Juliana May’s Folk Incest makes its world premiere this week at Abrons Arts Center (photo by Chris Cameron)
Abrons Arts Center, Studio G05
466 Grand St. at Pitt St.
Tuesday – Saturday, October 9-20, $20, 7:30
212-598-0400
www.abronsartscenter.org
www.maydance.org
New York City native Juliana F. May creates complex, challenging works that take on heavy social issues while exploring the boundaries of dance. Referring to such pieces as Gutter Gate, Adult Documentary, and Commentary=not thing, she states on her website, “I have become increasingly interested in the relationship between feeling, form, and, most recently, in the Aristotelian notion of Necessity. . . . This notion of necessity came to the forefront of the work as I began to wonder how abstraction could be necessary. . . . I manipulate text, song, dialogue and vocalization in an effort to expose the chaotic, conflictual and conversely innocent mode of communication between people.” From October 9 to 20 at Abrons Arts Center, May and her company, MAYDANCE, will present the world premiere of the evening-length piece Folk Incest, a work for five women performers that explores form, sexual trauma, the Holocaust, and the fetishization of young girls; among its pop-culture inspirations are the music of Joan Baez along with John Waters’s Cry Baby, with ample doses of humor added to the seriousness. May wrote, directed, and choreographed the work, which will be performed by Leslie Cuyjet, Tess Dworman, Lucy Kaminsky, Molly Poerstel, and Rebecca Wender, with music by Tatyana Tenanbaum, lighting by Madeline Best, and costumes by Mariana Valencia. Several nights are already sold out, so get your tickets now to see the latest from one of the city’s most fascinating movement artists.
“It’s Fred and Fred and Ginger and Ginger,” dance judge Benjamin Soencksen says, laughing, near the beginning of Hot to Trot, Gail Freedman’s intimate portrait of same-sex competitive ballroom dancing. Winner of the Audience Award at the 2017 NewFest LGBT Film Festival, the documentary follows several partners, some of whom are couples in life as well as on the dance floor, as they prepare and compete in the 2012 April Follies in Oakland and the 2014 Gay Games in Cleveland. As they rehearse their routines and select their costumes, they celebrate the freedom the competitions give them. “There is something about this community, and I know it’s related to the fact that we’re a target group and that community is so much more important because of that,” same-sex dance organizer Barbara Zoloth explains. Among the featured pairs are Emily Coles and Kieren Jameson, Ernesto Palma and Robbie Tristan, Palma and Nikolai Shpakov, and Coles and Katerina Blinova, along with Kalin Mitov, Jose Comoda, Zoe Balfour, Citabria Phillips, and Chris Phan. They discuss serious health issues, drug addiction, coming-out stories, relationship with parents, and more, sharing how broken they’ve been and how same-sex dancing has restored their self-esteem and put them on a positive track, especially since, as one team says, “There is no guy’s part, and there’s no girl’s part,” no leaders or followers; everyone is equal. They also have lots of fun. “Are we two divas? Yes!” Tristan declares. Hot to Trot opens August 24 at the Quad, with Freedman participating in Q&As with editor Dina Potocki, Shpakov, and Palma at the 7:05 screenings on Friday and Saturday night.
