Who: Jelani Alladin, Jacqueline Antaramian, Antonio Banderas, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Jenn Colella, Elvis Costello, Daniel Craig, Alysha Deslorieux, Jesse Tyler Ferguson, Holly Gould, Danai Gurira, Stephanie Hsu, David Henry Hwang, Oscar Isaac, Nikki M. James, Alicia Keys, John Leguizamo, John Lithgow, Audra McDonald, Grace McLean, Lin-Manuel Miranda, Kelli O’Hara, Mia Pak, Suzan-Lori Parks, David Hyde Pierce, Phylicia Rashad, Liev Schreiber, Martin Sheen, Phillipa Soo, Meryl Streep, Trudie Styler, Sting, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall, Kate Wetherhead What: Virtual celebration and fundraiser Where:Public Theater,Facebook,YouTube When: Tuesday, October 20, free (donations accepted), 8:00 Why: Originally planned for June 1 but delayed because of the Black Lives Matter movement, the Public Theater is now holding its gala fundraiser online on October 20. “Forward. Together.” features appearances and performances by a wide range of actors, musicians, playwrights, and other creators, sharing songs and stories, from Lin-Manuel Miranda, Antonio Banderas, Elvis Costello, Daniel Craig, Jesse Tyler Ferguson, and John Leguizamo to Danielle Brooks, Jenn Colella, Audra McDonald, Phillipa Soo, Meryl Streep, and Suzan-Lori Parks, and that’s only the tip of the iceberg. One of the highlights will be Jelani Alladin performing a brand-new song from the Public Works production of Hercules. The cochairs are Kwame Anthony Appiah, Candia Fisher, Joanna Fisher, Laure Sudreau, and Lynne Wheat, honoring Audrey and Zygi Wilf and Sam Waterston; the evening is directed by Kenny Leon, with music direction by Ted Sperling.
Admission is free but donations will be accepted; twenty-five percent of the proceeds will go to eight Public Works partner organizations and Hunts Point Alliance for Children. You can also participate in the online auction, where you can bid on such items as a virtual conversation with Queen Latifah and Lee Daniels, a coffee chat with Liev Schreiber, ten years of premium reserved tickets to the Delacorte for Shakespeare in the Park, a private Zoom cooking class with Andrew Carmellini, and lunch (on Zoom or in person) with Public Theater artistic director Oskar Eustis. The Public has presented several outstanding productions during the pandemic, including The Line,What Do We Need to Talk About?, and the current audio play Shipwreck, so give if you can to help support this ongoing dream from Joe Papp.
Yoshiko Chuma’s Love Story, The School of Hard Knocks is a twenty-four-hour durational online experience
La MaMa Experimental Theatre Club
Saturday, October 17, 11:00 am – Sunday, October 18, 11:00 am, $5 – $400 (pay what you can) lamama.org/love-story
Osaka-born multidisciplinary artist Yoshiko Chuma celebrates the fortieth anniversary of her collective, “The School of Hard Knocks” (SOHK), with the live, twenty-four-hour virtual work Love Story, streaming through La MaMa beginning at eleven o’clock in the morning on October 17. SOHK debuted at the 1980 Venice Biennale and became an official company four years later; the troupe has traveled the world with such shows as AGITPROPS: The Recycling Project,7 x 7 x 7, and Pi=3.14 . . . Ramallah-Fukushima-Bogota Endless Peripheral Border, many of which were developed and premiered at La MaMa as well as PS122 and Dixon Place here in New York. A durational performance installation that incorporates dance, music, film, visual art, and narrative storytelling, Love Story deals with such timely topics as immigration, national security, and war; Chuma, who has been based in the United States since 1977, will also be looking at her personal and professional past, present, and future, focusing on the idea of borders, which have taken on a whole new level of importance under the Trump administration while also impacting how art is now created online as well as how Chuma has shunned the limitations of genre in her career.
