this week in theater

FROM THE ARCHIVE — COFFEEHOUSE CHRONICLES #139: HAIR 50th ANNIVERSARY (with live Q&A)

La MaMa is livestreaming it 2017 fiftieth anniversary celebration of Hair (photo courtesy La MaMa)

Who: Chris Kapp, Michal Gamily, James Rado, Galt MacDermot, Michael Butler, Annie Golden, Andre De Shields, Ellen Foley, Walter Michael Harris, Melba Moore, Natalie Mosco, Jill O’Hara, Peppy Castro, Dale Soules, Shaleah Adkisson, Lauren Elder, Shelley Ackerman, Debbie Andrews, Andy Berger, Richard Cohen, Dave D’Aranjo, Nina Machlin Dayton, Magie Dominic, Aaron Drescher, Merle Frimark, Ula Hedwig, Antwayn Hopper, Rev. Marjorie Lipari, Thayer Naples, Allan F. Nicholls, Robert I. Rubinsky, Charles Valentino, Balint Varga, Jared Weiss
What: Archival livestream of 2017 performance and live Q&A
Where: LaMaMa and Facebook Live
When: Saturday, August 15, free (donations accepted), 11:00 am
Why: On October 1, 1967, a little rock opera by James Rado, Gerome Ragni, and Galt MacDermot opened at New York City’s brand-new Public Theater, the first show by living artists that New York Shakespeare Festival founder Joe Papp produced. Known as the American Tribal Love-Rock Musical, Hair has propelled generations to stand together, challenge the status quo, celebrate multiculturalism, and work for peace. Fifty years after the Summer of Love, La MaMa, on January 21, 2017, gathered dozens of actors who had performed in the many iterations of the show, from the original off-Broadway version to productions around the world and the 1979 film, for a tribute concert as part of its Coffeehouse Chronicles series, which explores the history of off-off-Broadway.

The presentation featured such stars as Annie Golden, Andre De Shields, Ellen Foley, Walter Michael Harris, Melba Moore, Natalie Mosco, Jill O’Hara, Peppy Castro, and Dale Soules singing songs from the musical; the evening was hosted by Chris Kapp and Michal Gamily and included an interview with Rado and McDermot. On August 15 at 11:00 am, La MaMa will livestream that performance in its entirety — you can get a taste by watching videos of De Shields singing “I Got Life” and Moore performing “Aquarius” — followed by a live Q&A with the eighty-eight-year-old Rado. As revolutionary as Hair was, it’s a shame that so much of its narrative about such social ills as white male dominance, militarization and war, racism, homophobia, and government overreach is still so relevant today, but the music is so energizing and exhilarating, maybe it will spur you to keep fighting the good fight, now more than ever, while having a great time.

BOLD 2020 TEN MINUTE PLAY FESTIVAL

Who: Black theater creators
What: Short plays with talkbacks
Where: BOLD 2020 (link sent after registration and prior to event)
When: August 14, 21, 28, free with RSVP, 6:00
Why: With Kamala Harris being selected as Joe Biden’s running mate, the prominence of Black women in America takes another giant leap forward. Expect that to be part of the discussion when BOLD, an organization that “seeks to create a culture in which Black womxn are one another’s allies,” presents “BOLD 2020,” a virtual edition of its ten-minute play festival, consisting of six new works written and directed by Black women and streamed for free over three successive Friday nights. “Black womxn will change the world! The restoration of our culture is dependent on the amplification of the Black womxn’s voices,” BOLD cofounder Destinee Rea said in a statement. “In this year alone we have seen the ways Black womxn are using their voices to inspire, empower, and shift culture. We are in desperate need of their stories being contributed creatively, grafted into the American canon.”

August 14 will feature Brittani Samuels’s In My Arms, or Under My Foot (with Anastacia McCleskey, Tiffany Denise Hobbs, J. Alphonse Nicholson, and Trevor Hayes) and Agyeiwaa Asante’s Dainty (with Amber Iman, Zurin Villanueva, Capathia Jenkins, and Candice Marie Woods), directed by Kristolyn Lloyd; on August 21, Chanel Carroll’s Choices and Lakhiyia Hicks’s Sermon I Wish I’d Heard will be directed by Bianca LaVerne Jones; and the festival concludes August 28 with Kristen Adele Calhoun’s The Oldest Town in Texas and Jazmine Stewart’s Queen Nanny, directed by Jones and Tavia Riveé Jefferson. Each night, the two plays will be followed by a live discussion with the creators and others.

