this week in dance

LUNAR NEW YEAR FESTIVAL: YEAR OF THE MONKEY

The Met will celebrate the Year of the Monkey with a full slate of programs on February 6

The Metropolitan Museum of Art
1000 Fifth Ave. at 82nd St.
Saturday, February 6, free with recommended museum admission ($12-$25), 11:00 a.m.–6:00 p.m.
www.metmuseum.org

It will soon be 4713 on the Chinese calendar, the Year of the Monkey, a positive yang fire year that celebrates the monkey’s clever wit and inventive, playful nature. On February 6, the Metropolitan Museum of Art will host its annual Lunar New Year festival, with special events going on all day long honoring both China and Tibet. There will be live performances by Sesame Street puppeteers, students from the Music from China Youth Orchestra using traditional instruments, and Lotus Music & Dance in addition to a parade led by the Chinese Center on Long Island Lion Troupe. Art workshops include paper cutting with Master Lu, Monkey King mask making with the Children’s Museum of Manhattan, iPad calligraphy with the China Institute, a hand-pulled noodle demonstration by Chef Zheng of Noodle Q, a martial arts demonstration by the New York Chinese Cultural Center, Chinese tea ceremonies with Ten Ren Tea & Ginseng Co., a participatory installation by artist Wu Jian’an, a reading by picture book author and illustrator Yangsook Choi, bilingual storytime, drawing stations, and more. There will also be an interactive digital fireworks display in the Great Hall by CHiKA and Calli Higgins. The museum is currently showing several exhibitions related to China and Tibet, including “Monkey Business: Celebrating the Year of the Monkey,” “The Arts of Nepal and Tibet: Recent Gifts,” “Chinese Textiles: Ten Centuries of Masterpieces from the Met Collection,” “Chinese Lacquer: Treasures from the Irving Collection, 12th-18th Century,” and “Masterpieces of Chinese Painting from the Metropolitan Collection.”

DAYBREAKER NYC

Yoga ravers party it up early in the morning at Daybreaker event (photo by twi-ny/ees)

Space Ibiza NY
637 West 50th St. between Eleventh Ave. & the West Side Highway
Wednesday, February 3, $26.75 (dance party only) – $42.20 (yoga and dance), 6:00 – 9:00 am
www.eventbrite.com
www.spaceibizany.com

Getting home at 6am isn’t unusual in New York City. Getting up to go clubbing at that hour certainly is, but thanks to Daybreaker’s 6am to 9am raves, New Yorkers can do just that. Twice a month, a couple hundred to a thousand partygoers show up at a rotating series of clubs around New York for an hour of funky club-style yoga followed by a two-hour psychedelically lit, high-energy, super-positive dance party with DJs such as Claire Salvo, brass bands, drumlines, and changing themes. Then they head off to work. Founders Matthew Brimer and Radha Agrawal wanted an alternative to the often dark, exclusive nightlife vibe and founded Daybreaker in New York a year ago. The wildly popular parties exploded and have spread to Chicago, Los Angeles, San Francisco, Washington, DC, and, this year, London and Paris, but at its heart, Daybreaker grew out of the city that never sleeps. The parties are sober, and each has a different suggested theme, but the vibe is pretty accepting of whatever you wear, since most of the twentysomething attendees are powering off to work at 9. The January 13 rave at Irving Plaza was all about wearing grown-up onesies; the next, on February 3 at West Side’s legendary Space Ibiza, calls for bright colors. Tickets come with lots of treats from partners, including Califia Cold Brew Coffee, green juice, coconut water, energy drinks, and more. Stoking the energy at that hour is key, and MC Elliott LaRue will orchestrate the music, with appearances by the Hudson Horns, the Club Casa Chamber Orchestra, and the Brooklyn Express Drumline popping up in the crowd at various intervals to keep the spirit high. Early bird dance tickets are sold out already, but tickets for the 6-7am yoga segment plus the party, as well as 7-9am party-only tickets, are still available. If you want to jump-start your day with possibly the best jolt of energy in the city, rave on with Daybreaker.

