Ale (Alejandro Polanco) does what he needs to do to get by in Queens-set CHOP SHOP
CHOP SHOP (Ramin Bahrani, 2007)
The Lot LIC
43-29 Crescent St., Long Island City
Thursday, August 7,
Series continues through September 20
www.thelotlic.com
Set amid the junkyards and auto-body shops in the shadow of Shea Stadium, Ramin Bahrani’s follow-up to his indie hit Man Push Cart is a gritty, realistic drama of family and community. Filmed in thirty days in the Iron Triangle neighborhood of Willets Point, Queens, Chop Shop stars Alejandro Polanco as Ale, a street-smart twelve-year-old boy who works for Rob (Rob Sowulski), calling cars into the repair shop, stealing spare parts, and learning virtually every aspect of the trade, legal and not. Ale lives in a small upstairs room in the garage with his sister, sixteen-year-old Isamar (Isamar Gonzalez), who by day works in a food van and at night makes extra cash by getting into cars and trucks with strange men. Neither Ale nor Izzy goes to school; instead, they’re working hard, saving up money to buy a food van and start their own business, but their life is fraught with danger and difficulty nearly every step of the way. Written by Bahrani (Goodbye Solo, At Any PriceChop Shop is an honest, frightening, yet sweet slice of life that takes place not far from a sign at Shea that announces, “Where Dreams Happen.”
Director Ramin Bahrani frames a shot on the Willets Point set of CHOP SHOP
Polanco gives a remarkable performance as Ale, a rough yet vulnerable kid who has been dealt a tough hand but just forges ahead, attempting to make the most out of his meager life, trying to find his own piece of the American dream. Whether hanging out with his best friend, Carlos (Carlos Zapata), looking after his sister, doing a special job for Ahmad (Man Push Cart’s Ahmad Razvi), or counting his pay in front of his boss – Sowulski really does own the garage where most of the movie is filmed – Ale is an extraordinary character, played by an extraordinary young boy in his very first film. Chop Shop is a subtle, unforgettable experience. Chop Shop is screening August 7 in Long Island City as part of the free LOT LIC Music & Film Series, which consists of concerts (Taylor McFerrin, Widowspeak, Naomi Shelton and the Gospel Queens) on Saturdays from 3:00 to 9:00 and movie screenings (Polyester, Strictly Ballroom, The Triplets of Belleville) and DJs on Thursday nights beginning at 6:00. (For a day-by-day listing of free summer movie screenings throughout New York City, go here.)
Florian Habicht’s Pulp: A Film About Life, Death & Supermarkets is a brilliant inside look at the long-lasting relationship between a band and its hometown. In December 2012, British alternative band Pulp returned to the place of its birth, the rugged, working-class city of Sheffield in the north of England, for what was being billed as its last-ever concert on dry land. Pulp frontman Jarvis Cocker hooked up with Habicht (Love Story, Woodenhead), conceiving a project in which the time and place, along with the fans, would be just as important as the band and its music, if not more so. In the nonchronological film, Habicht cuts between archival footage of Pulp, clips from the final concert, interviews on the street with old and young fans, and brief chats with Pulp tour manager Liam Rippon and the other band members: guitarist Mark Webber, keyboardist Candida Doyle, bassist Steve Mackey, and drummer Nick Banks, who are pretty much taking it all in stride. But at the center of it all is the soft-spoken, enigmatic Cocker, who founded Pulp back in 1978 when he was fifteen years old.