THE NEO-POLITICAL COWGIRLS: ANDROMEDA’S SISTERS

Who: Blythe Danner, Susie Essman, Tamara Tunie, Catherine Curtin, Joy Behar, Laura Gomez, Ellen Dolan, Florencia Lozano, Welker White, Portia, Kathryn Grody, Nehassaiu DeGannes, Dahlia Lithwick, Amy Spitalnick, Roberta Kaplan, Kerry Kennedy, more
What: An Arts and Advocacy Forum in Two Parts
Where: Zoom link sent with ticket purchase
When: Friday, August 14, 7:00, and Thursday, September 3, 5:00, $25-$120
Why: In June 2019, the nonprofit organization the Neo-Political Cowgirls presented “Andromeda’s Sisters,” what they called a “Two Day Gala of Powerful Arts and Advocacy” at Guild Hall. The event featured workshops and one-act readings by an all-star lineup of actresses performing monologues by female-identifying playwrights. The cast is now reuniting for a virtual restaging and expansion, beginning August 14 at 7:30, with Blythe Danner as accused Salem witch Goody Garlick in a work written for her by Lucy Boyle; Catherine Curtin as a wife who discovers her husband is cheating on her in a monologue written for her by Joy Behar; Florencia Lozano as the other woman in Dipti Bramhandkar’s The Funeral; Laura Gomez as a woman who visits a sex shop in Bramhandkar’s Brown Girl’s Guide to Self-Pleasure; Welker White as the title character in Lynn Grossman’s BITCH; Ellen Dolan as a mother and a grandmother in Sarah Bierstock’s MAD (Mothers and Daughters); Tanya Everett’s One Thousand Miles, about a relationship webinar; Portia reading the late poet June Jordan’s “A Poem About My Rights”; a movement piece by Mia Funk; and two extracts from choreographer Vanessa Walters’s ongoing “Ripening” project.

Founded in 2007 by Kate Mueth, the Neo-Political Cowgirls “are committed to making work for women and about women — to creating a space where women and girls from all walks of life can share their experiences, joys, concerns, and spirits through professional dance.” The gala gets its name from the legend in which Princess Andromeda, captured by Poseidon, is saved by the daughters of the God of the Sea, leading to the idea that sisters should seek to help one another in these difficult times. As the NPC website asserts, “When we ‘swim’ to help our sisters, even if it may go against our own best interests in the moment, it’s astounding what can happen for all of those involved.” The second part takes place on September 3 and focuses on advocacy, with journalist Dahlia Lithwick interviewing Amy Spitalnick of Integrity First for America and litigator Roberta Kaplan about their upcoming court case against neo-Nazis; a cocktail hour; Kerry Kennedy giving the keynote address about fighting femicide; and Gomez, Curtin, and Lozano reading from Kennedy’s 2000 book, Speak Truth to Power: Human Rights Defenders Who Are Changing Our World. Tickets are $25 ($50 with donation) for the monologues and readings at both parts and $120 for those in addition to the cocktail hour and access to breakaway rooms with some of the invited guests.

DIGITAL DISCOVERY FESTIVAL — ROBERT WILSON: LECTURE ON NOTHING

Robert Wilson’s adaptation of John Cage’s *Lecture on Nothing* will stream August 12 as part of National Sawdust’s Digital Discovery Festival (photo © Lucie Jansch)

Who: Robert Wilson
What: “Innovation”: Volume 14 of National Sawdust’s Digital Discovery Festival
Where: Live@NationalSawdust, Facebook Live
When: Wednesday, August 12, free, 6:00
Why: Bold and daring theater and opera impresario Robert Wilson has been creating cutting-edge works since the late 1960s, from The Black Rider, Faust, Woyceck, and The Life and Death of Marina Abramović to Alice, Einstein on the Beach, Hamletmachine, and Letter to a Man. He’s a master of combining stunning visuals with ingenious audio in mind-blowing productions that push the boundaries of what theater can be. So he’s a natural choice to take part in National Sawdust’s fourteenth volume of its Digital Discovery Festival, the theme of which is “Innovation.”

