Tag Archives: city winery

VIDEO OF THE DAY: “USE ME” BY LIV WARFIELD, SHELBY J, AND NEW POWER GENERATION AT CITY WINERY

Over the years, Prince has put the spotlight on a series of musical protégés, from Wendy and Lisa, Sheila E., and Vanity to Apollonia 6, Carmen Electra, and Sheena Easton. City Winery will be celebrating His Most Purpleness’s newest up-and-comers as current backup singers Shelby J and Liv Warfield take center stage, with the NPG Hornz, for a series of hotly anticipated shows. The Purple Week festivities begin on August 19 with a free screening (advance RSVP required) of Albert Magnoli’s 1984 film Purple Rain, in which Prince stars as the Kid, performing such classic tracks as “Let’s Go Crazy,” “Darling Nikki,” “When Doves Cry,” and “I Would Die 4 U.” The movie will be preceded by a set by Prince tour DJ Dudley. Then Shelby J, Liv Warfield, and the New Power Generation Hornz will play two shows a night August 21, 22, 23, and 25 ($75 – $150), with special unannounced guests at each show. Will TAFKAP himself show up? He currently is not out on the road, so who knows. In any case, it should be one funky week.

MAD. SQ. MUSIC: SUZANNE VEGA

Suzanne Vega will perform her unique brand of indie folk pop for free in Madison Square Park on June 19

Suzanne Vega will perform her unique brand of intelligent indie folk pop for free in Madison Square Park on June 19

THE OVAL LAWN SERIES
Madison Square Park
Between 23rd & 26th St. and Madison & Fifth Aves.
Wednesday, June 19, free, 7:00
www.madisonsquarepark.org
www.suzannevega.com

Madison Square Park’s free annual summer music program kicks off in a big way on June 19 with a performance by longtime New York City favorite Suzanne Vega. The singer-songwriter broke through in the mid-1980s with her eponymous debut album and follow-up, Solitude Standing, displaying a supremely original, poetic take on indie folk pop with such songs as “Marlene on the Wall,” “Undertow,” “Tom’s Diner,” and “Luka,” which opened a national discussion on child abuse. During the first twenty-two years of her career, the California-born, New York-raised Vega, one of the early MTV stars, released seven well-regarded records, including 1992’s 99.9F°, 1996’s Nine Objects of Desire, and 2007’s Beauty & Crime, but she’s put out four records over the last two years as she reinvestigates her old songs and adds a few new and/or previously unreleased ones as part of her Close-Up series, which is divided thematically into Love Songs, People & Places, States of Being, and Songs of Family. Her performance in Madison Square Park is one of the highlights of the city’s free summer music season; she’ll be back for a ticketed residency July 3 and 10 at City Winery, after which she heads out to Japan, Lithuania, Russia, Estonia, Finland, Denmark, and Switzerland. Mad. Sq. Music’s Oval Lawn Series continues every Wednesday through August 7 with such other acts as Rene Marie’s “Experiment in Truth,” Ben Sollee, Erin McKeown, and Ivan Neville’s Dumpstaphunk.

FILM SCREENING AND Q&A: BEWARE OF MR. BAKER

Crotchety old drummer Ginger Baker has quite a story to tell in BEWARE OF MR. BAKER

BEWARE OF MR. BAKER (Jay Bulger, 2012)
City Winery
155 Varick St.
Tuesday, January 29, $5, 8:00
212-608-0555
www.bewareofmrbaker.com
www.citywinery.com

“A great virtuoso madman,” “scary,” “a motherfucker,” “a lovable rogue,” “a dope addict,” “the hammer of the gods,” “a force of nature,” “horrible,” “the world’s greatest drummer” — these are just some of the terms of affection heaped on legendary drummer Ginger Baker by his friends, relatives, and musical colleagues at the beginning of Jay Bulger’s propulsive documentary, Beware of Mr. Baker. In 2009, after spending three months with Baker and his family in South Africa, Bulger published the in-depth article “The Devil and Ginger Baker” in Rolling Stone. Two years later, Bulger went back to expand the story into a feature-length film, but Baker was not about to make it easy for him, continually insulting his questions, calling him names, and even cracking him in the nose with his cane. “He influenced me as a drummer but not as a person,” Bad Company and Free drummer Simon Kirke says of Baker, an opinion shared by many in this revealing film. Baker might be crotchety, but he also opens up to Bulger, particularly in describing when, as a child during WWII, he would hear the bombings outside, sounds that would have an impact on his playing. Bulger speaks with such other percussionists as the Rolling Stones’ Charlie Watts, Rush’s Neal Peart, the Grateful Dead’s Mickey Hart, Metallica’s Lars Ulrich, the Police’s Stewart Copeland, Vanilla Fudge’s Carmine Appice, and Pink Floyd’s Nick Mason, as well as such former Baker bandmates as Eric Clapton, Jack Bruce, and Steve Winwood, who all rave about Baker’s remarkable abilities behind the kit while also delving into his self-destructive behavior, which led him through a parade of groups, home countries, and spouses. “I don’t know if it’s his ability to move on or it’s his inability to stay,” points out Baker’s third wife, Karen Loucks Rinedollar, a statement that applies to both Baker’s personal and professional lives.

