Who: Jon Bon Jovi, Meryl Streep, Diane Keaton, Rachel Brosnahan, Stephen Colbert, Martin Short, Dolly Parton, Dionne Warwick, Stephanie J. Block, Tony Shalhoub, Charlie Day, Chris O’Dowd, Zachary Levi, Zachary Quinto, Robin Thicke, Deborah Cox, Quentin Earl Darrington, Ariana DeBose, Darius de Haas, Mary Elizabeth Ellis, Eden Espinosa, Jordan Fisher, Stephanie Hsu, Randy Jackson, Capathia Jenkins, Jeremy Jordan, Ramona Keller, Alex Newell, Karen Olivo, Dawn O’Porter, Laura Osnes, Benj Pasek, Jodi Picoult, Shereen Pimentel, Andrew Rannells, Keala Settle, Jake David Smith, Will Swenson, Bobby Conte Thornton, Ana Villafane, Frank Wildhorn, Broadway Inspirational Voices, Covenant House Youth, more
What: Virtual benefit for Covenant House
Where: Amazon Prime Video, Broadway on Demand, Facebook, iHeartRadio Broadway, Stars in the House, Twitch, YouTube
When: Monday, May 18, free with advance registration (donations accepted), 8:00
Why: Covenant House’s annual gala goes virtual this year with A Night of Covenant House Stars on May 18 at 8:00. It’s free to watch, although you can donate to help homeless youth specifically during Covid-19. The mission of Covenant House, which was founded in 1972 and now has locations in thirty-one cities in six countries, is that “through a combination of support strategies, including educational programs, job training and placement, medical services, mental health and substance abuse counseling, legal aid and beyond, we help young people embrace the great promise of their lives, overcome steep barriers to independence, and strive to achieve their aspirations.” The ninety-minute concert will feature performances by such stars as Stephanie J. Block, Jon Bon Jovi, Dolly Parton, Jeremy Jordan, and Laura Osnes with appearances by Rachel Brosnahan, Stephen Colbert, Meryl Streep, Zachary Quinto, Diane Keaton, Tony Shalhoub, and more, cohosted by Audra McDonald and John Dickerson. While we’re all stuck at home, there are too many young people who don’t have anywhere to go, before, during, and after the pandemic. Covenant House seeks to change that.
Tag Archives: diane keaton
DIANE KEATON / EDIE FALCO AT 92Y

New York City native Edie Falco will be at the 92nd St. Y on February 6 to talk about her new LA-set police drama on CBS
92nd St. Y
1395 Lexington Ave. between 91st & 92nd St.
Diane Keaton: Kauffman Concert Hall, Tuesday, February 4, $50-$65, 7:00
Edie Falco: Buttenwieser Hall, Wednesday, February 5, $35-$40, 7:00
www.92y.org/events
A pair of iconic actresses will be at 92Y this week to discuss their latest projects. On February 4, LA-born Oscar winner Diane Keaton will be in Kauffman Concert Hall in conversation with editor and author David Ebershoff (The Danish Girl), talking about her new book, Brother and Sister: A Memoir, which deals with her relationship with her younger sibling, Randy. Tickets includes a copy of the book. On February 5, Manhattan native Edie Falco will be in Buttenwieser Hall in conversation with CBS This Morning: Saturday cohost Michelle Miller (replacing the previously announced Jane Pauley), chatting about Falco’s new TV series, Tommy, in which the four-time Emmy winner and Tony nominee stars as the first woman police chief of the LAPD, a single mother who is gay. The show is created by the Bronx-born Paul Attanasio, whose other series include Homicide: Life on the Street and Bull.
