this week in film and television

HOLIDAYS 2009

Thursday, December 10    Washington Square Park Holiday Tree Lighting, with Mary Hurlbut and the Rob Susman Brass Quartet, free, 6:00

Friday, December 11        El Museo’s Holiday Posada and Parranda Party, El Museo del Barrio, $60, 7:00

Annual Christmas Revels return to Symphony Space

Annual Christmas Revels return to Symphony Space

Friday, December 11
through
Sunday, December 13        The Christmas Revels, Symphony Space, $15-$45

Friday, December 11
and
Friday, December 18        Caroling at the Morgan, featuring singers from Mannes College, Morgan Library, free, 6:30

Saturday, December 12    NYC Santacon, www.nycsantacon.com, 10:00 am

Saturday, December 12    Flaubert’s Holiday Concert: Winter Tales with Flaubert Frog, Bryant Park, Le Carrousel, free, 1:00

Saturday, December 12    Phil Kline’s Unsilent Night, Washington Square Park arch, free, 7:00

majorleaguedreidel

Saturday, December 12    Hanukkah Gone Metal: 2009 Major League Dreidel Spin the Dreidel Tournament, with Gods of Fire and Category of Sixx, Knitting Factory, $10, 7:00

Saturday, December 12    Reverend Billy and the Life After Shopping Choir’s Holiday Revival concert, Brooklyn Lyceum, $10, 8:00

Saturday, December 12    Third annual Menorah Horah!, with the Schlep Sisters, Sapphire Jones, Sauci Calla Horra, and Golem, hosted by Kenny Mellman, Southpaw, $12-$16, 8:00

Saturday, December 12    Sephardic Music Festival Opening Night: Smadar Levi, Sarah Aroeste, and the Naming, 92Y Tribeca, $15-$20, 9:00

Saturday, December 12
and
Sunday, December 13        Music for St. Nicholas, Bartow-Pell Mansion, free tickets available at 718-601-7399, 1:00 & 3:00

Saturday, December 12, 19, 26
and
Sunday, December 13, 20, 27        Wild Holiday Party: Presents to the Animals, Prospect Park Zoo, free with zoo admission

Sunday, December 13        Annual Holiday Concert, featuring ensemble with members from the Scandinavian Chamber Orchestra of New York, Scandinavia House, $25, 4:00

Sunday, December 13        Darlene Love Christmas Show, B.B. King Blues Club & Grill, $45-$50, 8:00

Monday, December 14    Children’s Holiday Party, Museum of the City of New York,  $75-$150, 3:00-6:00

Wednesday, December 16    “To All, Wassail”: 19th-Century Holiday Concert, Merchant’s House Museum, $25, 7:00

Wednesday, December 16    ChrismaHanuKwanzakah: A Holiday Anxiety Spectacular, Galapagos, $25, 7:00

Thursday, December 17    LES Stories: Holidays in the City, hosted by HR Britton, Tenement Museum, free but RSVP required, 6:30

Paul Winter is back at St. John the Divine for thirtieth annual solstice celebration

Paul Winter is back at St. John the Divine for thirtieth annual solstice celebration

Thursday, December 17
through
Saturday, December 19    Solstice Journey: Paul Winter’s 30th Annual Winter Solstice Celebration, the Cathedral Church of St. John the Divine, $35-$80

Friday, December 18
and
Saturday, December 19    Holiday Candlelight Tours, $6-$18

Friday, December 18
and
Saturday, December 19    BLACK CHRISTMAS (Bob Clark, 1974), 12 midnight

Saturday, December 19    Chanté-Noël: A Martinique Holiday Celebration, Le Skyroom, French Institute Alliance Française, $20, 6:30

Sunday, December 19        Christmas with Aaron Neville, featuring Charles Neville, Highline Ballroom, $37.50-$40, 8:00

Saturday, December 19
and
Sunday, December 20        Santa in Central Park, Belvedere Castle, midpark at 79th St., free, 12 noon – 3:00 pm

Saturday, December 19
and
Sunday, December 20        Ronnie Spector’s Xmas Party, B.B. King Blues Club & Grill, $30-$35, 9:00

