this week in (live)streaming

HI, ARE YOU SINGLE?

HI, ARE YOU SINGLE?
Woolly Mammoth Theatre Company
February 1-28, $20.99 for forty-eight-hour stream (captioning and audio description available)
www.woollymammoth.net

Ryan J. Haddad wants to get laid. A lot. And also find true love and inner happiness. Is that so much to ask? He shares his bittersweet, hugely entertaining story in his one-man show Hi, Are You Single?, streaming from Woolly Mammoth Theatre Company February 1-28. Haddad delves into his deepest desires in the hourlong autobiographical play, which was filmed live on Woolly Mammoth’s DC stage, in front of a small, masked, socially distanced audience made up of members of the staff and design team.

“Have you ever felt an overwhelming sense of longing for companionship and intimacy and love?” he asks. “And how many of you just get horny sometimes, huh?” Haddad, who is gay and has cerebral palsy, requiring the use of a walker, details various encounters with men, from a high school football player to guys he meets on a gay dating site, at an East Village bar, and other pickup hotspots. He is engagingly open and honest, which can be both shocking and hysterically funny, and not just because of his disability, which he does not let stop him from fulfilling his sexual urges, like loving to be cuddled after being spanked. He also poignantly relates the issues of being both gay and disabled. After coming out to his mother, she tells him, “I’m scared, because now you’re different in two ways.”

Ryan J. Haddad gets intimate in autobiographical one-man show (photo by Lawrence E. Moten III)

Hi, Are You Single? has been touring the country since 2016; the filmed version, presented in association with LA’s IAMA Theatre Company and directed by Laura Savia and Jess McLeod, arrives at a time when theater-hungry audiences are desperate for intimate artistic connection, not unlike the companionship Haddad seeks, save, perhaps, for the erotic sexual aspect. Haddad, whose previous work includes My Straighties, Noor and Hadi Go to Hogwarts, and Falling for Make Believe at such venues as the Public Theater, Ars Nova, Joe’s Pub, Dixon Place, and La MaMa E.T.C. here in New York, also deftly handles a part of the show in which he brings someone onstage to dance with him, a startling yet affecting moment during the coronavirus crisis. In Hi, Are You Single?, Haddad takes a long look at himself, which makes us look at ourselves in solidarity, in a wholly satisfying show that will yet leave you aching for more.

THE NOURISH PROJECT

THE NOURISH PROJECT
WP Theater
January 28 – February 7, free, 7:30
wptheater.org

New York City’s WP (formerly Women’s Project) Theater seeks to soothe and feed your soul with The Nourish Project, an interactive virtual presentation continuing through February 7. Conceived and directed by associate artistic director Rebecca Martínez, who was part of the team that took us on an audio tour through the Cathedral Church of St. John the Divine community in Sanctuary and helmed one of the microplays in the sensational Here We Are series, The Nourish Project is a multidisciplinary production featuring dance, music, storytelling, poetry, food, and more from a collective of BIPOC creators. Admission is free, but there are three levels of suggested donations if you can afford it, from $10 to $100; when you register, you have to select an element — water, earth, fire, or air — that will determine which breakout room you go to about halfway through the show.

Natalie Benally is one of several BIPOC creators participating in The Nourish Project (photo courtesy WP Theater)

The seventy-minute experience includes songs by Edna Vazquez, opening and closing words written by Jaisey Bates, a cooking demonstration and song from Joaquin Lopez, poems by Latrelle Bright and Camryn Bruno, element hostings by Natalie Benally, Nikiko Masumoto, Jono Eiland, and Bright, dance by Brittany Grier, Megan J. Minturn, and Joya Powell, and other contributions from Siobhan Juanita Brown, Sage Chanell, Madeline Sayet, Dr. Michelle Tom, and Meghan “Sigvanna” Topkok. Along the way, you will be asked intimate questions in the chat, and you are encouraged to turn your camera on at several points to share a few objects visually. You will also hear such lines as “I, the spirit in constant motion, wafting across the planet ever present, holding everything that ever was” and “We are storied bodies, made of stars.” The Nourish Project is earnest, New Agey, reverential, and crunchy, with flourishes of organic spirituality and ASMR, but if that’s your thing, give it a shot. These days, you gotta find comfort and community wherever you can.

