
Why: Baryshnikov Arts Center’s free digital spring season continues with Holland Andrews’s Museum of Calm, a sixteen-minute performance filmed by Tatyana Tenenbaum at BAC’s John Cage & Merce Cunningham Studio on West Thirty-Seventh St. “For me, a lot of what I had been focusing on was channeling all of my focus on my interior world,” Andrews, who previously recorded albums under the name Like a Villain, says in a video introduction. “And meditation, thinking a lot about tending to what was going on inside of my emotional world because, with everything from the external being cut off, this was all I had,” they add, bringing their hands to their chest. “So the idea of Museum of Calm is your own self being your Museum of Calm, whether or not you like it because, you know, what we were attached to in finding peace, in finding calm, had been taken away.”

In the piece, a barefoot Andrews (Wordless, There You Are), whose recent Onè at Issue Project Room dealt with ancestral loss, family tragedy, and healing, incorporates a yellow ball — the kind generally used in physical therapy, but here it is more involved with psychological therapy as Andrews roams the empty studio, beautifully vocalizes words and melodies into a microphone (“I spent so much time feeling I was no good”; “How do I feel better?”), plays the clarinet, layers the different sounds into an audio palimpsest using foot pedals, and watches the sun set over the Hudson River. On March 24 at 8:00 — the day Afterwardsness, their collaboration with Bill T. Jones, was scheduled to premiere at the Park Avenue Armory but had to be postponed indefinitely because some members of the company contracted Covid even in their bubble — Andrews will take part in a live Zoom discussion and Q&A with performer and author Morgan Bassichis (The Odd Years, Nibbling the Hand That Feeds Me) about the BAC commission. The lovely and moving recording of Museum of Calm will be available on YouTube through March 29 at 5:00.

USE YOUR HEAD FOR MORE: DIGITAL PREMIERE AND LIVE CONVERSATION

Who: Justin Hicks, Meshell Ndegeocello
What: Live conversation about Hicks’s Use Your Head for More
Where: Baryshnikov Arts Center Zoom
When: Wednesday, February 24, free with RSVP, 8:00 (Use Your Head for More available on demand through March 1 at 5:00)
Why: On February 24 at 8:00, multidisciplinary artist and performer Justin Hicks, who was born in Cincinnati and is based in the Bronx, will be joined by DC-born singer-songwriter, musician, and ten-time Grammy nominee Meshell Ndegeocello to talk about Hicks’s world premiere commission from the Baryshnikov Arts Center, Use Your Head for More, which is streaming for free through March 1 at 5:00. The half-hour piece is an experimental audiovisual poem with spoken text based on a 2004 conversation Hicks had with his mother, found sound and background vocal samples from members of his family, and rich, dreamlike imagery, from empty corners and doors to a wrinkled hand repeatedly rubbing a wall, all bathed in a golden glow and filmed in his home. “The saying ‘Use your head for more than a hatrack’ became a song my mom wrote as a reminder to her children that mining your imagination offers a way to create lushness with little at hand,” Hicks said in a statement. “She would also use it in moments to let us know that your brain is much more valuable than anything you could acquire. She used songs to remind us of things that kept us safe.”

Use Your Head for More, which features editing by Breck Omar Brunson, lighting by Tuce Yasak, cinematography and styling by Kenita Miller-Hicks, and vocals by Jade Hicks and Jasmine Hicks, is part of the BAC Artist Commissions initiative, which was started in September 2020 to support new online works made during the COVID-19 pandemic; Mariana Valencia’s brownout premieres March 1, followed by Holland Andrews’s Museum of Calm March 15-29, Stefanie Batten Band’s Kolonial May 3-17, Tei Blow’s The Sprezzaturameron May 17-31, and Kyle Marshall’s STELLAR June 7-21.

#MetLiveArts: OUR LABYRINTH

Our Labyrinth will be livestreamed from the Met on three successive Wednesdays in September

Who: Lee Mingwei, Bill T. Jones
What: Site-specific performances of Our Labyrinth at the Met
Where: #MetLiveArts YouTube
When: Wednesday, September 16, 23, 30, free, noon – 4:30
Why: The Metropolitan Museum of Art is open again, but the programming is still taking place primarily online. Its latest livestream makes use of the galleries in a unique way. On September 16, 23, and 30, Taiwanese-American artist Lee Mingwei will team up with legendary dancer-choreographer and New York Live Arts artistic director Bill T. Jones for the durational performance piece Our Labyrinth. The work was inspired by a trip Mingwei took to Myanmar, where he visited religious sites and was overtaken by the gesture of removing one’s shoes before entering and the care volunteers took to keep the sacred space immaculate. Mingwei, who lives and works in Paris and New York City, debuted Our Labyrinth in 2015 at the Taipei Fine Arts Museum and has brought further versions to the eleventh Shanghai Biennale, Centre Pompidou in Paris, Museum MACAN in Jakarta, and Gropius Bau in Berlin. At the Met, each performance will feature a different dancer, sweeping rice with a broom into an improvised path, joined by a trio of experimental vocalists and musicians; the participants are listed below.