Love Story — which consists of live and prerecorded segments, with part of the show taking place in La MaMa’s Ellen Stewart Theatre — was conceived, choreographed, and directed by Chuma, working with artist liaison Ai Csuka, creative producer and musician Ginger Dolden, actor Ryan Leach, Middle East specialist Ruyji Yamaguchi, and dramaturgs and designers Jake Margolin and Nick Vaughan. Among the cast of more than fifty international performers are Deniz Atli from Turkey, Agnè Auželytė from Amsterdam, Los Babuinos from Venezuela, Sahar Damoni from Palestine, Tanin Torabi from Iran, and Martita Abril, Mizuho Kappa, Heather Litteer, Devin Brahja Waldman, and zaybra from New York, with live, original music by Robert Black on double bass, Jason Kao Hwang on violin, Christopher McIntyre on trombone, and Dane Terry on piano.
“This week I was supposed to be in New York for performances celebrating Yoshiko Chuma and the School of Hard Knocks’ forty-year anniversary,” Auželytė recently wrote on Facebook. “While my physical body will stay put in Amsterdam for a long while to come, I will still be there, online and energetically, sharing the screen with a group of artists, some whom I had the opportunity to get to know for a long time already and some whom I only ever met on Zoom! (How weird is that? Is it still weird?) I am also touched to see some of them physically at the theater at La MaMa, which has been closed to the public for seven months now! We’ve had a lot of late-night conversations during this process and it continues to make me think about how to reimagine theater in the era of self-isolation and Zoom life. What does local-global mean anymore? Where are our bodies? What are our bodies?”
The multidisciplinary Love Story streams live from Saturday to Sunday morning (photo courtesy La MaMa)
The list of collaborators on Love Story is long and impressive. In addition to those listed above, there will be choreography by Yanira Castro, Ursula Eagly, Allyson Green, Jodi Melnick, Sarah Michelson, Anthony Phillips, Peter Pleyer, Kathryn Ray, Steve Recker, and Vicky Shick; poetry by Kyle Dacuyan, Bob Holman, and Anne Waldman; music by Mark Bennett, Tan Dun, Nona Hendryx, Christian Marclay, Lenny Pickett, and Marc Ribot; film and video by Chani Bockwinkel, Jacob Burckhardt, Rudy Burckhardt, Andrew Kim, Jonas Mekas, and Charlie Steiner; photography by Robert Flynt and Dona Ann McAdams; set designs by Tim Clifford, Alex Katz, Elizabeth Kresch, and Elizabeth Murray; and appearances by Barbara Bryan, Rachel Cooper, Mark Russell, Yoko Shioya, Bonnie Sue Stein, Laurie Uprichard, David White, Donald Fleming, Dan Froot, Kaja Gam, Brian Moran, Nicky Paraiso, Harry Whittaker Sheppard, Gayle Tufts, Sasha Waltz, David Zambrano, Nelson Zayao, Emily Bartsch, Peter Lanctot, Kouiki Mojadidi, Emily Marie Pope, Isaac Rosenthal, and Aldina Michelle Topcagic. Of course, it takes a lot of work to fill up 1,440 continuous minutes of performance, and Chuma has assembled quite a team.
You can get a sneak peek and behind-the-scenes look at the collaborative project on October 15 at 8:00 when La MaMa will present a livestream preview that includes archival footage, sketches, and rehearsal clips. In preparation for Love Story, La MaMa has also been hosting such live Saturday morning Zoom events as “Secret Journey: Stop Calling Them Dangerous” and “SML: Zooma — Dead End” in addition to evening shows that give a taste of what we’re all in for from Bessie Award winner Chuma and her unpredictable troupe, a virtual hybrid that should offer, at the very least, a twenty-four-hour respite from this school of hard knocks we are living through in 2020.
Liev Schreiber narrates new English translation of Egmont with Orpheus Chamber Orchestra (photo by Chris Lee)
Who:Orpheus Chamber Orchestra with Liev Schreiber and Karen Slack What: Livestreamed world premiere Where:IDAGIO Global Concert Hall When: Saturday, October 17, $15, 8:00 Why: Orpheus Chamber Orchestra goes virtual and global with “Speaking Truth to Power,” an online performance of Beethoven’s Egmont, Op. 84, with a new English translation by Philip Boehm commissioned for the New York City ensemble, narrated by actor Liev Schreiber. A series of incidental music pieces written by Beethoven for Johann Wolfgang von Goethe’s 1787 play, Egmont, the work has reunited the full orchestra, which has not been together since the pandemic began; they performed it recently as a socially distanced unit at the Beechwood Park bandshell in Hillsdale, New Jersey. “One of Beethoven’s masterworks, this work has yet to find its way into the major concert halls in the US and I believe that this new version will be worthy to celebrate Beethoven’s 250th birthday this year,” Orpheus executive director Alexander Scheirle said in a statement. “Especially in a time where concert halls are closed, it will be a magical moment for our musicians and all the other family members of Orpheus. A spectacle not to be missed.”
