this week in music

sex & drugs & rock & roll

Andy Serkis gives many reasons to be cheerful channeling Ian Dury in biopic

Andy Serkis gives many reasons to be cheerful channeling Ian Dury in biopic

sex & drugs & rock & roll (Mat Whitecross, 2010)
Tribeca Cinemas
54 Varick St. at Laight St.
May 5-11
212-941-2001
www.tribecafilm.com

British actor Andy Serkis, who has appeared in such diverse roles as Gollum in the Lord of the Rings trilogy and Rigaud in the widely hailed 2008 LITTLE DORRIT miniseries, transforms himself into punk rocker Ian Dury in the biopic sex & drugs & rock & roll. Directed by documentarian Mat Whitecross (THE ROAD TO GUANTANAMO, THE SHOCK DOCTRINE), the film follows Dury as an adult desperate to make it in the music biz, putting his career ahead of his family. The first half is awkward to watch, as there is not much to like about the character, a nasty, self-centered brute with a huge chip on his shoulder who leaves his caring wife (Olivia Williams) for a young fan (Naomie Harris). But as Whitecross and actor-turned-writer Paul Viragh reveal more of Dury’s past, centering on his relationship with his father (Ray Winstone) and being confined to a poorly run hospital after he contracted polio, Dury becomes a more compelling figure, especially as success approaches. Serkis does all his own singing in the film, set to newly recorded versions of such Ian Dury and the Blockheads classics as “Hit Me with Your Rhythm Stick,” “What a Waste,” “Reasons to Be Cheerful, Part 3,” and the title song. The soundtrack was composed by Dury’s longtime collaborator, Blockhead Chaz Jankel (played by a bland Tom Hughes), who also served as a consultant on the film. It takes a while to get going, but once it does, sex & drugs & rock & roll grabs you, anchored by Serkis’s remarkable performance.

DRINK UP BUTTERCUP

Drink Up Buttercup is back in their second home to celebrate the release of their debut album (photo by twi-ny/mdr)

Wednesday, May 5, Brooklyn Bowl, 61 Wythe Ave., free, 8:00
Friday, May 14, Mercury Lounge, 217 East Houston St., $10, 7:30
www.myspace.com/drinkupbuttercupband
www.mercuryloungenyc.com
www.brooklynbowl.com

On the first song on their debut album, Philly band Drink Up Buttercup sings, “Remember your seasickness pills,” an apt warning to listeners about to delve into the many giddy pleasure of BORN AND THROWN ON A HOOK (Yep Roc, March 2010). Over the course of fourteen songs, Jamers Harvey, Farzad Houshiarnejad, Ben Money, and Mike Cammarata let loose with a barrage of sea shanties, garage rock, waltzes, Goth moments, and Beatles-esque harmonies on such infectious tunes as “Doggy Head,” “Even Think,” “Gods and Gentlemen,” and the gorgeous “Lovers Play Dead.” The record is anchored by DUB’s wild and crazy double shot of “Sosey and Dosey” and “Mr. Pie Eyes,” which glory in the raw energy of rock and roll. As strong as the album is — these guys really know how to write a hook, and they fearlessly take off in whichever direction the music takes them — it’s their live shows that make them special, as they bang on trash cans, trade off instruments, knock over mannequin heads, and play with a reckless abandon that will have you wasted and begging for more. DUB will be playing a free show at Brooklyn Bowl on May 5 with the King Expressers and Givers, then will head to Mercury Lounge on May 14 with the King Left, the upstate New York band who are finishing up their tour in support of their EP NEW YORK NOTHING.

MONEYBROTHER

Moneybrother will open up terrific double bill with Rhett Miller at City Winery

Moneybrother will make his full-band New York City debut on May 5 at Mercury Lounge

Mercury Lounge
217 East Houston St.
Wednesday, May 5, $10, 6:30
www.mercuryloungenyc.com
www.myspace.com/moneybrother

Earlier this year, Moneybrother played an acoustic gig with Rhett Miller at City Winery. The creation of former Monster Anders Wendin, Moneybrother is back in town, making its full-band debut at Mercury Lounge on May 5. A soulful mix of pop, punk, reggae, classic rock, and disco, Moneybrother’s latest album, REAL CONTROL (April 2010), is a musical tour de force, from the funky opener, “Born Under a Bad Sign,” to the rollicking gem “Get Some Tonight,” from the infectious choruses of “We Die Only Once” and “Just Another Part of Me That Breaks Down” to the power ballad “6 AM” and the lovely closer, “Showdown,” a song that would make Ian Hunter proud. At times, Wendin’s voice is a little Mick Jones and a lot Joe Strummer, turning REAL CONTROL into a Clash-like foray into love and heartbreak, with horns and strings and other accoutrements. Moneybrother is sharing the bill with Michael Leonhart and the Avramina 7, featuring the Antibalas Horns, and DJ Sean Lennon, which should make for quite an unusual night of cool music.