ARTS BROOKFIELD: STEPHEN PETRONIO COMPANY

Stephen Petronio will present “Locomotor / Non Locomotor” and Merce Cunningham’s “RainForest” at Brookfield Place on February 3

Who: Stephen Petronio Company
What: Free dance performances presented by Arts Brookfield
Where: Brookfield Place Winter Garden, 230 Vesey St.
When: Wednesday, February 3, free, 12:30 & 7:30
Why: On October 30, Stephen Petronio Company performed Luminous Mischief outdoors in Madison Square Park, interacting with the public under and around Teresita Fernández’s “Fata Morgana” installation. On February 3, New Jersey–born, Manhattan-based dancer and choreographer Stephen Petronio will lead his company into the Winter Garden at Brookfield Place for two special performances that serve as a kind of appetizer for its upcoming March season at the Joyce. At 12:30, the company will present the 2015 piece Locomotor / Non Locomotor, featuring choreography by Petronio, an original score by Clams Casino, vocal elements by the Young People’s Chorus of New York City, costumes by Narciso Rodriguez, and lighting by Ken Tabachnick. At 7:30, SPC will perform Merce Cunningham’s 1968 work RainForest, set to live electronic music by David Tudor, with costumes by Andy Warhol and lighting by Aaron Copp, part of Petronio’s five-year “Bloodlines” series, paying homage to his postmodern dance influences. The company consists of Davalois Fearon, Kyle Filley, Gino Grenek, Cori Kresge, Jaqlin Medlock, Tess Montoya, Nicholas Sciscione, Emily Stone, and Joshua Tuason. “What a wonderful opportunity to perform some of our favorite works in a setting that finds an audience we rarely reach in Manhattan,” Petronio explained in a statement. “We’re happy to offer audiences the chance to see the company perform Locomotor / Non Locomotor and RainForest in an unusual space, before we launch our second season of ‘Bloodlines’ at the Joyce Theater on March 8.” The Joyce run includes Trisha Brown’s 1979 Glacial Decoy and Petronio’s 1990 MiddleSexGorge and the world premiere of Big Daddy Deluxe.

ARTISTS AT THE CROSSROADS

R. Luke DuBois and Okwui Okpokwasili will discuss their residencies at the first Artists at the Crossroads discussion

Who: R. Luke DuBois and Okwui Okpokwasili
What: Artists at the Crossroads
Where: TheStage at the TimesCenter, 242 West 41st St. between Seventh & Eighth Aves.
When: Tuesday, February 1, free, 6:00
Why: New York City–based composer and interactive performance and installation artist R. Luke DuBois and Brooklyn-based writer, dancer, and Bessie-winning choreographer Okwui Okpokwasili will team up for the inaugural Residency Artist Talk, “Artists at the Crossroads,” being held February 1 at 6:00 at the TimesCenter. DuBois and Okpokwasili will discuss their three-month residencies, with a focus on creating public art for Times Square Arts, part of the Times Square Alliance. The free event will be moderated by Deep Lab member Kate Crawford; the next two residents, Brooklyn-based media artist and designer Joshue Ott and New Jersey–born composer Kenneth Kirschner, will be introduced at the end of the talk. The Residency at the Crossroads program “invites artists to experiment and engage with Times Square’s unique urban identity, history, and users. . . . They will be encouraged to invite multidisciplinary collaborators of their choice to create interventions, convenings, and experiments in Times Square’s public spaces, in open studios, and online.”