Soprano Karen Slack performs with Orpheus Chamber Orchestra in New Jersey (photo by Chris Lee)
The hourlong piece, which also features soprano and activist Karen Slack, will be available from the online hub IDAGIO Global Concert Hall beginning October 17 at 8:00 and continue through October 22 at midnight. In preparation for the concert, you can watch a “Thursdays with Thomas” chat between Slack and baritone Thomas Hampson here, and on October 15 at 7:00 a Zoom Concert Preview will take place with Orpheus artistic directors Christof Huebner, Dana Kelley, and Miho Saegusa along with Scheirle and Boehm at 6:00 and an opening night gala at 7:00 honoring Consul General of Germany David Gill. The new translation is rather timely, as evidenced by this quatrain: “Many wish their rulers nothing but good will / While others hope the current state won’t last, / Many just abide the present, keeping still, / While in their hearts they’re yearning for the past.”
Who: Jessica Flores, Enrique Sapene, John Leguizamo, Edward James Olmos, Jessica Alba, Oscar De La Hoya, Mario Lopez, Carlos Ponce, Melissa Fumero, Xolo Mariduena, Aymee Nuviola, Laith Ashley, Ellen Ochoa, Pitizion, Victor Ramos, RaqC, Rebecca Antonia Rodriguez, Kim Guerra, John Henry, Julian Castro, more What: Live virtual gathering of Latinx influencers, content creators, entrepreneurs Where:Hispanicize When: Thursday, October 15, free with RSVP, noon – 6:00 Why: Hispanicize is following up its July 1 summit, which you can watch here, with another virtual gathering of Latinx creators and influencers, this time in honor of Hispanic Heritage Month and with an eye to the upcoming presidential election. The Hispanicize #UnidosTogether Virtual Summit is taking place October 15 from noon to 6:00, including keynote addresses, roundtable discussions, performances, and breakout sessions featuring appearances by Jessica Flores, Enrique Sapene, John Leguizamo, Edward James Olmos, Jessica Alba, Carlos Ponce, Melissa Fumero, Xolo Mariduena, Aymee Nuviola, Laith Ashley, Ellen Ochoa, Pitizion, Victor Ramos, RaqC, Rebecca Antonia Rodriguez, Kim Guerra, Father Augustino Torres, John Henry, Julian Castro, and many more, hosted by Jessica Flores and Enrique Sapene. Below are only some of the special events; you can also check out Hispanicize’s VODcasts here.
DJ Mando Fresko Pre-Show, 11:30
Welcome & Blessing, with cohosts Jessica Flores and Enrique Sapene, noon
Keynote: Jessica Alba in conversation with Anne Vazquez, 12:15
Latinx Hollywood, with Julissa Calderon, Melissa Fumero, Ben Lopez, and Xolo Maridueña, 12:45
Latinx Unity & Empowerment, with Kim Guerra, John Leguizamo, Edward James Olmos, Monica Ramirez, and Claudia Romo Edelman, 1:15
Keynote: Oscar De La Hoya in conversation with Mario Lopez, 2:30
Latin Music Industry: Rising Stars, with Mariah Angeliq, Pitizon, Byron Salas, Anaid Quijada, and RaqC, 3:30
Hispanic Kitchen with Chef Eddie Garza, 4:15
Latinx Vote 2020, with Cristela Alonzo, Mayra Macias, Mike Madrid, Alicia Menendez, and , 5:10Henry Muñoz III
Meet Andrekza: Dim Mak En Fuego’s First Latina Artist, 5:45
Who: Hillary Rodham Clinton, Nancy Pelosi, Stacey Abrams, Elizabeth Warren, Kirsten Gillibrand, Ayanna Pressley, Jennifer Carroll Foy, Chelsea Clinton, Shana Knizhnik, Sam Bagenstos, Margo Schlanger, Jon Batiste, Phoebe Bridgers, Sophia Bush, Kathleen Hanna, Kesha, Margo Price, Resistance Revival Chorus, Aminatou Sow, Michael Stipe, Hayley Williams, Rosario Dawson, Gloria Steinem, Regina King, Chelsea Handler What: Virtual rally celebrating the legacy of the late Supreme Court Justice Ruth Bader Ginsburg Where:Demand Justice When: Monday, October 12, free with RSVP, 8:00 Why: On her deathbed, Supreme Court Justice Ruth Bader Ginsburg told her granddaughter, “My most fervent wish is that I will not be replaced until a new president is installed.” While there’s nothing legal about such a declaration, it is still deeply meaningful, particularly as the fight to replace her with Amy Coney Barrett begins in earnest on Monday with the start of her confirmation hearings. On Monday night, Demand