Tag Archives: city winery

THE SUMMER BBQ BLOW OUT FESTIVAL

City Winery backyard
155 Varick St. at Vandam St.
Saturday, August 6, $45 (food only), $60 (food and two drinks), 1:00 – 4:00 ($75 early entry at 12 noon)
212-608-0555
www.citywinery.com

The New York City barbecue season continues on Saturday, August 6, with the latest entry in the never-ending quest to bring great ’cue to Gotham. The fine folks at City Winery have teamed up with twin brothers Darin and Greg Bresnitz of Finger on the Pulse to present the first annual Summer BBQ Blow Out Festival, an afternoon block party of food and live music held in the Hudson St. venue’s outdoor backyard. A $60 ticket gets you two free drinks, one each of ten very different kinds of BBQ plates, and three hours of live music and DJs, from 1:00 to 4:00; for an extra fifteen bucks, you can get a head start on everyone else and enter at noon, and for fifteen dollars less you can get food only. The ten dishes, all created specifically for this event by chefs from the Meatball Shop, Mexicue, Craft, Momofuku Milk Bar, and other hot restaurants, include Phillip Kirschen-Clark’s duck leg skewer with pine-nut satay sauce, combava, mustard greens, and red-hot Holland peppers with puffed rice; Sam Mason’s grilled shrimp salad with Empire mayo; Sam Talbot’s charmoula-grilled mahi-mahi with Los Hermanos blue corn tortillas and peach mostarda; Noah Bernamoff’s coriander-smoked beef ribs; Thomas Kelly and David Schillace’s red beans and rice with house-smoked sausage; Tim Sullivan’s BBQ-spice grilled quail with Napa cabbage, scallions, citrus segments, and pecans; Daniel Holzman’s spicy lamb sloppy Joes; Oliver Kremer and Tyler Lohman’s braised pork shoulder with BBQ habanero glaze and sauce tacos; Jenny McCoy’s s’mores with chocolate panna cotta, toasted marshmallow, graham crackers, and smoked salt; and Christina Tosi’s watermelon and basil ice milk and sweet and salty cucumber ice milk. Music will be provided by Midnight Magic, DJ Autobot, Computer Magic, NewVillager, PUNCHES, and Ducky and the Snacky Tunes DJs, with such refreshing alcoholic beverages as vodka lemonade, sangria, and craft beers.

POUNDCAKE

Poundcake will be at the Bowery Electric on June 1, featuring singer-guitarist Teddy Thompson, drummer Ethan Eubanks, and stand-up bassist Jeff Hill (photo by twi-ny/mdr)

The Bowery Electric
327 Bowery between Bond & Great Jones Sts.
Wednesday, June 1, $8, 10:00
212-228-0228
www.theboweryelectric.com
www.teddythompson.com
poundcake live at city winery
On May 21 at City Winery, as Teddy Thompson fans were escorted to their reserved seats and ordered their food and drinks (including special bottles of Teddy Thompson wine), a surprisingly familiar face took the stage as part of the opening act. Announced as “Poundcake,” the three-piece band — consisting of guitar, stand-up bass, and drums — rambled through a good-time set of classic and obscure country and early rock covers, with the lead singer and the backup band making continuous tongue-in-cheek remarks about Teddy Thompson and how much the lead singer resembled the British-born, New York City-based son of Richard and Linda Thompson, who is currently touring behind his latest record, Bella, a deeply personal, poignant examination of a shattered relationship. Last year, Teddy Thompson, along with his drummer, Ethan Eubanks, and bassist, Jeff Hill, started doing gigs as Poundcake, without officially admitting who their ersatz leader was. Poundcake plays engaging sets that feature such tunes as Patsy Cline’s “Why Can’t He Be You,” the Everly Brothers’ “Wake Up Little Susie,” Elvis Presley’s “That’s All Right, Mama,” Chuck Berry’s “Brown Eyed Handsome Man,” and Buddy Holly’s “It’s So Easy” and “Every Day,” the latter, on May 21, sung by Eubanks after several starts in which the drummer mangled the words and Thompson harassed him for it. The trio engages in funny, self-deprecating between-song banter, making for an extremely entertaining show. Poundcake will be headlining the Bowery Electric on June 1 at 10:00, preceded by Erik Deutch Band (9:00), Amy Miles (8:00), and Jem Warren (7:00).