TRISHA BROWN DANCE COMPANY: PROSCENIUM WORKS

PRESENT TENSE is one of three Trisha Brown pieces that will be presented at BAM this week (photo by Dirk Bleicker)

BAM Howard Gilman Opera House
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
January 28-30, $25-$65, 7:30
718-636-4100
www.bam.org
www.trishabrowncompany.org

In January 2013, Trisha Brown Dance Company kicked off its “Proscenium Works” tour at BAM, presenting Newark (Niweweorce), Les Yeux et l’âme, I’m going to toss my arms — if you catch them they’re yours, Homemade, and Set and Reset in the Howard Gilman Opera House. The New York–based troupe, which was founded in 1970, took the tour around the world, with stops in Canada, Germany, Slovenia, France, and other countries, and is now returning to BAM for the next-to-last “Proscenium Works” show, being held January 28-30 at BAM. (The grand finale takes place February 4-6 at the University of Washington in Seattle.) The program begins with the seminal 1983 BAM commission Set and Reset, which we described three years ago as “a stirring collaboration” bringing together Laurie Anderson’s hypnotic, repetitive “Long Time, No See,” Robert Rauschenberg’s three-part geometric construction on which newsreel-style black-and-white footage is projected, and lighting by six-time Tony nominee Beverly Emmons. That is followed by Present Tense, Brown’s 2003 work that features aerial choreography set to a score by John Cage and colorful costumes and stage design by artist Elizabeth Murray. (The costumes have been reimagined by Elizabeth Cannon.) The evening concludes with Newark (Niweweorce), in which different-colored wall screens by artist Donald Judd occasionally descend from above and divide the stage into claustrophobic spaces; the piece is set to Judd’s minimalist score that combines silence with bolts of loud noises that resemble the sounds of an MRI, which didn’t exist when Newark (Niweweorce) debuted in 1987. The company includes Cecily Campbell, Marc Crousillat, Olsi Gjeci, Leah Ives, Tara Lorenzen, Carolyn Lucas, Diane Madden, Jamie Scott, and Stuart Shugg. And as a bonus, “Heart and Mind,” an exhibition of Murray’s paintings and drawings, is on view through February 15 in the Diker Gallery Café.

BROADWAYCON

Lin-Manuel Miranda and other members of the cast and crew of HAMILTON will take part in the first annual BroadwayCon (photo by Joan Marcus)

New York Hilton Midtown
1335 Sixth Ave. between 53rd & 54th Sts.
January 22-24, $50 Explorer Pass, $95 Day Pass
www.broadwaycon.com
www3.hilton.com

The first-ever BroadwayCon is being held January 22-24 at the Hilton in Midtown, with dozens of Great White Way stars participating in panels, workshops, autograph and Q&A sessions, meet and greets, and live performances. Weekend passes are sold out, but you can still get single-day tickets to see cast and crew members from such shows as Fun Home, Hamilton, Spring Awakening, Hedwig and the Angry Inch, Les Misérables, Rent, Wicked, School of Rock, and many others. Below are only some of the highlights.

Friday, January 22
Something Wonderful: A Look Behind The King and I, with Christopher Gattelli, Donald Holder, Scott Lehrer, Bartlett Sher, Michael Yeargan, and Catherine Zuber, moderated by Ted Chapin, Beekman, 2:00

The BroadwayCon 2016 Opening, with surprise guests, MainStage, 3:30

History Is Happening in Manhattan: The Hamilton Panel, with Daveed Diggs, Renée Elise Goldsberry, Jonathan Groff, Christopher Jackson, Lin-Manuel Miranda, Leslie Odom Jr., and Phillipa Soo, moderated by Blake Ross, MainStage, 5:00

Autograph Session: Rent, Nassau, 9:00

The BroadwayCon Jukebox, with Kerry Butler, Jenn Colella, Anthony Rapp, Ryann Redmond, Stark Sands, and Alysha Umphress, moderated by Ben Cameron, MainStage, 9:30

Saturday, January 23
Autograph Session: Fiddler on the Roof, Americas Hall I, 10:20 am

Master Class: Anthony Rapp, Gramercy West, 11:00 am

A Conversation with Sheldon Harnick, MainStage, 12:30

Dance, Ten: Broadway’s Choreographers, with Christopher Gattelli, Lorin Latarro, and Kathleen Marshall, moderated by Michael Gioia, Nassau, 3:00