Justice, “a progressive movement fighting to restore the ideological balance and legitimacy of the federal courts by advocating for reform and vigorously opposing extreme nominees,” is hosting “Honor Her Wish,” an all-star virtual event that asks, “How can you protect RBG’s legacy?” The lineup of those advocating for “No confirmation until inauguration” ranges from politicians and activists to writers and musicians to former RBG law clerks and includes appearances and/or performances by Hillary Rodham Clinton, Nancy Pelosi, Stacey Abrams, Elizabeth Warren, Kirsten Gillibrand, Jon Batiste, Phoebe Bridgers, Sophia Bush, Kathleen Hanna, Kesha, Margo Price, Resistance Revival Chorus, Michael Stipe, Rosario Dawson, Gloria Steinem, Regina King, and Chelsea Handler, among others. It’s free to RSVP, but donations will be accepted to support the Supreme Court Preservation Fund; Demand Justice also supplies links for you to email your senator and sign a petition. As the organization states, “With the queen of dissent gone, it is our duty to carry the torch Justice Ruth Bader Ginsburg passed to us.”
Alright, alright, alright! Virtual reunions have been all the rage during the pandemic lockdown, from Josh Gad’s “Reunited Apart” YouTube series, which has brought back the casts of such films as Back to the Future, Splash, Ghostbusters, The Goonies, and Ferris Bueller’s Day Off, to Seth Rudetsky and James Wesley’s daily Stars in the House get-togethers with the casts of Mean Girls, Fun Home, One Day at a Time, Les Misérables, Sweeney Todd, and many others in addition to live reunion readings of plays, all free but with donations encouraged.
Sean Penn recently raised money for CORE, which promotes Covid-19 testing and other community programs, with a celebrity script reading of Fast Times at Ridgmont High with superstars who were not in the movie (Jennifer Aniston, Dane Cook, Morgan Freeman, Jimmy Kimmel, Shia LaBeouf, John Legend, Ray Liotta, Brad Pitt, and Julia Roberts, as well as Penn not as Spicoli). With the election approaching, script readings and reunions have reached a new level as they seek to help flip red states to blue, including a terrific live virtual reading of The Princess Bride (with Cary Elwes, Robin Wright, Carol Kane, Chris Sarandon, Mandy Patinkin, Wallace Shawn, Billy Crystal, Christopher Guest, director Rob Reiner, and others) for the Democratic Party of Wisconsin, followed by a Veep reunion, headed by Julia Louis-Dreyfus.
On October 11 at 7:30, the original cast of Richard Linklater’s classic 1993 film, Dazed and Confused, will reunite to support the Voto Latino Foundation and the March for Science. The live reading will feature all your favorites: Matthew McConaughey as Wooderson, Ben Affleck as O’Bannion, Parker Posey as Darla, Jason London as Pink, Joey Lauren Adams as Simone, Adam Goldberg as Mike, Anthony Rapp as Tony, Rory Cochrane as Slater, Marissa Ribisi as Cynthia, Cole Hauser as Benny, Deena Martin as Shavonne, Esteban Powell as Carl, Christine Harnos as Kaye, Wiley Wiggins as Mitch, Michelle Burke as Jodi, Mark Vandermeulen as Tommy, Sasha Jenson as Don, Jeremy Fox as Hirschfelder, Christin Hinojosa as Sabrina, Catherine Morris as Julie, and Nicky Katt as Clint. The film has always been a quote lover’s dream, but several of them will take on a new meaning given the state of the country today. Cynthia: “Maybe the ’80s will be, like, radical or something. I figure we’ll be in our twenties and it can’t get worse.” Simone: “You act like you’re so oppressed. You guys are kings of the school. What are you bitching about?” Mike: “I feel like I’m being stalked by a Nazi.” Tony: “Neo-McCarthyism, I like that.” And Ms. Stroud: “Okay, guys, one more thing. This summer when you’re being inundated with all this American bicentennial Fourth Of July brouhaha, don’t forget what you’re celebrating, and that’s the fact that a bunch of slave-owning, aristocratic white males didn’t want to pay their taxes.” Patton Oswalt, who hosted the Princess Bride reunion and moderated the postshow Q&A, will perform the same duties here.