TEDDY THOMPSON

Teddy Thompson will sing about love and heartbreak at City Winery on May 21 and 27

City Winery
155 Varick St. at Vandam St.
Saturday, May 21, $18-$28, 8:00
Friday, May 27, Off the Cuff w/ Friends, $18-$25, 8:00
212-608-0555
www.citywinery.com
www.myspace.com/teddythompson

Last year we were having trouble watching eclectic British singer-songwriter Richard Thompson perform solo at City Winery because the woman in front of us, who had a clear view, kept leaning over a railing, blocking us completely. After a little while, we decided to nicely ask her if she could stop doing that; when she turned to us, mouthing the words to the song Thompson was playing, our heart instantly froze as the woman we suddenly recognized to be Thompson’s former wife and singing partner, Linda Thompson, said in a friendly way, “I’m sorry. Of course. I’ve seen him enough. After all, I used to live with him, you know.” Richard and Linda Thompson produced some of the greatest records of the 1970s and 1980s, from I Want to See the Bright Lights Tonight to Shoot Out the Lights. The relationship also produced the musical progeny known as Teddy Thompson, who has been releasing his own records since 2000, including Separate Ways (2005), Upfront & Down Low (2007), and A Piece of What You Need (2008). His latest, Bella (Verve, February 2011), is an intimate song cycle inspired by his most recent ex-girlfriend. (There seem to have been a lot of ex-girlfriends for the thirty-five-year-old musician.) Melding the folk-rock style of his father with the country twang of his mother, Thompson paints a searing portrait of love and loneliness through direct lyrics and boldly admitting his shortcomings when it comes to honesty and fidelity. “I been looking for a girl who drinks and smokes / Who takes a lot of drugs and can take a joke / Where does this girl of mine hide herself away / Whoever she is I hope she’s on her way,” he declares in the album’s opener, “Looking for a Girl.” Later, on “I Feel,” he admits, “There’s a road that I travel and it’s long and it’s narrow / Without signs along the way to take you home / You were there when I needed something to believe in / But I’ll only let you down and break your heart.” And on “Over and Over,” he confesses, “Some time ago I came up with a plan / Shit on myself so that no one else can / I have perfected this stance / You better keep your distance,” the last line echoing a song by his dad. The production is steeped in traditional country rhythms with flourishes of 1960s pop, with strings and Thompson’s falsetto voice evoking Roy Orbison (when not sounding, on several songs, like Jackson Browne); the album also features a lovely duet with another musical progeny, Jenni Muldaur, the daughter of Geoff and Maria Muldaur, on “Tell Me What You Want.” Born in London and living in New York City for the last decade, Thompson, with drummer Ethan Eubanks and bassist Jeff Hill, will be playing a pair of hometown shows at City Winery, on May 21 and, by popular demand, on May 27 for a show being billed as “Off the Cuff w/Friends.”

2011 FILM PRESERVATION HONORS AND 40th ANNIVERSARY BENEFIT CONCERT

Albert Maysles is one of the honorees at special Anthology Film Archives program at City Winery

City Winery
155 Varick St. at Vandam St.
Wednesday, April 27, $40-$200, 7:30
212-608-0555
www.citywinery.com
www.anthologyfilmarchives.org

Anthology Film Archives was founded in 1969 for the express purpose of preserving, studying, and exhibiting independent, experimental, and avant-garde film and video. In 1992, they began honoring artists, individuals, and organizations who have made a difference in appreciating and understanding film heritage in their annual Film Preservation Honors program. As part of its continuing celebration of its fortieth anniversary, Anthology will be hosting a special event on April 27 at City Winery, paying tribute to documentarian Albert Maysles, Harvard Film Archive founding director Vlada Petric, film scholar Tony Pipolo, Technicolor (for the restoration of Max Ophüls’s Lola Montes), and the Library of Congress (for its creation of the National Film Registry). Hosted by one of Anthology’s founders, Jonas Mekas, and with musician Richard Barone serving as master of ceremonies, the evening will feature live performances and appearances by Harmony Korine, Marina Abramović, Ólöf Arnalds, and Transgendered Jesus, in addition to such speakers as Andrew Sarris, Lola Schnabel, Ed Bland, and Stuart Liebman. There will also be an auction of custom-made Anthology Film Archives wines. Tickets are only $40, although if you splurge for the $200 benefit admission you’ll get VIP seating, light food and wine, and other amenities.

