this week in lectures, signings, panel discussions, workshops, and Q&As

NEW YORK FILM FESTIVAL 2016

Director Mike Mills and star Annette Bening will present the world premiere of 20th CENTURY WOMEN at the New York Film Festival (photo by Merrick Morton)

Director Mike Mills and star Annette Bening will present the world premiere of 20th CENTURY WOMEN at the New York Film Festival (photo by Merrick Morton)

Film Society of Lincoln Center, Walter Reade Theater, Elinor Bunin Munroe Film Center,
Bruno Walter Auditorium, Alice Tully Hall
West 65th St. between Broadway & Amsterdam Ave.
September 30 – October 16
212-875-5601
www.filmlinc.org/nyff2016

The fifty-fourth New York Film Festival gets under way on September 30 with Ava DuVernay’s 13th, kicking off more than two weeks of screenings and special events at the Film Society of Lincoln Center. The centerpiece selection is Mike Mills’s 20th Century Woman, with James Gray’s The Lost City of Z closing things on October 15. Divided into Main Slate, Convergence, Explorations, Projections, Retrospectives, Revivals, and Spotlight on Documentary, this year’s lineup also features works by Paul Verhoeven, Bertrand Tavernier, Gianfranco Rosi, Bill Morrison, Cristian Mungiu, Ken Loach, Errol Morris, Pedro Almodóvar, Kenneth Lonergan, Jim Jarmusch, Olivier Assayas, Cristi Puiu, Kenneth Lonergan, Eugène Green, Jean-Pierre and Luc Dardenne, Douglas Gordon, and Hong Sang-soo, most of whom will be on hand for Q&As following select screenings. “A Brief Journey through French Cinema” includes films by Bertrand Tavernier, Robert Bresson, Jacques Becker, Julien Duvivier, Jean-Pierre Melville, and Jean Renoir, while a tribute to Henry Hathaway boasts a dozen movies, from Garden of Evil and Kiss of Death to Niagara and Rawhide. Among this year’s Revivals are Gillo Pontecorvo’s restored The Battle of Algiers, Bresson’s L’argent, Tomás Gutiérrez Alea’s Memories of Underdevelopment, and Marlon Brando’s One-Eyed Jacks. Below is a list of one highlight per day; keep checking twi-ny for reviews and further information.

Saturday, October 1
through
Sunday, October 16

Lives in Transit video installation by Global Lives Project, free, Furman Gallery, Walter Reade Theater

Saturday, October 1
Gimme Danger (Jim Jarmusch, 2016), followed by a Q&A with Jim Jarmusch and Iggy Pop, Alice Tully Hall, $25, 9:15

Sunday, October 2
Meet the Makers: Sherlock Holmes & the Internet of Things, with Lance Weller and Nick Fortugno, Howard Gilman Theater, free, 1:00

Wednesday, October 3
“The Psychology of Storytelling: Lindsay Doran,” with Oscar-nominated producer and studio executive Lindsay Doran, Howard Gilman Theater, 6:45

Tuesday, October 4
Dawson City: Frozen Time (Bill Morrison, 2016), followed by a Q&A with Bill Morrison, Francesca Beale Theater, $15, 9:00

Wednesday, October 5
Film Comment Live: A Quiet Passion (Terence Davies, 2016), followed by a Q&A with Terence Davies, Cynthia Nixon, and Sol Papadopoulos, Walter Reade Theater, 6:00

Thursday, October 6
The Death of Louis XIV (Albert Serra, 2016), followed by a Q&A with Albert Serra and Jean-Pierre Léaud, Alice Tully Hall, $20, 6:00

Friday, October 7
Harlan County USA, (Barbara Kopple, 1976), followed by a Q&A with Barbara Kopple, Walter Reade Theater, $15, 6:00

Saturday, October 8
Projections Program 2: Beyond Landscape, short films followed by Q&As with directors Rosa Barba, Tomonari Nishikawa, Sky Hopinka, and Brigid McCaffrey, Howard Gilman Theater, $15, 5:15

The one and only Jean-Pierre Léaud and director Albert Serra will be at the New York Film Festival to screen and discuss THE DEATH OF LOUIS XIV