On October 14 at 9:00, another too-cool reunion will be taking place, raising money for the Pennsylvania Democratic Party as it tries to switch the state, which voted for Trump in 2016, to Biden this time around. And once again it will be a quote-laden classic directed by Reiner, the 1984 mockumentary This Is Spinal Tap, with Michael McKean (David St. Hubbins), Christopher Guest (Nigel Tufnel), Harry Shearer (Derek Smalls), Reiner (who also played Marty DiBergi), and host and moderator Oswalt. “Democratic enthusiasm in Pennsylvania is already turned up to eleven,” Pennsylvania Democratic Party executive director Jason Henry said in a statement.
Although this one is not a table read, Spinal Tap also still has a relevant take on the U.S. of A. after all these years. St. Hubbins explains, “I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.” Speaking about a new album cover, St. Hubbins says, “Well, I think it looks like death. It looks like mourning,” to which their manager, Ian Faith (Tony Hendra), responds, “Death sells.” And then there’s this exchange: St. Hubbins: “It’s such a fine line between stupid, and uh . . .” Tufnel: “Clever.” St. Hubbins: “Yeah, and clever.” Tickets for the Dazed and Confused and Spinal Tap reunions are pay-what-you-wish; as we approach the end of the campaign (and maybe the end of our nation), don’t forget these key words from St. Hubbins: “Well, I don’t really think that the end can be assessed as of itself as being the end because what does the end feel like? It’s like saying when you try to extrapolate the end of the universe, you say, if the universe is indeed infinite, then how — what does that mean? How far is all the way, and then if it stops, what’s stopping it, and what’s behind what’s stopping it? So, what’s the end, you know, is my question to you.”
Kate Ladenheim + the RAD Lab’s Babyface is part of Edgecut: Captivity live 3D experience online at NYLA on Saturday
Who: Carrie Sijia Wang, Emily Twines, Theater in Quarantine, Kate Ladenheim + the RAD Lab, Rourou Ye, Sadi Oortmood, Sylvain Souklaye, XUE What: 3D live experience Where:New York Live Arts When: Saturday, October 10, livestream free, interactive experience $7-$20, noon – 5:00 Why: The cutting-edge series EdgeCut is teaming up with New York Live Arts for Captivity, five hours of short performance works, talkbacks, and networking taking place online from noon to 5:00 on October 10. Curated by Heidi Boisvert and Kat Mustatea, the EdgeCut program, which originally convened at the New Museum’s NEW INC incubator for art, tech, and design for in-person presentations, is now seeking to expand and redefine the virtual 3D experience during the pandemic lockdown, exploring the question “How do we create collective experience and transformative gatherings in this moment of ‘a crisis within a crisis’ that speak to transition, change, healing, humanity?” The works, chosen through an open call focusing on captivity, sanity, and humanity, include Kate Ladenheim + the RAD Lab’s Babyface, Rourou Ye’s The Absent Umbra, Theater in Quarantine’s The Neighbor, Carrie Sijia Wang’s The System 2.0, Sadi Oortmood’s Invisible Creativity, Emily Twines’s lookingGlass, Sylvain Souklaye’s Black Breathing, and Xue’s Endless Return Rave. Virtual attendees can roam from room to room and engage with others, but be patient, as there’s a maximum of fifteen at any one time in the Nowhere platform. The full Captivity experience can be accessed with advance tickets of $7 to $20, but they are extremely limited, so act fast; it can also be watched for free via livestream but without the participatory elements.