Sunday, December 20        Louie Multicultural Holiday Show, Children’s Museum of Manhattan, free with museum admission (tickets distributed beginning at 12:30), 2:00 & 3:00

Sunday, December 20        Jews and Chinese Food: A Love Affair, talk with Jennifer 8. Lee, author of THE FORTUNE COOKIE CHRONICLES, followed by buffet dinner, 92nd St. Y, Buttenwieser Hall, $39, 7:00

Monday, December 21
through
Wednesday, December 23    Charlie for the Holidays: CITY LIGHTS (Charles Chaplin, 1931) and MODERN TIMES (Charles Chaplin, 1936), $15

Tuesday, December 22    CAROLS FOR CHRISTMAS: ROYAL COLLEGE OF MUSIC CHAMBER CHOIR (Christopher Swann, 1985), Metropolitan Museum of Art, Bonnie J. Sacerdote Lecture Hall, Uris Center for Education, free with museum admission, 2:00

klezmatics

Wednesday, December 23   Klezmatics: The Woody Hanukkah Sessions, City Winery, $30-$50, 8:00

Thursday, December 24    A Very Jewish Christmas, with Marion Grodin, Jon Fisch, Rachel Feinstein, and Gary Gulman, Gotham Comedy Club, $20 plus two-beverage minimum, 7:30 & 9:30

Thursday, December 24    Jewltide 7, with Dan Saks and the Funkadeli All Stars and DJ Mr. Jonathan Toubin, Southpaw, $10-$15, 9:00

Mel Brooks delivers silliness and Chinese food on Christmas Day

Mel Brooks delivers silliness and Chinese food on Christmas Day

Friday, December 25        Chinese & a Movie: Mel Brooks Double Feature, all-you-can-eat buffet begins at 2:00, BLAZING SADDLES at 2:30, SPACEBALLS at 4:00, $25-$30

Saturday, December 26    Charanga Soleil — Holiday Fiesta/Fête, BAMcafé Live, free, 9:00

Sunday, December 27        Global Weekends: Kwanzaa Spirit 2009, American Museum of Natural History, Milstein Hall of Ocean Life, free with museum admission, 12 noon – 5:00m

CABARET CINEMA: IN A LONELY PLACE

Gloria Grahame and Humphrey Bogart go on quite a ride in Ray classic
Gloria Grahame and Humphrey Bogart go on quite a ride in Ray classic

IN A LONELY PLACE (Nicholas Ray, 1950)
Rubin Museum of Art
150 West 17th St. at Seventh Ave.
Friday, December 18, free with $7 bar minimum, 9:30
212-620-5000
www.rmanyc.org/cabaretcinema

Humphrey Bogart stars in Nicholas Ray’s powerful, intense film about a cynical Hollywood screenwriter with a violent side. Dixon Steele (Bogart, in one of his strongest performances) is asked to write a screenplay based on a pulpy romance he has little interest in, so he brings home a coat-check girl who has read the book so she can tell him the story. The girl turns up dead, and Steele, known for his drunken forays and abuse of women, is the main suspect. Aspiring star Laurel Gray (Gloria Grahame), who has recently moved into the same Beverly Hills apartment complex, supplies an alibi for Steele, but she might have ulterior motives for doing so. Ray’s moody, introspective gem keeps you guessing until the very end. This special screening, introduced by Ken Brown, is part of the Rubin Museum’s weekly Friday-night film series, which is currently focusing on the exhibit “The Red Book of C. J. Jung,” is in the gallery space right outside the downstairs theater. (All of the museum’s galleries are open for free after 7:00.) Upcoming screenings in this series include Michelangelo Antonioni’s L’ECLISSE on January 8, David Lynch’s BLUE VELVET on January 15, and Hiroshi Teshigahara’s THE FACE OF ANOTHER on January 22.

