this week in film and television

WEEKLY LISTINGS October 28 – November 4

Dessner brothers will lead special music event at BAM (photo by twi-ny/mdr)

Dessner brothers will lead special music event at BAM (photo by twi-ny/mdr)

THE LONG COUNT
Howard Gilman Opera House
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
Tickets: $20-$45
718-636-4100
www.bam.org

Wednesday, October 28
through
Saturday, October 31    “The Long Count” features three performances led by Bryce and Aaron Dessner of the National and visual artist Matthew Ritchie, with guest vocalists the Breeders’ Kim and Kelley Deal, My Brightest Diamond’s Shara Worden, and the National’s Matt Berninger. There will be also be an artist talk with the Dessner brothers and Ritchie at the Hillman Attic Studio on October 31 at 6:00 ($8).

Dr. Leon Chang's life and work are celebrated at TECO (photo by twi-ny/mdr)

Dr. Leon Chang's life and work are celebrated at TECO (photo by twi-ny/mdr)

DR. LEON LONG-YIEN CHANG COMMEMORATIVE EXHIBITION
TECO
1 East 42nd St. between Fifth & Madison Aves.
Admission: free
212-557-5122
www.taiwanembassy.org
www.flickr.com/slideshow

Through Friday, October 30     In celebration of the life of poet, teacher, diplomat, artist, and calligrapher Dr. Leon Chang, who passed away this past May at the age of 101, the Taiwan Economic and Cultural Office in New York is hosting a splendid exhibit of Dr. Chang’s calligraphy, in beautiful scrolls and framed images, along with photographs and other memorabilia of a life well lived

Garth Fagan is presenting its thirty-ninth season at the Joyce (photo by Bob Joe)

Garth Fagan is presenting its thirty-ninth season at the Joyce (photo by Bob Joe)

GARTH FAGAN DANCE
Joyce Theater
175 Eighth Ave. at 19th St.
Tickets: $10-$49
212-645-2904
www.garthfagandance.org
www.joyce.org

Through Sunday, November 1   Garth Fagan’s thirty-ninth season features LANDSCAPE FOR 10, live music by the Ying Quartet, and more

SITI reinvents Sophocles at Danspace

SITI reinvents Sophocles at DTW

SITI COMPANY: ANTIGONE
Dance Theater Workshop
219 West 19th St. between Seventh & Eighth Aves.
Tickets: $20-$25
212-924-0077
www.dancetheaterworkshop.org

Wednesday, October 28
through
Sunday, November 1   Jocelyn Clarke’s reimagining of Sophocles’ classic drama, by the always inventive SITI Company

Emmanuelle Vo-Donh tests the limits of body and space at Danspace

Emmanuelle Vo-Donh tests the limits of body and space at Danspace

ICI/PER.FOR
Danspace Project
131 East Tenth St. at Second Ave.
Tickets: $12-$18
212-674-8112
www.danspaceproject.org

Thursday, October 29
through
Saturday, October 31   Emmanuelle Vo-Dinh, with live music by Zeena Parkins, lighting design by Francoise Michel, and costumes by Virginie and Jean-Jacques Weil

COMMEDIA is part of Morphoses presentation at City Center

COMMEDIA is part of Morphoses presentation at City Center

MORPHOSES: THE WHEELDON COMPANY
New York City Center
130 West 56th St. between Sixth & Seventh Aves.
Tickets: $15-$110
212-581-1212
www.morphoses.org
www.nycitycenter.org

Thursday, October 29
through
Sunday, November 1   One of the city’s hottest dance companies presents two programs: Wheeldon’s COMMEDIA, with music by Stravinsky;  Lightfoot Leon’s SOFTLY AS I LEAVE YOU, with music by Arvo Part, J. S. Bach, and others; Alexei Ratmansky’s BOLERO, with music by Ravel; and the U.S. premiere of Tim Harbour’s new ballet, with music by Ross Edwards; and the second program: Wheeldon’s CONTINUUM, with music by Gyorgy Ligeti; SOFTLY; and the U.S. premiere of Wheeldon’s new ballet, with music by Rachmaninoff