On August 12 at 6:00, the Williamsburg-based club will present Texas native Wilson’s Lecture on Nothing, his adaptation of John Cage’s 1950 text, in honor of the twenty-eighth anniversary of Cage’s passing on August 12, 1992, at the age of seventy-nine. The hourlong piece debuted in August 2012 at the Ruhrtriennale Festival in Germany, with Wilson dressed in all-white clothing and makeup, surrounded by textual excerpts from the work and a cluttered floor. “I am here and there is nothing to say,” Cage’s speech begins. “If among you are those who wish to get somewhere, let them leave at any moment. What we re-quire is silence; but what silence requires is that I go on talking.”

The Digital Discovery Festival has previously featured such themes as “Spirituality,” “Social Change,” “Rebellion,” “Activism,” and “Virtuosity,” with new and archival concerts and master classes with Vijay Gupta, Vijay Iyer, Ryuichi Sakamoto, Sxip Shirey, Tania León, and others. “Innovation” runs August 10-14 and also includes concerts and/or conversations with Jenny Hval, Trimpin, and Matthew Whitaker. All shows are free and are archived if you miss the livestream.

THE ROOM PLAYS: THE BATHROOM PLAYS

the bathroom plays

Who: Eden Theater Company
What: Short Zoom plays about isolation
Where: Zoom room and Facebook Live
When: Thursday, August 6, free with RSVP, 8:00
Why: With so many of us still sheltering in place, sometimes the only trips we make each day are from the bedroom to the living room to the bathroom (unless you’re in a studio apartment). New City-based Eden Theater Company is capturing that journey in its three-part The Room Plays. In June, The Bedroom Plays explored our psyche while in the bedroom; in July, The Living Room Plays looked at life in a more public part of the house. The trilogy, each of which consists of three short works, concludes August 6 in that most private of spaces with The Bathroom Plays. A lot has changed since The Bedroom Plays, and, unfortunately, too much has stayed the same; in The Bathroom Plays, Eden will delve into such issues as social justice, racial equality, facing death, and our continuing isolation with Amy Berryman’s PIGEONs, directed by Amber Calderon and starring LeeAnn Hutchison and Robert Gemaehlich; E. E. Adams’s Mary, directed by Jordan Gemaehlich, with Amberlin McCormick; and Brennan Vickery’s Monogamous Animals, directed by Alex Pepperman, with Eden creative artistic director Cassandra Paras and Niccolo Walsh. It’s been a hit-or-miss affair so far, with the first iteration more successful than the second, but we’re ready to digest what Eden has for us on Thursday night’s in-stall-ment.

THE HOMEBOUND PROJECT — THEATER FOR THE FRONT LINE PART FIVE: HOMEMADE

Who: Brian Cox, Nicole Ansari-Cox, Orson Cox, Torin Cox, Joslyn DeFreece, Lena Dunham, Ryan J. Haddad, Daniel K. Isaac, Andy Lucien, Laurie Metcalf, Kelli O’Hara, Cesar J. Rosado, Amanda Seyfried, Johnny Sibilly, Janelle Monáe, Billy Shore
What: New online theatrical works to benefit No Kid Hungry
Where: Link supplied by the Homebound Project after donation
When: August 5-9, $10 or more, 7:00
Why: One of the best theatrical series during the pandemic has been the Homebound Project, short one-act plays, generally between five and ten minutes each, featuring award-winning actors, writers, and directors, filmed wherever the performer is sheltering in place. Among the many highlights from the first four iterations were Alison Pill in C. A. Johnson’s diversions, Marin Ireland in Eliza Clark’s The Jessicas, Kimberly Hébert Gregory in Loy A. Webb’s These Hands, Utkarsh Ambudkar in Marco Ramirez’s Is This a Play Yet, Ashley Park in Bess Wohl’s The Morning Message to the Second Graders in Room 206, directed by Leigh Silverman, Daveed Diggs in Johnson’s Here and Now, Diane Lane in Michael R. Jackson’s Let’s Save the World, also directed by Silverman, Sue Jean Kim in Leslye Headland’s The Rat, directed by Annie Tippe, and Marquise Vilsón in Migdalia Cruz’s Meat & Other Broken Promises, directed by Cándido Tirado. However, if you didn’t catch them the first time around, when they ran online for four days each, then you’re out of luck. But you can catch the fifth and final presentation, which premieres August 5 at 7:00 and can be viewed, with a minimum donation of ten dollars, through August 9 at 7:00. All proceeds benefit No Kid Hungry; more than one hundred thousand dollars has been collected so far.