In a statement, Mingwei explained, “I conceived Our Labyrinth as an embrace between creation and destruction. The current iteration, enriched and empowered by Bill’s gift, is an offering to those who ever lived on this sacred land known as Mannahatta, as well as to every artist who collectively and unknowingly created the Metropolitan Museum, Spirit House of Mannahatta.” Jones added, “The work does not really need my intervention. However, there is profound meaning in doing this work at this particular moment in New York, which has experienced tremendous loss and social upheaval, oscillating between devastation and hope for the future. I am trying to understand what makes this series of performances distinctly New York, and what makes it distinctly New York now.” Of course, Our Labyrinth was created to be performed with an audience physically and spiritually connecting with it, so we’re curious to see how that transforms to online viewing, which cannot offer the same kind of immersion.

Wednesday, September 16
I-Ling Liu, Raggamuffin (Jesse White), David Thomson, with Holland Andrews, the Great Hall

Wednesday, September 23
Nayaa Opong, Brian “HallowDreamz” Henry, Huiwang Zhang, with Justin Hicks, Gallery 206, Asian Art

Wednesday, September 30
Sara Mearns, Linda LaBeija, DeAngelo Blanchard, Linda LaBeija, with Alicia Hall Moran, Gallery 700, the Charles Engelhard Court, the American Wing

LIVE IDEAS: RADICAL VISION

Public Reading on Democracy

“Public Reading on Democracy” at Live Ideas festival features Tamar-kali, Aisha Tandiwe-Bell, Greg Tate, Liz Abzug, and others reading works by Medgar Evers, Ida B. Wells, Muhammad Ali, Shirley Chisholm, Harvey Milk, Bella Abzug, and more

New York Live Arts
219 West 19th St. between Seventh & Eighth Aves.
April 18-22, free – $30
212-924-0077
newyorklivearts.org

The annual Live Ideas festival at New York Live Arts has previously explored the legacies of Dr. Oliver Sacks and James Baldwin, examined social, political, artistic, and environmental issues (curated by Laurie Anderson), and looked into a nonbinary future (curated by Mx Justin Vivian Bond). The five-day 2018 festival, “Radical Vision,” asks such questions as “How do we not simply protect democracy but make it stronger?,” “What are new (radical) ways forward — ways that go to the roots of our current democratic crisis?,” “What is your radical vision of Democracy?,” and “What would you give up to make it real?” New York Live Arts will host live performances, panel discussions, special presentations, and participatory events addressing these issues, kicking things off on April 18 with a gala at Irving Plaza honoring Elizabeth A. Sackler and Bryan Stevenson, with performances by Bill T. Jones/Arnie Zane Company, Samora Abayomi Pinderhughes, Abby Z and the New Utility, and Esperanza Spalding. The festivities then move to New York Live Arts, with three days of free public readings on democracy, the forum “Bending Towards Justice?,” “The Press + the Resistance,” “By the People?,” and “How Do We Prepare for Trump’s Second Term?,” with such creators and thinkers as Xenobia Bailey, Lawrence Lessig, Alicia Hall Moran, Roger Berkowitz, Emily Johnson, Max Kenner, and Erin Markey. Live Ideas 2018 concludes April 22 at 7:30 ($10) with the Democrazy Ball, with DJ JLMR and performances by Daphne Always and the Dauphine of Bushwick. Below are some of the other highlights of “Radical Vision.”

Wednesday, April 18
Contents Under Pressure: Democracy in Crisis, keynote conversation with Sherrilyn Ifill and Professor Lawrence Lessig, moderated by Bill T. Jones and with an opening performance by mezzo-soprano Alicia Hall Moran with artist and puppeteer Matt Acheson, $15-$30, 6:30

Thursday, April 19
Dahlak Brathwaite: Spiritrials, one-man multidimensional play written by and starring Dahlak Brathwaite, with a score by Brathwaite and Dion Decibels, directed by Marc Bamuthi Joseph and Sean San Jose, $15-$30, 8:00

Friday, April 20
Mike Daisey: The End of Journalism, monologue, $15-$30, 8:00

Saturday, April 21
Zephyr Teachout: Hands-on Politics, workshop with Zephyr Teachout, free with advance RSVP (suggested donation $5-$10), 1:00

Spiritrials

Dahlak Brathwaite will perform Spiritrials at New York Live Arts’ Live Ideas festival

Resistance & Friends, with live performances by vocalist and composer Like a Villain (Holland Andrews), singer Joseph Keckler, choreographer and dancer Marguerite Hemmings, drag queen and performance artist Ragamuffin, poet and performer Saul Williams, the Bill T. Jones/Arnie Zane Company, and choreographer and dancer Keely Garfield (Mandala), hosted by drag king Elizabeth (Macha) Marrero, $15-$25, 8:00

Sunday, April 22
Cynthia Hopkins: Learn a Song of Resistance, free with advance RSVP (suggested donation $10), 11:00 am

The Secret Court, staged reading by Abingdon Theatre Company, written by members of the Plastic Theatre and conceived by Tony Speciale, $12-$15, 12:30

Kenyon Adams: Prayers of the People, a secular liturgical performance of Martin Luther King Jr.’s “Letter from a Birmingham Jail,” participatory ritual/performance conceived by Kenyon Adams (little ray), directed by Bill T. Jones, featuring Cynthia Hopkins, Padraic Costello, Vinson Fraley, Rebecca L. Hargrove, Walker Jackson, and Adams, $15-$25, 6:00