this week in music

TALES OF THE GRATEFUL DEAD AND NEW YORK

Dennis Larkin and Peter Barsotti, “Radio City Music Hall poster Oct. 22-31, 1980” (courtesy Grateful Dead Archive)

THE BERNARD AND IRENE SCHWARTZ DISTINGUISHED SPEAKERS SERIES
Thursday, May 27, New York Society for Ethical Culture, 2 West 64th St., $20, 6:30
“Grateful Dead: Now Playing at the New-York Historical Society” exhibition continues through July 4, 2 West 77th St., $12
212-873-3400
www.nyhistory.org

Although they are most closely aligned with their hometown of Haight-Ashbury in San Francisco, the Grateful Dead had a special relationship with New York City. Every year, usually in the fall in the 1980s and ’90s, the psychedelic, free-flowing rock band would come to Radio City, Madison Square Garden, and other local venues for extended stays as Dead Heads came out of the woodwork to join in the annual celebration of life and music. So it is not nearly as strange as it might first appear for “The Grateful Dead: Now Playing at the New-York Historical Society” to be held at the venerable Upper West Side institution. The small but concentrated exhibit focuses on the group’s interaction with their dedicated fans through film, video, photographs, ticket stubs, concert posters, backstage guest lists and passes, and other cool paraphernalia. The display includes the group’s first record contract, a tour rider, designs for their 1974 Wall of Sound speaker system, the life-size marionettes used in their breakthrough “Touch of Grey” video, Dick Latvala’s notebooks evaluating specific shows (some of which would later be released as a Dick’s Pick), and dozens of envelopes people decorated when sending in ticket requests. Jerry Garcia, Bob Weir, Phil Lesh, Mickey Hart, Bill Kreutzmann, Ron “Pigpen” McKernan, and other Dead members were way ahead of the curve when it came to dealing with their fans, creating a human social network well before Facebook, MySpace, and Twitter, although they were always on the cutting edge of technology as well. Music continually flows through the exhibit, and you can take a break by grabbing a seat and watching clips from 1977’s THE GRATEFUL DEAD MOVIE.

On May 27 at 6:30, longtime progressive rock deejay Pete Fornatale and “Tales from the Golden Road” radio host Gary Lambert, along with surprise guests, will participate in “Tales of the Grateful Dead and New York,” an intimate look at the band’s unique ties to the city, which include appearances at such legendary venues as the Fillmore East in addition to Tompkins Square Park, Central Park, and other locations. The event will take place at the New York Society for Ethical Culture; tickets are $20.

FLEET WEEK

The Intrepid serves as home base for annual Fleet Week celebration (photo by twi-ny/mdr)

Intrepid Sea, Air & Space Museum
Pier 86, 12th Ave. & 46th St.
May 26 – June 1
Admission: adults $22, children three to seventeen $17
www.intrepidmuseum.org

All ashore that’s going ashore! The Navy, Army, and Coast Guard sail into New York Harbor today for the annual Fleet Week celebration, a week of special activities based at the Intrepid Sea, Air & Space Museum on the far West Side. The festivities get under way this morning with the Parade of Ships and continue with pier displays from the American Red Cross, the Air Force Global Strike Command, the FDNY, and many others. There will be tours of Army Boat Vessel LSV-1, demonstrations by the Coast Guard Search & Rescue team, competitions including the tug of war and inflatable jousting, the Memorial Day flyover and Three Volley Salute, a Broadway showcase hosted by the ladies of LEND ME A TENOR, and live performances by the Northeast Navy Show Band, the West Point Band, the Rockettes, Miss Babs & the Kickin’ Boogie Band, and Reckon So, and much more.

WALLACE

Wallace will play with fire at Rockwood Music Hall on May 22

Rockwood Music Hall
184 Allen St. between Houston & Stanton Sts.
Saturday, May 22, free, 7:00
212-477-4155
www.myspace.com/wallaceonfire
www.rockwoodmusichall.com

On his self-released album PLAYING WITH FIRE, the one-named Wallace exposes his demons in snarls worthy of Jim Morrison and Eddie Vedder over acoustic guitar lines reminiscent of Neil Young and Jerry Garcia, looking deep within himself on such brooding songs as “All for Tonight” and “Out of My Head.” Wallace, who was born and bred in New England and is now based in Brooklyn, breaks out the harmonica for the bluesy “So Long” and goes a little country on “A Pity.” “Woke up to another day / Can’t seem to shake the hate / Talking to my heart in vain / Then tried to cover the pain,” he sings on “The Lies.” We’re guessing you shouldn’t expect a lot of uplifting pop ditties when  Wallace comes to the Rockwood Music Hall on May 22 at 7:00, following Stephen Brock and Jeremy Parise and preceding Will Knox.