The one and only Jean-Pierre Léaud and director Albert Serra will be at the New York Film Festival to screen and discuss THE DEATH OF LOUIS XIV

Sunday, October 9
Restless Creature: Wendy Whelan (Linda Saffire & Adam Schlesinger, 2016), followed by a Q&A with Wendy Whelan, Linda Saffire, Adam Schlesinger, and other crew members, Walter Reade Theater, 3:30

Monday, October 10
Bright Lights: Starring Carrie Fisher and Debbie Reynolds (Alexis Bloom & Fisher Stevens, 2016), followed by a Q&A with Carrie Fisher, Alexis Bloom, and Fisher Stevens, Alice Tully Hall, $20, 6:00

Tuesday, October 11
My Entire High School Sinking into the Sea (Dash Shaw, 2016), followed by a Q&A with Dash Shaw, Howard Gilman Theater, $20, 6:00

Wednesday, October 12
Spotlight on Documentary: The Cinema Travellers (Shirley Abraham & Amit Madheshiya, 2016), followed by a Q&A with Shirley Abraham and Amit Madheshiya, Francesca Beale Theater, $15, 9:00

Thursday, October 13
HBO Directors Dialogues: Paul Verhoeven discussing Elle, Elinor Bunin Munroe amphitheater, free, 7:00

Friday, October 14
Explorations: Everything Else (Natalia Almada, 2016), followed by a Q&A with producer Daniela Alatorre, Walter Reade Theater, $15, 4:00

Saturday, October 15
Elle (Paul Verhoeven, 2016), followed by a Q&A with Paul Verhoeven and Isabelle Huppert, Alice Tully Hall, 3:00

BEYOND THE INGÉNUE: WATER LILIES

WATER LILIES

Floriane (Adèle Haenel) and Marie (Pauline Acquart) develop a complicated friendship in Céline Sciamma’s WATER LILIES

CINÉSALON: WATER LILIES (NAISSANCE DES PIEUVRES) (Céline Sciamma, 2007)
French Institute Alliance Française, Florence Gould Hall
55 East 59th St. between Madison & Park Aves.
Tuesday, September 27, $14, 4:00 & 7:30
Series continues Tuesdays through October 25
212-355-6100
www.fiaf.org

This past spring, the FIAF CinéSalon series “EDM Anthems: French Touch on Film” concluded with Céline Sciamma’s Girlhood, an award-winning coming-of-age drama about a sixteen-year-old girl who is trying to find a workable path to a worthwhile adulthood but is continually thwarted by socioeconomic and cultural issues. The 2014 film stars Karidja Touré, who was nominated for a César for Most Promising Actress. On September 27, Sciamma’s first feature, Water Lilies, another poignant and provocative coming-of-age drama, will be shown in the FIAF CinéSalon series “Beyond the Ingénue.” The 2007 film stars Adèle Haenel and Pauline Acquart, both of whom earned nominations as Most Promising Actress, along with a Best Debut nod for Sciamma. Mousy Marie (Acquart) wants to become part of her school’s synchronized swimming team, so she cozies up to squad captain Floriane (Haenel), who has a reputation as a rather loose girl. Marie’s best friend, Anne (Louise Blachère), dreams of having her first kiss with the hunky François (Warren Jacquin), a swimmer who is dating Floriane. Marie is caught in the middle, especially as she develops feelings of her own for Floriane.

The French title of Water Lilies is Naissance des Pieuvres, which translates as Birth of the Octopuses, referencing the eight interweaving arms of the four main characters as well as the synchronized swimming team itself. The film is a bold and honest look at young love, teen angst, and body image. While Floriane flaunts her alluring figure, Marie is small and flat-chested, and Anne is big-boned and fleshy, with large breasts that she desperately wants François to see. Writer-director Sciamma creates uniquely believable and intimately touching scenes that reveal the different problems the protagonists face as regular teenagers who might not quite be ready for what they are getting themselves involved in. As with Girlhood and Sciamma’s other full-length feature, 2011’s Tomboy, the cinematography, which goes from underwater shots to long, shadowy hallways, is by Crystel Fournier, with music by Para One, aka electronica maestro Jean-Baptiste de Laubier. Winner of the Louis Delluc Prize for Best First Film, Water Lilies is screening September 27 at 4:00 and 7:30; the later show will be introduced by Columbia French literature professor Elisabeth Ladenson. “Beyond the Ingénue” continues Tuesday nights through October 25 with such other films as Éric Rohmer’s Pauline at the Beach, Patricia Mazuy’s The King’s Daughters, and Jacques Rozier’s Adieu Philippine.