SOUND/FRAME/REMIX
Austrian Cultural Forum
11 East 52nd St. between Madison & Fifth Aves.
Admission: free
212-319-5300
www.acfny.org

Through Saturday, October 31    Multimedia exhibit focusing on new video coming out of the sound:frame festival

Amy Stein, "Riverside," digital C-print, 2009

Amy Stein, "Riverside," digital C-print, 2009

AMY STEIN: DOMESTICATED
ClampArt
521-531 West 25th St. between Tenth & Eleventh Aves.
Admission: free
646-230-0020
www.clampart.com

Through Saturday, October 31     Photographer (and taxidermist!) Amy Stein re-creates actual scenes involving animals that have been reported in a small town in northeast Pennsylvania, resulting in fascinating images that are at once beautiful and a little frightening

Sarah Silverman will go Jungian at the Rubin

Sarah Silverman will go Jungian at the Rubin

THE RED BOOK DIALOGUES
Rubin Museum of Art
150 West 17th St. at Seventh Ave.
Tickets: $15-$25
212-620-5000 ext 344
www.rmanyc.org
Analysts delve into Carl Jung’s RED BOOK in a series of fascinating discussions featuring Albert Maysles, Alice Walker, David Byrne, Kathleen Chalfant, Marina Abramovicz, Cornel West, Billy Corgan, and many more.

Friday, October 30   Sarah Silverman, $25, 7:00

Wednesday, November 4   John Boorman, $25, 7:00

HAUSU (HOUSE) (Nobuhiko Obayashi, 1977)
BAMcinematek
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
718-636-4100
www.bam.org
www.youtube.com/hausutrailer

Saturday, October 31   Special Halloween presentation of very strange Japanese horror film, 2:00, 4:30, 6:50, 9:15

MARATHON FIREWORKS
Central Park
Outside Tavern on the Green
West Drive at 67th St.
Admission: free
www.ingnycmarathon.org

Saturday, October 31   Live entertainment and fireworks in honor of the New York City Marathon, 6:30

The wild rumpus continues in SoHo

The wild rumpus continues in SoHo

SENDAK IN SOHO
Animazing Gallery
54 Greene St. at Broome St.
Admission: free
800-303-4848
www.animazing.com

Through Saturday, November 6    Special exhibit of the work of Maurice Sendak in conjunction with the release of WHERE THE WILDE THINGS ARE movie

Japanese ghost stories get the multimedia treatment at P.S. 122

Japanese ghost stories get the multimedia treatment at P.S. 122

AMERICAN KAMIKAZE
P.S.122
150 First Ave. between Ninth & Tenth Aves.
Tickets: $15-$20
212-352-3101
www.ps122.org
www.temporarydistortion.com

Through Saturday, November 14    Temporary Distortion’s adaptation of Japanese ghost stories, written and directed by Kenneth Collins, with video projections by William Cusick, and starring Brian Greer, Yuki Kawahisa, Lorraine Mattox, and Ryosuke Yamada

Taylor Mac's multigenre epic begins long run at HERE Arts Center

Taylor Mac's multigenre epic begins long run at HERE Arts Center

HERE Arts Center
145 Sixth Ave. at Dominick St.
Tickets: $35
212-352-3101
www.here.org

Through Sunday, November 22    Taylor Mac’s epic consists of five parts with forty musicians and performers, with direction by Paul Zimet, Rachel Chavkin, Faye Driscoll, Aaron Rhyne, and David Drake, with Kyogens directed by Kristin Marting

THE IRONIC CURTAIN: CZECH CINEMA SINCE THE VELVET REVOLUTION

Director Petr Zelenka will participate in a Q&A following a screening of his new film, THE KARAMAZOVS

Director Petr Zelenka will participate in a Q&A following a screening of his new film, THE KARAMAZOVS

