this week in theater

THE NEW GROUP OFFSTAGE: TWO BY WALLACE SHAWN

Who: Matthew Broderick, Jill Eikenberry, John Epperson, Larry Pine, Wallace Shawn, Claudia Shear, Annapurna Sriram, Michael Tucker; Kristen Johnston, Lili Taylor, Marsha Stephanie Blake, Thomas Bradshaw, Liam Craig, Melissa Errico, Carlos Leon, Emily Cass McDonnell, Maulik Pancholy, Stephen Park, Bill Sage
What: The New Group reunion readings of two plays by Wallace Shawn
Where: “The New Group Off Stage”
When: Wednesday, October 28, $25, 7:00, and Thursday, October 29, $25, 7:00 (available for viewing through November 29)
Why: In his 2011 essay “Why I Call Myself a Socialist: Is the World Really a Stage?,” beloved playwright, actor, and voice artist Wallace Shawn explains, “We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there’s a wizard and a king, he also knows that when he’s playing himself in his daily life, he’s playing a part, he’s performing, just as he’s performing when he plays a part on stage. He knows that when he’s on stage performing, he’s in a sense deceiving his friends in the audience less than he does in daily life, not more, because on stage he’s disclosing the parts of himself that in daily life he struggles to hide. He knows, in fact, that the role of himself is actually a rather small part, and that when he plays that part he must make an enormous effort to conceal the whole universe of possibilities that exists inside him.”

It’s inconceivable that you’re unfamiliar with the cuddly, adorable, shaggy-haired Shawn, who has appeared in more than one hundred films, including numerous Woody Allen movies, as well as voicing Rex in the Toy Story franchise and portraying a fictionalized version of himself in Louis Malle’s reality-busting My Dinner with Andre, in which he shares a meal with theater director Andre Gregory. Shawn’s most famous performance is, no doubt, as Sicilian mastermind Vizzini in Rob Reiner’s 1987 fairy-tale classic, The Princess Bride. The scenes between Shawn as Vizzini and wrestling legend Andre the Giant as his cohort Fezzik are among the film’s most treasured. (My Movie with Andre?) Shawn, the son of famed New Yorker editor William Shawn and journalist Cecille Shawn, is also an esteemed playwright, winning an Obie in 1974 for Our Late Night and earning kudos galore for 1996’s The Designated Mourner, which, in several productions, was directed by Gregory, with Shawn playing Jack in stage and radio iterations.

In the age of coronavirus, with theaters shuttered, Shawn reunited last month with the cast of The Princess Bride for a virtual reading and discussion benefiting the Wisconsin Democratic Party. Now the New Group is celebrating him with “The New Group Off Stage: Two by Wallace Shawn,” a pair of live, virtual readings of productions the company has previously staged. First up, on October 28, is 2017’s Evening at the Talk House, which in my review I said was an “utterly delightful, deliciously wicked black comedy, one of the most gregarious shows you’re ever likely to see, despite its dark undertones.” As you walked into the Signature’s Romulus Linney Courtyard Theatre, the actors were circulating on the set at the center, and the audience was invited to speak with them, joining a small, intimate cocktail party before the main event. The original all-star cast is back for the reading — Matthew Broderick, Jill Eikenberry, John Epperson, Larry Pine, Claudia Shear, Annapurna Sriram, Michael Tucker, and Shawn — but that preliminary interaction will be gone, changing the dynamic between audience and performer even more than in most Zoom renditions.

The next night, October 29, the New Group will present Shawn’s 1985 play, Aunt Dan and Lemon, which the company revived in 2004 at the Acorn Theatre; back for the virtual show are Kristen Johnston as Aunt Dan and Lili Taylor as Lemon along with Maulik Pancholy, Marcia Stephanie Blake, Liam Craig, Melissa Errico, Carlos Leon, Bill Sage, Emily Cass McDonnell, Stephen Park, and Thomas Bradshaw replacing Isaach De Bankole and Layla Khoshnoudi stepping in for Brooke Sunny Moriber. Ten percent of the proceeds of the Talk House reading will go to City Harvest, while the same amount of the Aunt Dan proceeds will go to the Center for Constitutional Rights. (Both readings will be available for viewing through November 29.) The New Group’s virtual pandemic programming has featured excellent reunion readings of The True and The Jacksonian in addition to the ongoing “Why We Do It” interview series with such alums as Cynthia Nixon, Bobby Cannavale, Edie Falco, Suzanne Vega, and Natasha Lyonne; here’s hoping that Shawn soon tells us why he does it. (My Dinner with Wallace, anyone?)