LUNGS HARVEST ARTS FESTIVAL

lungs-harvest-arts-festival

Multiple community gardens on the Lower East Side
Saturday, September 24, and Sunday, September 25, free
www.lungsnyc.org

More than fifty community gardens on the Lower East Side are participating in the fifth annual LUNGS (Loisaida United Neighborhood Gardens) Harvest Festival, a weekend of free special events, including music, dance, film screenings, walking tours, workshops, art, poetry, karaoke, meditation, and more. Below are only some of the recommended events for Saturday and Sunday; there are also activities at the M’Finda Kalunga Garden, Fireman’s Garden, Liz Christy Garden, Secret Garden, El Sol Brillante, Doroty Strelsin Suffolk St. Garden, East Side Outside Garden, Umbrella House Rooftop Garden, Creative Little Garden, Lower East Side People Care Garden, Kenkeleba House Garden, Children’s Magical Garden, Green Oasis, Elizabeth St. Garden, Toyota Children’s Garden, Sam & Sadie Koenig Garden, and many others. The festival is a great way to become familiar with and support these small gems that can be found all over the Lower East Side.

Saturday, September 24

Permaculture tour with Ross Martin and Marga Snyder, La Plaza Cultural, Ave. C at Ninth St., 12 noon

Live music with Elizabeth Ruf, Ben Cauley, Avon Faire, Tammy Faye Starlight, Witch Camp with Amber Martin & Nath-Ann Carrera, Salley May, and Val Kinzler, DeColores Garden, East Eighth St. between Aves. B & C, 1:00 – 5:00

Guided meditation, with Matthew Caban and Jaquay Saintil, the Lower East Side People Care Garden, Rutgers St. between Henry and Madison Sts., 2:00

Collaborative poetry workshop with Rhoma Mostel, La Guardia Corner Gardens, Bleecker & Houston Sts., 3:00

“The Bride” performance piece by Theresa Byrnes, La Plaza Cultural, Ave. C at Ninth St., 4:00

Dance performance with Heidi Henderson and students from Connecticut College, Kizuna Dance, John Gutierrez, Sheep Meadow Dance Theater, Rina Espiritu, Lauren Kravitz, and Shantel Prado, Cornfield Dance, Rod Rodgers Teen Dancers, El Jardín del Paraíso, Fourth St. between Aves. C & D, 4:00

Dimensions of Ecology panel discussion, with Stuart Losee, Felicia Young, Anna Fitzgerald, and Chloe Rosetti, La Plaza Cultural, Ave. C at Ninth St., 5:00

Sunday, September 25

Pysanky workshop: How to Make Ukrainian Easter Eggs, with Anna Sawaryn, 6B Garden, Ave. B at Sixth St., 11:00 am – 2:00 pm

“Garbagia Island” Creatures Performance and Fashion Show, El Jardín del Paraíso, Fourth St. between Aves. C & D, 1:00

Vangeline Theater’s “Wake Up and Smell the Coffee,” contemporary Butoh dance, El Jardín del Paraíso, Fourth St. between Aves. C & D, 2:00

“Garden to Table Nutrition,” with Vanessa Berenstein, La Guardia Corner Gardens, Bleecker & Houston Sts., 3:00

Fountain installation: “Jeux d’Eaux” by Nicholas Vargelis, Le Petit Versailles, Second St. between Aves. B & C, 4:00

Laughter Yoga, with Sara Jones, La Guardia Corner Gardens, Bleecker & Houston Sts., 5:00

Photography show: George Hirose’s “Midnight in the Garden,” Campos Garden, Twelfth St. between Aves. B & C, 6:30

Dance party with Ray Santiago Band, Campos Garden, Twelfth St. between Aves. B & C, 7:30-9:30