THE IRONIC CURTAIN: CZECH CINEMA SINCE THE VELVET REVOLUTION
Walter Reade Theater
65th Street between Broadway & Amsterdam Ave.
Tickets: $11; series pass $45 for any five films
212-875-5600
http://www.filmlinc.com

Friday, October 23
through
Thursday, October 29          Upon the twentieth anniversary of the Velvet Revolution, more than a dozen films made in the Czech Republic since 1989, along with some seminal Czech classics, will be featured in this intriguing series, including works by Jan Švankmajer, Miloš Forman, Jan Němec, Vĕra Chytilová, Jan Svěrák, Alice Nellis, and Jan Hřebejk; several screenings will be introduced by members of the Czech cinema community and participants in specific films

Seminal Czech New Wave film screens at Lincoln Center

Hanu Brejchovou stars in Miloš Forman's seminal Czech New Wave film

LOVES OF A BLONDE (LÁSKY JEDNÉ PLAVOVLÁSKY) (Miloš Forman, 1965)
Wednesday, October 28, 8:40 pm
Released a few years before the Summer of Love and Prague Spring, Miloš Forman’s LOVES OF A BLONDE is a very funny romantic black comedy that also has a lot to say about women’s burgeoning sexual freedom. The delightful Hanu Brejchovou stars as Andula, a young factory worker whose sexual liberation is ahead of its time in an old-fashioned small town. When a trainload of military reservists arrives, most of the single women do their best to attract the uniformed men at a big party, but Andula is more interested in pianist Milda (Vladimíra Pucholta). In a scene for the ages, three men try to pick up Andula and her two friends, with hysterical results. Later, when Andula visits Milda in Prague, she meets the piano player’s parents (Milada Jezková and Josef Sebánek), who are a droll riot. A Czech New Wave classic that evokes Godard and Truffaut, LOVES OF A BLONDE, which was nominated for an Oscar for Best Foreign Language Film, caused a sensation when it played the New York Film Festival and introduced Forman (ONE FLEW OVER THE CUCKOO’S NEST, AMADEUS) to the world. Notably, assistant director and cowriter Ivan Passer, who also worked with Forman on THE FIREMEN’S BALL, defected to America following Prague Spring and went on to make such films as BORN TO WIN and CUTTER’S WAY.

NIGHT AND DAY (BAM GUAN NAT)

Eunhye Park and Youngho Kim talk about love and art in NIGHT AND DAY (photo by Eunmi Yoo)

Eunhye Park and Youngho Kim talk about love and art in NIGHT AND DAY (photo by Eunmi Yoo)

NIGHT AND DAY (BAM GUAN NAT) (Hong Sangsoo, 2008)
Anthology Film Archives
32 Second Ave. at Second St.
Opens Friday, October 23
212-505-5181
http://www.sddistribution.fr
http://www.anthologyfilmarchives.org

Korean writer-director Hong Sangsoo returns to the New York Film Festival for the fifth time with NIGHT AND DAY (BAM GUAN NAT), a character-driven tale about displacement and loneliness. Youngho Kim stars as Sungam, a married painter in his forties who flees South Korea for France after having been turned in for smoking marijuana with U.S. tourists. A fish out of water in Paris, he settles into a Korean neighborhood, spending most of his time with two young art students, Yujeong (Eunhye Park) and Hyunju (Minjeong Seo). He also meets an old girlfriend, Minsun, (Youjin Kim), who is still attracted to him. And every night he calls his wife, Sungin (Sujung Hwang), wondering when he’ll be able to return home. Hong (WOMAN IS THE FUTURE OF MAN, TALE OF CINEMA) tells the story in a diary-like manner, with interstitials acting like calendar pages. Sometimes a day can be filled with talk of art, a party, and a chance encounter, while others can consist of a brief, random event with no real bearing on the plot, reminiscent of Jim Jarmusch’s STRANGER THAN PARADISE, just without the existential cynicism and dark humor. As with 2006’s WOMAN ON THE BEACH, Hong lets NIGHT AND DAY go on too long (it clocks in at 141 minutes), with too many inconsequential (even if entertaining) vignettes, but it’s so much fun watching Youngho’s compelling performance that you just might not care about the length.

