this week in music

COIL

Performance Space 122
150 First Ave. at Ninth St.
January 6-17, $20 per performance, $55 passport for any five shows
www.ps122.org

The COIL festival is back at P.S. 122, featuring fourteen companies performing over twelve days, some in conjunction with the Under the Radar festival running concurrently at the Public Theater. Among this year’s presentations are Richard Maxwell’s ADS, which looks at the theater itself; Gisèle Vienne’s hard-hitting JERK, based on text by Dennis Cooper; Morgan Thorson’s HEAVEN, with live music by LOW; and the return of Temporary Distortion’s AMERICANA KAMIKAZE, which ran at P.S. 122 last fall. We can’t recommend Megan V. Sprenger / mvworks’ “…within us.” highly enough; when we caught the show last May at P.S. 122, we called it “a brilliant evening-length piece of confrontational dance theater that gets right in the audience’s face — literally. . . . a thoroughly involving hour that leaves the talented dancers and the brave audience feeling energized and alive.” Several off-site COIL productions include LeeSaar the Company’s PRIMA at the JCC, WaxFactory’s BLIND.NESS at the Abrons Arts Center, and Maria Hassabi’s SoloShow at a private studio in Chelsea; when we saw SoloShow at P.S. 122 in November, we referred to is as “a highlight of the Performa 09 biennial,” a beautifully constructed piece that displays Hassabi’s awe-inspiring athleticism and strong body.

UNDER THE RADAR

Stephen Earnhart’s adaptation of Haruki Murakami’s THE WIND-UP BIRD CHRONICLE should be one of the highlights of the Under the Radar festival

The Public Theater (and other venues)
425 Lafayette St. between East Fourth St. & Astor Pl.
January 6-17, $15-$30
212-967-7555
www.publictheater.org

Held in conjunction with the APAP Conference, the sixth annual Under the Radar festival comprises twenty theatrical productions from seven countries, with well-known companies as well as lesser-known entities bringing their work to the Public Theater and other venues. SITI Company’s Anne Bogart and Charles L. Mee Jr. have teamed up with the Martha Graham Company for AMERICAN DOCUMENT, which will be shown as a work-in-progress. Andrew Dawson gets up close and personal with the moon in SPACE PANORAMA. Sekou and Steve Connell examine morality in THE WORD BEGINS. Doris Mirescu and Dangerous Ground Productions turn John Cassavetes’s HUSBANDS into a three-hour presentation, while the Ohio Theatre transforms Haruki Murakami’s dense THE WIND-UP BIRD CHRONICLE into a 105-minute multimedia drama at their space on Wooster St. Pig Iron Theatre Company reprises its Obie-winning CHEKHOV LIZARDBRAIN at the CSV Cultural Center, while Phil Soltanoff and David Barlow go crazy in LA PARTY at HERE Arts Center. During the festival, the LuEsther Lounge at the Public Theater will be hosting live music and dance performances for free (January 7-17, 9:00 pm – 1:00 am), including Reggie Watts and DJ Reborn on January 7, ELEW on January 9, Rachelle Garniez on January 10, and the Middle Church Jerriese Johnson Gospel Choir on January 17.

BEAR CEUSE

Cameron Matthews will get down to business at Arlene’s Grocery on January 6

Cameron Matthews will get down to business as Bear Ceuse at Arlene’s Grocery on January 6

Arlene’s Grocery
95 Stanton St.
Wednesday, January 6, 11:00
www.myspace.com/bearceusemusic
www.arlenesgrocery.net