LIVING IN EMERGENCY: STORIES OF DOCTORS WITHOUT BORDERS

livinginemergency

NYU Skirball Center
566 La Guardia Pl.
Monday, December 14, $20, 7:30
212-352-3101
www.skirballcenter.nyu.edu
www.livinginemergency.com
www.ncm.com/fathom

Médecins Sans Frontières / Doctors Without Borders has teamed up with NCM Fathom to present a special one-night-only program at NYU’s Skirball Center that will be broadcast live via satellite across the country. The evening begins with a screening of the documentary LIVING IN EMERGENCY: STORIES OF DOCTORS WITHOUT BORDERS (Mark Hopkins, 2009), which tells the story of four volunteer doctors battling the odds in trying to bring free medical care to dangerous areas in Liberia and Democratic Republic of Congo. The documentary, which had its world premiere earlier this year at the Venice Film Festival, will be followed by a panel discussion featuring Sebastian Junger, Dr. Tom Krueger, Sophie Delaunay, and Dr. Chris Brasher, moderated by Elizabeth Vargas, talking about the many issues involved in the international health crisis. MSF, which has just returned to Afghanistan after five years, describes itself as “an international, independent, medical humanitarian organisation that delivers emergency aid to people affected by armed conflict, epidemics, healthcare exclusion and natural or man-made disasters.” It should all make for quite a serious, important night; if you can’t get to the Skirball, the event will be broadcast at seventeen area theaters, including in Westchester, Long Island, the Bronx, New Jersey, and Queens.

THE HEBREW HAMMER

Who’s the circumcised private dick that’s a sex machine to all the chicks?

Who’s the circumcised private dick that’s a sex machine to all the chicks?

THE HEBREW HAMMER (Jonathan Kesselman, 2003)
Available on DVD
www.thehebrewhammer.com

Sure, to some people holiday movies mean IT’S A WONDERFUL LIFE, MIRACLE ON 34th STREET, and A CHRISTMAS CAROL, but for us it’s the one and only HEBREW HAMMER. Adam Goldberg (SAVING PRIVATE RYAN, A BEAUTIFUL MIND) stars in this riotous low-budget laugh-fest that is as hysterically politically incorrect as possible. Goldberg is Mordechai Jefferson Carver, a “circumcised dick” who is hired by the Jewish Justice League, headed by Bloomenbergensteinthal (Peter Coyote), to save Chanukah, which Damian Claus (Andy Dick), Santa’s evil spawn, wants to destroy forever. The Semitic Stud gets help from Mohammad Ali Paula Abdul Rahim (Mario Van Peebles), head of the Kwanzaa Liberation Front, and Bloomenbergensteinthal’s sexy daughter, Esther (Judy Greer), who is a “nice piece of tuchus.” This is one funny self-described Jewxploitation flick that will bring knowing chuckles and guffaws to anyone who has ever attended Hebrew school or has an overbearing mother.

THE DOUBLE EDGED SWORD: THE CHAMBARA FILMS OF SHINTARO KATSU & RAIZO ICHIKAWA

SAMURAI VENDETTA kicks off Monthly Classics series at Japan Society

SAMURAI VENDETTA kicks off Monthly Classics series at Japan Society


SAMURAI VENDETTA (A CHRONICLE OF PALE CHERRY BLOSSOMS) (HAKUOKI) (Kazuo Mori, 1959)

Japan Society
333 East 47th St. at First Ave.
December 11 – May 14
Tickets: $15 for opening night, $11 thereafter
212-715-1258
www.japansociety.org

When local official Tange Tanzen (Raizo Ichikawa) comes upon a battle between two schools of sword fighting, including his own, he chooses not to get involved as rogue samurai Yasubei Nakayama (Shintaro Katsu) displays his discipline’s superiority by killing several members of Tange’s school. After Tange is expelled from his school for turning his back on his brothers, Yasubei is expelled from his as well as an act of honor and enmity. Soon the two ronin are helping each other while also falling in love with the same woman, Chiharu (Chitose Maki). But blood and betrayal await them as they set off on new paths that continue to cross. Inspired by the classic story of the 47 Ronin, SAMURAI VENDETTA is an entertaining period piece despite its overt cheesiness, especially the fight scenes shot on a bridge with a ridiculously fake sunset in the background. Although there’s not nearly enough sword play – there are long periods of sentimental melodrama – the finale in the snow is a doozy. The screening will be followed by a reception and book signing with Chris D., author of OUTLAW MASTERS OF JAPANESE FILM.

