this week in music

WINTER JAM NYC

GreeNYC mascot Birdie will be on hand for annual Winter Jam in Prospect Park

The Nethermead, Prospect Park
Enter at Ocean Ave. & Lincoln Rd.
Saturday, February 5, free, 11:00 am – 4:00 pm
www.nycgovparks.org

It’s been one crazy winter, with record-breaking amounts of snow being dumped on the city. If you haven’t taken advantage of all the fun the white stuff can offer, head over to Prospect Park on Saturday for Winter Jam, the free annual sports festival sponsored by the Parks Dept., the Olympic Regional Development Authority, and the Prospect Park Alliance. Scheduled activities include cross-country skiing, showshoeing, and snow sculpting on the Lake Placid Snow Field, skiing and snowboarding lessons in the “Learn To” Area, the Red Bull Butter Cup snowboard trick contest, and the Pride of New York Winter Market. It’s sort of like Brooklyn’s own mini-version of the Winter X Games. There will also be live performances by the Skyriders, the Nick West Quartet (11:30), Sister Sparrow & the Dirty Birds (12:30), Dujeous (1:30), InnerParty System (2:30), and BR & Timebomb (3:30), hosted by Craig Baldo.

LUNAR NEW YEAR FESTIVAL

Qi Baishi, “Two Rabbits,” hanging scroll, ink and color on paper, twentieth century (The Metropolitan Museum of Art, New York, Gift of Robert Hatfield Ellsworth, in memory of La Ferne Hatfield Ellsworth, 1986)

Metropolitan Museum of Art
1000 Fifth Ave. at 82nd St.
February 4-6, most events free with recommended admission of $20 adults (children under twelve free)
212-570-3828
www.metmuseum.org

The celebration of the Year of the Rabbit heads uptown for the Met’s three-day Lunar New Year Festival, beginning tonight at 6:00 with “The Emperor’s Private Paradise: Its Survival and Conservation,” a lecture by Henry Tzu Ng held in conjunction with the exhibition “The Emperor’s Private Paradise: Treasures from the Forbidden City.” At 8:00, David Rakoff hosts “Gilded Ink: Write like an Emperor,” an evening of prizewinning short stories by college students, preceded by a tour of “The Emperor’s Private Paradise” at 6:30. Tomorrow the Year of the Rabbit hops all over the museum, with a Sesame Street puppet show at 11:00, Storytime in Nolen Library at 11:45, a lion dance procession at 12:15, a fan and ribbon dance, calligraphy and face painting, a costume demonstration, and a drawing workshop at 1:00, a youth orchestra concert at 1:30, a tea ceremony at 2:15, and Peking Opera performances of LITTLE RED RIDING HOOD at 3:00 (one hour children’s show, $15) and 7:00 (full concert with acrobatics, live music and dance, martial arts, and more, $30). The festivities conclude on Sunday with a special look at “The Emperor’s Private Paradise,” featuring a series of lectures beginning at 2:00, including Maxwell K. Hearn’s “Art, Artifice, and Identity—The World of the Qianlong Emperor,” Nancy Berliner’s “A Chinese Garden in Space and over Time,” and Ben Wang’s “The Musicality of Chinese Poetry and Calligraphy in the World of the Qianlong Emperor.”

FIRST SATURDAYS: FRAMING OUR HISTORY

Hank Willis Thomas will discuss his long-term installation, “Unbranded,” at the Brooklyn Museum on Saturday night (Hank Willis Thomas, “Why wait another day to be adorable? Tell your beautician ‘Relax me,’” chromogenic photograph, 1968/2007)

Brooklyn Museum
200 Eastern Parkway
Saturday, February 5, free, 5:00 – 11:00 (some events require free tickets distributed at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

For its February First Saturdays free program, the Brooklyn Museum is honoring Black History Month with its usual wide-ranging schedule of events. Kicking things off at 5:00 will be the Fat Cat Big Band, with Jade Synstelien leading a group of up to sixteen musicians through jazz and bebop. At 5:30, Denzel Washington’s THE GREAT DEBATERS (2007) will be shown, introduced by author Trey Ells (RIGHT HERE, RIGHT NOW), who will also participate in a Q&A following the screening. At 6:00, curator and writer Kalia Brooks will discuss the exhibition “Lorna Simpson: Gathered”: Simpson’s photographs will also be the focus of the 6:30 Hands-On Art workshop, and people are encouraged to bring their own photos to add to a collaborative interactive project as well. At 7:00, curator Sharon Matt Atkins will take visitors on a tour of “Norman Rockwell: Behind the Camera,” while at 8:00 a student guide will give a Young Voices gallery talk on the installation “American Identities: A New Look.” The always hot dance party gets under way at 8:00, hosted by DJ Stormin’ Norman, who will be playing hip-hop and soul tunes. And at 9:00, Hank Willis Thomas will discuss his long-term installation, “Unbranded,” while at the same time the Smalls Jazz Club All-Stars will take listeners back to the Golden Age of music.