While a freshman at St. Louis University, Cameron Matthews won MTVu’s Best Music on Campus competition. Now a postgrad English major, he changed his name to Bear Ceuse, made a sweet EP with Xmas (Nick Risler of Radical Sons), and has also released his own EP, the strong 80, that is available for free here. Still slinging pizzas three days a week, Matthews displays an eclectic taste in music, playing guitar-heavy pop and languid, bittersweet ballads with healthy doses of country, folk, and even bluesy soul, sort of M. Ward mixing it up with Ryan Adams with a voice that echoes both Neil Young and Bono. From the hard-driving opener, “I Saw It Beating,” to the jangling “Vodka Parade,” through the yearning finale, “Kiss Another,” the EP is one damn fine listen. Bear Ceuse, featuring Matthews on guitar, Patrick Creceilus on bass, and Ben Majchrzak on drums, will be headlining Arlene’s Grocery on January 6 at 11:00, preceded by Jon Gant (7:00), Luke Elliot (8:00), the Blaire Reinhart Band (9:00), and Mounia Tajiou (10:00). Along with his originals, Matthews could always throw in a few covers, anything from Andrew Bird, Bright Eyes, and Damien Rice to Bob Dylan, the Beatles, and David Bowie, although we love his take on Ray Charles’s “Drown in My Own Tears.” And what’s not to love about a guy who once wrote a song called “In Defense of J. Alfred Prufrock” (not to mention “Marxist Marriage”)?

AU REVOIR SIMONE

Au Revoir Simone headlines trio of Brooklyn bands at the Highline Ballroom

Highline Ballroom
431 West 16th St. between Ninth & Tenth Aves.
Thursday, January 7, $15-$20, 7:00
212-414-5994
www.highlineballroom.com
www.myspace.com/aurevoirsimone

In 2007, Heather D’Angelo, Erika Foster, and Annie Hart delighted us with THE BIRD OF MUSIC, but their follow-up, the brand-new, stripped-down STILL NIGHT, STILL LIGHT (Our Secret Record Company, May 2009), took them to the next level. Through twelve intimate songs, the three keyboardists sing about love and loss, backed primarily by a drum machine (and some live drumming by Ben McConnell and Otto Hauser on a few songs). “I’m moving on / I hope you’re coming with me / ’cause I’m not strong / without you,” they sing on the gently pulsating “Shadows,” which beats like an aching heart. On the stark “The Last One,” they declare, “I’m the one to forget / the one you won’t regret / So let me go.” And as clear as “Take Me as I Am” and the mostly instrumental “Only You Can Make You Happy” are, “Trace a Line” is more mysterious in sound and lyrics as they sing, “We’re making room for alibis / when something tells me telling lies / is only ever trying to be true.” STILL NIGHT, STILL LIGHT is a gorgeous, infectious record, another beautiful collection of heartfelt songs by one of Brooklyn’s best minimalist groups. Au Revoir Simone will be playing the Highline Ballroom on January 7 with fellow Brooklynites Class Actress and up-and-coming solo artist Alexa Wilding.

NEW YEAR’S EVE 2009

The Detroit Cobras get ready to rock in the new year at the Mercury Lounge

You can say goodbye to the decade with a cornucopia of live concerts in New York City on December 31, starting with Chuck Berry’s New Year’s Rockin’ Eve at B.B. King’s Blues Club and Grill ($98, 8:00 show; $120, 11:00 show). The very hot Detroit Cobras will be at the Mercury Lounge, welcoming in 2010 with the Underthings and the A-Bones ($25-$30). The intriguing trio of John Medeski, Robert Randolph, and the North Mississippi Allstars bring the Word to Terminal 5 ($40-$50). Revelers can get their freak on for free at Radegast Hall & Biergarten in Williamsburg, where the Coney Island Circus Sideshow will set up their portable tent, featuring Scott Baker, Serpentina, Kryssy Kocktail, Adam “the First Real Man” Rinn, the Executioner, Dick Zigun, Bad Buka, and more starting at 10:00. Los Lobos will threaten to tear down the house at City Winery with shows at 7:30 ($45-$150) and 11:00 ($75-$225). Roky Erickson won’t need any elevators at Maxwell’s, where he’s on a bill with Muck & the Mires ($35). Former Luna residents Dean & Britta will be playing an early show at Southpaw with Undersea Poem ($20-$25).