TRIBECA FILM FESTIVAL 2017 SPECIAL EVENTS
TRIBECA FILM FESTIVAL
Multiple locations
April 20-30, free – $365 (most events $23.88 – $43.45)
tribecafilm.com/festival
Tickets are still available for most of the special screenings, talks, and live performances at the 2017 Tribeca Film Festival, taking place at such locations as the BMCC Tribeca PAC, the SVA Theatre, the Beacon, Regal Cinemas Battery Park, Radio City, the Town Hall, Cinépolis Chelsea, and the Festival Hub at Spring Studios. The guest list is pretty impressive, including Dustin Hoffman, Barbra Streisand, Philip Glass, Common, Scarlett Johansson, Michael Moore, Kathryn Bigelow, Johnny Lydon, Lena Dunham, Kobe Bryant, Aretha Franklin, Errol Morris, Faith Evans, Zac Posen, Lil’ Kim, Alejandro González Iñárritu, Julian Schnabel, a Flock of Seagulls, Christopher Plummer, Taj Mahal, Jennifer Hudson, Quentin Tarantino, and Bruce Springsteen with Tom Hanks (which is sold out), among many others. Oh, and how about this gathering, celebrating the forty-fifth anniversary of The Godfather: Francis Ford Coppola, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Talia Shire, and Robert De Niro.
Wednesday, April 19
Gala — Clive Davis: The Soundtrack of Our Lives (Chris Perkel, 2017), followed by live performances by Aretha Franklin, Jennifer Hudson, Earth Wind & Fire, Barry Manilow, Carly Simon, and Dionne Warwick, Radio City Music Hall, $56-$281, 7:00
Thursday, April 20
After the Movie: Bowling for Columbine (Michael Moore, 2002), followed by fifteenth anniversary conversation with Michael Moore and others, SVA Theatre 2 Beatrice, $23.88, 7:00
Retrospective Special Screenings: La Belle et la Bête (Jean Cocteau, 1942), with live musical accompaniment by members of the Philip Glass Ensemble, preceded by a conversation with Philip Glass and Errol Morris, Town Hall, $55-$85, 8:00
Friday, April 21
Tribeca Talks: Directors Series — Jon Favreau with Scarlett Johansson, SVA Theatre 1 Silas, rush, 5:00
Special Screenings: The Public Image Is Rotten (Tabbert Fiiller, 2017), followed by a conversation with director Tabbert Fiiller and John Lydon, Tribeca Festival Hub, sixth floor, $23.88, 8:45
Saturday, April 22
Shorts: Blues Planet: Triptych (Wyland, 2017), with live performance by Taj Mahal and the Wyland Blues Planet Band, Tribeca Festival Hub, sixth floor, $23.88, 2:00
Tribeca Talks: Directors Series — Alejandro González Iñárritu, SVA Theatre 1 Silas, rush, 2:30
Special Screenings: The Third Industrial Revolution (Eddy Moretti, 2017), followed by a conversation with director Eddy Moretti and Jeremy Rifkin, Tribeca Festival Hub, sixth floor, limited, 5:00
Special Screenings: House of Z (Sandy Chronopoulos, 2017), followed by a conversation with director Sandy Chronopoulos and film subject Zac Posen, SVA Theatre 1 Silas, $43.45, 8:00
Tribeca Talks: Virtual Reality — Kathryn Bigelow & Imraan Ismail: The Protectors: A Walk in the Ranger’s Shoes, screening and conversation with Kathryn Bigelow and Imraan Ismail, Tribeca Festival Hub, sixth floor, $43.45, 8:15
After the Movie: Awake, a Dream from Standing Rock (2017), followed by a conversation with filmmakers Josh Fox, James Spione, and Myron Dewey and special guests, Cinépolis Chelsea 7, rush, 8:30

Nelson George will team up with Common for a screening, discussion, and live performance at Tribeca on April 23
Sunday, April 23
Tribeca Talks: Master Class — Dolby: Image and Sound Master Class with Imogen Heap, Dolby Cinema at AMC Empire 2, free, 12 noon