THE YEAR OF THE RABBIT: 4709

The annual Chinatown Lunar New Year festivities will welcome in the Year of the Rabbit (photo by twi-ny/mdr)

The annual Chinatown Lunar New Year festivities will welcome in the Year of the Rabbit (photo by twi-ny/mdr)

Sara D. Roosevelt Park (and other venues)
East Houston St. between Forsythe & Chrystie Sts.
February 3-12
Admission: free
www.betterchinatown.com

The Year of the Rabbit is upon us, and the celebration kicks into full swing today, with the Chinese New Year’s Day Firecracker Ceremony and Cultural Festival in Sara D. Roosevelt Park beginning at 11:00, with live music and dance, speeches by politicians, drum groups, lion dancers making their way through local businesses, and lots of loud noises to ward off evil spirits and welcome in a prosperous new year. On Sunday, the twelfth annual Chinatown Lunar New Year Parade & Festival takes place, with cultural booths in the park (11:30 – 4:00) and a parade with floats beginning at 1:00 in Minuscule Italy. The annual march through Flushing, which also features lion dances, drummers, and fireworks, is scheduled for Saturday, February 12. For the next few weeks, Chinatown restaurants will be offering all kinds of special New Year dinners; it’s a tradition to eat a whole fish, with the head on, to bring good luck. Gōng xǐ fā cái!

NEW SOUNDS LIVE SILENT FILM SERIES: SPEEDY

Harold Lloyd has a crazy time in Coney Island in SPEEDY

SPEEDY (Ted Wilde, 1928)
World Financial Center Winter Garden
220 Vesey St.
Thursday, February 3, free, 7:00
212-417-7050
www.artsworldfinancialcenter.com

Much like the end of the silent film era itself, the last horse-drawn trolley is doomed in Harold Lloyd’s final silent film. Big business is playing dirty trying to get rid of the trolley and classic old-timer Pop Dillon. Meanwhile, Harold “Speedy” Swift, a dreamer who wanders from menial job to menial job (he makes a great soda-jerk with a unique way of announcing the Yankees score), cares only about the joy and wonder life brings. But he’s in love with Pop’s granddaughter, Jane, so he vows to save the day. Along the way, he gets to meet Babe Ruth. Ted Wilde was nominated for an Oscar for Best Director, Comedy, for this thrilling nonstop ride through beautiful Coney Island and the pre-depression streets of New York City. SPEEDY is being screened for free February 2 at 7:00 as part of the New Sounds Live Silent Film Series at the World Financial Center, with a live score played by the Alloy Orchestra. For more on the series, read our twi-ny talk with festival curator John Schaefer here.

COLIN STETSON

Colin Stetson will be performing tracks from his dazzling new album at the Stone and the New Museum this month

Thursday, February 3, the Stone, Ave. C at Second St., 8:00
Thursday, February 17, the New Museum, 235 Bowery, $12, 7:00
www.myspace.com/colinstetsonmusic
www.thestonenyc.com
www.newmuseum.org

Stellar sax sideman Colin Stetson has played with Arcade Fire, the Sway Machinery, Laurie Anderson, the Belle Orchestre, Tom Waits, Antibalas, TV on the Radio, and others, but for his second solo album and tour, he’s front and center, highlighting songs from his dazzling new album, NEW HISTORY WARFARE VOL. 2: JUDGES (Constellation, February 22, 2011). The Montreal-based musician brought his alto, tenor, and bass saxophones to Hotel2Tango in his hometown, where producer Shahzad Ismaily and engineer Efrim Menuck set up twenty-four microphones throughout the studio, each one capturing different elements of Stetson’s unique abilities. The recordings were then sent to Greenhouse Studios in Reykjavik, where master mixer Ben Frost transformed them into fourteen soundscapes that boggle the mind. Although it often feels like Stetson is playing with a full band, it’s just him and his saxes, with the only overdubs French horn on one song and Anderson and My Brightest Diamond’s Shara Worden contributing vocals to several tracks. The songs range from the spacey “Awake on Foreign Shores” and “The Stars in His Head (Dark Lights Remix)” to the beautifully cacophonous “From No Part of Me Could I Summon a Voice,” “Clothed in the Skin of the Dead,” and “The Righteous Wrath of an Honourable Man” to the mysterious finale, “In Love and in Justice.” Worden adds whispery vocals to Blind Willie Johnson’s “Lord I Just Can’t Keep from Crying Sometimes,” while Anderson does her trademark talk-singing on “All the Colors Bleached to White (ILAIJ II)” and “Judges,” with both women featured on “Fear of the Unknown and the Blazing Sun.” On “A Dream of Water,” Anderson intones, “There were those who knew the rules.” On NEW HISTORY WARFARE VOL. 2: JUDGES, the rules are thrown out, resulting in a hypnotic suite of electrifying songs that incorporate avant-jazz, classical, minimalism, folk, blues, and more into a whole new sonic experience. Stetson will be performing solo February 3 at the Stone, followed by drummer Ryan Sawyer and bassist Ismaily, and February 17 at the New Museum as part of the Get Weird series, with percussionist Jon Mueller.

