Who: Luna
What: Green Label Live at McCarren Park, Northside Festival
Where: McCarren Park, North Twelfth St., Lorimer St., and Manhattan Ave. between Bayard St. and Berry St. and Nassau Ave.
When: Thursday, June 11, free with RSVP, 7:30
Why: In February 2006, we caught one of Luna’s final farewell shows at Bowery Ballroom, as the too-cool-for-school indie band (when the word indie still meant something) called it quits on a stellar career that included such great understated and influential records as Lunapark and Penthouse. But now original shoegazers Dean Wareham, Britta Phillips, Sean Eden, and Lee Wall are back together again, and they’re playing a free show on June 11 in McCarren Park as part of the Northside Festival. The festival runs June 8-14 in venues all over Brooklyn’s north side, featuring film June 8-10, innovation speakers, panel discussions, and a trade-show expo June 11-12, music June 11-14, and art walks June 13-14; among the other bands performing on June 11 are Dead Leaf Echo and Monogold at Black Bear Bar, Lower Dens at the Music Hall of Williamsburg, Ringo Deathstarr at the Grand Victory, and Life Size Maps at Union Pool.
this week in music
EGG ROLLS, EGG CREAMS, AND EMPANADAS FESTIVAL 2015
Museum at Eldridge Street
12 Eldridge St. between Canal & Division Sts.
Sunday, June 7, free, 12 noon – 4:00 pm
212-219-0302
www.eldridgestreet.org
The fifteenth annual Egg Rolls & Egg Creams block party is adding quite a twist this year, bringing together not only the Jewish and Chinese communities of the Lower East Side but also the Puerto Rican community. Taking place June 7, the festival will include food and drink, live music (klezmer, salsa, bomba, and plena) and dance, history, culture, and lots more. Among the highlights of the festival are the kosher egg creams and egg rolls — and new this year, empanadas — as well as yarmulke and challah workshops, tea ceremonies, Yiddish, Mandarin, and Spanish lessons, Hebrew and Chinese calligraphy classes, mah jongg, cantorial songs, Peking Opera, Chinese and Puerto Rican mask making, face painting, and free tours of the wonderfully renovated Eldridge St. Synagogue, which boasts the East Window designed by Kiki Smith and Deborah Gans. In past years, the festival has included performances by the Chinatown Senior Center Folk Orchestra, Qi Shu Fang’s Peking Opera, the Shashmaqam Bukharan Jewish Cultural Group, Ray Muziker Klezmer Ensemble, and Cantor Eric Freeman, some of whom will be back again for this year’s multicultural celebration.
BELMONT STAKES DAY 2015
American Pharoah prepares for the Belmont Stakes with a workout at Churchill Downs this week (photo by Churchill Downs / Reed Palmer Photography)
Belmont Park
2150 Hempstead Tpke., Elmont
Saturday, June 6, $15-$400, first race at 12:50 am
516-488-6000
www.belmontstakes.com
For the seventh time in this young century, including three of the last four years, a racehorse has won the Kentucky Derby and the Preakness, with only the Belmont Stakes standing in the way of history and the Triple Crown. On June 6, three-year-old American Pharoah — yes, the second name is misspelled, accidentally — will be twelve furlongs (a mile and a half) from the elusive goal (last achieved by Seattle Slew in 1977 and Affirmed in 1978), a prohibitive 4-5 favorite against only seven other horses: Frosted, Materiality, Madefromlucky, Mubtaahij, Tale of Verve, Keen Ice, and Frammento. The usual capacity is 85,000 to 90,000 fans at the park, but you can expect even more to squeeze in for this major sporting event; if you want to witness the excitement in person, you better get your tickets fast, because many sections are already sold out, and no tickets will be available on race day. Parking costs between $20 and $125, and the LIRR is a viable option as well; more than $5 million has been spent to improve on last year’s nightmare of getting everyone out after California Chrome got trounced by Tonalist. There’s no need to rush back to Penn Station right after the Stakes, as not only are there several races after that, but the Goo Goo Dolls will be playing a post-race concert (as well as a pre-race set). There will also be performances by the cast of Jersey Boys and the USMA West Point Cadets. Saturday’s schedule also features five other races with purses of at least $700,000. And more than thirty food trucks will be on hand, including Trusty Truck, Sanducci’s Wood Fired Pizza, Uncle Gussy’s, Hibachi Heaven, Nuchas Empanadas, Mr. Smith’s Seafood, and Mike ‘n’ Willie’s. Even with rain expected, there’s nothing quite like going to the park, where you can get up close and personal with the horses as they proudly parade around the paddock before each race; post time for the 147th running of the Belmont Stakes is 6:50; make sure you have a really wild hat.