Tribeca Talks: Storytellers — Kobe Bryant and Glen Keane with Michael Strahan, BMCC Tribeca PAC, $43.45, 4:30
Tribeca Talks: Podcasts — Live from the Tribeca Film Festival: Gilbert Gottfried’s Amazing Colossal Podcast!, with Gilbert Gottfried and Frank Santopadre, Regal Cinemas Battery Park 11-4, $43.45, 5:30
Tribeca Talks: Storytellers — Common with Nelson George, screening of Letter to the Free, followed by a conversation with Nelson George and a live performance by Common, Tribeca Festival Hub, sixth floor, $43.45, 8:00
Monday, April 24
Tribeca Talks: Directors Series — Noah Baumbach with Dustin Hoffman, BMCC Tribeca PAC, $43.45, 6:00
Tuesday, April 25
Tribeca Talks: Storytellers — Lena Dunham and Jenni Konner, Tribeca Festival Hub, sixth floor, $43.45, 6:00
Tribeca Talks: Directors Series — Paul Feig, BMCC Tribeca PAC, $43.45, 6:00
Special Screenings: Paris Can Wait (Eleanor Coppola, 2016), followed by French food pairings inspired by the film, BMCC Tribeca PAC, $43.45, 8:00

Pen pals Barbra Streisand and Robert Rodriguez will join together in conversation at the Tribeca Film Festival on April 29
Wednesday, April 26
Special Screenings: The Exception (David Leveaux, 2017), followed by a conversation with director David Leveaux and actor Christopher Plummer, BMCC Tribeca PAC, $23.88, 6:00
Special Screenings: From the Ashes (Michael Bonfiglio, 2017), introduced by Michael Bloomberg and followed by a discussion with director Michael Bonfiglio and special guests, Tribeca Festival Hub, sixth floor, rush, 6:00
Thursday, April 27
Gala — Can’t Stop, Won’t Stop: The Bad Boy Story (Daniel Kaufman, 2017), followed by a live concert featuring Combs and Mase, Lil’ Kim, and Faith Evans, Beacon, $71-$356, 8:00
Special Screenings — Warning: This Drug May Kill You (Perri Peltz, 2017), followed by a conversation with Dr. Nora Volkow, Dr. Andrew Kolodny, film subject Gail Cole, and producer Sascha Weiss, moderated by director Perri Peltz, SVA Theatre 2 Beatrice, $23.88, 8:45
Friday, April 28
Tribeca Talks: Storytellers — Bruce Springsteen with Tom Hanks, Beacon Theatre, 5:00
After the Movie: Reservoir Dogs (Quentin Tarantino, 1992), followed by twenty-fifth anniversary conversation with Quentin Tarantino and members of the cast, Beacon Theatre, $71-$356, 8:00
Special Screenings — Julian Schnabel: A Private Portrait (Pappi Corsicato, 2017), followed by a a conversation with director Pappi Corsicato and Julian Schnabel, SVA Theatre 1 Silas, $43.45, 8:30

The forty-fifth anniversary of THE GODFATHER will be celebrated at Radio City as part of the Tribeca Film Festival, with James Caan, Francis Ford Coppola, Al Pacino, and others
Saturday, April 29
Before the Movie: Aladdin (Ron Clements & John Musker, 1992), twenty-fifth anniversary, preceded by a live performance by Aladdin singing voice Brad Kane, BMCC Tribeca PAC, free, 10:00 am
After the Movie: The Godfather (Francis Ford Coppola, 1972) and The Godfather Part II (Francis Ford Coppola, 1974), followed by a forty-fifth anniversary conversation with Francis Ford Coppola, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Talia Shire, and Robert De Niro, moderated by Taylor Hackford, Radio City Music Hall, $46-$131, 1:00
Tribeca Talks: Master Class — Production and Costume Design, with Kristi Zea, SVA Theatre 2 Beatrice, free, 3:00
Tribeca Talks: Storytellers — Barbra Streisand with Robert Rodriguez, BMCC Tribeca PAC, $43.45, 6:00