RemarkaBULL PODVERSATIONS: EXPLORING KING LEAR

Who: André De Shields, Nathan Winkelstein
What: Live discussion of the “Blow, winds” speech from King Lear
Where: Red Bull Theater’s website, Vimeo, Facebook Live
When: Monday, February 1, free with RSVP, 7:30
Why: Baltimore-born actor, singer, dancer, director, and choreographer André De Shields has been a superstar during the pandemic lockdown, popping up all over the place. The Emmy, Tony, and Grammy winner portrayed Elder Qualls in Shaka Senghor’s A Father’s Sorrow for the 24-Hour Plays series, revisited Haarlem Nocturne for Crossroads Theatre Company, took part in a terrific Classic Conversation with Classic Stage artistic director John Doyle, played Anton Ego in Ratatouille: The TikTok Musical, sang “Shine” for the #SaveWestBankCafe Telethon, crooned “You’re a Mean One, Mr. Grinch” in the Home for the Holidays BCEFA benefit concert, delivered the keynote speech for Victory Gardens Theater’s Voices of Tomorrow, read Congressman John Lewis’s “Together, You Can Redeem the Soul of the Nation,” participated in an all-star outdoor rendition of “Broadway Baby” for Our America: A Concert for the Soul of the Nation, and will next serve as host, as Hermes, of the Onassis Foundation’s Live from Mount Olympus, a free weekly podcast debuting February 2 on PRX’s TRAX podcast network for tweens, directed by Rachel Chavkin and Zhailon Levingston.

Andre De Shields stars as King Lear at the Folger Theatre in 2007 (photo by Scott Suchman)

He now turns to Shakespeare for Red Bull Theater’s RemarkaBULL Podversation presentation “Exploring King Lear,” streaming live February 1 at 7:30. De Shields will deliver the “Blow, winds” speech from Act 3: Scene 2 of the Bard’s tragedy, followed by a discussion with Red Bull associate producer Nathan Winkelstein. “Blow, winds, and crack your cheeks! rage! blow! / You cataracts and hurricanoes, spout / Till you have drench’d our steeples, drown’d the cocks! / You sulphurous and thought-executing fires, / Vaunt-couriers to oak-cleaving thunderbolts, / Singe my white head! And thou, all-shaking thunder, / Smite flat the thick rotundity o’ the world!” Lear declares. De Shields (Hadestown, Ain’t Misbehavin’) portrayed the king at Classical Theater of Harlem and the Folger in DC in 2007, so he has his own unique history with the character. Previous Podversations have featured Patrick Page on Othello, Kate Burton on The Tempest, Stephen Spinella on As You Like It, Elizabeth Marvel on Julius Caesar, and Chukwudi Iwuji on Henry VI.

FRAN & KATE’S DRAMA CLUB

Who: Frances McDormand, Kate Valk, special guests
What: Live series about the Wooster Group
Where: The Performing Garage Zoom
When: Thursday, January 28, $50, 8:00
Why: Two-time Oscar winner Frances McDormand and Wooster Group founding member Kate Valk are teaming up for the new virtual series Fran & Kate’s Drama Club, in which they will interview special guests and show clips exploring the history of the Wooster Group, one of New York City’s underground gems. The company, based at the Performing Garage on Wooster St., was founded in 1975 by Valk, Elizabeth LeCompte, Spalding Gray, Jim Clayburgh, Ron Vawter, Willem Dafoe, and Peyton Smith and has been presenting innovative and experimental works ever since. The club kicks off January 28 at 8:00 with a look at Juliet Lashinsky’s “The Archivist,” part of the online DAILIES series featuring archivist Clay Hapaz. Among the short pieces are McDormand quoting Bertolt Brecht from The Mother, McDormand reading from the article “Fair Treatment for Theatre Labor: A Right to Perform Plays” by Catherine Fisk and Alisa Hartz, Valk and Vito Acconci in Raul Ruiz’s The Golden Boat, Valk in five episodes of Sugar High, and video and photos from the current rehearsals for The Mother, in which Valk plays the title character. Fran & Kate’s Drama Club is a fundraiser to ensure the company completes The Mother and two other Covid-sensitive productions, a collaboration with Eric Berryman and an audio recording of Daniel Paul Schreber’s 1903 book Memoirs of My Nervous Illness with McDormand, Maura Tierney, and Ari Fliakos; tickets are $50.