The theme of the first four installments were “Home,” “Sustenance,” “Champions,” and “Promise”; taking on the prompt of “Homemade” are the following exciting actor/writer/director collaborations: Brian Cox, Nicole Ansari-Cox, Orson Cox, and Torin Cox / Melis Aker / Tatiana Pandiani; Joslyn DeFreece / Lloyd Suh / Colette Robert; Lena Dunham / Lena Dunham / Maggie Burrows; Ryan J. Haddad / Christopher Oscar Peña / Jaki Bradley; Daniel K. Isaac / Sylvia Khoury; Andy Lucien / Donnetta Lavinia Grays; Laurie Metcalf / Stephen Karam; Kelli O’Hara / Lindsey Ferrentino / Scott Ellis; Austin Pendleton / Craig Lucas / Pam MacKinnon; Cesar J. Rosado / Basil Kreimendahl / Samantha Soule; Amanda Seyfried / Catya McMullen / Jenna Worsham; and Johnny Sibilly / Korde Arrington Tuttle / Worsham; along with special appearances by Janelle Monáe and Share Our Strength executive director Billy Shore. These compilations have done a superb job of putting the pandemic in perspective, particularly how it relates to theater; in addition, there’s the major bonus of seeing where these actors are hunkered down during the coronavirus crisis.

VOICES FROM THE GREAT EXPERIMENT

voices

Who: Theater Breaking Through Barriers
What: Second Virtual Playmakers Intensive
Where: TBTB YouTube, Facebook
When: August 3-10, free, 7:30 on YouTube, 8:15 on Facebook
Why: Now in its forty-first season, New York City-based Theater Breaking Through Barriers “is dedicated to advancing artists and developing audiences of people with disabilities and altering the misperceptions surrounding disability by proving, once and for all, that disability does not affect the quality or integrity of our art or artists.” Because of the pandemic lockdown, it is going online with its Second Virtual Playmakers Intensive, titled “Voices from the Great Experiment,” consisting of new plays created on and for Zoom. From August 3 to 10, the troupe will present eight works exploring the American condition, one each night, streaming for free at 7:30 on YouTube and 8:15 on Facebook, consisting of Fareeda Ahmed’s The Olympians, directed by Kristin Heckler and starring Shravan Amin, Samantha Debicki, and Paul Pryce; Khalil LeSaldo’s Sing, directed by Ward Nixon, with Martin Lewis and AhDream Smith; Enrique Huili’s 3 Stops from Loop Tape Station, directed by Ashley Scott, with Juan Carlos Diaz and Melissa Jennifer Gonzalez; Christopher Chan Roberson’s M-O-U-S-E, directed by Kimille Howard, with Scott Barton, Nayab Hussein, Ayako Ibaraki, and Sean Phillips; Chris Phillips’s Cloudbusting, directed by Stuart Green, with Jen Bradley, Richard Lear, and Dan Teachout; Jeff Tabnick’s What If You Read My Plays, directed by Richard M. Rose, with Alyssa M. Chase and David Harrell; Tatiana G. Rivera’s (UNTITLED), directed by Everett Quinton, with Veronica Cruz, Christopher Imbrosiano, Patrick O’Hare, and Estrella Tamez-Penney; and Monet Marshall’s 3 Gods on a Zoom, directed by Keyanna Alexander, with Kalilah Black, Robin Carmon Marshall, and AhDream Smith. “Disability intersects with all populations in our world: every age, race, gender, and sexual orientation. TBTB strives to create a common ground for all voices and serves as an ambassador in the quest for full, systemic equality in our world,” artistic director Nicholas Viselli said in a statement.