Tribeca N.O.W. Special Screenings — Out of This World: Female Filmmakers in Genre, screening and conversation with filmmakers Nicole Delaney, Vera Miao, and Arkasha Stevenson, Cinépolis Chelsea 7, $23.88, 6:00
After the Movie — Chris Gethard: Career Suicide (Kimberly Senior, 2017), followed by a conversation with Chris Gethard and fellow comedians Pete Holmes, Abbi Jacobson, and others, SVA Theatre 1 Silas, $23.88, 8:15
Sunday, April 30
Tribeca Talks: Master Class — Cinematography, with Ellen Kuras, SVA Theatre 2 Beatrice, free, 4:00 PM
Special Screenings: Dare to Be Different (Ellen Goldfarb, 2017), followed by live tribute to WLIR with a Flock of Seagulls, Dave Wakeling of the English Beat, and the Alarm, Tribeca Festival Hub, sixth floor, rush, 6:00
Tribeca N.O.W. Special Screenings: The New York Times’ Op-Docs (2017), followed by a conversation with filmmakers Andrea Meller, Megan Mylan, Marisa Pearl, and Gina Pollack, SVA Theatre 2 Beatrice, $23.88, 6:15
Tribeca Talks: Podcasts — Live from the Tribeca Film Festival: Slate’s Trumpcast, with Jamelle Bouie and Virginia Heffernan, hosted by Jacob Weisberg, SVA Theatre 1 Silas, $43.45, 8:15
AN AUTEURIST HISTORY OF FILM: MANHATTAN
MANHATTAN (Woody Allen, 1979)
MoMA Film, Museum of Modern Art
The Lewis B. and Dorothy Cullman Education and Research Building
4 West 54th St. between Fifth & Sixth Aves.
August 27-29, 1:30
Tickets: $12, in person only, may be applied to museum admission within thirty days, same-day screenings free with museum admission, available at Film and Media Desk beginning at 9:30 am
212-708-9400
www.moma.org
Woody Allen’s Manhattan opens with one of the most beautiful tributes ever made to the Big Apple, a lovingly filmed black-and-white architectural tour set to the beautiful sounds of George Gershwin’s “Rhapsody in Blue.” Once again collaborating with screenwriter Marshall Brickman, master cinematographer Gordon Willis, and Oscar-winning actress Diane Keaton, Allen’s tale of a nebbishy forty-two-year-old two-time divorcee who takes up with a seventeen-year-old ingénue (Mariel Hemingway) is both hysterically funny and romantically poignant, filled with classic dialogue (Yale: “You think you’re God.” Isaac: “I gotta model myself after someone.”) and iconic shots of city landmarks. After quitting his job as a successful television writer, Isaac moves to Brooklyn, where he has to cope with brown water and expensive taxi rides, among other dispiriting things. Meanwhile, against his better judgment, he develops a liking for the elitist snob Mary Wilkie (Keaton), who is seeing his best friend, the married Yale (Michael Murphy); calls her therapist Donnie; and counts among the overrated Carl Jung, Lenny Bruce, Norman Mailer, and van Gogh, which she pronounces “van Goch.” And then he has to deal with one of his ex-wives (Meryl Streep), who left him for another woman (Ann Byrne) and is writing an intimate account of their failed marriage. Of course, it’s impossible to watch Manhattan without thinking about Allen’s relationship with Soon Yi (they’ve now been together for nearly two dozen years), but if you get past that, you’ll rediscover a wonderful, intelligent comedy about men and women neatly wrapped up in a gorgeous love letter to Gotham. “He adored New York City, he idolized it all out of proportion — no, make that, he romanticized it all out of proportion,” Isaac says at the beginning of the film, which was nominated for two Oscars (Hemingway as Best Supporting Actress and Allen and Brickman for Best Original Screenplay).