Drummer Ginger Baker and director Jay Bulger developed a rather unique relationship during the making of fascinating documentary

Through photographs, old and new interviews, playful animation, and superb archival footage of live performances, Bulger traces Baker’s career path from the Graham Bond Organisation, Cream, Blind Faith, Ginger Baker’s Air Force, the Baker Gurvitz Army, and Masters of Reality to his little-known collaboration with Fela Kuti and his drum battles with three of his four major influences: Phil Seamen, Elvin Jones, and Art Blakey. (The fourth is Max Roach; Baker gets emotional discussing how all four men eventually became friends of his.) In ninety-two freewheeling minutes, Bulger crafts a fascinating portrait of a wild anomaly, an immensely talented musician whose difficult, unpredictable personality and selfish refusal to ever compromise continues to result in controversy and separation everywhere he goes. Yet through it all, everyone still speaks fondly of Baker; Bruce might talk about how much they hated each other and couldn’t stand playing together — Baker once punched Bruce onstage in the face for stepping on his drum solo — but in the end Bruce can’t help but profess his love for the enigmatic, eclectic Baker. Winner of the Grand Jury Prize at the 2012 SXSW festival, Beware of Mr. Baker is having a special $5 screening at City Winery on January 29 at 8:00, followed by a Q&A with Bulger; in addition, special wines will be paired with the different stages of Baker’s life and career as portrayed in the film.

TICKET GIVEAWAY: KENNY VANCE AT CITY WINERY

Kenny Vance

Longtime music man Kenny Vance will perform a special, intimate show at City Winery on January 27

KENNY VANCE: UP CLOSE AND PERSONAL
City Winery
155 Varick St.
Sunday, January 27, $35-$55, 8:00
212-608-0555
www.citywinery.com
www.planotones.com

Kenny Vance has been enthralled with rock and roll since he was a kid in Brooklyn in the 1950s, and he has continued to keep the music of his childhood alive for more than half a century. After hanging around the Brill Building as a teenager, Vance was a founding member of Jay and the Americans, which had such hits as “She Cried,” “Come a Little Bit Closer,” and “Cara Mia”; managed Steely Dan’s Walter Becker and Donald Fagen early in their career; served as musical director for Saturday Night Live in 1980-81; and was the music producer and/or supervisor on such films as Animal House, Eddie and the Cruisers, Hollywood Knights, The Warriors, and American Hot Wax — in that last movie, he also played bandleader Professor La Plano. More recently he’s been on the road with his band, the Planotones — Johnny Gale, Kurt “Frenchy” Yahjian, Jimmy Bense, Chip Degaard, and Tony Gallino — as they resurrect classic doo-wop oldies and create new ones, live and on such recordings as last year’s holiday-themed Mr. Santa and the Trilogy, which consists ofLover’s Island, Dancin’ and Romancin’, and Oceans of Time. Vance, whose Belle Harbor house, rehearsal studio, and vast memorabilia collection were destroyed by Hurricane Sandy, will be at City Winery on January 27 for a special show, “Up Close and Personal,” looking back at his storied past while also highlighting new tracks from the Planotones’ upcoming release, Acapella (LaPlano, February 12), which also celebrates the band’s twentieth anniversary. (You can hear three tracks from the new album here.)

TICKET GIVEAWAY: Tickets to see “Kenny Vance: Up Close and Personal” at City Winery on January 27 are going fast, but twi-ny has a pair of primo seats to give away for free. Just send your name, daytime phone number, and all-time favorite doo-wop song to contest@twi-ny.com by Friday, January 25, at 12 noon to be eligible. All entrants must be twenty-one years of age or older; one winner will be selected at random.

