
Kehinde Wiley, “Shantavia Beale II,” oil on canvas, 2012 (Collection of Ana and Lenny Gravier. © Kehinde Wiley. Photo by Jason Wyche, courtesy of Sean Kelly, New York)
Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, April 4, free, 5:00 – 11:00
212-864-5400
www.brooklynmuseum.org
You know L.A.-born, New York–based artist Kehinde Wiley has made it, since one of his works is featured in the hit show Empire. Wiley’s new show at the Brooklyn Museum, “Kehinde Wiley: A New Republic,” is the centerpiece for the May edition of the institution’s free First Saturday program. The free evening will feature live musical performances by Chargaux and Zebra Katz and DJ sets by Juliana Huxtable and Total Freedom; a curator talk by Eugenie Tsai about the Wiley show; a Wiley-inspired three-dimensional frame-making workshop; pop-up gallery talks; an interactive space curated by Browntourage combining entertainment and activism; a screening of Jeffrey Dupre’s short 2014 documentary Kehinde Wiley: An Economy of Grace; and a Wiley-inspired dance performance of Leaders of the New School by Art of Legohn. In addition, you can check out such exhibitions as “Revolution! Works from the Black Arts Movement,” “Basquiat: The Unknown Notebooks,” “Diverse Works: Director’s Choice, 1997–2015,” “The Dinner Party by Judy Chicago,” and “Chitra Ganesh: Eyes of Time.”




In April 2005, Neil Young underwent brain surgery for an aneurysm. Four months later, he gathered together friends for two special nights at Nashville’s historic Ryman Auditorium, captured on film by Oscar-winning director Jonathan Demme, who has previously helmed such fab music docs as Stop Making Sense and Storefront Hitchcock. Neil Young: Heart of Gold was an intimate portrait of man who looked death in the face and survived; the film featured acoustic songs primarily from Young’s beautiful Prairie Wind album. But the Godfather of Grunge wasn’t about to let a little thing like a brain aneurysm stop him from rocking in the free world. As he continued his long-term project of reaching deep into his past for his archival box sets, he released Chrome Dreams II in October 2007, a sequel to an unreleased 1977 album that was rumored to include such future Young classics as “Pocahontas,” “Like a Hurricane,” “Homegrown,” and “Powderfinger.” For Chrome Dreams II, Young strapped on the electric guitar and held nothing back, joined by longtime partners in crime Ralph Molina on drums, Rick Rosas on bass, and Ben Keith on guitars and keyboards.