Michael Murphy, Diane Keaton, Woody Allen, and Mariel Hemingway star in Allen’s love letter to New York City
The glorious Gershwin music is performed by the New York Philharmonic, conducted by Zubin Mehta, and the Buffalo Philharmonic, under the baton of Michael Tilson Thomas. Be on the lookout for cameos by Karen Allen, Mark Linn-Baker, David Rasche, Wallace Shawn, Michael O’Donoghue, Frances Conroy, Bella Abzug, Zabar’s, the Queensboro Bridge, the Empire Diner, the Hayden Planetarium, Bloomingdale’s, MoMA’s Sculpture Garden, the Russian Tea Room, the Dalton School, John’s Pizza, the Guggenheim, and Elaine’s, among so many others. Manhattan is screening August 27-29 at 1:30 as part of the MoMA series “An Auteurist History of Film,” concluding its current season.
HAPPINESS IS . . . ANNIE HALL

Alvy Singer and Annie Hall discuss the horrible, the miserable, and the search for happiness in ANNIE HALL
CABARET CINEMA: ANNIE HALL (Woody Allen, 1977)
Rubin Museum of Art
150 West 17th St. at Seventh Ave.
Friday, September 21, free with $7 bar minimum, 9:30
212-620-5000
www.rmanyc.org
“I feel that life is divided into the horrible and the miserable. That’s the two categories,” says Alvy Singer (Woody Allen) in Annie Hall. “The horrible are like, I don’t know, terminal cases, you know, and blind people, crippled. I don’t know how they get through life. It’s amazing to me. And the miserable is everyone else. So you should be thankful that you’re miserable, because that’s very lucky, to be miserable.” Allen’s classic 1977 Oscar-winning film — which had the working title “Anhedonia,” a medical term referring to the inability to experience pleasure — is one of the funniest, most-quoted romantic comedies in film history, a pure delight from start to finish. It’s ostensibly a luuuuuurve story about a nebbishy Jew and the ultimate WASPy goy (Diane Keaton as the title character), but it’s really about so much more: large vibrating eggs, right turns on red lights, television, Existential Motifs in Russian Literature, California, slippery crustaceans, driving through Plutonium, dead sharks, Freud, Hitler, Leopold and Loeb, religion, cocaine, Shakespeare in the Park, Buick-size spiders, planet Earth, and, well, la-di-da, la-di-da, la la. The film is screening on September 21 as part of the new Rubin Museum series “Happiness is…,” which consists of movies with a somewhat different idea of joy, including Alfred Hitchcock’s Strangers on a Train, Bob Rafelson’s Five Easy Pieces, Federico Fellini’s 8½, and Ingmar Bergman’s Cries and Whispers. Part of the larger Rubin program “Happy Talk,” the screening will be introduced by Columbia associate professor and filmmaker Dan Kleinman. Alvy Singer: “Here, you look like a very happy couple. Um, are you?” Woman on the street: “Yeah.” Alvy Singer: “Yeah? So, so, how do you account for it?” Woman on the street: “Uh, I’m very shallow and empty and I have no ideas and nothing interesting to say.” Man on the street: “And I’m exactly the same way.” Alvy Singer: “I see. Wow. That’s very interesting. So you’ve managed to work out something.” Yes, Annie Hall is also about the search for happiness. And isn’t that what we’re all after?
