SUNDAY SESSIONS SEASON FINALE: RAGNAR KJARTANSSON PRESENTS A LOT OF SORROW FEATURING THE NATIONAL
MoMA PS1, VW Dome
22-25 Jackson Ave. at 46th Ave.
Sunday, May 5, 415, 12 noon – 6:00 pm
718-784-2084
www.momaps1.org
One hundred years ago, Dick Burnett recorded what is believed to be the first version of the traditional folk song “Man of Constant Sorrow,” which was later made famous in the 2000 Coen brothers film “O Brother, Where Art Thou?” The tune includes such lines as “For six long years I’ve been in trouble / No pleasures here on earth I found / For in this world I’m bound to ramble.” On May 5 at MoMA PS1, Matt Berninger will be rambling for some six hours (that might feel like six years) as he leads the Brooklyn-based band the National through six consecutive hours of their 2010 song “Sorrow,” from their album High Violet. It’s part of a durational performance for the season finale of “Sunday Sessions” at the Long Island City institution, where the group is collaborating with Icelandic artist Ragnar Kjartansson, who regularly combines multidisciplinary elements into his work. This time he’ll be creating a sculptural presence in the music of twins Aaron Dessner (guitar and keyboard) and Bryce Dessner (guitar), brothers Bryan Devendorf (drums) and Scott Devendorf (bass), and lead singer Berninger, whose brother, Tom, directed the tour documentary Mistaken for Strangers, which recently premiered at the Tribeca Film Festival — O brother, where art thou? indeed. “Parting is such sweet sorrow,” Juliet tells Romeo, but for this performance, the Men of Constant “Sorrow,” whose new album, Trouble Will Find Me, drops May 20, might be looking to part ways with this song after six straight hours of it, no matter how much they might change and adapt it as they play.


That’ll be the day when someone tries to claim there’s a better Western than John Ford’s ethnocentric look at the dying of the Old West and the birth of the modern era. Essentially about a gunfighter’s attempt to find and kill his young niece, who has been kidnapped and, ostensibly, ruined by Indians, The Searchers is laden with iconic imagery, inside messages, and not-so-subtle metaphors. Hence, it is no accident that John Wayne’s son, Patrick, plays an ambitious yet inept officer named Greenhill. The elder Wayne stars as Ethan Edwards, a tough-as-nails Confederate veteran seeking revenge for the murder of his brother’s family; he’s also out to save Debbie (Natalie Wood) from the Comanches, led by a chief known as Scar (Henry Brandon), by ending her life, because in his world view, it’s better to be dead than red. Joining him on his trek is Debbie’s adopted brother, Martin Pawley (Jeffrey Hunter), who wants to save her from Edwards. The magnificent film balances its serious center with a large dose of humor, particularly in the relationships between Ethan and Martin and Ethan with his Indian companion, Look (Beulah Archuletta). And keep your eye on that blanket in front of the house. The Searchers is screening as part of Nitehawk Cinema’s “Country Brunchin’” series and will be preceded by a live set by New York City postpunk folkers Tatters and Rags.


