this week in music

McKIM BUILDING RESTORATION

New-Trad Octet will help welcome in restored McKim Building at the Morgan (photo by Schector Lee)

Morgan Library
225 Madison Ave. at 36th St.
Saturday, October 30, free with museum admission of $8-$12, 4:00
212-685-0008
www.themorgan.org
www.new-trad.com

After a nearly five-month restoration, the Morgan Library’s 1906 McKim Building will reopen to the public on Saturday with a full day of celebratory activities. From 12 noon to 3:00, musicians from Mannes College will perform. At 1:00, Morgan director William M. Griswold will give a lecture about the restoration of the landmark structure and the museum’s collections. And at 4:00, Jeff Newell’s New-Trad Octet will give a concert featuring their unique brand of early American music, with a focus on the splendid exhibit “Mark Twain: A Skeptic’s Progress.” Newell notes on the band’s website, “We’ll be playing our ‘restored’ arrangements of historic music from the Gilded Age, including some of Twain’s favorites.” Tickets for the events are free with museum admission on Saturday. Also on view at the Morgan are “Roy Lichtenstein: The Black-and-White Drawings, 1961-1968,” “Degas: Drawings and Sketchbooks,” and “Anne Morgan’s War: Rebuilding Devastated France, 1917-1924.”

GEOFFREY ARMES CD RELEASE PARTY

Googie’s Lounge
154 Ludlow St.
Thursday, October 28, 8:30
212-533-7237
www.livingroomny.com
www.geoffreyarmes.com

Teacher, producer, arranger, engineer, singer-songwriter, and multi-instrumentalist Geoffrey Armes will be holding a CD release party for his latest album, INSIDE A WALL, on October 28 at Googie’s Lounge on the Lower East Side, the follow-up to 2008’s STRETCH AND BREATHE 2: BERLIN DANCE WORKS and SPIRIT DWELLING: MUSIC FOR YOGA AND OTHER SOUL TRANSFORMATIONS. The British-born, New York-based Armes, who plays piano, electric piano, toy piano, synthesizers, bass, percussion, and guitars on the record, developed ten songs “from fragments first mooted in West Berlin” in 1982. His jazzy, lounge-y, atmospheric world music mixes Bryan Ferry with Donald Fagen, to both good and not so good effect. “Stealing out into the night / This is how I plan my flight / Watching others fight their fight / I really care unless it’s my plight,” he sings on “Things Are Strange,” not necessarily one of his more poetic passages. Better is the end of “Café Einstein,” on which he laments, “You on the sugar / Look across at me / You tell me it’s over / And I am free / Oh stand to go / Please please leave it easy / There’s nothing else I can say.” Armes’s stated goal is “to create a safely adventurous creative acoustic space so that a kind of spontaneous ordering of sonic inspiration can take place”; the Googie’s gig should be filled with plenty of sonic inspiration amid his ambient soundscapes. Also on the bill are Tajna Tanovic at 7:30, Shayfer James at 9:30, and Llana Stampur at 10:30.

WHITE LIGHT FESTIVAL

Sidi Larbi Cherkaoui’s SUTRA will make its U.S. premiere at Lincoln Center’s music-centric White Light Festival

Lincoln Center
Alice Tully Hall, Stanley H. Kaplan Penthouse, Church of St. Paul the Apostle, Church of St. Ignatius Loyola, Rose Theater, Avery Fisher Hall, David Rubenstein Atrium
October 28 – November 18, free – $90
www.lincolncenter.org

