Jonathan Slaff reads from HENRY V at 2014 birthday bash for the Bard in Bryant Park (photo by Claire Taddei)
Who:The Drilling Company, with artistic director Jonathan Eric Foster, managing director Sarah George, and more than fifty actors, including company members Kyle Acheson, Sam De Roest, Nyssa Duchow, and Corley Pillsbury What: Second annual Shakespeare Birthday Bash Where:Bryant Park, 40th to 42nd Sts. between Fifth & Sixth Aves. When: Wednesday, April 23, free, 12:30 – 2:30 Why: The Drilling Company, those creative folks behind Shakespeare in the Parking Lot and who brought Hamlet to Bryant Park last year, will celebrate the Bard’s 451st birthday with a free party in the park on Thursday afternoon. At 12:30, a flash mob of actors will be roaming the area, presenting “Wonderful Words,” consisting of famous speeches, sonnets, and lines. At 1:00, folk band Thicket & Thistle will perform original music based on Shakespeare sonnets on the Fountain Terrace. At 1:30, anyone can join the festivities by reading a speech from a Bard play to win a T-shirt. Finally, at 2:00, banners will be raised, filled with quotations that people have been adding to all afternoon. The Drilling Company will be back in the park later this spring and summer, presenting Two Gentlemen of Verona May 15-31, followed by Romeo and Juliet July 10-26 and The Taming of the Shrew September 4-20; they will also perform As You Like It July 9-26 and Macbeth July 30 to August 15 in their new parking lot home on Norfolk St. behind the Clemente Soto Velez Cultural and Educational Center.
Who:Charlotte Rampling and Sonia Wieder-Atherton What:Recital Series: The Night Dances Where:Park Avenue Armory, Board of Officers Room, 643 Park Ave. at 67th St., 212-933-5812 When: April 22-26, $75 Why: New York City’s most diverse and captivating space, the Park Avenue Armory, will host the U.S. premiere of “Recital Series: The Night Dances,” what should be a mesmerizing performance that features the one and only Charlotte Rampling (The Night Porter, Swimming Pool) reading the poetry of Sylvia Plath, accompanied by cellist Sonia Wieder-Atherton (Little Girl Blue, from Nina Simone; Vita Monteverdi Scelsi) playing suites by Benjamin Britten.
Who:Courtney Barnett What: Three-night stand in New York City with Chastity Belt and Darren Hanlon Where:Bowery Ballroom, 6 Delancey St. between Bowery & Chrystie St., 212-260-4700 When: May 19-21, $20, 8:00 Why: Courtney Barnett might have a new song called “Pedestrian at Best,” but there’s nothing pedestrian about the twenty-six-year-old Australian guitarist and her breakthrough debut full-length, Sometimes I Sit and Think, and Sometimes I Just Sit (Mom & Pop Music, March 2015). Barnett’s rep has been growing with the critical success of her EPs I’ve Got a Friend Called Emily Ferris and How to Carve a Carrot into a Rose, but she’s absolutely exploded with the record, a diverse collection of indie rockers and intelligent ballads with complex arrangements, featuring such tracks as “Elevator Operator,” “An Illustration of Loneliness (Sleepless in New York),” “Debbie Downer,” and “Nobody Really Cares If You Don’t Go to the Party.” However, you’re likely to care if you miss this three-night party at the Bowery Ballroom May 19-21. “I’m not what you’re looking for,” Barnett might claim on “Boxing Day Blues,” but she’s exactly what you need. (For Record Store Day on Saturday, Barnett will be releasing “Kim’s Caravan” backed with a cover of John Cale’s “Close Watch.”)