TAKASHI MIIKE: ICHI THE KILLER

Takashi Miike holds nothing back in violently entertaining ICHI THE KILLER

Takashi Miike holds nothing back in violently entertaining ICHI THE KILLER


ICHI THE KILLER (Takashi Miike, 2001)
92YTribeca
200 Hudson St. at Canal St.
Friday, October 23, 10:30, and Thursday, October 29, 9:00
212-415-5500

http://www.92YTribeca.org

Takashi Miike’s ICHI THE KILLER is a faithful adaptation of Hideo Yamamoto’s hit manga. When Boss Anjo goes missing while beating the hell out of a prostitute, his gang, led by Kakihara (Tadanobu Asano, star of the beautiful MABOROSI), a multipierced blond sadomasochist, tries to find him by threatening and torturing members of other gangs. As the violence continues to grow — including faces torn and sliced off, numerous decapitations, innards splattered on walls and ceilings, body parts cut off, and self-mutilation — the killer turns out to be a young man named Ichi (Nao Omori), whose memory of a long-ago brutal rape turns him into a costumed avenger, crying like a baby as he leaves bloody mess after bloody mess on his mission to rid the world of bullies. This psychosexual S&M gorefest, which is certainly not for the squeamish, comes courtesy of the endlessly imaginative Miike, who trained with master filmmaker Shohei Imamura and seems to love really sharp objects. The excellent — and brave — cast also includes directors Sabu and Shinya Tsukamoto and Hong Kong starlet Alien Sun.

CMJ MUSIC MARATHON & FILM FESTIVAL

Cleveland's Shaky Hands return to CMJ this year (photo by twi-ny/mdr)

Cleveland's Shaky Hands return to CMJ this year (photo by twi-ny/mdr)

CMJ MUSIC MARATHON & FILM FESTIVAL
Multiple locations
Badge: $495
Individuals tickets available for nearly all events
www.cmj.com
If you’ve been a faithful reader of twi-ny, CMJ might not seem too overwhelming — more than a thousand bands at dozens and dozens (and dozens) of venues over five days. In recent years we’ve introduced you to such groups as Drink Up Buttercup, Takka Takka, the Forms, Nobody Can Dance, NYCSmoke, Die! Die! Die!, the Teenage Prayers, Team Robespierre, Robbers on High Street, the Shackeltons, Bear Hands, Das Racist, the Shaky Hands, the Wiyos, Japandroids, French Miami, Turbo Fruits, the Golden Filter, and Bajah + the Dry Eye Crew, all of which are playing the 2009 festival. In addition to relatively new bands, this year’s marathon also features a handful of old-timers, from Ted Leo + the Pharmacists and J. D. Souther to Bebe Buell (in a tribute to Joey Ramone), the Trashmen (“Surfin’ Bird”), and Busta Rhymes. Among the more interesting double bills is the Fleshtones teaming up with those reunited Hoboken heroes, the Bongos.

Full-access festival badges are $495, but tickets for nearly all shows are available to the general public and should be purchased in advance for the more hotly anticipated bands. This year the CMJ Web site has added a terrific new interface that allows you to make up your own schedule of movies, concerts, and panels; somehow, we’ve still ended up with way too many things we want to do each day. There’s so much to recommend, but we’ve attempted to whittle it down to our top ten highlights (well, maybe a few more as the week goes on), listed below in alphabetical order.