SEED: THE UNTOLD STORY

SEED

Taggart Siegel and Jon Betz stress the need for seed in activist documentary

SEED: THE UNTOLD STORY (Taggart Siegel & Jon Betz, 2016)
Cinema Village
22 East 12th St. between University Pl. & Fifth Ave.
Opens Friday, September 23
212-529-6799
www.cinemavillage.com
www.seedthemovie.com

“We’re fooling with Mother Nature,” Montana organic wheat farmer and U.S. senator Jon Tester says in Seed: The Untold Story, a crunchy activist documentary opening September 23 at Cinema Village. Produced, directed, and edited by Jon Betz and Taggart Siegel, the film focuses on how ninety-four percent of vegetable seed varieties have disappeared over the last hundred years and how farming communities around the world are now trying to save and protect seeds while battling the government and such chemical companies as Monsanto. The facts are staggering; the number of varieties of cabbage has gone from 544 to 28, beets 288 to 17, cauliflower 158 to 9, artichokes 34 to 2, and asparagus 46 to 1. Betz and Siegel, who previously collaborated on Queen of the Sun: What Are the Bees Telling Us?, travel from India, Mexico, and Namibia to Hawaii, New Mexico, and Washington, DC, among other places, meeting with Native Americans, Native Hawaiians, and organic farmers who talk about the importance of the relationship between people and the land and how seeds, and corn in particular, are an intrinsic part of so many cultures. “Seeds are so crafty. There is a power . . . to me it’s magic. It’s a life force so strong,” anthropologist Jane Goodall says. “Corn ignited the sacred connection we have with seeds,” Mohawk Rowen White of Sierra Seeds explains. Bill McDorman of the Rocky Mountain Seed Alliance and Native Seeds/SEARCH compares a seed bank to Fort Knox, Will Bonsall of the Scatterseed Project says that bean and seed collections are like jewelry stores, while environmental lawyer and author Claire Hope Cummings proclaims, “Hybrid corn was the atom bomb of agriculture.” Also discussing the need for biodiversity and respect for nature’s bounty are Hopi Nation leader Leigh Kuwanwisiwma, ethnobotanist Gary Paul Nabhan, Center for Food Safety lawyers Andrew Kimball and George Kimbrell, Winona LaDuke of the White Earth Land Recovery Project, Kauai councilman Gary Hooser, an emotional Emigdio Ballon of Tesuque Pueblo, and Native Hawaiian and teacher Malia Chun, who calls what the chemical companies are doing “a disgrace to our culture.”

SEED

“I’ve always been dazzled by diversity,” Will Bonsall of the Scatterseed Project says in SEED

But as bleak as things might look — climate change continues while Monsanto keeps patenting seeds, suing so they don’t have to reveal what pesticides they use in experimental farming, and fighting legislation requiring labeling of genetically modified food products — the battle is far from over. “We will refuse to obey laws that force us to accept GMOs and patents,” says the ever-hopeful and brightly positive physicist, activist, and author Dr. Vandana Shiva, adding, “We need to protect the diversity, integrity, and freedom of life, give seed its own freedom so that we as humans can have our freedom.” The film is beautifully photographed by Siegel, with gorgeous shots of nature in almost every frame, aside from those that feature, um, corny animation. And Betz and Siegel make no bones about their message; this is a film that is meant to stir viewers to action, and it’s hard not to want to do something to get involved after watching it. Betz and Siegel will be at Cinema Village for Q&As following the 5:10 (with Stephen Ritz of Green Bronx Machine), 7:10, and 9:20 screenings on September 23 and 24; other special guests include Alex Beauchamp of Food and Water Watch on September 26 at 7:10, Clara Parks of the Mid-Atlantic Regional Seed Bank and Heather Liljengren of the Greenbelt Native Plant Center on September 27 at 7:10, and Carol Durst-Wertheim of the New York Women’s Culinary Alliance on September 29 at 7:10.