Neil Young lets it all hang out in Jonathan Demme concert film (photo by Larry Cragg)
NEIL YOUNG TRUNK SHOW (Jonathan Demme, 2009)
IFC Center
323 Sixth Ave. at Third St.
Friday, April 17, 12 noon, and Monday, April 20, 8:00
212-924-7771 www.ifccenter.com www.trunkshowmovie.com
In April 2005, Neil Young underwent brain surgery for an aneurysm. Four months later, he gathered together friends for two special nights at Nashville’s historic Ryman Auditorium, captured on film by Oscar-winning director Jonathan Demme, who has previously helmed such fab music docs as Stop Making Sense and Storefront Hitchcock.Neil Young: Heart of Gold was an intimate portrait of man who looked death in the face and survived; the film featured acoustic songs primarily from Young’s beautiful Prairie Wind album. But the Godfather of Grunge wasn’t about to let a little thing like a brain aneurysm stop him from rocking in the free world. As he continued his long-term project of reaching deep into his past for his archival box sets, he released Chrome Dreams II in October 2007, a sequel to an unreleased 1977 album that was rumored to include such future Young classics as “Pocahontas,” “Like a Hurricane,” “Homegrown,” and “Powderfinger.” For Chrome Dreams II, Young strapped on the electric guitar and held nothing back, joined by longtime partners in crime Ralph Molina on drums, Rick Rosas on bass, and Ben Keith on guitars and keyboards.
Young took the show on the road, playing small clubs across the country, where each song was announced by a live painting by Eric Johnson. Demme captured two searing performances at the Tower Theater in Pennsylvania, filming them guerrilla-style with eight cameras, mostly handheld, that get right up in Young’s face. While the actual concerts were divided into two separate sets, first solo acoustic, then electric with the band, which also featured backup vocals by then-wife Pegi Young and Anthony “Sweetpea” Crawford, Demme mixes them up in Neil Young Trunk Show, an exhilarating music documentary that limits behind-the-scenes patter and instead concentrates on the powerful music. At the time, Young had been at the game for nearly fifty years, but he plays with a young man’s abandon in the film, his eyes deep in thought on such gorgeous acoustic gems as “Harvest,” “Ambulance Blues,” “Sad Movies,” and “Cowgirl in the Sand” while really letting loose with extended jams on the new “Spirit Road” and “No Hidden Path” before tearing everything apart on “Like a Hurricane.” The sixty-two-year-old Canadian legend even includes an instrumental from his high school days with the Squires, “The Sultan,” complete with Cary Kemp banging a gong. As with most Young concerts, Trunk Show is not about the greatest hits; to truly enjoy it, just let the music take you away – and make sure the theater has the volume turned up loud. The movie is screening in a DCP projection April 17 & 20 as part of the weeklong IFC Center tribute “The Bernard Shakey Film Retrospective: Neil Young On Screen,” with the latter showing introduced by Demme, who also made Neil Young Journeys about Young. The series runs April 17-23 and also includes Rust Never Sleeps, Year of the Horse, Muddy Track, Journeys Through the Past, a double feature of Solo Trans and A Day at the Gallery, and other adventurous Young musical odysseys.
Neil Young / Bernard Shakey on the set of GREENDALE
GREENDALE (Bernard Shakey, 2004)
IFC Center
323 Sixth Ave. at Third St.
April 17-23
212-924-7771 www.ifccenter.com neilyoung.com
Greendale, Neil Young’s “musical novel” about a small American town encountering a few troubles — including drugs, corporate greed, extramarital doings, the murder of a police officer, and a little red devil — is simplistic, amateurish, silly, and a lot of fun. The music, especially “Falling from Above,” “Devil’s Sidewalk,” and “Bandit,” is awesome, featuring Young’s soaring guitar and the solid backing of Crazy Horse. There’s no dialogue in the film, just the characters lip-synching to Young’s singing. With Greendale, Young has created his own little world, and for nearly ninety minutes, it’s a pleasure to be a part of it. The direction is credited to Young’s alter ego, Bernard Shakey, who is enjoying a weeklong retrospective at the IFC Center, consisting of a 35mm print of Greendale, a digital restoration of the director’s cut of Human Highway, the twentieth-anniversary of Dead Man (with director Jim Jarmusch participating in a postscreening discussion on April 23 at 7:00), a high-definition digital projection of Journey Through the Past, a 35mm print of Year of the Horse (with Jarmusch at the IFC Center for the 9:45 screening on April 23), and other musical journeys starring Young, who continues to make vibrant music as he heads toward seventy.