MSTRKRFT will mix things up at Webster Hall on December 31

The Living Room on Ludlow hosts a night of bluegrass, Auld Twang Syne, with Fresh Baked, Whistlin’ Wolves, Michael Daves, the Birdhive Boys, and others ($10-$15). Necromantic presents a Blue Moon New Year’s Eve party at the Bowery Poetry Club, featuring goth, synth, wave, dancing, revelry, and more ($10-$15). SOB’s, the Home of Universal Music, will get your booty shaking to a Taste of Latin Paradise with Kazua Band, La Excelencia, Stil, and DJ Spike ($25-$150). The Lovin’ Cup in Brooklyn will be throwing a ‘50s Beach Party, with Lemonade, Surfer Blood, Frankie and the Outs, Beach Fossils, We Are Country Mice, booze and food packages, and more ($15-$99). The Bell House will be providing a free can of Champagne along with Obits, the Subway Soul Club, and Eli Paperboy Reed & the True Loves at the Rock ‘N’ Soul 2010 New Year’s Eve Party ($30-$40). The Club Night New Year’s Eve Ball at Webster Hall is sure to be crazy, with MSTRKRFT, four floors, six adventure rooms, aerial performances, and what is billed as the Largest Balloon Drop in the World ($60-$150). And party planners extraordinaire Gemini & Scorpio promise that plenty of contraband will be on hand at the Bootleggers’ Ball in a vacant Carroll Gardens warehouse space, along with the Mad Jazz Hatters, the Stumblebum Brass Band, the Main Squeeze Orchestra, Alchemy Dance Theater, burlesque performers Mme Renee Rosebud and Jenny C’est Quoi, tarot reader and numerologist Marcy Currier, aerialist Nikki Borodi, mayhem master Dan Glass, host Bastard Keith, a live auction, games of chance, the Den of Sin, Dub Pies, and lots of surprises ($30-$40).

Audrey Hepburn brings class and style to Film Forum for NYE

For a milder New Year’s Eve, the Concert for Peace at St. John the Divine features Harry Smith, Judy Collins, Glen Cortese, Lauren Flanigan, and a thousand points of candlelight ($60), while Music at St. Bartholomew’s will include works by Bach, Böhm, and Langlais in addition to Copland’s “Fanfare for the Common Man” at midnight (free). If music of any sort isn’t quite your beat on New Year’s Eve, you can head over to Central Park for the annual Midnight Run, with a fireworks and laser light show, costume contest, dancing, and a four-mile run. Prospect Park will also host free fireworks, right over Grand Army Plaza. Jivamukti Yoga School will be holding its twenty-first annual New Year’s Eve celebration with more than eight hours of special classes, a vegan dinner, a free kirtan dance party, and three hours of silence leading up to a midnight message (free – $75). Carolines on Broadway celebrates with Bobby Lee headlining at 8:00 ($38.25), while Greg Giraldo leads two shows at Comix (7:30 & 10:30, $45-$149). Sandra Bernhard continues her string of shows at Joes Pub (9:00, $100; 11:00, $150), followed by various members of the cast of HAIR letting the sun shine with DJ Theocracy in 2010: AN EQUALITY ODYSSEY! (1:00, $20). Film Forum is throwing in a free glass of Champagne after the 9:50 screening of THE APARTMENT (Billy Wilder, 1960), followed by BREAKFAST AT TIFFANY’S (Blake Edwards, 1961). And for a little something very different, New Lost City begins at 195 Morgan Ave. at 9:00 pm and continues through 7:00 am with promised fire and ice, art and laughter, love and nudity, and prophetic visions and brief moments of the sublime as well as performances by the Hungry March Band, Baja + the Dry Eye Crew, the Lady Circus, and lots more ($29).

FIRST SATURDAYS: TRANSFORMATION

Cordero will get Saturday night party started at Brooklyn Museum on January 2 (photo by twi-ny/mdr)

Brooklyn Museum of Art
200 Eastern Parkway
Saturday, January 2, free after 5:00 (some events require advance free tickets available an hour or two before showtime)
718-638-5000
www.brooklynmuseum.org