Naomi Shelton will lead the Gospel Queens at Daptone CMJ showcase (photo by twi-ny/mdr)

Naomi Shelton will lead the Gospel Queens at Daptone CMJ showcase (photo by twi-ny/mdr)

DAPTONE RECORDS
Friday, October 23, Knitting Factory, 6:00 pm – 1:30 am
www.daptonerecords.com
The folks at Daptone know how to throw a party. For CMJ, they’re unleashing a night of R&B, soul, and funk at the Knitting Factory, with the unstoppable Budos Band, the royal sounds of Naomi Shelton & the Gospel Queens, the manly Menahan Street Band, and those old mainstays, the Dap-Kings. Be prepared to shake your booty off.

Pat Mahoney and James Murphy will host DFA disco party at CMJ

Pat Mahoney and James Murphy will host DFA disco party at CMJ

DFA RECORDS
Thursday, October 22, Brooklyn Bowl, 8:00 pm – 4:00 am
www.myspace.com/dfarecords
DFA will be giving Daptone a run for the best party honors as they get down and dirty at Brooklyn Bowl, with live performances by Yacht, Still Going, Holy Ghost!, and Sh*t Robot. But we’re most looking forward to the DJ set by LCD Soundsystem stalwarts James Murphy and Pat Mahoney, who will be leading what should be a sweaty crowd through what they’re calling Special Disco Version.

Drink Up Buttercup promises crazy fun at CMJ (photo by twi-ny/mdr)

Drink Up Buttercup promises crazy fun at CMJ (photo by twi-ny/mdr)

DRINK UP BUTTERCUP
Tuesday, October 20, the Delancey, 9:00
Wednesday, October 21, Cake Shop, 7:30
Friday, October 23, Brooklyn Brewery, 4:00
Friday, October 23, Glasslands, 9:00
Saturday, October 24, the Delancey, 2:45
Saturday, October 24, Etnies Showroom, 7:30
www.myspace.com/drinkupbuttercupband
Drink Up Buttercup knows how to have a good time. They play with a reckless, infectious abandon that is sure to get your mojo working. The fearless Philly foursome features Farzad Houshiarnejad on bass and keyboards (as well as vocals, wolf howls, and melodica), Ben Money on bass, keyboards, and percussion (in addition to melodica, vocals, and mannequin head), James Harvey on guitar and vocals (along with sawed-off seagull, walki, opera sounds, and baby head), and Mike Cammarata on drums (with water, lemon, and sugar packets). Onstage they are reminiscent of such bands as the Black Lips, Islands, the Shaky Hands, and Gringo Star, as they switch instruments, goof around, and bang on an aluminum trash can. All of that is fine and dandy, but the key to the group is that their songs are fucking awesome.

French Miami come up north for CMJ

French Miami come up north for CMJ

FRENCH MIAMI
Thursday, October 22, Death by Audio
Friday, October 23, Market Hotel
Saturday, October 24, Cake Shop, 8:00
www.myspace.com/mrfrenchmiami
French Miami is neither French nor from Miami; the Bay Area trio — synth specialist/guitarist Roland Curtis, singer/guitar/keyboard player Jason Heiselmann, and drummer Chris Crawford — do their goddamn best on their eponymously titled debut disc, which includes such psychedelic trips as “Science Fiction,” “SFO,” and “The God Damn Best.”

The Golden Filter will keep up the mystery at CMJ

The Golden Filter will keep up the mystery at CMJ

THE GOLDEN FILTER
Saturday, October 24, Santos Party House, 11:00
www.myspace.com/thegoldenfilter
Enigmatic group the Golden Filter features Penelope’s breathy, whispery vocals, Stephen on keyboards and percussion, and Lisa on drums. The techno-disco trio have no last names, and they never show their faces in photographs. Fortunately, their songs kick ass, so they can get away with the eccentricity / gimmick, claiming that it’s only the music that matters. In addition to such hot originals as “Solid Gold,” “Moonlight Fantasy,” and “Hide Me,” the Golden Filter has done cool remixes of Peter Bjorn and John’s “Lay It Down,” Cut Copy’s “Far Away,” Empire of the Sun’s “We Are the People,” and Little Boots’ “New in Town,” while a bunch of other artists have remixed “Solid Gold.”