GALLIM HAPPY HOUR WITH SARA MEARNS AND ANDREA MILLER

Who: Sara Mearns, Andrea Miller
What: Happy hour discussion with cocktail
Where: Gallim Dance Zoom and Facebook Live
When: Thursday, January 28, free with RSVP, 6:00
Why: New York City Ballet principal dancer Sara Mearns had already been a revelation, performing the role of the Swan Queen in Swan Lake, starring in numerous Balanchine ballets, and appearing in works by Justin Peck, Kyle Abraham, Alexei Ratmansky, Christopher Wheeldon, and many others. But she has reached a whole new level during the pandemic, participating in a wide range of virtual projects that has displayed the breadth of her skill and dedication. In May, she was one of thirty-two dancers to perform Le Cygne (The Swan) variation for Swans for Relief, in June she collaborated with choreographer and husband Joshua Bergasse, songwriter Zoe Sarnak, and actress Margo Seibert on the Works & Process commission Storm, in July she and Nina Ananiashvili explored the dual role of Odette-Odile in Swan Lake for New York City Center’s Studio 5: Live @ Home series, in September she was mesmerizing in Lee Mingwei and Bill T. Jones’s durational Our Labyrinth at the Metropolitan Museum of Art, in October she danced in Peck’s Thank You, New York with Christopher Grant, Georgina Pazcoguin, and Taylor Stanley for the New York City Ballet New Works Festival, in November she paired with David Hallberg in Wheeldon’s The Two of Us for Fall for Dance, and in December she was one of seven dancers re-creating Molissa Fenley’s State of Darkness solo onstage at the Joyce, in addition to multiple interviews and talkbacks (for example, the new Works & Process docuseries Isolation to Creation) and posting about taking dance classes online.

If you’re out of breath reading all of that, imagine how Mearns feels. You can find out just how she feels when she meets virtually with GALLIM founder and artistic director Andrea Miller, a Guggenheim Fellow and the inaugural artist-in-residence at the Metropolitan Museum of Art, for a live happy hour discussion on January 28 at 6:00 on Zoom and Facebook Live; Mearns has chosen a sunset splash as her cocktail of choice, consisting of three parts San Pellegrino blood orange and one part Ketel One vodka over ice.

WORKS & PROCESS: ISOLATION TO CREATION DOCUSERIES

Works & Process at the Guggenheim
WNET’s All Arts
Wednesdays, January 27, February 3, 10, 17, free, 8:00
allarts.org/schedule
www.worksandprocess.org

“When we really didn’t know what this pandemic was going to be, times got really, really, really rough. And then, around late March, the entire ecosystem just completely collapsed,” Works & Process general manager Duke Dang says in The Way Forward, the film that kicks off the docuseries Isolation to Creation, which premieres on WNET’s All Arts channel on January 27 at 8:00. The half-hour film follows the creative process of a group of artists who found their previously commissioned works postponed so they had to adapt to the shutdown of indoor venues, in this case the 273-seat Peter B. Lewis Theater under the Guggenheim rotunda, where Works & Process has been hosting sneak peeks and behind-the-scenes looks at dance, theater, opera, and music productions since 1984. The organization quickly transitioned to the new digital world, presenting a wide range of daring and beautiful virtual pieces, more than six dozen so far, all under ten minutes and premiering Sunday and Monday nights, filmed outdoors or from wherever the artists are sheltering in place.

