Tag Archives: el museo del barrio

NUEVO CINE: SPOKEN WORD

Rubén Blades returns to film in Latino drama SPOKEN WORD and will participate in postscreening Q&A at El Museo del Barrio (photo by Lorey Sebastian)

Rubén Blades returns to film in Latino drama SPOKEN WORD and will participate in postscreening Q&A at El Museo del Barrio (photo by Lorey Sebastian)

SPOKEN WORD (Victor Nunez, 2009)
El Museo del Barrio, El Teatro
1230 Fifth Ave. at 104th St.
Wednesday, March 3, free, 6:30
212-831-7272
www.elmuseo.org
www.spokenwordmovie.com

El Museo del Barrio will be hosting a special presentation of Victor Nunez’s (ULEE’S GOLD) 2009 film, SPOKEN WORD, as part of its Nuevo Cine series, highlighting contemporary Latino films and filmmakers. In SPOKEN WORD, Kuno Becker stars as Cruz Montoya, an emerging hip-hop poet who temporarily leaves his career to take care of his ailing father, played by the multitalented Rubén Blades. Back home, Cruz runs into the old crowd he escaped from and is forced to make some life-changing decisions. The screening, which is free, will be followed by a Q&A with producer Bill Conway, coscreenwriter Joe Ray Sandoval, and event curator Jason Silverman. It should be especially fascinating to see Blades, the singer-songwriter, actor, activist, lawyer, and politician who only just returned to making music and movies after serving as Panama’s minister of tourism from 2004 to 2009.

THREE KINGS DAY PARADE

Three Kings Day Parade is an annual tradition at el Museo del Barrio

Three Kings Day Parade is an annual tradition at el Museo del Barrio

El Museo del Barrio
1230 Fifth Ave. at 104th St.
Wednesday, January 6, free, 11:00 am
212-831-7272
www.elmuseo.org

El Museo del Barrio will once again be hosting the Three Kings Day Parade, its thirty-third annual celebration of the Epiphany, beginning at 11:00 in the morning at 106th St. near Park Ave., winding down Third and Lexington, then heading for the museum at 106th and Fifth.

SUPER SABADO

Joaquín Torres-García, “New York Street Scene (Escena de una calle de Nueva York),” oil on board, 1920

Joaquín Torres-García, “New York Street Scene (Escena de una calle de Nueva York),” oil on board, 1920

EL MUSEO DEL BARRIO
1230 Fifth Ave. at 104th St.
Tuesday – Sunday, suggested donation $6, 11:00 am – 6:00 pm
Saturday, December 19, free, 11:00 am – 9:00 pm
212-831-7272
www.elmuseo.org

For its fortieth anniversary, El Museo del Barrio reopened in October with much fanfare following an extensive renovation, enhancing its stature at the top of Museum Mile. Dedicated to Latino arts and culture, El Museo is kicking off its next era with a spectacular new exhibit, “Nexus New York: Latin / American Artists in the Modern Metropolis.” Running through February 28, the exhibition traces the history of Latin artists with direct ties to New York City – either living here, studying here, or working with New York-based artists in Europe, South America, Puerto Rico, Mexico, Cuba, and other locations. “Artists do not work in vacuums,” curator Deborah Cullen notes in her introduction to the excellent accompanying catalog. “The city itself is yet another character in the story, for it was the very nature of New York that invited and fostered such creative energy.”

“Nexus New York” links together such artists as Joaquín Torres-García and Adolph Gottlieb, Maria Martins Pereria e Souza and Marcel Duchamp, Marius de Zayas and Francis Picabia, Roberto Matta and Robert Motherwell, Al Hirschfeld and Miguel Covarrubias, and David Alfaro Siqueiros and Jackson Pollock, offering a fascinating look inside unique aspects in the development of twentieth-century contemporary art. The work of Torres-García, specifically, is nothing short of a revelation, including drawings, wooden figures, watercolors, and such dazzling paintings as “Fourteenth Street (Calle Catorce)” and “New York Street Scene (Escena de una calle de Nueva York).” There’s a reason why an entire chapter in the catalog is dedicated to reconsidering Torres-García: “Unlike many native artists who believed a ‘truly’ American art should reflect nature and the landscape,” Cecilia de Torres writes, “his New York work was all about the spirit of the modern city, rather than its realistic depiction.”

Alice Neel, “Carlos Enríquez,” oil on canvas, 1926

Alice Neel, “Carlos Enríquez,” oil on canvas, 1926

The centerpiece of “Nexus New York” is the extensive section devoted to the relationship between American painter Alice Neel and Cuban artist Carlos Enríquez. The couple married in 1925 and first lived in Cuba before the tragic loss of their first child doomed their relationship. Their individual portraits of their second child, Isabetta, is quite telling; in 1930, Neel paints her as a scary, doll-like figure, while Enríquez, four years later, shows her to be much more real and human. An excerpt from a documentary made by Neel’s grandson, Andrew, further looks into their life. The exhibit also delves into work by a more familiar couple, Diego Rivera and Frida Kahlo, particularly the political implications of Rivera’s aborted Rockefeller Center mural. There are also exemplary pieces by Wilfredo Lam, José Clemente Orozco, Jean Charlot, Camilo Egas, and many others.

The free Saturday program on December 19 celebrates the Three Kings with a photo booth in the courtyard, holiday storytelling with Papoleto Melendez, live music from the Children’s Aid Society Chorus and José Obando and friends, an art workshop for kids, gallery tours, a spoken word performance by the Peace Poets, the eighth annual Coquito Tasting Contest, and comedy from Latina Divas Marga Gomez and Carmelita Tropicana. In addition to “Nexus New York,” El Museo also has on view “Voces y Visiones: Four Decades Through El Museo del Barrio’s Permanent Collection,” which gives a terrific capsule history of the museum and its mission, with works going back to the Taíno Legacy through graphics and politics, traditional and devotional objects, abstraction, migration and language, and more, as well as “Raíces: The Roots of Latin Music in New York City.” And the café features some fine fare, homemade Latino plates (all under ten dollars) with an ever-changing menu; we highly recommend the spicy pulpo if it’s available.