Jake and Jamin Orrall will get heavy at CMJ (photo by Bekah Cope)

Jake and Jamin Orrall will get heavy at CMJ (photo by Bekah Cope)

JEFF THE BROTHERHOOD
Thursday, October 22, Piano’s, 4:30; Crash Mansion, 6:00
Friday, October 23, the Charleston, 12 midnight
Saturday, October 24, the Knitting Factory, 2:00; Don Pedro’s, 6:00; Union Pool, 10:20; My Open Bar, 1:00 am
www.myspace.com/jakeandjamin
Nashville’s Jeff the Brotherhood, whose HEAVY DAYS disc is just out from Infinity Cat, play psychedelic garage rock on such tunes as “U Got the Look,” “The Tropics,” “Bone Jam,” “Screaming Banshee,” “Doo It,” and “I’m a Freak,” which features a great freak-out. Brothers Jake and Jamin Orrall let out a groovy barrage of sound with just drums and guitar, and they’ll be doing it all over CMJ; with seven shows scheduled, they just might be the busiest band of the week (before heading out on the road with Shonen Knife).

Sarah Guild will lead New Collisions in CMJ shows (photo by Liz Linder)

Sarah Guild will lead New Collisions in CMJ shows (photo by Liz Linder)

THE NEW COLLISIONS
Wednesday, October 21, the Delancey, 11:45
Saturday, October 24, Bowery Poetry Club, 8:00
www.myspace.com/thenewcollisions
“I can’t take it anymore / just standing still,” platinum blonde Sarah Guild declares on “Afterglow,” the opening song on the New Collisions’ fab debut seven-song EP, INVISIBLE EMBRACES, a gargantuan, refreshing blast of pure power pop that is due out November 17. There should be no standing around at their CMJ showcases; if you can’t move to “Parachutes on the Dance Floor,” well, then, there’s no hope for you. A sort of New Wave, edgy No Doubt — and we mean that in the best way possible — Boston’s New Collisions rock hard and sweet and are not afraid to have a lot of fun with their lyrics; witness these lines from the synth-driven “No Free Ride”: “There’s no free ride / for being pretty on the inside / The Berlin Wall’s still up in my heart, babe / Sam Walton stole the icing off of my cake / I’d be lucky to ride on a horse with no name / Oh, time to get away / The end is under way.” The end? No, this is just the beginning.

Turbo Fruits will turn things upside down in area shows

Turbo Fruits will turn things upside down in area shows

TURBO FRUITS
Wednesday, October 21, Cake Shop, 1:00
Saturday, October 24, Union Pool, 9:40
www.myspace.com/turbofruits
Turbo Fruits play an infectious mix of psychedelic retro garage surf punk with a heavy dose of humor, as one can guess from such song titles as “Mama’s Mad Cos I Fried My Brain,” “Broadzilla,” and “Naked with You” (which could be a lost Ramones classic) on their awesomely freaky new album, ECHO KID. Former Be Your Own Pet Jonas Stein Stein does a little Dylan on “Hold Me,” throws in a bit of the Troggs on “Get Up Get On Down (Tonite),” and really cuts loose on “Broadzilla.” It all makes for one hell of an impressive alterna-AMERICAN GRAFFITI meets QUADROPHENIA. The album is a nonstop party, one that should continue at their CMJ showcase.

Ume will be in town for several shows during CMJ week

Ume will be in town for several shows during CMJ week

UME
Wednesday, October 21, Ace of Clubs, 10:00
Thursday, October 22, Public Assembly, 12 midnight
Friday, October 23, Fontana’s, 1:00
Friday, October 23, Lake Johnson, 8:00
www.myspace.com/umemusic
The Austin-based trio of bassist Eric Larson, drummer Jeff Barrera, and singer-guitarist Lauren Larson are touring behind their explosive SUNSHOWER EP, which has been blasting out of speakers since its release this past February. Lauren Larson’s shrieking guitar rips it up through the five songs, tearing apart “The Conductor,” “Pendulum,” and “East of Hercules” while balancing in whispery vocals. Elements of punk, metal, and hardcore show up as well, with killer riffs driving the band’s powerful sound.