HUDSON SQUARE MUSIC & WINE FESTIVAL: POUNDCAKE

Poundcake will close out the fourth annual Hudson Square Music & Wine Festival behind City Winery on August 28 (photo by twi-ny/mdr)

Behind City Winery
155 Varick St. between Vandam & Spring Sts.
Tuesday, August 28, free, 5:30
212-608-0555
www.citywinery.com
www.teddythompson.com

In May 2011 at City Winery, as Teddy Thompson fans were escorted to their reserved seats and ordered their food and drinks (including special bottles of Teddy Thompson wine), a surprisingly familiar face took the stage as part of the opening act. Announced as “Poundcake,” the three-piece band — consisting of guitar, stand-up bass, and drums — rambled through a good-time set of classic and obscure country and early rock covers, with the lead singer and the backup band making continuous tongue-in-cheek remarks about Teddy Thompson and how much the lead singer resembled the British-born, New York City-based son of Richard and Linda Thompson, who was touring behind his latest record, Bella, a deeply personal, poignant examination of a shattered relationship. In 2010, Teddy Thompson, along with his drummer, Ethan Eubanks, and bassist, Jeff Hill, started doing gigs as Poundcake, without officially admitting who their ersatz leader was. Poundcake plays engaging sets that feature such tunes as Patsy Cline’s “Why Can’t He Be You,” the Everly Brothers’ “Wake Up Little Susie,” Elvis Presley’s “That’s All Right, Mama,” Chuck Berry’s “Brown Eyed Handsome Man,” and Buddy Holly’s “It’s So Easy” and “Every Day,” the latter, that May night, sung by Eubanks after several starts in which the drummer mangled the words and Thompson harassed him for it. The trio engages in funny, self-deprecating between-song banter, making for an extremely entertaining show. Poundcake will be closing out this summer’s fourth annual Hudson Square Music & Wine Festival, sponsored by City Winery, on Tuesday, August 28, with a free outdoor concert at 5:30.

VIDEO OF THE DAY: “NINJAS IN PARIS” BY PORTLAND CELLO PROJECT

For nearly five years, Portland Cello Project has been revitalizing cello music, melding pop, rap, heavy metal, classical, movie soundtracks, hardcore, country, folk, experimental, and other genres, playing with just cellos or as part of larger orchestras with wind instruments, brass, percussion, and choirs. On their latest record, Homage, they take on hip-hop, reimagining such songs as Lil Wayne’s “She Will” and “Lollipop,” Kanye West and Jay-Z’s “That’s My Bitch,” “Ni**as in Paris,” and “H*A*M,” Talib Kweli’s “Get By,” and OutKast’s “Hey Ya!” before concluding with Osvaldo Golijov’s operatic “Lua Descolorida.” PCP combines sparkling wit with mad skillz in these highly entertaining songs, part of the group’s mission to show that the cello is much more than just an old-fashioned classical string instrument primarily used in chamber music. Earlier this summer, PCP hosted the two-night Extreme Dance Party in their hometown of Portland, where they teamed up with local friends at the Doug Fir Lounge. On August 22, they’re be bringing their nine-hundred-song repertoire, which also features tunes by Justin Timberlake, Pantera, Arvo Pärt, Britney Spears, and many others, to City Winery, headlining a bill with Brooklyn electroacoustic duo Live Footage.

WOODYFEST

Steve Earle and special guests will celebrate Woody Guthrie’s centennial at City Winery this week

CELEBRATION OF WOODY GUTHRIE’S 100th BIRTHDAY
City Winery
155 Varick St.
July 11-13, $60-$80, 8:00
212-608-0555
www.citywinery.com

One hundred years ago this Saturday, folk-singing legend Woody Guthrie was born in Okemah, Oklahoma. In his too-brief career — he died from Huntington’s Disease in 1967 in Creedmoor State Hospital in Queens at the age of fifty-five, his ashes sprinkled in the ocean at Coney Island — he created a lasting legacy that proved that music can make a difference in changing socioeconomic and -political times. His 1940 album, Dust Bowl Ballads, is still a primer for the folk movement, containing such songs as “I Ain’t Got No Home in This World Anymore,” “Vigilante Man,” “Pretty Boy Floyd,” and “Blowin’ Down This Road.” This week City Winery will pay tribute to Woodrow Wilson Guthrie — yes, he was named after the New Jersey governor who was soon to become president — with the centennial celebration WoodyFest, part of a yearlong series of concerts put together with the Grammy Museum, the Woody Guthrie Archives, and the Guthrie family. The three-day event will be hosted by actor, author, activist, and folk troubadour Steve Earle, who is a kind of illegitimate son of Guthrie and Hank Williams. On July 11, Earle will be joined by John Hammond, Tim Robbins, and Diana Jones, followed on July 12 by Rachael Yamagata, the Wood Brothers, and Allen Toussaint and July 13 by Billy Bragg, Amy Helm, and Joe Purdy, with more to come. Be sure to study up on those other verses of “This Land Is Your Land,” because there’s sure to be a sing-along of the whole song.