In The Way Forward, Ephrat “Bounce” Asherie, Archie Burnett, Omari Wiles and Kya Azeen of Les Ballet Afrik, Joshua Bergasse, Sara Mearns, Chris Celiz, José Cruzata, Jamar Roberts, Dr. Wendy Ziecheck, and others discuss the metamorphosis to virtual productions, including Covid-19 testing, forming quarantine bubbles in the Hudson Valley (at Kaatsbaan Cultural Park, Mount Tremper Arts, and Petronio Residency Center), and collaborating while socially distancing. “It’s a complete launch into the unknown for us, and Duke especially just grabbed it and ran,” W&P producer Caroline Cronson explains. The series, directed by Nic Petry of Dancing Camera, continues February 3, 10, and 17 as the artists get ready for showtime, preparing their works in such styles as Afrik, ballet, ballroom, break, flex, Krump, modern, tap, and vogue. W&P has been more than a breath of fresh air during the coronavirus crisis, streaming exhilarating short pieces that remind us of the power of and intrinsic need for art and all that it brings us, particularly when we’re stuck in our homes, and Isolation to Creation enhances that experience in a big way, holding us over until we can once again return to the Peter B. Lewis Theater and be together in the same space.

THE HOMEBOUND PROJECT SPECIAL EDITION: 2021

Who: Dylan Baker, Becky Ann Baker, Christopher Abbott, Deirdre O’Connell, Emily Kuroda, Michael Chernus, Jojo Brown, Dalia Davi, Nicholas Gorham, Carolyn Ratteray, Stacey Karen Robinson, Babak Tafti, Daigi-Ann Thompson, Paul Sparks, Eden Malyn, Amanda Seyfried, Sting
What: New online theatrical works to benefit No Kid Hungry
Where: Link supplied by the Homebound Project after donation
When: January 27-31, $10 or more, 7:00
Why: One of the best theatrical series during the pandemic has been the Homebound Project, short one-act plays, generally between five and ten minutes each, featuring award-winning actors, writers, and directors, filmed wherever the performer is sheltering in place. Among the many highlights from the first five iterations were Alison Pill in C. A. Johnson’s diversions, Marin Ireland in Eliza Clark’s The Jessicas, Kimberly Hébert Gregory in Loy A. Webb’s These Hands, Utkarsh Ambudkar in Marco Ramirez’s Is This a Play Yet, Ashley Park in Bess Wohl’s The Morning Message to the Second Graders in Room 206, Daveed Diggs in Johnson’s Here and Now, Diane Lane in Michael R. Jackson’s Let’s Save the World, Sue Jean Kim in Leslye Headland’s The Rat, ​Marquise Vilsón in Migdalia Cruz’s Meat & Other Broken Promises, and Brian Cox and his wife and children in Melis Aker’s Fractio Panis. If you didn’t catch them the first time around, when they ran online for four days each, then you’re out of luck. But you can soon catch the surprise sixth presentation, which premieres January 27 at 7:00 and can be viewed, with a minimum donation of ten dollars, through January 31 at 7:00. All proceeds benefit No Kid Hungry; more than one hundred and fifty thousand dollars has been collected so far. Much of the reason why they decided to add this extra edition is because of the continued lockdown of many schools and the resulting food insecurity many children are experiencing.

The theme of the first five installments were “Home,” “Sustenance,” “Champions,” “Promise,” and “Homemade”; taking on the prompt of “2021” are the following exciting actor/writer/director collaborations: Christopher Abbott and Deirdre O’Connell / Lucy Thurber / Caitriona McLaughlin (Port Isabel); Dylan Baker and Becky Ann Baker / David Lindsay-Abaire / Paul Mullins (The Narrows); Jojo Brown / Cece Suazo / Jenna Worsham (Things That Were Said to Me​); Michael Chernus / Adam Rapp / Adam Rapp (Sand and Snow); Dalia Davi / Ren Dara Santiago / Jenna Worsham (Someone’s Family); Nicholas Gorham / Brian Otaño / Tatiana Pandiani (close your eyes and count to ten); Emily Kuroda / Kate Cortesi / Jenna Worsham (I love parties); Eden Malyn and Catya McMullen / Catya McMullen (She’s a leaper); Carolyn Ratteray / Bekah Brunstetter (My Mouth); Stacey Karen Robinson / Sharon Bridgforth (bull-jean & dem/dey back); Paul Sparks / Brian Watkins / Danya Taymor (Thing on the Dash); Babak Tafti / Colette Robert / Taylor Reynolds (notes from a survivalist); and Daigi-Ann Thompson / Julissa Contreras (Essential), with special appearances by Amanda Seyfried and Sting.