The Birthday Massacre will have the audience on pins and needles at Irving Plaza
Irving Plaza
17 Irving Pl. at East 15th St.
Monday, December 12, $41.50 – $63.50 ($29.50 – $51.50 without fees), 7:00
www.thebirthdaymassacre.com
www.irvingplaza.com
Touring behind their first album in three years, Dum Spiro Spero (the End, August 2011), Japanese heavyweights Dir En Grey arrive in New York City on Monday night to headline Irving Plaza, but you’d be doing yourself a disservice if you don’t get there early to catch the opening act, Toronto goth rockers the Birthday Massacre — and not only to get the biggest bang for your buck, since the relatively high ticket prices reach up to $63.50 for VIP access. On such discs as 2004’s Violet, 2007’s Walking with Strangers, and last year’s Pins and Needles, Chibi, Rainbow, M. Falcore, Rhim, O.E., and Owen play it hard and loud. Their latest EP, Imaginary Monsters (Metropolis, August 2011), features three new tracks, the soaring power ballads “Burn Away,” “Forever,” and “Left Behind,” along with five remixes of older tunes: Tweaker’s “Control,” Kevvy Mental & Dave Ogilvie’s “Pale,” Skold’s “Pins and Needles,” and Combichrist’s and Assemblage 23’s dueling versions of “Shallow Grave.” As we’ve said before, TBM know how to rock out live; just don’t be put off by the gothic metal makeup, black costumes, black hair, tattoos, and demonic signage. At heart, they’re just a bunch of pussycats. Well, maybe.
Based on the play by Charles Bennett, Alfred Hitchcock’s 1929 thriller, Blackmail, is both his last silent picture as well as his first sound film. The transition is evident from the very beginning, eight glorious minutes of a police arrest with incidental music only, highlighted by an unforgettable mirror shot (courtesy of cinematographer Jack E. Cox) as the cops close in on their suspect. After those opening moments, the film switches to a talkie, as New Scotland Yard detective Frank Webber (John Longden) gets into a fight with his girlfriend, Alice White (Anny Ondra, later to become the longtime Mrs. Max Scmeling)), who goes off on a secret rendezvous with a slick artist named Crewe (Cyril Ritchard). When things go horribly wrong at Crewe’s studio, Frank assures Alice that he will help her, but slimy ex-con Tracy (Donald Calthrop) has other ideas, thinking he can use some inside information to make a small killing. After shooting the picture with sound — including having Ondra’s dialogue spoken off-screen by Joan Barry because Ondra’s Eastern European accent was too thick — Sir Alfred filmed some scenes over again in silence, resulting in two versions of this splendid psychological thriller, both laced with elements of German Expressionism and early film noir as well as flashes of Edgar Allan Poe’s “The Tell-Tale Heart” and Fyodor Dostoyevsky’s Crime and Punishment. Look for Alfred as the man on the subway being menaced by a young boy. The rarely shown silent version of Blackmail is being screened December 7 and 8 at the Nitehawk Cinema in Williamsburg, with Hayes Greenfield and the Eclectic Electric providing live musical accompaniment.
