Tag Archives: Francesca Beale Theater

NYFF50: SOMETHING IN THE AIR

The cultural revolution on the early 1970s is back in Olivier Assayas’s SOMETHING IN THE AIR

NEW YORK FILM FESTIVAL MAIN SLATE: SOMETHING IN THE AIR (APRÈS MAI) (Olivier Assayas, 2012)
Film Society of Lincoln Center
Friday, October 5, Alice Tully Hall, 9:15
Monday, October 8, Alice Tully Hall, 12 noon
Friday, October 12, Francesca Beale Theater, 6:30
Festival runs through October 14
212-875-5601
www.filmlinc.com

Olivier Assayas’s autobiographical coming-of-age tale Something in the Air is a fresh, exhilarating look back at a critical period in twentieth-century French history. In this sort-of follow-up to his 1994 film about 1970s teenagers, Cold Water, which starred Virginie Ledoyen as Christine and Cyprien Fouquet as Gilles, Something in the Air features newcomer Clément Métayer as a boy named Gilles and Lola Créton (Goodbye First Love) as a girl named Christine, a pair of high school students who are part of a growing underground anarchist movement. Following a planned demonstration that is violently broken up by a special brigade police force, some of the students cover their school in spray paint and political posters, leading to a confrontation with security guards that results in the arrest of the innocent Jean-Pierre (Hugo Conzelmann), which only further emboldens the anarchists. But their seething rage slowly changes as they explore the transformative world of free love, drugs, art, music, travel, and experimental film. Assayas (Les Destinées sentimentales, Summer Hours) doesn’t turn Something in the Air — the original French title is actually Après Mai, or After May, referring to the May 1968 riots — into a personal nostalgia trip. Instead it’s an engaging and charming examination of a time when young people truly cared about something other than themselves and genuinely believed they could change the world, filled with what Assayas described as a “crazy utopian hope for the future” at a New York Film Festival press conference. The talented cast also includes Félix Armand, India Salvor Menuez, Léa Rougeron, and Carole Combes as Laure, both Gilles’s and Assayas’s muse.

Writer-director Olivier Assayas will be on hand October 5 to talk about his latest work, SOMETHING IN THE AIR (photo by twi-ny/mdr)

Assayas fills Something in the Air with direct and indirect references to such writers, artists, philosophers, and musicians as Syd Barrett, Gregory Corso, Amazing Blondel, Blaise Pascal, Kasimir Malevitch, Max Stirner, Alighiero Boetti, Joe Hill, Soft Machine, Georges Simenon, Frans Hals, and Simon Ley (The Chairman’s New Clothes: Mao and the Cultural Revolution), not necessarily your usual batch of 1970s heroes who show up in hippie-era films. Writer-director Assayas, editors Luc Barnier and Mathilde Van de Moortel, and cinematographer Éric Gautier move effortlessly from France to Italy to England, from thrilling, fast-paced chases to intimate scenes of young love to a groovy psychedelic concert, wonderfully capturing a moment in time that is too often marginally idealized and made overly sentimental on celluloid. “We’ve got to get together sooner or later / Because the revolution’s here,” Thunderclap Newman sings in their 1969 hit “Something in the Air,” which oddly is not used in Assayas’s film, continuing, “And you know it’s right / and you know that it’s right.” Indeed, Assayas gets it right in Something in the Air, depicting a generation when revolution required a lot more than clicking a button on the internet. A critical thinker who speaks intelligently about his work, Assayas will be at the October 5 New York Film Festival screening of Something in the Air, which is also being shown October 8 and 12 before opening theatrically next spring.

NYFF50: THE 50th NEW YORK FILM FESTIVAL

Ang Lee’s LIFE OF PI will open the fiftieth annual New York Film Festival

Alice Tully Hall, 1941 Broadway at 65th St.
Walter Reade Theater, 165 West 65th St. at Amsterdam Ave.
Elinor Bunin Munroe Film Center: Francesca Beale Theater, Howard Gilman Theater, Amphitheater, 144 West 65th St. between Broadway & Amsterdam Ave.
Bruno Walter Auditorium, 111 Amsterdam Ave. between West 64th & 65th Sts.
September 28 – October 14
212-875-5601
www.filmlinc.com

The New York Film Festival is paying tribute to a pair of milestones this year, as 2012 marks the fiftieth anniversary of the festival, and longtime program director Richard Peña is stepping down after a quarter century of inspired service at the Film Society of Lincoln Center, leaving behind quite a legacy. This year’s festival begins on September 28 with the world premiere of Ang Lee’s Life of Pi, adapted from Yann Martel’s novel, and closes on October 14 with the world premiere of Robert Zemeckis’s Flight, starring Denzel Washington, Melissa Leo, and Don Cheadle. The centerpiece selection is the world premiere of David Chase’s hotly anticipated Not Fade Away, reuniting him with his Sopranos star, James Gandolfini. Other films, by some of the greatest directors from around the globe, include Michael Haneke’s Amour, Cristian Mungiu’s Beyond the Hills, the Taviani brothers’ Caesar Must Die, Noah Baumbach’s Frances Ha, Sally Potter’s Ginger and Rosa, Abbas Kiarostami’s Like Someone in Love, Raúl Ruiz’s Night Across the Street, Brian De Palma’s Passion, Olivier Assayas’s Something in the Air, Alain Resnais’s You Ain’t Seen Nothin’ Yet, and Lee Daniels’s The Paperboy, part of the Gala Tribute to Nicole Kidman.

Peter O’Toole’s eyes should shine even more in 4K restoration of David Lean’s LAWRENCE OF ARABIA at the New York Film Festival

The Masterworks section reexamines such films as Amos Gitai’s Field Diary, Bob Rafelson’s The King of Marvin Gardens, Laurence Olivier’s Richard III, Federico Fellini’s Fellini Satyricon, a 4K restoration of David Lean’s Lawrence of Arabia, and Michael Cimino’s Heaven’s Gate, with Cimino on hand to talk about one of Hollywood’s most famous financial disasters. (Was the film really that bad?) Among the special events are Oliver Stone’s Untold History of the United States, theater legend Richard Foreman’s Once Every Day, and a twenty-fifth-anniversary screening of the cult classic The Princess Bride, with a reunion bringing together director Rob Reiner and stars Billy Crystal, Cary Elwes, Carol Kane, Mandy Patinkin, Chris Sarandon, and Robin Wright. The Convergence section looks at cutting-edge technology in cinematic storytelling, with keynote conversations, works-in-progress, and the live multimedia presentation Whispers in the Dark. The annual Views from the Avant-Garde sidebar features works by Ruiz, Peter Kubelka, Chris Marker, Luke Fowler, Nathaniel Dorsky, and others. There will also be a daily talk show, NYFF Live, taking place at 7:00 in the evening in the Elinor Bunin Munroe Film Center Amphitheater with various actors, directors, critics, and other insiders discussing the state of modern cinema.