THE MASTER — PHILIP SEYMOUR HOFFMAN: CAPOTE / SYNECDOCHE, NEW YORK

Philip Seymour Hoffman won an Oscar for his portrayal of Truman Capote

Philip Seymour Hoffman won an Oscar for his intense portrayal of Truman Capote

CAPOTE (Bennett Miller, 2005)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Friday, September 23, $12, 7:00
Series continues through October 2
718-777-6800
www.movingimage.us
www.sonyclassics.com

In November 1959, Richard Hickock (Mark Pellegrino) and Perry Smith (Clifton Collins Jr.) brutally murdered a Kansas family. After reading a small piece about the killings in the New York Times, New Yorker writer Truman Capote (Philip Seymour Hoffman) sets out with his research assistant, Harper “Nell” Lee (Catherine Keener), to cover the story from a unique angle, which soon becomes the workings of the classic nonfiction novel In Cold Blood. Capote tells police chief Alvin Dewey (Chris Cooper) right off the bat that he cares only about the story, not what happens to the killers, which does not endear him to the local force. But when the murderers are captured, Capote begins a dangerous relationship with Smith, who comes to think of the writer as a true friend, while Capote gets caught up deeper than he ever thought possible. Based on the exhaustive biography by Gerald Clarke, Capote is a slow-moving character study featuring excellent acting and some interesting surprises, even for those who thought they knew a lot about the party-loving chronicler of high society and high living. Hoffman, who died from a drug overdose in 2014 at the age of forty-six, earned an Oscar for portraying the socialite author, who was played the following year by Toby Jones in Douglas McGrath’s Infamous, which was based on a book by George Plimpton. Capote, which was also nominated for Best Picture, Best Director (Bennett Miller), Best Supporting Actress (Keener), and Best Adapted Screenplay (Dan Futterman), is screening on September 23 in the Museum of the Moving Image series “Philip Seymour Hoffman: The Master,” a sixteen-film tribute to Hoffman, a native New Yorker who left us well before his time. The series continues through October 2 with such Hoffman films as John Patrick Shanley’s Doubt (introduced by Shanley), Todd Solondz’s Happiness, Paul Thomas Anderson’s Magnolia, and Anthony Minghella’s The Talented Mr. Ripley.

Philip Seymour Hoffman doesn’t quite understand what’s happening to him in SYNECDOCHE, NEW YORK

SYNECDOCHE, NEW YORK (Charlie Kaufman, 2008)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Sunday, September 25, $12, 4:00
718-777-6800
www.movingimage.us
www.sonyclassics.com

In films such as Being John Malkovich (Spike Jonze, 1999), Adaptation. (Spike Jonze, 2002), Confessions of a Dangerous Mind (George Clooney, 2002), and Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004), writer Charlie Kaufman has created bizarre, compelling alternate views of reality that adventurous moviegoers have embraced, even if they didn’t understand everything they saw. Well, Kaufman has done it again, challenging audiences with his directorial debut, the very strange but mesmerizing Synecdoche, New York. Philip Seymour Hoffman stars as the bedraggled Caden Cotard, a local theater director in Schenectady mounting an inventive production of Death of a Salesman. Just as the show is opening, his wife, avant-garde artist Adele Lack (Catherine Keener), decides to take an extended break in Europe with their four-year-old daughter, Olive (Sadie Goldstein), and Adele’s kooky assistant, Maria (Jennifer Jason Leigh). As Caden starts coming down with a series of unexplainable health problems (his last name, by the way — Cotard — is linked with a neurological syndrome in which a person believes they are dead or dying or do not even exist), he wanders in and out of offbeat personal and professional relationships with box-office girl Hazel (a nearly unrecognizable Samantha Morton), his play’s lead actress, Claire Keen (Michelle Williams), his therapist, Madeleine Gravis (Hope Davis), and Sammy (Tom Noonan), a man who has been secretly following him for years. After winning a MacArthur Genius Grant, Caden begins his grandest production yet, a massive retelling of his life story, resulting in radical shifts between fantasy and reality that will have you laughing as you continually scratch your head, hoping to stimulate your brain in order to figure out just what the heck is happening on-screen. Evoking such films as Federico Fellini’s and City of Women, Woody Allen’s Stardust Memories, and Ingmar Bergman’s Wild Strawberries as well as the labyrinthine tales of Argentine writers Jorge Luis Borges and Julio Cortazar, Synecdoche, New York is the kind of work that is likely to become a cult classic over the years, requiring multiple viewings to help understand it all. The film is screening September 25 at the Museum of the Moving Image, with the elusive Charlie Kaufman on hand to talk about working with Hoffman. Four years after the film was released, Hoffman starred in Mike Nichols’s Broadway version of Death of a Salesman, the show his character is putting together in Synecdoche, New York.