A CELEBRATION OF GRATITUDE AND HOPE

Who: Joshua Malina, David Broza, Nita M. Lowey, Joel Grey, Shoshana Bean, Tiffany Haddish, Yemin Orde Youth Village Choir, more
What: Virtual benefit
Where: ImpactIsrael
When: Wednesday, October 28, free with RSVP, 8:00
Why: ImpactIsrael is a Maryland-based organization that “provides the support needed to transform immigrant and at-risk youth into productive members of Israeli society through value-driven education and support. ImpactIsrael works to improve the education, security, health, and welfare of over 25,000 Israelis by touching lives across all boundaries — religious, secular, Jews, Arabs, Druze, and Bedouins.” On October 28 at 8:00, it will be presenting “A Celebration of Gratitude and Hope,” an online benefit for Israel’s next generation of leaders. The evening will be emceed by Joshua Malina (A Few Good Men, Scandal) and features appearances by Israeli singer-songwriter David Broza (East Jerusalem West Jerusalem, At Masada: The Sunrise Concert featuring Shawn Colvin & Jackson Browne), U.S. Representative Nita M. Lowey (who will receive the Tikkun Ha’Lev Award), singer and stage actress Shoshana Bean (Wicked, Waitress), comedian and actress Tiffany Haddish (Girls Trip, The Carmichael Show), legendary actor and director Joel Grey (Cabaret, Fiddler on the Roof in Yiddish), and the Yemin Orde Youth Village Choir, among others. Admission is free, but donations will be accepted, including at special levels that will qualify you for listings on a digital scroll, promotional materials, and recognition with a commemorative gift.

A VERY BRADY MUSICAL: A VIRTUAL BENEFIT READING

Who: Barry Williams, Christopher Knight, Gavin Lee, Kerry Butler, Klea Blackhurst, Trista Dollison, Celia Hottenstein, Diana Huey, Troy Iwata, Mason Reeves, Anthony Zambito, Tracy Bidleman, Jason Matthews, Melinda Portages, Chuck Ragsdale
What: Virtual benefit reading and Q&A
Where: Ogunquit Playhouse
When: Wednesday, October 28, suggested donation $20, 7:00
Why: It was bound to happen. How many of us have not at least once made a Brady Bunch joke during a Zoom session? Well, that was the impetus behind the virtual reading of the 2008 show A Very Brady Musical, benefiting Maine’s Ogunquit Playhouse. The cast features Gavin Lee as Mike Brady, Kerry Butler as Carol, Klea Blackhurst as Alice, Trista Dollison as Cindy, Celia Hottenstein as Marcia, Diana Huey as Jan, Troy Iwata as Peter, Mason Reeves as Greg, and Anthony Zambito as Bobby in addition to Tracy Bidleman, Jason Matthews, Melinda Portages, and Chuck Ragsdale as the kids try to prevent their parents from divorcing. The book is by Lloyd J. Schwartz and Hope Juber, with music and lyrics by Hope Juber and Laurence Juber; the show is directed by Richard Israel, with technical direction and video design by Jeremy Handelman.

“As we move through 2020, we are continuing our mission of new works development while celebrating how many of us are spending our lives in the ‘Brady square’ virtual worlds of Zoom and other online platforms,” Ogunquit Playhouse executive artistic director Bradford T. Kenney said in a statement. “Working with our outstanding A Very Brady Musical team, we’re taking what could be a static reading, adding a dash of digital magic, and layering it with that iconic Brady framing to create a unique experience that appeals to every kind of theatergoer.” The reading will take place October 28 at 7:00 and be available for viewing through November 1; the suggested donation is $20. Donations of $100 or more give you access to the live Zoom talkback and Q&A with members of the cast and crew and original Bradys Barry Williams (Greg) and Christopher Knight (Peter).

CONSCIENCE

George Street Playhouse reimagines Joe DiPietro’s Conscience for Zoom

Who: Harriet Harris, Mark Junek, Lee Sellars, Cathryn Wake
What: Live world premiere play reading
Where: George Street Playhouse
When: October 27-31, November 11-15, suggested donation $25
Why: In March, the world premiere of two-time Tony winner Joe DiPietro’s Conscience opened at George Street Playhouse in New Brunswick, but the pandemic shut it down. The original cast is now reuniting for a live, virtual adaptation streaming October 27-31 (with an encore November 11-15). The play is built around Maine senator Margaret Chase Smith’s “Declaration of Conscience,” which she delivered on the Senate floor on June 1, 1950; it was directed at President Harry S. Truman and explained that “the United States Senate has long enjoyed worldwide respect as the greatest deliberative body in the world. But recently that deliberative character has too often been debased to the level of a forum of hate and character assassination sheltered by the shield of congressional immunity” while also calling for “the right to criticize. The right to hold unpopular beliefs. The right to protest. The right of independent thought.” Sound familiar? Tony winner Harriet Harris (Thoroughly Modern Millie, Desperate Housewives) stars as Smith, with Lee Sellars as Sen. Joseph McCarthy, Mark Junek as William Lewis, and Cathryn Wake as Jean Kerr, directed by David Saint. For more on the production, you can watch an April Q&A with Wake here and listen to a virtual symposium with Saint, DiPietro, and playhouse director of education and community artistic programming Jim Jack here.

