A father (Jimmy Wang) and son (Joseph Chang Hsiao-Chuan) are trapped in a dark mystery that won’t let up in Chung Mong-Hong’s SOUL
SOUL (SHĪ HÚN) (Chung Mong-hong, 2013)
Film Society of Lincoln Center
Walter Reade Theater
144 West 65th St. between Broadway & Amsterdam Ave.
Wednesday, July 9, 1:00
Festival continues through July 10
212-875-5600
www.filmlinc.com
www.subwaycinema.com
Taiwanese writer-director Chung Mong-Hong’s third feature film, following 2008’s Parking and 2010’s The Fourth Portrait, is an intense, meditatively paced thriller about family and identity. In Soul, wuxia legend Jimmy Wang (aka Jimmy Wong Yu) stars as Wang, a simple, understated old man living in a reclusive house in the mountains. After his chef son, Ah-Chuan (Joseph Chang Hsiao-Chuan), suddenly collapses in the city and is brought back to his childhood home, strange things start occurring, as Ah-Chuan seems different and dead bodies begin to pile up. It turns out that Ah-Chuan’s soul has temporarily left his body, replaced by another, not-quite-so-gentle being, leading to yet more trouble, especially because Wang’s goofy policeman nephew, Little Wu (Vincent Liang), continues to hang around, sensing that something suspicious might be going on. The Taiwanese entry for Best Foreign Language Film for the 2014 Oscars, Soul is a gripping, surreal tale that unfolds with a cool calm that can explode at any moment, and then does. Shaw Brothers veteran Wang, who wrote, directed, and starred in such martial arts classics as The Chinese Boxer and Master of the Flying Guillotine, is sensational as Uncle Wang, playing the role with an assured, self-possessed composure despite the hell the old man finds himself in.
Jimmy Wang gives a carefully measured performance in NYAFF psychological thriller
Chang (Eternal Summer, Au Revoir Taipei) is a strong counterpart to Wang, combining inner strength with just the right amount of mystery and danger. As in his previous films, which also include the 2011 short Reverberation and the 2006 documentary Doctor, Chung also serves as cinematographer, using the pseudonym Nagao Nakashima, and the gorgeous photography is like a character unto itself, bathing the film in lush earth tones that add yet another level to the lovely perplexity of it all. Soul is having its New York premiere at the 2014 New York Asian Film Festival, its second screening taking place at the Walter Reade Theater on July 9 at 1:00; Wang was initially due to attend the festival as a special guest but had to cancel due to unforeseen circumstances. The thirteenth annual NYAFF continues through July 10 with some five dozen films, including Kazuyoshi Kumakiri’s My Man, Lee Joon-ik’s Hope, Kim Byeong-woo’s The Terror Live, and Kang Woo-suk’s Public Enemy, before leading into the eleven-day Japan Cuts series at Japan Society.
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The Beatles are invading America again with the fiftieth anniversary restoration of their debut film, the deliriously funny anarchic comedy A Hard Day’s Night. Initially released on July 6, 1964, in the UK, AHDN turned out to be much more than just a promotional piece advertising the Fab Four and their music. Instead, it quickly became a huge critical and popular success, a highly influential work that presaged Monty Python and MTV while also honoring the Marx Brothers, Buster Keaton, Jacques Tati, and the French New Wave. Directed by Richard Lester, who had previously made the eleven-minute The Running Jumping & Standing Still Film with Peter Sellers and would go on to make A Funny Thing Happened on the Way to the Forum, Petulia, and The Three Musketeers, the madcap romp opens with the first chord of the title track as John Lennon, Paul McCartney, George Harrison, and Ringo Starr are running down a narrow street, being chased by rabid fans, but they’re coming toward the camera, welcoming viewers into their crazy world. (George’s fall was unscripted but left in the scene.) As the song blasts over the soundtrack, Lester introduces the major characters: the four moptops, who are clearly having a ball, led by John’s infectious smile, in addition to Paul’s “very clean” grandfather (Wilfrid Brambell, who played a dirty old man in the British series Steptoe and Son, the inspiration for Sanford and Son) and the band’s much-put-upon manager, Norm (Norman Rossington). Lester and cinematographer Gilbert Taylor (Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Repulsion, Star Wars) also establish the pace and look of the film, a frantic black-and-white frolic shot in a cinema-vérité style that is like a mockumentary taking off from where François Truffaut’s 400 Blows ends.
Nothing is off limits for South Park dudes Trey Parker and Matt Stone in this marionette musical actioner that mixes Top Gun, Mission: Impossible, and The Matrix with that old classic television puppet show Thunderbirds. Kim Jong Il is determined to unleash his weapons of mass destruction on an unsuspecting world, and it is up to Team America and its newest member, actor Gary Johnston, formerly of the hit musical Lease, to stop the North Korean leader’s heinous plan. But Team America is a reckless bunch that has a tendency to destroy major cities and landmarks (the Eiffel Tower, the Sphinx) as it attempts to take out terrorists. Meanwhile, love threatens to complicate the success of their mission. Parker and Stone skewer international politics, the military, celebrity, and the media in this very dirty, very funny flick; among their victims are Alec Baldwin, Susan Sarandon, Sean Penn, Peter Jennings, Hans Blix, George Clooney, and, mercilessly, Matt Damon and Ben Affleck. There’s lots of blood and gore, a very hot puppet sex scene, and the best description ever about the three kinds of people in the world. Although it often misses its target or goes way too far — it could have been a classic like South Park: Bigger Longer & Uncut — it’s still a good way to spend a late night out at the movies, especially while honoring America during the July Fourth holiday. Team America: World Police is screening at 12:05 am on Friday and Saturday night as part of Nitehawk Cinema’s Independence Day Weekend, which also includes Steven Spielberg’s Jaws and Tim Burton’s Mars Attacks!