CROSSING THE LINE 2016

THE SHOW MUST GO ON

Jérôme Bel’s THE SHOW MUST GO ON will go on at the Joyce as part of FIAF’s tenth annual Crossing the Line festival

French Institute Alliance Française and other locations
Florence Gould Hall, 55 East 59th St. between Madison & Park Aves.
FIAF Gallery, 22 East 60th St. between Madison & Park Aves.
September 22 – November 3, free – $55
212-355-6160
crossingthelinefestival.org
www.fiaf.org

We can’t help but get excited for FIAF’s annual multidisciplinary fall festival, Crossing the Line, now celebrating its tenth anniversary. Every summer, we eagerly await the advance announcement of what they’ll be presenting, then scour the lineup for the most unusual events to make sure we see them. This year is another stellar collection of cutting-edge international dance and theater, beginning September 22 and 24 with screenings of concluding episodes seven, eight, and nine of Nature Theater of Oklahoma’s epic Life and Times at Anthology Film Archives ($11), along with a Thursday night party in FIAF’s Florence Gould Hall ($10) that begins with a screening of the eighth chapter of Kristin Worrall’s rather ordinary life, with the artists themselves serving up PB&Js. The festival features a special focus on French choreographer Jérôme Bel, who will be involved in four programs, beginning October 17 (free with RSVP) with a screening of his short biographical film on Paris Opera dancer Véronique Doisneau, followed by a discussion with Bel and Ana Janevski. Bel’s award-winning The Show Must Go On will go on at the Joyce October 20-22 ($36-$46), with Bel hanging around for a Curtain Chat after the 2:00 show on October 22. Bel will present the New York premiere of his controversial eponymous 1995 signature work at the Kitchen October 27-29 ($20) while also moving over to the Museum of Modern Art October 27-31 (free with museum admission) for Artist’s Choice: MoMA Dance Company, a site-specific piece for MoMA’s Marron Atrium that will be performed by members of the MoMA staff.

Tenth annual Crossing the Line festival features special focus on breakdance world champion Anne Nguyen, including AUTARCIE (….): A SEARCH FOR SELF-SUFFICIENCY

Tenth annual Crossing the Line festival features special focus on breakdance world champion Anne Nguyen, including U.S. premiere of AUTARCIE (….): A SEARCH FOR SELF-SUFFICIENCY

Breakdance world champion Anne Nguyen is making her U.S. debut with a pair of works: the free Graphic Cyphers will take place September 23 at Roberto Clemente Plaza in the Bronx at 2:00 and in Times Square September 25 at 2:30 and 4:30, while Autarcie (….): a search for self-sufficiency has its American debut September 29 to October 1 ($20) at Gibney Dance. “I seek to reconcile the peculiarities of hip-hop with demanding theatrical performance to question the place of human beings in the modern-day world,” Nguyen says; you can hear more from her at the October 1 artist talk “Towards Cultural Equity: The Artist’s Perspective” (free with RSVP) with fellow panelists David Thomson, Mohamed El Khatib, and Rokafella, moderated by George Emilio Sanchez. The UK’s Forced Entertainment, which is “interested in confusion as well as laughter,” will likely dish out a healthy portion of both at the New York premiere of Tomorrow’s Parties in Florence Gould Hall September 28 and 30 and October 1 ($20). From September 30 to October 2 ($35-$55), Venice Biennale lifetime achievement award winner Romeo Castellucci will deliver the one-man show Julius Caesar. Spared Parts, making the most of Federal Hall’s marble columns. This past June, dancer-choreographer Maria Hassabi gave an informal preview of her latest work, Staged, on the High Line; she will now bring the final piece down to the Kitchen, below the High Line, where it will be performed by Simon Courchel, Jessie Gold, Hristoula Harakas, and Oisín Monaghan October 4-8 ($20).