A sort of extension of July’s annual Lincoln Center Festival, in which the vaunted institution stages more experimental works from around the world, the inaugural White Light Festival consists of three weeks of dance, theater, and concerts “focused on music’s transcendent capacity to illuminate our larger interior universe,” as explained by vice president for programming Jane Moss in the festival’s chic booklet. The series begins October 28 with Meredith Monk and Vocal Ensemble’s free performance of THE SOUL’S MESSENGER in the David Rubenstein Atrium at Broadway and 63rd St. at 8:30 and continues with such eagerly anticipated programs as the U.S. premiere of Belgian-Moroccan choreographer Sidi Larbi Cherkaoui’s SUTRA, Katarina Livljanić’s JUDITH (A Biblical Story from Renaissance Croatia), Tallis Scholars’ unique take on Arvo Pärt’s MAGNIFICAT, and Roysten Abel’s inventively executed THE MANGANIYAR SEDUCTION. Other highlights include Antony and the Johnsons teaming up with the Orchestra of St. Luke’s, the Hilliard Ensemble and saxophonist Jan Garbarek playing OFFICIUM NOVUM at the Church of St. Ignatius Loyola, and the Hilliard Ensemble, the Latvian National Choir, the Wordless Music Orchestra, and Alex Somers and Jonsi from Sigur Rós performing CREDO at the Church of St. Paul the Apostle. There will also be free panel discussions on “The Sound of Silence” with Karen Armstrong and John Luther Adams, Janet Cardiff’s free sound installation “The Forty-Part Motet” at the Agnes Varis and Karl Leichtman Rehearsal and Recording Studio at Broadway and 60th St., and several postshow White Light Lounges in which ticket holders can mingle with the artists.

PETTYFEST 2010

Bowery Ballroom
6 Delancey St.
Thursday, October 28, $20, 8:00
www.boweryballroom.com

When we recently saw Tom Petty and the Heartbreakers at the Garden, one of the things that struck us most was what a truly great songwriter he is, and just how many great songs he has written. His vast catalog will be unleashed at the Bowery Ballroom Thursday night for the annual PettyFest. Billed as “a night to get drunk and celebrate Tom Petty’s sixtieth birthday,” this year’s extravaganza features another all-star lineup of musicians paying tribute to one of Florida’s favorite sons. The Gainesville native might have turned sixty on October 20, but he’s still making vital rock and roll, as evidenced by his latest record, June’s MOJO (his first studio disc with the Heartbreakers since 2002’s THE LAST DJ), on which the grizzled veteran plays with a renewed bluesy swagger, proving that he’s not just a greatest hits act resting on his laurels. Among those who will be covering songs from such classic albums as YOU’RE GONNA GET IT! (1978), DAMN THE TORPEDOES (1979), HARD PROMISES (1981), LONG AFTER DARK (1982), SOUTHERN ACCENTS (1985), LET ME UP (I’VE HAD ENOUGH) (1987), FULL MOON FEVER (1989), INTO THE GREAT WIDE OPEN (1991), WILDFLOWERS (1994), ECHO (1999), and HIGHWAY COMPANION (2006) are Norah Jones, Jesse Malin, Nicole Atkins, Adam Green, Hymns, SNL’s Will Forte and Jason Sudeikis, Catherine Pierce, and members of such groups as Fountains of Wayne, the Mooney Suzuki, the Strokes, and the All American Rejects, joining the Cabin Down Below Band.

HALLOWEEN IS HAPPENING

Trinity Church and Courtyard
Broadway at Wall St.
Friday, October 29, free, 4:00 – 9:00
212-602-0800
www.trinitywallstreet.org

Trinity Church’s annual Halloween festivities begin at 4:00 on Friday in the North Churchyard with Family Fun, two hours of tricks and treats, games, a photo booth, storytelling, and other children’s activities. From 5:00 to 7:00, the Haunted Hamilton Happy Hour takes place in the South Churchyard, honoring the great American leader who is buried at Trinity. Everyone will head inside at 7:00 for a screening of one of the creepiest films ever made, THE CABINET OF DR. CALIGARI (Robert Wiene, 1920), with live organ accompaniment by Robert Ridgell. All events are free, although donations are accepted.