“I found my calling in the back bin of a dark, dusty record store.” So says 2015 Record Store Day ambassador Dave Grohl, who speaks eloquently about the first vinyl disc he ever bought and the importance of independent record stores here. Now in its ninth year, Record Store Day, taking place on April 18, will send you back into your closet to consider setting up that turntable again, as music retailers around the city will be selling limited-edition seven-inch, ten-inch, and twelve-inch records; among the participating locations are Generation Records, Bleecker Street Records, Rebel Rebel, Other Music, Academy, Record Runner, Disc-o-Rama, Turntable Lab, Cake Shop, Jazz Record Center, and In Living Stereo. Below are only some of the hundreds of vinyl releases that will be available, although you’ll need to call ahead to see if the singles, EPs, and albums you want are being sold at your local store. “I believe that the power of the record store to inspire is still alive and well, and that their importance to our next generation of musicians is crucial,” Grohl concludes.
Adam & the Ants: Kings of the Wild Frontier/Ant Music
Alex Chilton: “Jesus Christ”
Bernard Herrmann: Psycho Music
Bob Dylan: The Basement Tapes (180g mono)
Brian Eno: My Squelchy Life
Buzzcocks: “The Way”
Captain Beefheart and the Magic Band: Rough, Raw and Amazing
Courtney Barnett: “Kim’s Caravan”
D’Angelo: “The Charade”
David Bowie: “Changes” picture disc
Erasure: The Violent Flame Remixes
Foo Fighters: Songs from the Laundry Room
Grateful Dead: Wake Up to Find Out: Nassau Coliseum, Uniondale NY 3/29/90
Jeff Beck: “Love Is Blue”/“I’ve Been Drinking”; “Hi Ho Silver Lining”/“Beck’s Bolero”
Joan Jett: Flashback
Johnny Cash: Koncert v Praze (In Prague — Live)
Justin Townes Earle: Live at Grimey’s
Mike Watt + the Secondmen/EV Kain: “Shit on Me”/“Striking Out”
Mumford & Sons: “Believe”
Neko Case: Fox Confessor Brings the Flood
Noel Gallagher’s High Flying Birds: In the Heat of the Moment
Robyn Hitchcock + Emma Swift: “Follow Your Money”/“Motion Pictures”
Steve Earle/Robert Johnson: Terraplane
Stooges: Have Some Fun: Live at Ungano’s
SWANS 12″ EP
Syd Barrett/R.E.M.: “Dark Globe”
Tegan & Sara: Live at Zia Records
The Baseball Project/The Minus 5: Redeyed in Austin
The Black Keys/Junior Kimbrough: “Meet Me in the City”
The Dixie Cups: Chapel of Love
The Flaming Lips: Bad Days, Brainville, This Here Giraffe
The Jesus & Mary Chain: Psychocandy. Live. Barrowlands
Those Darlins/Diarrhea Planet: Live at Pickathon
U2: Songs of Innocence Deluxe
Wu-Tang Clan: Protect Ya Neck
Who:Kehinde Wiley and DJ Spooky What: Interactive multimedia talk Where:Brooklyn Museum, Iris and B. Gerald Cantor Auditorium, 200 Eastern Pkwy. at Washington St., 718-638-5000 When: Thursday, April 16, $16 (includes museum admission), 7:00 Why: Kehinde Wiley and DJ Spooky will team up at the Brooklyn Museum to discuss Wiley’s midcareer retrospective, “Kehinde Wiley: A New Republic,” featuring five dozen of his unique portraits and sculptures. The evening will include a talk, a performance by Paul D. Miller, better known as That Subliminal Kid, DJ Spooky, and a Q&A.