AMERICAN GAGSTERS — GREAT COMEDY TEAMS: WOODY ALLEN & DIANE KEATON
BAMcinématek, BAM Rose Cinemas
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
September 8-9
Series runs through September 17
212-415-5500
www.bam.org
“We enjoy your films, particularly the early, funny ones,” an alien tells Sandy Bates in Woody Allen’s vastly underrated 1980 Fellini homage, Stardust Memories. Allen stars as Bates, a very serious director being honored at a film festival where everyone raves about his early stuff, much as fans and critics did after the Woodman shocked his public with the Bergmanesque Interiors in 1978. But what early stuff it was, with Allen and real-life partner Diane Keaton teaming up to become one of the greatest comedy duos of them all, right up there with Tracy and Hepburn, Powell and Loy, Martin and Lewis, and Cary Grant and any number of leading ladies. BAMcinématek is honoring Allen and Keaton (as well as all those others) as part of the fabulous series “American Gagsters: Great Comedy Teams,” screening four of their best films this weekend. In 1977’s Annie Hall (Saturday at 2:00 & 6:50), Allen plays Alvy Singer, a Jewish television writer who has fallen in love with the ultimate goy, Annie (a never-better Keaton, whose real name is Diane Hall). As their relationship ebbs and flows, they discuss major spiders, lobsters, sharks, and other creatures while driving through Plutonium and meeting Marshall McLuhan. (Alvy: “What’s the difference? It’s all mental masturbation.” Annie: “Oh, well, now we’re finally getting to a subject you know something about.” Alvy: “Hey, don’t knock masturbation. It’s sex with someone I love.”) In 1973’s Sleeper (Saturday at 4:30 & 9:15), Allen is Miles Monroe, a cryogenically preserved liberal who has woken up two hundred years later to find a very different world as poses as a robot butler for the snooty Luna Schlosser (Keaton), tests out an orgasmotron, and becomes a revolutionary. (Luna: “Oh, I see. You don’t believe in science, and you also don’t believe that political systems work, and you don’t believe in God, huh?” Miles: “Right.” Luna: “So then, what do you believe in?” Miles: “Sex and death — two things that come once in a lifetime . . . but at least after death, you’re not nauseous.”)
In 1979’s Manhattan (Sunday at 2:00 & 6:50), a celebration of Gershwin and New York City, Allen plays Isaac Davis, a forty-two-year-old television writer who starts dating seventeen-year-old Tracy (Mariel Hemingway), much to the consternation of the snobby Mary Wilkie (Keaton), who is having an affair with Isaac’s best friend (Michael Murphy). (Mary: “What are you thinking?” Isaac: “I dunno, I was just thinking. There must be something wrong with me, because I’ve never had a relationship with a woman that’s lasted longer than the one between Hitler and Eva Braun.”) And in 1975’s absolutely riotous Love and Death (Sunday at 4:30 & 9:15), a hysterical parody of classic Russian literature, Allen takes on the role of the less-than-heroic Boris Grushenko, who finds himself dueling with a gentleman and going after Napoleon with Sonja (Keaton), the cousin he is madly in love with. (Sonja: “And I want three children.” Boris: “Yes. Yes. One of each.”) Allen went on to make some terrific films with his future partner, Mia Farrow, but it his work with Keaton that cemented his reputation and is likely to be best remembered now, in 2173, and beyond.
ROOFTOP FILMS: MANHATTAN
MANHATTAN (Woody Allen, 1979)
3059 West 12th St, on the beach at Coney Island
Monday, July 16, free, music and dancing 7:00, film 8:30
rooftopfilms.com
Woody Allen’s Manhattan opens with one of the most beautiful tributes ever made to the Big Apple, a lovingly filmed black-and-white architectural tour set to the beautiful sounds of George Gershwin’s “Rhapsody in Blue.” As Allen’s character says at the beginning, “He adored New York City, he idolized it all out of proportion — no, make that, he romanticized it all out of proportion.” Once again collaborating with screenwriter Marshall Brickman, master cinematographer Gordon Willis, and Oscar-winning actress Diane Keaton, Allen’s tale of a nebbishy forty-two-year-old two-time divorcee who takes up with a seventeen-year-old ingénue (Mariel Hemingway) is both hysterically funny and romantically poignant, filled with classic dialogue (Yale: “You think you’re God.” Isaac: “I gotta model myself after someone.”) and iconic shots of city landmarks. Manhattan is being screened in an iconic landmark itself, Coney Island, on July 16, a free presentation of Rooftop Films, with music and dancing at 7:00, followed by the film at 8:30. Future free Rooftop Films screenings include a “Coming Home” shorts program with Shenandoah and the Night at MetroTech on July 20, The Muppets in Coney Island on July 23, Peter Nicks’s The Waiting Room in Dag Hammarskjöld Plaza on July 24, Nina Conti’s Her Master’s Voice and a pair of shorts in Socrates Sculpture Park on July 25, and The Natural in Richmond County Bank Ballpark on July 26.