Divas, Darlings, and Dames: Women in Broadway Musicals of the 1960s, with Stacy Wolf, Beekman, 4:00

Sunday, January 24
Audition Q&A with Bernie Telsey, Gramercy West, 9:00 am

Obsessed! Live: Disaster! Edition, with Roger Bart, Kerry Butler, Kevin Chamberlin, Max Crumm, Lacretta Nicole, Adam Pascal, Faith Prince, Jennifer Simard, and Rachel York, moderated by Seth Rudetsky, MainStage, 11:00 am

I Can Do That! Broadway Siblings, with Karmine Alers, Yassmin Alers, Andrew Keenan-Bolger, Celia Keenan-Bolger, and Maggie Keenan-Bolger, Sutton, 12 noon

The “Pippins and Wickeds and Kinkies, Matildas, and Mormonses” Singalong, Sutton, 3:00

The First Annual BroadwayCon Cabaret, with Nick Adams, Alex Brightman, Jeremy Jordan, Lesli Margherita, and Krysta Rodriguez, moderated by Rob McClure, MainStage, 11:00 pm

UNDER THE RADAR — DOROTHÉE MUNYANEZA / COMPAGNIE KADIDI: SAMEDI DÉTENTE

Dorothée Munyaneza recalls personal horrors of the Rwandan genocide in SAMEDI DÉTENTE (photo by Laura Fouqueré)

LuEsther Hall at the Public Theater
425 Lafayette St. by Astor Pl.
January 14-17, $25
212-967-7555
www.undertheradarfestival.com
anahi-spectacle-vivant.fr

Rwandan-born, French-based singer, actress, writer, and dancer Dorothée Munyaneza is mesmerizing in Samedi Détente, as she recalls the fateful month of April 1994 in her native country, when she was twelve years old and genocide was about to be unleashed as Hutu sought to eradicate Tutsi. Munyaneza, barefoot and dressed in multiple colorful layers, speaks starkly to the audience, sings, dances atop a table that she later balances on her head, and holds a knife that drips blood through a hospital tube. With a haunted yet determined look in her eyes, she remembers the death of President Habyarimana, of men with guns arriving at their home and separating her family, of how the rest of the world turned their backs on Rwanda. “They all left us in deep shit and blood,” she says. Her harsh, compelling narrative is accompanied by Ivory Coast dancer Nadia Beugré, who at first stands to Munyaneza’s right, covered in a hood as if she is being held hostage, while on the other side French musician Alain Mahé adds music and sound effects and sharpens knives. But the show, running at the Public Theater’s LuEsther Hall through January 17 as part of the Under the Radar Festival, takes a baffling turn in a vignette in which Beugré performs zouglou, a popular dance style from the Ivory Coast celebrating the joy of life while commenting on current affairs.

Munyaneza, who wrote and directed Samedi Détente for her troupe, Compagnie Kadidi, might be using Beugré’s interlude to contrast the horrors of genocide with the feel-good partying that went on around the globe, and particularly in France and Africa, during those harsh months, but instead it disappointingly dilutes what was a compelling narrative. Munyaneza is able to right things before the finale, but one can’t help but wonder how much more powerful Samedi Détente, which was named after a Rwandan radio show that translates as “Saturday Relief,” would have been if it just focused on its central raison d’être. “How to tell the unspeakable? How to speak about leaving a beloved place? About the circumstances in which you had to flee the cradle of childhood, one day, hiding, on roads scattered with bodies, blood, and silence?” Munyaneza, who had a song on the Hotel Rwanda soundtrack and released her debut solo album in 2010, asks in her artist statement, continuing, “I want to speak though the eyes of those who have seen. I want to share the words of those who were there.” For much of Samedi Détente, she accomplishes just that, not needing the additional artifice. (The January 17 performance will be followed by a discussion with members of the cast and crew.)