HA HA TONKA

Bowery Ballroom
6 Delancey St.
Tuesday, May 4, $16, 8:30
212-533-2111
www.myspace.com/hahatonka
www.boweryballroom.com

The Missouri Department of Natural Resources describes Ha Ha Tonka State Park as “the ideal place for the adventurous.” They could just as easily been talking about native sons Ha Ha Tonka, the four-piece Ozark band consisting of Brett Anderson on keyboards and guitar, Lennon Bone on drums, Lucas Long on bass, and Brian Roberts on guitar. Originally called Amsterband, Ha Ha Tonka has made a name for itself with its unique take on southern music on their two fine albums, 2007’s BUCKLE IN THE BIBLE BELT and 2009’s NOVEL SOUNDS OF THE NOUVEAU SOUTH, both released by Bloodshot Records. The group investigates the South’s “horrific past” while celebrating its reputation for “enormous hospitality” on gospel-tinged pop songs such as “Hold My Feet to the Fire” and “The Outpouring,” in which they proclaim, “We bled it out.” You might have missed the pride of Springfield, Missouri, on May 2 in Brooklyn, but they’ll be at the Bowery Ballroom on May 4, playing with Murder by Death and Linfinity. Check them out for a novel musical journey through the New South.

soloNOVA ARTS FESTIVAL

Performance Space 122
150 First Ave. at Ninth St.
May 5-22, $20 per performance, $55 passport for any five shows
Festival Pass: $100
After-parties: $10
212-352-3101
www.ps122.org
www.terranovacollective.org

The seventh annual soloNOVA Arts Festival begins this week, featuring eight one-person shows and three late-night after-parties. This year’s lineup ranges from bilingual theatrical cabaret (Karina Casiano’s ROOTLESS: LA NO-NOSTALGIA) and musical comedy (Erin Markey’s PUPPY LOVE: A STRIPPER’S TAIL) to  storytelling and song (Shontina Vernon’s WANTED) and dance theater (Jesse Zaritt’s BINDING). Daniel Berkley gets personal delving into his schizophrenia and addictions in REMISSION, Avery Pearson takes on sixteen characters in the thriller MONSTER, Brian McManamon is an odd collector in the Frigid NY favorite IT OR HER, and comedian W. Kamau Bell attacks racism in THE W. KAMAU BELL CURVE: ENDING RACISM IN ABOUT AN HOUR. In addition, there will be three Ones at Eleven after-parties at P.S. 122, highlighting music on May 8, comedy on May 15, and storytelling and spoken word on May 22. And on May 21, terraNOVA Collective will honor Nilaja Sun as soloNOVA Artist of the Year at a benefit with clips, food, drink, and more ($30, 8:00).

TWI-NY TICKET GIVEAWAY: AMERICAN IDIOT

Everyone is looking to win the latest twi-ny contest: tickets to see AMERICAN IDIOT on Broadway

St. James Theatre
246 West 44th St. between Broadway & Eighth Ave.
Tickets: $49-$252
www.americanidiotonbroadway.com

In 2004, Billie Joe Armstrong, Tré Cool, and Mike Dirnt, better known as Green Day, released AMERICAN IDIOT, considered by many to be one of the best records of the first decade of the twenty-first century. An unblinking examination of life during the post-9/11 Bush era, AMERICAN IDIOT unleashed a breathtaking suite of songs that held nothing back; among its breakout tunes were “Jesus of Suburbia,” “Boulevard of Broken Dreams,” and “Wake Me Up When September Ends.” Green Day has now collaborated with Tony Award–winning director Michael Mayer — as well as Tony Award– and Pulitzer Prize–winning composer and orchestrator Tom Kitt (NEXT TO NORMAL), Olivier Award–winning choreographer Steven Hoggett (BLACK WATCH), and Tony-winning actor John Gallagher Jr. (SPRING AWAKENING) — to bring AMERICAN IDIOT to the stage, where it is currently dazzling audiences at the St. James Theater on Broadway.

Tickets are selling fast, but twi-ny has three pairs to give away for free. Just send your name and daytime phone number to contest@twi-ny.com by Thursday, May 6, at 12 noon to be eligible. All entrants must be twenty-one years of age or older; three winners will be selected at random.

WORLD NOMADS LEBANON

Bernard Khoury will give a free talk on Lebanese architecture and public space at FIAF on May 6

French Institute Alliance Française
Florence Gould Hall, 55 East 59th St.
Le Skyroom, 22 East 60th St.
Tinker Auditorium, 55 East 59th St.
May 1-29, free – $40
212-355-6100
www.fiaf.org

This year FIAF’s annual spring journey heads to Lebanon for a month of live performance, film screenings, art, talks, and more. The festival, which covered Africa in 2008 and Haiti in 2009, begins May 1 with the Bassam Saba Ensemble playing in Florence Gould Hall, followed on May 2 by three consecutive free talks at Le Skyroom, with writers Elias Khoury, Rawi Hage, and Alexander Najjar in conjunction with the PEN World Voices Festival of International Literature. On Tuesdays from May 4 through May 25, CinémaTuesdays will present such films as Maroun Bagdadi’s HORS LA VIE, Jocelyne Saab’s ONCE UPON A TIME: BEIRUT, and Simon El-Habre’s THE ONE MAN VILLAGE in Florence Gould Hall. Meanwhile, the Film Society of Lincoln center will be hosting “The Calm After the Storm: Making Sense of Lebanon’s Civil War,” more than thirty films that give a fascinating overview into the history of the embattled nation. On May 21, Wajdi Mouawad and Jane Birkin will team up for staged readings of his “Je t’embrasse pour finir” (in French) and “La sentinelle” (in English); admission is free but advance reservations are required; author, actor, and director Wajdi will also be giving a free talk May 19 in Le Skyroom. World Nomads will also feature a trio of architecture talks on successive Thursdays, with Bernard Khoury on May 6, “Public Space: Memory, Boundary, Catastrophe” on May 13, and “Modern Architecture in Beirut: Reconstruction & Cultural Identity” on May 20. During the festival, the FIAF Gallery will be displaying “Cedrus Libani: Roots & Memory,” an exhibition of new and old work by Lebanese-American artist Nabil Nahas, while “My Umi Said . . . New Work from Lebanon” features multimedia pieces by five progressive Lebanese artists, held off-site at Kleio Projects (May 7-28, 153½ Stanton St.).