REELABILITIES: NY DISABILITIES FILM FESTIVAL 2011

JCC in Manhattan (and other venues)
334 Amsterdam Ave. at 76th St.
February 3-8
646-505-4444
www.jccmanhattan.org
www.reelabilities.org

The third annual ReelAbilities NY Disabilities Film Festival returns to the JCC in Manhattan and other locations throughout the city February 3-8, “dedicated to promoting awareness and appreciation of the lives, stories, and artistic expressions of people with different disabilities.” The 2011 lineup includes eleven feature films and documentaries that examine Down syndrome (Marcos Carnevale’s ANITA and Antonio Naharro and Álvaro Pastor’s ME TOO), brain damage (Paul Nadler’s BRAIN DAMADJ’D . . . TAKE II), mental illness (Ken Paul Rosenthal’s CROOKED BEAUTY), blindness (Lu Yang’s MY SPECTACULAR THEATER), manic depression (Ofir Trainin’s WANDERING EYES), war injuries (Craig and Brent Renaud’s WARRIOR CHAMPIONS), and autism (Geraldine Wurzburg’s WRETCHES & JABBERERS), among other psychological and physical ailments. All screenings will be followed by discussions with the filmmakers, experts, and/or subjects, in addition to such special panels as “Diversity on Sesame Street,” with writer Emily Perl Kingsley, whose son was born with Down syndrome, as well as concerts by Flame and the FREE Players, a performance by Heidi Latsky Dance, “Navigating Disability” and “Seeing with Photography” art exhibits, an interactive Music for Autism program, a presentation by the Our Time Theater Company, and an American Sign Language tour of “Charles LeDray: workworkworkworkwork” at the Whitney.

Daniel (Pablo Pineda) and Laura (Lola Dueñas) develop a unique relationship in YO, TAMBIÉN

YO, TAMBIÉN (ME, TOO) (Antonio Naharro & Álvaro Pastor, 2009)
Saturday, February 5, JCC in Manhattan, 9:15
Sunday, February 6, Cinema Arts Centre, Huntington, 1:00
www.yotambienlapelicula.com

Written and directed by first-time feature filmmakers Antonio Naharro and Álvaro Pastor, ME, TOO is a beautifully told story about a man with Down syndrome trying to make it in the so-called normal world. When Daniel (Pablo Pineda) first shows up for work at a government disability agency in Sevilla, Laura (Lola Dueñas) mistakes him for someone who has come seeking help, not the person who will be occupying the desk next to hers on a daily basis. Daniel does not see himself as a victim, and he is clearly not a charity case; instead, he has earned a university degree and refuses to allow his disease — or, more important, the way his disease is viewed by others — to limit the things he can accomplish in life. Soon Daniel and Laura grow very close, but she is unable to let their relationship reach the next level, regardless of how much they care for each other — and how many times she instead goes to a local bar and picks up strangers. Meanwhile, Luisa (Lourdes Naharro) and Pedro (Daniel Parejo), who both have Down syndrome and are members of the Danza Mobile dance company, which works with people suffering from intellectual disabilities, have fallen in love, but they feel free to express it, even in public, which gets them in trouble with Luisa’s mother (Catalina Lladó). The contrast between the two romances, one of which is “mixed” but both of which are complicated, is well handled by Naharro (who also plays Daniel’s older brother in the film) and Pastor, steering clear of the kind of sappy melodrama that could have compromised the film’s point of view. They deal with the issue of the infantilization and stereotyping of people with Down syndrome with just the right amount of honesty and subtlety to avoid becoming a pedantic message movie. Both Dueñas, an Almodóvar regular, and Pineda, making his cinematic debut, won Silver Shells for their acting at the 2009 San Sebastian Film Festival. Pineda is in fact the first person with Down syndrome in Europe to earn a major university degree, and he is endearing in the lead role, never overly sentimental, and the script avoids treacly moments, as does Guille Milkyway’s soundtrack. ME, TOO will be screening as part of the ReelAbilities NY Disabilities Film Festival on February 5 at the JCC in Manhattan and on February 6 at the Cinema Arts Centre in Huntington.