Luigi Lucioni, “Paul Cadmus,” oil on canvas, 1928, part of “Youth and Beauty: Art of the American Twenties” (Brooklyn Museum, Dick S. Ramsay Fund)
Brooklyn Museum
200 Eastern Parkway
Saturday, December 3, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org
Don’t be fooled by the theme of this month’s First Saturday party at the Brooklyn Museum. It might be called “Youth and Beauty,” but you can expect an old-fashioned good time, as it refers to the Eastern Parkway institution’s new exhibit subtitled “Art of the American Twenties,” featuring works by such artists as Thomas Hart Benton, Edward Hopper, Gaston Lachaise, Georgia O’Keeffe, and Alfred Stieglitz. On tap for the free evening is jazz and blues from Hazmat Modine (5:00 to 7:00), a 1920s costume contest (5:30), a collaboration between spoken-word artists and musicians and tap dancer Lisa La Touche that references the Jazz Age and the Harlem Renaissance (5:30), curator Catherine Morris discussing “Eva Hesse Spectres 1960” (6:00), ballroom dance lessons from Nathan Bugh, including the Charleston and the Lindy Hop (6:00), a painting workshop (6:30 – 8:30), a tour of “Youth and Beauty” with museum guide Emily Sachar (7:00), a dance party hosted by the Harlem Renaissance Orchestra (8:00 – 10:00), Farah Griffin discussing Wallace Thurman’s 1929 book, The Blacker the Berry (9:00), and a bodybuilding showcase hosted by Phil Sottile (9:00). The young and the beautiful can always be found at the Brooklyn Museum on First Saturdays, but this month more than ever.
On October 25, 2003, Russian oligarch Mikhail Khodorkovsky was arrested for tax fraud and has been in prison ever since. The controversial story of the eight-billion-dollar man is told in German director Cyril Tuschi’s political-thriller documentary Khodorkovsky. Combining Michael Moore’s rugged determination to meet with GM CEO Roger Smith in Roger & Me with a police-procedural narrative, Tuschi (Slight Changes in Temperature and Mind) desperately tries to speak with the imprisoned Khodorkovsky, but for most of the film he only gets to communicate him through letters while instead talking with his first wife, his mother, his son, former business partners, spies, and various politicians, some of whom share illuminating details about the life and career of the seemingly equally loved and despised socialist-turned-capitalist and others who adamantly refuse to say anything about the onetime head of the Yukos oil company, perhaps out of fear of retribution. Khodorkovsky is alternately shown to be a philanthropic businessman who founded the Open Russia Foundation charitable project and a ruthless tyrant whose giant ego resulted in his publicly butting heads with former Russian president Vladimir Putin, the reason why many think he is in jail — and might never get out. Tuschi supplements the film with black-and-white constructivist animation of Khodorkovsky, placing him firmly in between socialism and capitalism as he seeks to lead Russia into a new age. Featuring music by Estonian composer Arvo Pärt and narration by Jean-Marc Barr and Harvey Friedman, Khodorkovsky paints a fascinating portrait of contemporary Russia as well as of one of its most enigmatic and mysterious figures. Tuschi and Khodorkovsky’s son Pavel will be at Film Forum on November 30 to talk about the documentary and its subject following the 7:50 screening.
Born in February 1939 and recognized as an enlightened reincarnation of the Trungpa tülkus when he was just thirteen months old, Chögyam Trungpa escaped his native Tibet during the 1959 Chinese invasion, eventually becoming a central figure in the spread of Tibetan Buddhism throughout the West. Filmmaker Johanna Demetrakas (Right Out of History: The Making of Judy Chicago’s Dinner Party), a former student and friend of Chögyam Trungpa’s, recounts his unusual story in the adulatory Crazy Wisdom: The Life and Times of Chögyam Trungpa Rinpoche. “From the first seminar, called ‘The Battle of Ego” in Los Angeles, to filming his cremation on a cloudless but rainbow-filled day in Vermont, Chögyam Trungpa literally blew my mind,” Demetrakas explains on the film’s official website. His fascinating tale is liable to blow your mind too. Chögyam Trungpa invited Demetrakas into his inner circle from 1983 to 1987, allowing her intimate access to his wild life, which included exchanging his monk’s robes for a business suit and later a pseudo-military uniform, confusing his followers and angering his critics. A proponent of what he called “crazy wisdom,” Chögyam Trungpa studied at Oxford, suffered partial paralysis in a car accident, married a sixteen-year-old westerner, smoked cigarettes, was a heavy drinker, and carried on dalliances with many of his female students while teaching about fear, self-deception, the ego, spiritual materialism, and the importance of meditation. “You can survive by doing nothing,” he preached, but he alienated some with his nontraditional actions, leading him to be known as the “Bad Boy of Buddhism.” Trying to get to the bottom of the complicated man who founded such learning centers as the Naropa Institute and Shambhala, Demetrakas speaks with Chögyam Trungpa’s wife, Diana Mukpo, his lover Agness Au, and his eldest son, Sakyong Mipham; such fellow teachers as Pema Chodron and Ram Dass; poets Allen Ginsberg and Anne Waldman; and various other scholars, journalists, and former students, supplemented by archival footage and clips from his teachings, which together paint a compelling portrait of a most colorful and singular individual. Crazy Wisdom is scheduled for a one-week limited engagement at the Rubin Museum beginning November 25, with all screenings (several of which are beginning to sell out) followed by Q&As with such special guests as Demetrakas, Waldman, Au, Meredith Monk, Tulku Jamyang Rinpoche, and others.