THE PENGUIN REVOLUTION

Long Island band will stage a revolution at the Gramercy Theatre on May 22

Gramercy Theatre
127 East 23rd St. at Lexington Ave.
Saturday, May 22, $20, 8:00
212-614-6932
www.myspace.com/thepenguinrevolution1
www.livenation.com

“Get funky,” Long Beach, Long Island’s Penguin Revolution declares on “Soul Brother,” and it’s hard not to comply. Named after Sakura Tsukuba’s popular young adult manga series, TPR knows how to throw a party. Mixing genres in clever ways, they tell the continuing story of penguin Oscar Hamilton, who is after nothing short of world domination. With Kevin McIntyre on vocals, rhythm guitar, and didgeridoo, Jim Willi on lead guitar, Scruff on bass, John Montoya on drums, and Dan Wagner, Andrew Hagerty, and Julie Gallo on various brass instruments, TPR is nonstop fun. Reggae beats and horns populate “Punky,” while the band goes psychedelic on the thirteen-minute epic “Lydibot.” And if “Rhombus on Parkside” doesn’t get your juices flowing, you better check your pulse. On “Coleman Parade,” they sing, “You think you know about energy”; there’ll be plenty to know on May 22 at the Gramercy Theatre, when the Penguin Revolution opens up for city boys the Energy.

NAT BALDWIN

Baldwin and his double bass will be at the Issue Project Room on May 22

Issue Project Room
232 Third St. between Sackett & Union Sts.
Saturday, May 22, $10, 8:00
718-330-0313
www.myspace.com/natbaldwin
www.issueprojectroom.org

Born in New Hampshire and now based in Brooklyn, Nat Baldwin mixes free jazz with experimental indie pop and classical elements to create a captivating hypnotic hybrid. Baldwin is able to get unusual sounds out of his double bass and voice on such songs as “Lake Eerie,” “Wounds,” and “Dome Branches” and such discs as 2006’s ENTER THE WINTER and LIGHTS OUT and 2007’s MOST VALUABLE PLAYER. Baldwin, who studied with master musician Anthony Braxton and is a member of the Dirty Projectors, will be playing the Issue Project Room in his adopted hometown on May 22, on a bill with Woody Sullender and peace, loving.

ASIA IN AMERICA

LAW & ORDER: SVU’s BD Wong will star in new musical as part of Asian Pacific American Heritage Month

Asia Society (unless otherwise noted)
725 Park Ave. at 70th St.
May 21-29, $15-$30
212-517-asia
www.asiasociety.org

The Asia Society’s celebration of Asian Pacific American Heritage Month continues on May 21 as the Balinese music and dance ensemble Gamelan Dharma Swara will present a preview of their fall tour, preceded by a lecture about the engaging art form ($20, 7:00). From May 24 to 26, BD Wong will star as a fortune hunter in the new musical HEADING EAST, with music by Leon Ko and lyrics by Robert Lee ($30, 8:00). On May 26, Zappos.com CEO Tony Hsieh, author of the new book DELIVERING HAPPINESS: A PATH TO PROFITS, PASSION, AND PURPOSE, will discuss his life and career ($15, 6:30). The inventive dance team of Eiko and Koma will perform “Retrospective Project I: Regeneration” May 27-29 at Danspace Project, with each evening followed by a Q&A with guest speakers ($18, 8:00). And today is the last day to check out the AsiaStore Asian American Designer Series, with special appearances by Rita Chung and Rose Ajmera.

LCD SOUNDSYSTEM

James Murphy will have LCD Soundsystem fans up and dancing madly at Terminal 5 gigs

Terminal 5
610 West 56th St. at Eleventh Ave.
May 20-23, $35-$40, 8:00
212-665-3832
www.lcdsoundsystem.com
www.terminal5nyc.com

He’s hip. He’s rad. He’s forty? Yes, James Murphy, lead singer and creator of dance-punk act LCD Soundsystem and founder of DFA Records, might be old enough to start experiencing a midlife crisis, but he’s having a huge upsurge of popularity instead. Whether he’s ranting about aging hipsters (“Losing My Edge,” from the band’s eponymously titled debut), developing a manifesto for reforming New York City (“New York, I Love You, But You’re Bringing Me Down,” from 2007’s SOUND OF SILVER), or tenderly singing a ballad about a dear friend passing (SILVER’s “Someone Great”), Murphy’s oddball approach to lyrics is intoxicating. “Drunk girls are like a night of simplicity / They need a lover who is smarter than me / Drunk boys, we walk like pedestrians / Drunk girls wait an hour to pee,” Murphy intones on “Drunk Girls,” the first single from LCD’s brilliant new album, THIS IS HAPPENING (DFA/Virgin, May 18, 2010). Murphy might sing, “You wanted a hit / But maybe we don’t do hits / I try and try / It ends up feeling kind of wrong” on “You Wanted a Hit,” but he’ll have a big hit on his hands as he leads the band through four crazy nights at Terminal 5 this week. One of the most exciting performers and producers in music today, Murphy may start slow but builds to wild, mystifying beauty, much like his songs. He loves the stage and holds nothing back, dancing madly and smashing around on Pat Mahoney’s drum kit, working up a good, hot sweat. Holy Ghost! opens all four nights.