READING OF THE KEYS BY DOROTHY LYMAN

Dorothy Lyman’s The Keys looks at life in Florida during the current health crisis

Who: Dorothy Lyman, Tim Jerome
What: Live readings of new play
Where: Zoom
When: Sunday, October 25, free with RSVP, 4:00, and Tuesday, October 27, free with advance RSVP, 7:00
Why: One of my closest friends and regular theatergoing companions has two happy places. One is any dark venue that hosts live dramas, comedies, and musicals; the other is the Florida Keys. Unfortunately, because of the pandemic, she cannot fill either of those needs, but she can scratch both itches at least in a small way with a live Zoom reading of Dorothy Lyman’s new play, The Keys. The story is set in the Florida Keys during the current coronavirus crisis, as a pair of senior citizens, Margaret (Lyman) and Gil (Tim Jerome), take stock of their lives in the age of Covid-19, remembering their pasts and imagining an unexpected future. The reading is directed by Elinor Renfield and admission is free, though spaces are limited. Two-time Emmy winner Lyman is a familiar face after spending more than twenty years in soap operas, most notably All My Children, as well as starring in Mama’s Family and the one-woman show My Kitchen Wars; Tony nominee Jerome has appeared in such Broadway productions as Me and My Gal, Beauty and the Beast, The Phantom of the Opera, and Tarzan. It might not be a day at the beach, but what is these days?

MOLIÈRE IN THE PARK: THE SCHOOL FOR WIVES

Who: Tonya Pinkins​, Kaliswa Brewster, Cristina Pitter, Tamara Sevunts, Mirirai Sithole, Carolyn Michelle Smith, Corey Tazmania
What: Molière in the Park virtual presentation in association with French Institute Alliance Française (FIAF)
Where: Molière in the Park Zoom
When: Saturday, October 24, free with RSVP (donations accepted), 2:00 & 7:00
Why: “Don’t worry, friend; I’m not a fool,” Arnolphe tells Chrysalde at the beginning of Molière’s The School for Wives in Richard Wilbur’s translation. “I shan’t expose myself to ridicule. / I know the tricks and ruses, shrewd and sly, / Which wives employ, and cheat their husbands by; / I know that women can be deep and clever; / But I’ve arranged to be secure forever: / So simple is the girl I’m going to wed / That I’ve no fear of horns upon my head. . . . No, keep your smart ones; I’ve no taste for such. . . . / In short, I want an unaccomplished wife, / And there are four things only she must know: To say her prayers, love me, spin, and sew.” Molière in the Park, following their popular virtual presentations of The Misanthrope and Tartuffe online over the summer instead of in Prospect Park, their usual home, is now taking on Molière’s 1662 five-act comedy, reinvented for Zoom, copresented with FIAF. And in a casting twist that would terrify Arnolphe, all the roles will be portrayed by women, with Mirirai Sithole, Kaliswa Brewster, Cristina Pitter, Tamara Sevunts, Carolyn Michelle Smith, Corey Tazmania, and Tony winner Tonya Pinkins (Jelly’s Last Jam; Caroline, or Change) as the lead cad. (The play ran on Broadway in 1971 with Brian Bedford as Arnolphe, Joan Van Ark as Agnes, and David Dukes as Horace and was made into a 1983 film by Ingmar Bergman with Allan Edwall as Arnolphe, Lena Nyman as Agnes, and Stellan Skarsgård as Horace.)

The troupe has employed unique technical elements in their virtual plays, courtesy of director Lucie Tiberghien, video engineer Andy Carluccio, set designer Lina Younes, costume designer Ari Fulton, composer Paul Brill, sound designer Daniel Williams, and animator Emily Rawson, so it should be fun to see what innovations they will bring this time around. The School for Wives will be performed live on October 24 at 2:00 and 7:00, followed by a Q&A with members of the cast and crew; French and English subtitles are available, and the show can be viewed through October 29. Next up for Molière in the Park is a rare contemporary play, Christina Anderson’s pen/man/ship, on December 12.

TEMPING

Temping is a solo piece that puts audience members to work one person at a time

The Wild Project Gallery
195 East Third St. between Aves. A & B
October 23 – November 22, $10-$45
dutchkillstheater.com/temping
thewildproject.com

Since mid-March, most of us have been stuck at home, either toiling at our desktop computers or laptops or seeking employment while unable to attend live entertainment events. Dutch Kills Theater and Wolf 359 take care of both those dilemmas with Temping, a different kind of solo show, beginning previews October 23 prior to an October 29 opening. The key conceit here is that you are essentially the performer in this unique onsite theatrical experience, one you have to leave the safe confines of your apartment to participate in. Temping takes place in a room at the Wild Project on the Lower East Side, where one audience member at a time sits alone at the vacationing Sarah Jane Tully’s cubicle, using a Windows PC, a corporate phone, and a laser printer to navigate through actuarial tables that predict lifespans, something that has become somewhat more complicated in 2020. The play is written by Michael Yates Crowley and directed by Michael Rau, with production design by Asa Wember and set by Sara C Walsh. There will be thirty minutes between each performance to allow for cleansing before the next person enters; masks must be worn at all times, and hand sanitizer will be provided. Tickets are $10-$30 for previews and $25-$45 after, based on time period, so act fast for the best spots. And please don’t take the sandwich in the refrigerator; there’s a reason it has my name on it (and not yours).