New indie supergroup will play CMJ

New indie supergroup will play CMJ

UNINHABITABLE MANSIONS
Thursday, October 22, the Bell House, 10:00
www.myspace.com/uninhabitablemansions
Uninhabitable Mansions is an art collective and Brooklyn mini-supergroup that features Annie Hart from Au Revoir Simone, Chris Diken from Radical Dads, Doug Marvin from Dirty on Purpose, and Robbie Guertin and Tyler Sargent from Clap Your Hands Say Yeah. Their debut album includes a steady stream of inventive indie pop that enjoy stopping and starting, dropping in and out, with great harmonies, from the bouncy pop of “The Brain Is a Slow Wave” to the sweet urgency of “Do You Have a Strategy.” We particularly like the changing mood of “We Misplaced a Cobra in the UM,” which starts off slowly before kicking in with thrashing instruments and screaming vocals. (If you miss them at the Gothamist party at the Bell House, they’ll be at Union Pool on October 30.)

Elon James White will share his unique political and social insight during CMJ

Elon James White will share his unique political and social insight during CMJ

ELON JAMES WHITE
Wednesday, October 21, the Living Room, 9:15
www.myspace.com/elonjames
Comedian Elon James White, a longtime FOT (friend of twi-ny), has had a breakout year, bringing his sociopolitical rants to the Huffington Post, CNN, and other major outlets, while his “This Week in Blackness” videos have been bustin’ loose as well. White’s take on everyone from Michael Jackson and Barack Obama to Henry Louis Gates and Kanye West are as insightful as they are funny.

The Wiyos will bring their unique brand of Americana roots rock to CMJ

The Wiyos' will bring their unique brand of Americana roots rock to CMJ

THE WIYOS
Friday, October 23, Gramercy Theatre, 10:00
www.myspace.com/thewiyos
With a calling card that reads: “Vaudevillian Ragtime Blues, Hillbilly Swing and Old Time Country,” the Wiyos are a four-piece who are in it for the love of the music and what it represents. Old 78 records. Jug band music. Gamblers and mule skinners. Twenties-era hokum. A healthy reverence for Harry Smith’s Smithsonian Folkways compilations. And a touch of what Greil Marcus once referred to as “that old, weird America…” The Wiyos reach for all of these touchstones of our musical heritage and more during their engaging live performances.

CMJ FILM FESTIVAL

George Clooney stares at a goat in flick premiering at CMJ

George Clooney stares at a goat in flick premiering at CMJ


Clearview Cinemas, Chelsea West Cinemas
260 West 23rd St. between Seventh & Eighth Aves.
Tickets: $10
www.cmj.com/marathon2009
CMJ isn’t just about music; there’s also a concurrent film festival that features several New York premieres, one world premiere, and a bunch of big-name stars. That said, a few of the movies are set in the rock and roll world. Things get started with Scott Rosenbaum’s road-trip flick, THE PERFECT AGE OF ROCK’N’ROLL (with Peter Fonda!), and continue with George Clooney, Ewan McGregor, and Kevin Spacey in the highly anticipated THE MEN WHO STARE AT GOATS, Woody Harrelson and Samantha Morton in the military drama THE MESSENGER (Harrelson and director Oren Moverman will participate in a postscreening Q&A), and Milla Jovovich in the sci-fi thriller THE FOURTH KIND, among several provocative documentaries. In addition, shorts look at luthier Wayne Henderson and cult favorites Kid Creole and the Coconuts, while Steve Vai stars in another one.