THE PROMISE: THE MAKING OF DARKNESS ON THE EDGE OF TOWN

City Winery
155 Varick St. at Vandam St.
Monday, April 25, $10, 8:00
212-608-0555
www.citywinery.com
www.brucespringsteen.net

After the breakout success of Born to Run in 1975, Bruce Springsteen became embroiled in a lawsuit over control of his music that prevented him from going into the studio to make the highly anticipated follow-up. Springsteen found himself at a crossroads; “You didn’t know if this would be the last record you’d ever make,” he says in the revealing behind-the-scenes documentary The Promise: The Making of Darkness on the Edge of Town. Combining archival footage of the Darkness sessions shot by Barry Rebo with new interviews with all the members of the E Street Band in addition to producers Jimmy Iovine, Jon Landau, and others, editor and director Thom Zimny melds Bruce’s past with the present, delving deep into Springsteen’s complex, infuriating, and fiercely dedicated creative process. “I had to disregard my own mutation,” Springsteen says at one point, regarding his battle to avoid getting caught up in the hype that came with Born to Run, so he decided that his next album would be “a meditation on where are you going to stand.” Rebo captures Springsteen and the E Street Band — from a bare-chested Bruce to a bandanna-less Steve Van Zandt — rehearsing and recording alternate takes of familiar songs as well as tunes that would later wind up on such albums as The River and Tracks, opening up Bruce’s famous notebooks and examining his intense creative process, which included throwing away dozens and dozens of songs that he believed just didn’t fit within his vision of what Darkness should be. Two of the most fascinating parts of the The Promise involve Patti Smith discussing “Because the Night,” which is about her waiting for her boyfriend at the time, Fred “Sonic” Smith, to call her, and Toby Scott talking about mixing the Darkness record to get the sound pictures in Bruce’s head onto vinyl. The Promise: The Making of Darkness on the Edge of Town is screening April 25 at 8:00 at City Winery as a benefit for the American Red Cross, with all proceeds going to Japanese tsunami and earthquake relief; the screening is just one of many being held around the country over the coming week, all of which will include special giveaways.

LATKE FESTIVAL: A TASTE OF THE WORLD

City Winery
155 Varick St. at Vandam St.
Sunday, December 5, $32.50, 4:00
212-608-0555
www.citywinery.com

City Winery, home of the Sunday Klezmer Brunch, will be celebrating Hanukkah on December 5 with its second annual International Latke Festival, a potato-pancake cook-off featuring local chefs from Great Performances, which supplies food to many of the city’s finest cultural institutions, seeking to become the Latke Champion. This year’s contestants are Tim Sullivan, executive chef of BAMcafe and Dizzy’s Club Coca-Cola, who will be making an American latke; Jack Kiggens, executive chef at the Plaza Hotel Grand Ballroom, going for the Cuban version; Liz Neumark, the CEO of Great Performances, attempting the Israeli edition; Marc Spooner, executive chef of Great Performances, preparing the Russian kind; and Matthew Riznyk, sous chef of Great Performances, frying up the Chinese latke. The battle will also feature live music from the Seattle-based Jewish ensemble Sasson. And yes, you’ll get to sample all of the dishes and argue that Grandma Blanche’s Yonkers latkes are still the best.

BOB MOULD & LENNY KAYE / MARSHALL CRENSHAW

Bob Mould should have plenty of sly tricks up his sleeve at City Winery shows with Lenny Kaye and Marshall Crenshaw (photo by twi-ny/mdr)

City Winery
155 Varick St. between Spring & Vandam Sts.
Lenny Kaye: Thursday, November 4, $30-$40, 9:30
Marshall Crenshaw: Friday, November 5, $30-$40, 9:00
212-608-0555
www.citywinery.com
www.myspace.com/bobmould

Back in January, former Hüsker Dü guitarist Bob Mould played a pair of solo gigs at City Winery, offering up a mix of favorites and lesser-known gems while musing about Conan O’Brien, the Highline, and Peter Criss’s “Beth.” He was as engaging, relaxed, and funny as we’ve ever seen him, and we’ve seen him a lot over the last twenty-five years. But turning fifty and releasing a deeply personal album, LIFE AND TIMES, has not slowed down the punk icon, who still knows how to turn up the volume and thrash that six-string. Mould will be back at City Winery for two very special shows this week, teaming up first with legendary producer and guitarist Lenny Kaye, who has worked extensively with Patti Smith and is responsible for putting together one of the all-time great compilations, the Nuggets collections of classic garage rock. The next night, November 5, Mould will be joined by singer-songwriter Marshall Crenshaw, who has been crafting beautifully infectious pure pop since his highly acclaimed 1982 debut, which included “Someday, Someway,” up to his most recent album, 2009’s JAGGEDLAND. There’s no telling where these two pairings will go, as the potential setlists are as exciting as they are unpredictable. (Mould will also be at the Rock Shop on Fourth Ave. in Brooklyn on November 6, with Chris Brokaw opening.)