Romeo Castellucci

Romeo Castellucci will make his New York City debut channeling Julius Caesar at Federal Hall

On October 6-8 and 13-15 ($35), drag fabulist Dickie Beau will conjure up Marilyn Monroe, Judy Garland, and Richard Meryman at Abrons Arts Center for Blackouts. [Ed. note: All performances of Blackouts have been canceled because of unexpected travel circumstances.] Also on October 13-15 ($20), Lora Juodkaite and Annie Hanaeur will perform the U.S. premiere of Rachid Ouramdane’s Tordre (Wrought) at Baryshnikov Arts Center; CTL veteran Ouramdane will take part in the October 15 artist talk “Towards Cultural Equity: The Institutional Perspective” (free with RSVP) with keynote speaker Patrick Weil, panelists Firoz Ladak and Zeyba Rahman, and moderator Thomas Lax. On October 25 (free with RSVP), Aaron Landsman will host Perfect City, in which a group of young people from the Lower East Side will gather at Abrons Arts Center and discuss what the future holds in store for them, particularly in their neighborhood. The festival ends on November 3 with My Barbarian’s Post-Party Dream State Caucus at the New Museum (free with RSVP), held in conjunction with the exhibition “The Audience Is Always Right.” Throughout the festival, you can check out Mathieu Bernard-Reymond’s “Transform” art exhibit in the FIAF Gallery, and Tim Etchells’s multichannel video installation “Eyes Looking” will be projected at 11:59 each night in Times Square as October’s Midnight Moment.

TWI-NY TALK: JOCELYN DAVIES / THE ODDS OF LIGHTNING

Jocelyn Davies

Jocelyn Davies will be at McNally Jackson on September 20 for launch party of her latest novel, THE ODDS OF LIGHTNING

McNally Jackson
52 Prince St. between Lafayette & Mulberry Sts.
Tuesday, September 20, free, 7:00
212-274-1160
www.mcnallyjackson.com
www.jocelyndavies.com

Children’s book editor and author Jocelyn Davies is one of the most upbeat, happy people you’re ever likely to meet. She’s always quick with a smile and a note of encouragement, sharing her positivity and funny sense of humor with all around her. I’ve had the privilege of being around her for several years now, working with her at HarperCollins Children’s Books, where she edits young adult novels in addition to having written the trilogy A Beautiful Dark, A Fractured Light, and A Radiant Sky. Her latest YA novel, The Odds of Lightning (Simon Pulse, September 20, $17.99), was just listed by BuzzFeed as number 6 on its list of “23 YA Books You Need to Read This Fall.” The story follows four high school friends who develop special powers when the roof they are standing on gets struck by lightning, but this is no mere update of the Fantastic Four; instead, their powers stem from common fears that are deep within them, and us. As she prepared for the September 20 book launch of The Odds of Lightning at McNally Jackson, Jocelyn took the time to answer some questions about writing and editing YA novels, facing one’s fears, and living it up in New York City, where she was born and raised.

twi-ny: You’ve never been struck by lightning yourself. Is it a particular fear of yours? Or maybe you have a special relationship with storms since you experienced a blizzard in Central Park when you were still in utero?

Jocelyn Davies: Ha! Maybe I do! Or maybe I have a special relationship to Central Park, since many scenes in the book take place there!

I’ve never been struck by lightning — but one time, I almost was! When I was a teenager, I was hiking in Colorado when a storm rolled in very suddenly. It was pouring, and there was intense lightning and thunder, and we were up on a mountain, which is not a good place to be during a thunder and lightning storm. The group I was with basically flew down the mountain to base camp as quickly as we could, with lightning flashing all around us. Memory and imagination may have intensified the experience in retrospect, but I remember dodging actual lightning bolts (just like the kids in The Odds of Lightning when they’re riding their Citi Bikes across town).

twi-ny: Yikes!

jd: I guess the appeal of lightning is that it has this sort of mythical, rare quality. It’s beautiful but dangerous, is a pretty regular occurrence in nature, but it’s rarer to be struck. There’s something magical about it, which made it the perfect catalyst to kick-start the adventure in this book. It takes place on a literal “dark and stormy night.”

twi-ny: About seven years ago, I was electrocuted in a thunderstorm at an outdoor concert, and the shock actually led to some psychological benefits, although no superpowers, like the four main characters in the book receive. If you could choose any superpower for yourself, what would it be?