SAMURAI VENDETTA kicks off the Japan Society’s Monthly Classics series “The Double Edged Sword: The Chambara Films of Shintaro Katsu & Raizo Ichikawa,” which features a film by either of the stars once a month through May 2010. Among the upcoming selections, curated by Chris D., are three Zatoichi films, Kenji Misumi’s DESTINY’S SON (KIRU), Daisuke Ito’s SCAR YOSABURO (KIRARE YOSABURO), and Kazuo Ikehiro’s NEMURI KYOSHIRO AT BAY: THE SWORD OF SEDUCTION (NEMURI KYOSHIRO JOYO KEN). Chambara, which means sword fighting, got its name from the sounds made as swords slice through the air and clang against each other during battles. The films became popular in postwar Japan both as a look back at the nation’s history as well as a reaction to the industrial, financial, and social changes occurring following WWII. Two of the genres biggest stars were Katsu and Ichikawa, with Katsu serving as the brutish figure and Ichikawa more of the romantic lead. Both tragically died of cancer, Katsu at sixty-five, Ichikawa at only thirty-seven.

CHARLIE FOR THE HOLIDAYS

Charlie Chaplin double feature is holiday treat at Lincoln Center

Charlie Chaplin double feature is holiday treat at Lincoln Center


CITY LIGHTS (Charles Chaplin, 1931) and MODERN TIMES (Charles Chaplin, 1936)

Film Society of Lincoln Center
Walter Reade Theater, 65th St. at Amsterdam Ave.
December 21-23, $11 for one film, $15 for double feature
212-875-5456
www.filmlinc.org

Film Forum is billing their double feature of MODERN TIMES and CITY LIGHTS as Charlie for the Holidays, but it could just as easily be called Charlie for the Recession, as both films deal with such topics as unemployment, the rich vs. the poor, communism, drugs, incarceration, and health care. One of the geniuses of the twentieth century, Charlie Chaplin starred in, wrote, directed, produced, and composed the score for most of his films, which remained silent well into the talkies era. In CITY LIGHTS (1931), he is mistaken for a millionaire by a blind flower girl (Virginia Cherrill) and is terrified of her finding out that he is just a lowly tramp. In MODERN TIMES, he is an unemployed factory worker whose woes grow after helping an orphan girl (Paulette Goddard). The two films are among Chaplin’s finest, mixing slapstick and pathos with harsh social and political realities that are eerily still relevant today. (Chaplin fans can complete a triple play when THE GREAT DICTATOR (1940) opens at the IFC Center for a one-week run December 25-31.)

DOCUMENTARIES IN BLOOM: PARADISE

Michael Almereyda documents his world travels in PARADISE

Michael Almereyda documents his world travels in PARADISE

PARADISE (Michael Almereyda, 2009)
Maysles Institute
343 Lenox Ave. between 127th & 128th Sts.
Saturday, December 12, suggested admission $9, 3:30
212-582-6050-9400
www.mayslesinstitute.org

Over the last decade, writer-director Michael Almereyda (NADJA, HAMLET, THIS SO-CALLED DISASTER) has traveled around the world, bringing with him a handheld digital-video camera, capturing brief moments of unscripted real life of friends, family, and strangers. He has organized these small vignettes into forty-four segments divided into four somewhat thematic sections, coming together as a beautiful whole in PARADISE, an enticing visual poem that had a one-week run at MoMA this past September and now will be screened at the Maysles Institute on December 12, followed by a Q&A with Almereyda and curator Livia Bloom. The film opens with a long shot inside a stunningly blue airport passageway over music by DJ Spooky, welcoming viewers into Almereyda’s travels. He then turns his camera on a succession of children experiencing everyday life in different parts of the globe, including one charming boy who falls into a little pool to the delight of those around him. Each part — ranging from a few seconds to a few minutes — is linked either thematically or visually, including a series of shots involving fire, sparks, and a burning red sunset. Using natural sound and light, Almereyda allows each moment to exist in real time on its own, with no narration and no identifying tags, a sort of abstract meditation on the simple things than can serve as personal paradises.