Tuesday, October 20 Opening Night : THE PERFECT AGE OF ROCK ‘N’ ROLL (Scott Rosenbaum, 2009), followed by a Q&A, 7:30

Wednesday, October 21 THE MEN WHO STARE AT GOATS (Grant Heslov, 2009), followed by a Q&A, 7:00

Wednesday, October 21 BANANAS!* (Fredrick Gertten, 2009), followed by a Q&A, 7:15

Wednesday, October 21 MY MOVIE GIRL (Adam Bronstein, 2009), followed by a Q&A, 9:15 

Wednesday, October 21 CMJ CineMini Short Film Contest: Documentary Short Films, including I AM A MAN: FROM MEMPHIS, A LESSON IN LIFE (Jonathon Epstein), NO SANA HOY (Becky Corman), FROM WOOD TO SINGING GUITAR (Shawn Lind), WELCOME TO MY QUEER BOOKSTORE (Larry Tung), and WATER IN THE BOAT (David Gutierrez Camps), 9:30

Thursday, October 22 DEAR LEMON LIMA (Suzi Yoonessi), 7:00

Thursday, October 22 THE INVISIBLE LIFE OF THOMAS LYNCH (James Merendino & Lisa Hammer, aka the Terror Twins), 7:15

Thursday, October 22 Downtown Doc Double Bill: PARDON US FOR LIVING BUT THE GRAVEYARD IS FULL (Geoffray Barbier, 2009) and KID CREOLE AND MY COCONUTS (Adriana Kaegi, 2009), Clearview Cinemas-Chelsea West Cinemas, 9:15

Woody Harrelson stars in CMJ marathon closing-night selection

Woody Harrelson stars in CMJ marathon closing-night selection

Friday, October 23 Closing Night: THE MESSENGER (Oren Moverman, 2009), followed by a Q&A with Woody Harrelson and Oren Moverman, 7:30

Friday, October 23 THE FOURTH KIND (Olatunde Osunsanmi, 2009), 10:00

REMBRANDT’S J’ACCUSE

Peter Greenaway gets to the bottom of a murder mystery in REMBRANDT'S J'ACCUSE (Courtesy of ContentFilm International)

Peter Greenaway gets to the bottom of a murder mystery in REMBRANDT'S J'ACCUSE (Courtesy of ContentFilm International)

REMBRANDT’S J’ACCUSE (Peter Greenaway, 2009)
Film Forum
209 West Houston St. between Sixth & Seventh Aves.
Opens Wednesday, October 21
212-727-8110
www.filmforum.org
www.petergreenaway.com

In 1974, Orson Welles released F FOR FAKE, a playful documentary about art forgers in which the iconoclastic director often showed up on-screen, tongue in cheek, leading viewers through a tantalizing tale that might or might not actually be true. Controversial filmmaker and painter Peter Greenaway (THE DRAUGHTSMAN’S CONTRACT; THE COOK, THE THIEF, HIS WIFE, AND HER LOVER) continues his own cinematic foray into the art world with REMBRANDT’S J’ACCUSE, a follow-up to his 2007 film, NIGHTWATCHING, which took viewers behind the scenes of the creation of Rembrandt’s 1624 masterpiece “The Night Watch.” (Greeenaway has also completed projects about Veronese’s “The Wedding at Cana” and Leonardo’s “The Last Supper,” with Picasso, Seurat, Monet, and others on deck.) Like Welles, Greenaway appears throughout REMBRANDT’S J’ACCUSE, his white-haired head seen in a small box near the center-bottom of the screen as he lays out his theory about how “The Night Watch” is actually an elaborately detailed drama about a real murder that took place at the time, with Rembrandt pointing out the killer. Through extreme close-ups of the painting and re-creations of scenes involving such characters as Rembrandt’s wife, Saskia Uylenburgh (Eva Birthistle), the servants Geertje Dirks (Jodhi May) and Hendrickje Stoffels (Emily Holmes), and Rembrandt himself (Martin Freeman), Greenaway goes over every aspect of the canvas as if he is a forensics expert, dividing the film into thirty-five sections, or clues, that all support his thesis. Along the way, he comments on art history and Dutch society, creating a surprisingly thrilling film that works on several levels. But most of all, it is a lot of fun — no matter how much of it might be true.