FIRST SATURDAY: INTERNATIONAL LGBTQ PRIDE
Zanele Muholi, “Faces and Phases,” installed at dOCUMENTA (13), Kassel, Germany, 2012 (photo © Anders Sune Berg)
Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, June 6, free, 5:00 – 11:00
212-864-5400
www.brooklynmuseum.org
The June installment of the Brooklyn Museum’s free First Saturday program celebrates LGBTQ Pride, with live performances by the New York City Gay Men’s Chorus, Aye Nako, DJ Lynnee Denise, DJ Ilsa, and Junglepussy with DJ Joey Labeija; an exhibition talk by Jess Wilcox on “Zanele Muholi: Isibonelo/Evidence” and ten-minute pop-up gallery talks about “Diverse Works: Director’s Choice, 1997–2015”; a flag-making workshop; a poetry performance by Dark Matter (Alok Vaid-Menon and Janani Balasubramanian); a literary workshop with bklyn boihood, focusing on its upcoming publication, Outside the XY; screenings of Seyi Adebanjo’s 2013 documentary, Trans Lives Matter! Justice for Islan Nettles, followed by a talkback with the director, and Dan Sickles & Antonio Santini’s 2014 film, Mala Mala, followed by a talkback with the directors and cast memebers Paxx and Joyce Puty; and a tribute to retiring museum director Arnold Lehman, with reflections and performances by DapperQ, Visual Aids, Harriett’s Apothecary, Haiti Cultural Exchange, CaribBEING, Afrika 21/Harriet’s Alter Ego, and Balmir Latin Dance. In addition, you can check out such exhibitions as “Basquiat: The Unknown Notebooks,” “Kehinde Wiley: A New Republic,” “Kara Walker: ‘African Boy Attendant Curio (Bananas),’” and “Chitra Ganesh: Eyes of Time.”
SHANNON EBNER WITH DAVID REINFURT: A HUDSON YARD
Shannon Ebner and David Reinfurt’s “A Hudson Yard” public art collaboration will be celebrated on June 4 on the High Line (photo by Timothy Schenck)
Who: Shannon Ebner, David Reinfurt, Alex Waterman
What: Launch of art-project pamphlet with live music
Where: 14th Street Passage on the High Line at 14th Street
When: Thursday, June 4, free, 6:00 – 8:00
Why: From May 2014 to April 2015, New Jersey-born artist Shannon Ebner, who lives and works in Los Angeles and specializes in combining sculpture, photography, and language, added a four-by-six-foot wheat-pasted poster of different versions of the capital letter “A” in Chelsea and the Meatpacking District, giving odd, mysterious ratings to street corners, construction sites, and random walls, one at the beginning of each month, in collaboration with New York City-based graphic designer and writer David Reinfurt. Once put up, the posters remained for between one day and one week, depending on the weather or someone taking it down. On June 4 at 6:00, the work, known as “A Hudson Yard,” will be celebrated with the release of a pamphlet containing photographs and text by the artists, who will be on the High Line, at the 14th Street Passage, for its public unveiling, accompanied by “Clouds and Crowds for 12 Singers,” a new composition by Alex Waterman that will be performed at 6:30.
BROOKLYN SPACES BOOK LAUNCH
Who: Oriana Leckert, Hungry March Band, Morgan O’Kane, Batala NYC, Stefan Zeniuk, DJ Dirtyfinger, the Artist Formerly Known as Anya Sapozhnikova and others from House of YES, Dani Leigh & Demi Fyrce of Big Sky Works
What: Book party celebrating the launch of Brooklyn Spaces: 50 Hubs of Culture and Creativity (Monacelli Press, May 19, $29.95)
Where: Gowanus Ballroom, 55 Ninth St.
When: Saturday, May 30, free (suggested donation $10), 7:00 – late
Why: In her new book expanded from her popular website, Brooklyn Spaces, Oriana Leckert selects fifty of the most unusual and fascinating places in Brooklyn, documenting, as she writes in the introduction, “the Brooklyn I know, the Brooklyn that is mine, the Brooklyn that endlessly inspires me with its passion, innovation, and experimentation.” On May 30, Leckert will host a crazy-mad book party at the Gowanus Ballroom, one of the locations detailed in the book. “One of the most perfect representations of a Brooklyn underground arts space, the Gowanus Ballroom succeeds beautifully at artistic exhibition, cultural advancement, and creative commerce, all within a gorgeously strange historic building,” Leckert writes. (Other spots included in the book are Brooklyn Brainery, Flux Factory, the Invisible Dog, the Morbid Anatomy Museum, the Schoolhouse, Superhero Supply Co., and the Swamp.) The all-night book launch will feature art, music, dance, photography, and lots of unpredictable goings-on, selected from other cultural institutions and artist houses singled out in the book.