The Brooklyn Museum’s monthly First Saturdays program rings in the new year with its monthly array of free activities, beginning at 5:00 with Cordero, a rousing live band formed by Ani Cordero in Tucson in 1999 with members of Calexico and Giant Sand and based in New York City since 2000; Cordero plays smooth, surprisingly subtle Latin pop that is always on the verge of busting loose. At 6:00, Daphne Brooks will talk about funk rock and James Brown. At 6:30, the Midnight Checkout Queens will play live along with a screening of HEDWIG AND THE ANGRY INCH (John Cameron Mitchell, 2001). At 7:00, Venus Ensembles will headline the annual Winter Masquerade Ball, so be sure to come in costume. At 9:00, John Sellers will talk about his book PERFECT FROM NOW ON: HOW INDIE ROCK SAVED MY LIFE. Also at 9:00, Expressway Music hosts a karaoke contest for free FELA! tickets, and Jonathan Toubin spins tunes during the always hot dance party. And as always, the evening includes a gallery talk, a hands-on art workshop, and admission to all of the current exhibitions: “Who Shot Rock & Roll: A Photographic History, 1955 to the Present,” “James Tissot: ‘The Life of Christ,’” “Body Parts: Ancient Egyptian Fragments and Amulets,” “Reflections on the Electric Mirror: New Feminist Video,” “Patricia Cronin: ‘Harriet Hosmer, Lost and Found,’” and “From the Village to the Vogue: The Modernist Jewelry of Art Smith.”

WILLIAM BLAKE / JANE AUSTEN / CHARLES DICKENS / GIACOMO PUCCINI

William Blake, “Mysterious Dream,” watercolor over traces of black chalk

Morgan Library & Museum
225 Madison Ave. at 36th St.
Closed Monday
Admission: $12 adults, $8 children under sixteen (free Fridays 7:00 – 9:00)
212-685-0008
www.themorgan.org

While they’re not exactly the Rat Pack and didn’t exactly hang out together – although there is some overlap of when they existed here on earth – William Blake (1757-1827), Jane Austen (1775-1817), Charles Dickens (1812-70), and Giacomo Puccini (1858-1924) make for quite a foursome at the Morgan Library this holiday season. A master engraver, painter, Romantic poet, and religious nut, Blake was a visionary artist who claimed that some of his work came from, well, otherworldly visions. “William Blake’s World: ‘A New Heaven Is Begun’” (through January 3) includes such awe-inspiring pieces as “Satan,” “Chaucer’s Canterbury Pilgrims,” the gorgeous watercolor series he did illustrating the Book of Job (even throwing in Jesus for good measure), the wacky “First Book of Urizen,” a letter from Blake to one of his patrons, a pair of plates of his most famous poem, “The Tyger,” and his anti-New World screed, “America: A Prophecy.” Blake, who died poor and was buried in an unmarked grave, had remarkable skill and a mind that just did not quite fit in his time.

The Morgan takes a revealing look at one of England’s greatest novelists in “A Woman’s Wit: Jane Austen’s Life and Legacy” (through March 14), comprising original manuscripts, letters, and illustrated editions as well as Blake’s portrait of Harriet Quentin, which Austen saw in London. Austen, who published anonymously because of her gender, penned such classic books as PRIDE AND PREJUDICE, MANSFIELD PARK, EMMA, and SENSE AND SENSIBILITY, all dealt with in this exhibition. Her writings are placed in context alongside satiric cartoons by James Gillray and diary entries and a documentary film in which other authors discuss Austen’s lasting influence. The letter from her sister Cassandra announcing Jane’s death is simply heartbreaking.

John Leech, detail, “Mr. Fezziwig’s Ball,” original watercolor illustration for Charles Dickens’s CHRISTMAS CAROL, first edition, 1843

Running through January 10 in the McKim Building, “Charles Dickens’s A CHRISTMAS CAROL” features Dickens’s original marked-up manuscript of the holiday tale, written in six weeks in 1843 and bound in red leather shortly after its publication. The book is in the McKim Building, which will be open to the public for free on Tuesdays from 3:00 to 5:00, Fridays (except Christmas and New Year’s Day) from 7:00 to 9:00 (when the entire museum is free), and Sundays from 4:00 to 6:00. Finally, the Morgan is displaying more than three dozen items that look into the life and legacy of Italian composer Giacomo Puccini in “Celebrating Puccini” (through January 10), including letters, posters, and original manuscripts for LA BOHÈME and MADAMA BUTTERFLY.