Perhaps the weather will cut down the ridiculously long lines at annual Big Apple Barbecue in Madison Square Park (photo by twi-ny/mdr)
Madison Square Park
23rd to 26th Sts. between Fifth & Madison Aves.
Saturday, June 11, and Sunday, June 12, 11:00 am – 6:00 pm
Admission: free; $8 per plate of barbecue, $4 per dessert
www.bigapplebbq.org
www.madisonsquarepark.org
When it first began nine years ago, we were instantly addicted to the Big Apple Barbecue Block Party, in which BBQ experts from around the country offered their delectable delights in a city starving for good ’cue. But soon the crowds became so ridiculous, the lines hours and hours long, that it just wasn’t worth it. And then the Union Square Hospitality Group, which sponsors the event in Madison Square Park, began selling a Fastpass a few years ago, a ticket that allows you to pay extra to cut the line — and then those lines started getting long as well. It all left a bad taste in the mouth, but we’re willing to give it another shot, all in the anticipation of fine barbecue; we’re also thinking that maybe the weather will keep a lot of people away. This year’s pitmasters include Joe Duncan from Baker’s Ribs in Dallas (St. Louis-style ribs), Mike Emerson from Pappy’s Smokehouse in St. Louis (baby back ribs), Chris Lilly from Big Bob Gibson Bar-B-Q in Decatur (pulled pork shoulder), Patrick Martin from Martin’s Bar-B-Que Joint in Nashville (western Tennessee-style whole hog), the ever-popular Mike Mills of 17th Street Bar & Grill in Murphysboro (baby backs), Raleigh’s Ed Mitchell (whole hog, all-natural whole turkey barbecue), Jimmy Hagood from BlackJack Barbecue in Charleston (pulled pork shoulder), Tommy Houston from the Checkered Pig in Danville (St. Louis-style ribs), Myron Nixon from Jack’s Old South in Unadilla (beef brisket), Garry Roark from Ubon’s Barbeque of Yazoo (pulled pork shoulder), Drew Robinson from Jim ‘N’ Nick’s Bar-B-Q in Birmingham (smoked sausage), and Michael Rodriguez from the Salt Lick Bar-B-Que in Driftwood (beef brisket sausage). There are also several booths from New York City, but we never understand why people would wait two or three hours to get a small plate of food from a restaurant they can go to anytime they want. Bambi Kino, Guitar Shorty, and Dale Watson will perform on Saturday, with Doug Wamble, Those Darlins, and Black Joe Lewis & the Honeybears playing on Sunday. Among the free seminars are “Corn: The Great Comrade,” “Dips & Drinks,” “The Raw Deal: Killer Sides from Raw Ingredients,” “Southern Living Fourth of July Feast,” “Kentucky Toast,” and “To Live and Die in Avoyelles Parish.”
In 1961, Barry Mann and Gerry Goffin wrote, “I’d like to thank the guy / who wrote the song / that made my baby / fall in love with me.” The title of that be-bop song, “Who Put the Bomp,” inspired one of music’s first fanzines and later the punk record label Bomp! Records. In their 1999 song “Deceptacon,” the riot grrrl group Le Tigre flipped that question around, asking, “Who took the bomp from the bompalompalomp? / Who took the ram from the ramalamadingdong?” In the song they also dare, “Let me hear you depoliticise my rhyme.” Formed in 1998 by former Bikini Kill leader Kathleen Hanna, zine writer Johanna Fateman, and visual artist Sadie Benning, who was replaced in 2000 by DJ and projectionist JD Samson, Le Tigre challenged the male-dominated world of rock and punk, championing individuality and sexual freedom while redefining gender roles. In 2004, Hanna, Fateman, and Samson set out on a world tour in support of their third and final album, This Island, and asked their lighting designer, Carmine Covelli, to capture it all on film. The result is the engaging Who Took the Bomp? Le Tigre on Tour, in which Covelli and director Kerthy Fix go onstage, backstage, and behind the scenes as the influential trio heads across four continents and ten countries, playing exciting live shows, meeting the media, taking pictures with Slipknot, revealing what they pack in their luggage, exercising in the gym, and talking about facial hair. They also discuss more serious issues such as gender identity, lesbianism, and their DIY mentality, which flew in the face of the music industry. The seventy-two-minute film, which features live multimedia performances of such songs as “Hot Topic,” “Keep on Livin’,” “Viz,” and “Deceptacon,” is screening on June 7 at 7:30 as part of the Maysles Institute’s monthly “Under the Influence of” series and will be followed by a Q&A with Fix, Hanna, and Fateman.