QUEEN OF THE NIGHT
The Queen of the Night (Katherine Crockett) greets her loyal subjects in immersive theatrical event (photo by twi-ny/mdr)
Diamond Horseshoe, Paramount Hotel
235 West 46th St. between Broadway & Eighth Aves.
Tuesday – Sunday through June 28, $195-$475
212-706-7448
queenofthenightnyc.com
www.diamondhorseshoe.com
“This is the best dinner theater ever,” my companion said to me about halfway through Queen of the Night, the immersive, all-inclusive presentation running at the resurrected Diamond Horseshoe at the Paramount Hotel. The six-thousand-square-foot nightclub, which was opened by impresario Billy Rose in 1938 and hosted many a celebrity and performer until its closing in 1951, is now home to the decadently delightful Queen of the Night, a three-hour affair inspired by Mozart’s The Magic Flute and the real-life adventures of the Marchesa Luisa Casati, the Italian heiress, patron, muse, and original female dandy who once declared, “I want to be a living work of art.” And that’s exactly what she is in the show, as portrayed by Martha Graham veteran Katherine Crockett in a tantalizing mask and an elegant, dramatic flowing white gown accessorized by two life-size sculptures of caressing gold hands. The abstract narrative ostensibly follows young initiate Pamina (Valerie Benoit-Charbonneau), the Marchesa’s daughter, who is caught between the sorcerer Sarastro (Will Underwood) and her true love, Tamino (Tristan Nielsen). But Queen of the Night is really about lavish spectacle, as minor characters perform dazzling acrobatics, diving through hoops, climbing poles, juggling unusual objects, riding a Cyr wheel, and dangling from the ceiling from aerial silk. (The circus elements come courtesy of Shana Carroll and her Montreal troupe Les 7 Doigts de la Main, including Olaf Triebel, Emilie Desvergne, and Zia Zhengqi; members of the company also appear in Diane Paulus’s current revival of Pippin.)
The audience sits around the central stage at the renovated and restored Diamond Horseshoe (photo by twi-ny/mdr)
Ultimately, how much you enjoy Queen of the Night is up to you; the more adventurous and open you are to just about anything, the more unpredictable and exciting the experience will be. Upon entering the transformed, glittering nightclub, you are encouraged to explore, and explore you should, checking out every nook and cranny that security allows; you’ll find strange artifacts of a time gone by, perhaps get picked to pay tribute to the queen, and maybe even help shave Pamina’s legs in a bathtub while a man reads from a book about the G-spot. During the show, you are likely to get stroked by various servant-slave butlers or the queen herself and might also be chosen to take part in some of the wild activities going on around the stage. And if you want to taste all of the food — the kitchen serves salmon Wellington, chicken, and lamb you slice yourself, with various accompaniments — you’ll have to get up from your table and trade portions with strangers.
Performers get up close and personal in immersive QUEEN OF THE NIGHT (photo by twi-ny/mdr)
Conceived by Randy Weiner, the producer of the Macbeth-inspired Sleep No More and cocreator (with Paulus, his wife) of the Midsummer Night’s Dream-based The Donkey Show, Queen of the Night is directed by Tony-nominated scenic designer Christine Jones (Spring Awakening, American Idiot), who is also currently helming the very different Theatre for One piece I’m Not the Stranger You Think I Am, a show of minimalist five-minute one-actor plays by famous playwrights for one audience member at a time. QOTN requires somewhat more intensive staging than that: Also deserving praise are lighting designer Austin R. Smith, fashion designer Thom Browne, set (and scent?!) designer Douglas Little, choreographer Lorin Latarro, interior designer Meg Sharpe, creative director Giovanna Battaglia, and executive chef Jason Kallert. As immersive theater goes, Queen of the Night has it all, mixing contemporary dance, acrobatics, fab costumes, magic, audience participation, and good food. There are three ticket levels, Gala ($195), Premium ($275), and Ultimate ($475), each of which comes with dinner but otherwise includes different amenities, seating, and access. If you allow yourself to get swept up in all the titillating pageantry, well, Queen of the Night just might be the best dinner theater ever.