EAR TO THE EARTH 2010: WATER AND THE WORLD

Charles Lindsay and David Rothenberg’s “Western Water” features the Mermaid Bar as part of the Ear to the Earth Festival (photo by Charles Lindsay)

Greenwich House Music School, 46 Barrow St., $5-$15
White Box, 329 Broome St., free-$15
Frederick Loewe Theater, 35 West Fourth St., free
Kleio Projects, 153 1/2 Stanton St., free
October 27 – November 1, Festival Pass $30
www.emfproductions.org

The Electronic Music Foundation’s fifth annual Ear to the Earth Festival of Sound, Music, and Ecology will examine water and the environment in a series of special events taking place at the Greenwich House Music School, White Box, and the Frederick Loewe Theater, including discussions, concerts, poetry, and multimedia art installations. “We are heading towards a crisis in managing the waters of the world,” explains Joel Chadabe in his curator’s statement. “To address the crisis, we need to reach an understanding of the issues we face with water. And we need to become aware of the ways we use water in the context of the physical realities of our changing environment.” Ear to the Earth begins October 27 with “An Encounter with R. Murray Schafer,” in which the Canadian composer will delve into acoustic ecology and environmental sound art, and continues on October 28 with Bernie Krause’s “Fish Rap: The Life-Affirming Soundscapes of Water” and Yolande Harris’s “Fishing for Sound.” On Friday night, Kristin Norderval presents the world premiere of her interactive “Tattooed Ghosts,” inspired by Dina Von Zweck’s FLUDD — VIRTUAL POLAR ICECAP MELTDOWN; also on the bill is Matt Rogalsky’s sound installation “Memory Like Water.” On Saturday afternoon, Sheila Callaghan, Katie Down, Leah Gelpe, and Daniella Topol collaborate on “Water (or the Secret Life of Objects),” which was developed following the Katrina disaster. Saturday night features a trio of New York Soundscapes world premieres: Miguel Frasconi’s “Inside-Out,” Aleksei Stevens’s “Standing Water: Sound Map of the Gowanus Canal, 2010,” and Paula Matthuson’s “Navigable.” Sunday includes two shows at the Frederick Loewe Theater, beginning at 5:00 with David Monacchi’s “Stati d’Acqua / States of Water,” Maggi Payne’s “Liquid Amber,” and Matther Burtner and Scott Deal’s “Auksalaq,” followed at 8:00 by Phill Niblock and Katherine Liberovskaya’s “Sound Delta,” based on sounds from the Rhine and the Danube, and Michael Fahres’s “Cetacea,” which combines Senegalese Sabar drumming with dolphin sounds. The festival concludes on November 1 with Charles Lindsay and David Rothenberg’s live multimedia “Western Water” and Andrea Polli and TJ Martinez’s documentary “Dances with Waves.” In addition, Jennifer Stock’s “At Water’s Edge” and Liz Phillips’s “Here/Hear: Manhattan Is an Island” will be on display at White Box throughout the festival, while Andrea Lockwood’s “A Sound Map of the Housatonic River” will be up at Kleio Projects, with free admission to both venues. Ear to the Earth 2010 combines science and sound, ecology and music, the environment and film, and other media to offer a fresh and innovative perspective on the world’s water crisis.

HAUNTED OKTOBERFEST

Bohemian Beer Hall & Garden
29-19 24th Ave., Astoria
Tuesday – Sunday through October 31
718-728-9278
www.bohemianhall.com

Astoria’s Bohemian Beer Hall & Garden will be combining two seasonal traditions with its Haunted Oktoberfest, six days of food and drink specials, a daily Jack O’Lantern Contest, and different costume contests for the funniest, scariest, most creative, eco greenest, or celebrity look-a-like, leading up to Sunday’s finale. On Friday, beer lovers can pick up a $15 Tasters Entry Pass, good for unlimited tastings of Brouczek, Czechvar, Golden Pheasant, Krusovice Light, Krusovice Dark, Pilsner Urquell, and Staropramen. The big party takes place on Saturday, with a pig roast, followed by a $20 Tasters Entry Pass good for all beers, and live music by the Air Conditioners, the Eighty 7’s, and KISS Alive.