jd: I want to hear more about these psychological benefits! I’ve given this a lot of thought, and right now I would want the ability to teleport anywhere in the blink of an eye. I could visit my friends across the country whenever I wanted, travel to all the places on my international bucket list — even the really far places like Australia and Japan — as easily as walking down the block, avoid the subway rush hour commute, and I’d never be late!

odds-of-lightning

twi-ny: I’m not sure even teleportation could help you avoid a New York City rush hour. The superpowers the protagonists get focus on important problems that most teenagers go through, primarily involving self-identity and trying to find one’s place in the world. Do you relate to any one character more than the others? I’m thinking it might actually be Juliet.

jd: Well, I did study theater in high school and college, like Juliet (and Lu). But on some level I’ve been a bit of all four of the main characters, at various points in my life, and I have this hunch that a lot of readers might feel that way too. I think most people go through phases where they question who they are, hold back from going for what they really want, fear getting hurt, and feel invisible. Tiny, Lu, Nathaniel, and Will’s stories are specific to their unique characters, but they also have a somewhat universal quality.

twi-ny: What was your biggest fear in high school? What is it now?

jd: I remember feeling like everything was always changing, that you couldn’t really trust or rely on anything, that even if things were going great one day, the rug could be pulled out from you the next. In the book, Tiny loves this line from The Great Gatsby about “the unreality of reality,” and the rock of the world being founded securely on a fairy’s wing. And that’s how I felt a lot of the time, that tectonic plates were always shifting beneath me, that nothing would ever stay the way it was — and that was scary. I probably relate to Tiny more now — that feeling of wanting to be heard and understood.

twi-ny: That never does go away, does it. With the stormpocalypse approaching, the high school students decide to have a blowout party, even with the SATs scheduled for the next day. Early on, you ask the question, “If it were the end of the world, would you stay at home?” What would you do if you knew that the end of the world was coming?

jd: I’d definitely spend it with my family and friends! And maybe go skydiving or cliff jumping. I would not stay at home — I’d be having one last adventure.

twi-ny: That might be a bit too adventurous for me. During the day, you’re an editor at HarperCollins Children’s Books, for whom you’ve previously written a YA trilogy. Is it hard to balance the two very different skills, writing and editing?

jd: I’ve learned a lot about the process of crafting a novel from working with so many talented writers and editors over the years. I learn new skills and lessons all the time while editing other writers’ books, and I’ve learned things from my own editors that I pass on to writers I work with. It’s a pretty symbiotic relationship. Writing and editing are two very different parts of the brain — you can’t really use both at the same time. Writing is boundless — you do a lot of experimenting, letting your imagination run wild, trying new things and seeing what works. Editing is about reining in, taking all that raw material and helping shape it into a story with a beginning, middle, and end, consistent characters, satisfying emotional arc, logical world rules. But at the end of the day, they’re both working toward the same end goal.

Jocelyn Davies

Things are looking up for YA author Jocelyn Davies with release of THE ODDS OF LIGHTNING

twi-ny: If you ever have free time to read something for yourself, what types of genres do you turn to? Or are you pretty much wrapped up in YA all the time?

jd: Sometimes I feel like I eat, sleep, and breathe YA. At any given time, I’m immersed in the world of what I’m writing, am reading a submission or a work-in-progress manuscript, and am reading a recently released YA novel. When I go on vacation and I’m looking for something to take me out of the YA world for a little bit, I gravitate toward literary fiction, humorous essays, and, lately, a good page-turning literary thriller.

twi-ny: You were born and raised in New York, and you currently live in Brooklyn and work in Manhattan. New York City is like a character unto itself in The Odds of Lightning. What are some of your favorite parts of the city?

jd: A lot of them — like Central Park, and the American Museum of Natural History — are featured in the book. Ice skating at Wollman Rink in the middle of Central Park makes you feel like a character in a New York City romantic comedy. I love the rich historic feel of the Upper West Side, the West Village, brownstone Brooklyn — places where stories were taking place long before I was born. Driving across the Brooklyn Bridge in a taxi with the windows down fills me with love for New York, every time. It always makes me feel like I’m home.

twi-ny: The launch party for The Odds of Lightning is taking place September 20 at McNally Jackson. What’s on the agenda?

jd: I’ll be having a conversation with children’s book buyer Cristin Stickles, reading from The Odds of Lightning, signing books — and maybe there will be some fun surprises!