this week in dance

INTO ME SEE

The Lab Gallery at the Roger Smith Hotel
501 Lexington Ave. at 47th St.
Through Friday, November 26, free, 6:30
www.thelabgallery.com

The Lab Gallery uses the vacant storefront connected to the Roger Smith Hotel in Midtown as a place where a diverse group of artists and curators hold unique installations and performance art events. Their latest creation, INTO ME SEE, continues through the end of the week in the glassed-in space that some twenty-five thousand people pass by every day. A collaboration between Eva Perrotta and Sophie Bortolussi of Nu Dance Theater and Eva Perez De Vega Steele and Ian Gordon of e+i Architecture, INTO ME SEE is structured around a claw-footed cast-iron bathtub that sits alone in the gallery, joined by eighty thousand feet of white nylon string dangling from the ceiling. Perrotta and Bortolussi move mysteriously in and around the bathtub, the string at times appearing to be mist or condensation, offering viewers an unusual sight as they make their way to or from Grand Central. The performance runs nightly at 6:30 through Friday.

SUPER SABADO: WE HEART MUSICA

La Bruja will lead a spoken-work workshop at free Super Sabado celebration of music at El Museo del Barrio (photo by Rosalie Rivera)



FREE THIRD SATURDAYS

El Museo del Barrio
1230 Fifth Ave. at 104th St.
Saturday, November 20, free, 11:00 am – 8:30 pm
212-831-7272
www.elmuseo.org

El Museo del Barrio’s monthly free Saturday program today celebrates local music, with singing and dancing with Louie Miranda, a maraca-shaking workshop, Disco 104: Baila con nosotros! classes in zamba Mexicana, salsa, hip-hop, and bomba, Face the Music’s “Volcano,” spoken-word performances by Universes and workshop led by Caridad de la Luz “La Bruja,” and photo ops with El Museo’s All Star Band. In addition, there will be gallery tours of the current exhibitions “Nueva York (1613-1945)” and “Voces y Visiones: Four Decades Through El Museo del Barrio’s Permanent Collection” as well as a special “Visual Rhythms” bilingual tour. And yes, everything is free.

LAR LUBOVITCH DANCE COMPANY

“Coltrane’s Favorite Things” is one of three works the Lar Lubovitch Dance Company will perform November 18-21 at the Baryshnikov Arts Center

Baryshnikov Arts Center
450 West 37th St.
Thursday, November 18, benefit, $250-$1,000
November 19-21, $15-$45
www.bacnyc.org
www.lubovitch.org

The Lar Lubovitch Dance Company, founded in 1968 by the Chicago-born, New York City-based Lubovitch, will present its fall season at the Baryshnikov Arts Center this week, beginning with a benefit on November 18 that includes a preshow reception and postperformance light dinner and after-party. Lubovitch, who was nominated for a Tony for his choreography for the Broadway hit INTO THE WOODS, created a ballet that has been performed by the American Ballet Theatre and the National Ballet of Canada, and has choreographed ice-skating routines for such Olympic stars as Peggy Fleming, Dorothy Hamill, and the duo of Robin Cousins and Rosalynn Sumners, will be presenting the world premiere of “Legend,” set to Johannes Brahms’s Quintet for Piano in F Minor, in addition to a revival of the 1978 “North Star,” featuring music by Philip Glass, and “Coltrane’s Favorite Things,” set to jazz saxophonist John Coltrane’s unique take on the Rodgers and Hammerstein standard. The works will be performed by Jonathan E. Alsberry, Reid Bartelme, Nicole Corea, Attila Joey Csiki, Jenna Fakhoury, Jason McDole, Brian McGinnis, Laura Rutledge, Katarzyna Skarpetowska, and Christopher Vo.

(updated) Lar Lubovitch’s fall season at the Baryshnikov Arts Center begins with one of its signature pieces, 1978’s “North Star,” and it perfectly sums up the Chicago native’s choreographic vocabulary, which consists of a lot of flowing, swinging motion, big smiles, unchallenging music, and synchronous group movement. And that’s exactly how Lubovitch likes it, without irony or any kind of edge. His dances celebrate dance itself through feel-good pieces that mix elements of Broadway, ballet, and even figure skating. “North Star,” which features one of Philip Glass’s more uninspired compositions, is followed by the duet from Lubovitch’s 1999 “Meadow,” a beautiful pas de deux performed by Katarzyna Skarpetowska and Brian McGinnis to Gavin Bryars’s “Incipit Vita Nova.” For a long stretch Skarpetowska doesn’t touch the ground, instead twisting around McGinnis in unique ways. After an intermission, the full company returns for the world premiere of “The Legend of Ten,” which at times feel likes a silent film as the dancers act out scenes to Johannes Brahms’s “Quintet for Piano, Two Violins, Viola and Cello in F Minor, Opus 34.” They form a circle and dance a kind of hora, they nearly bring their hands together in claps, they float in and around one another as if at a wedding in a John Ford Western, and they watch the other dancers from the wings as they cross the stage as if one of the gangs in WEST SIDE STORY. The evening concludes with “Coltrane’s Favorite Things,” which premiered earlier this year. Lubovitch chooses a live performance by Coltrane, from Copenhagen in 1963, an odd decision, especially when the soundtrack includes applause from the Danish audience after a particularly powerful sax solo. Once again, the duets are more effective than the larger group gatherings, with Skarpetowska this time standing out with Jonathan E. Alsberry.

THE A.W.A.R.D. SHOW!

Helen Simoneau will be among the competitors at A.W.A.R.D. competition at the Joyce SoHo (photo by Jo Grabowski)

Joyce SoHo
155 Mercer St. between Houston & Prince Sts.
November 17-20, $18, 7:00
212-242-0800
www.joyce.org

A far cry from DANCING WITH THE STARS and AMERICA’S GOT TALENT, “The A.W.A.R.D. Show!” returns to the Joyce SoHo this week, with twelve emerging choreographers, selected by a panel that judged them on potential, originality, execution and merit, fighting it out for $10,000; similar competitions are going on at the Dance Center of Columbia College Chicago, REDCAT in Los Angeles, Dance Affiliates in Philadelphia, the ODC Theater in San Francisco, and On the Boards in Seattle. Founded in 2005, “The A.W.A.R.D. Show!,” which stands for Artists with Audiences Responding to Dance, fosters an intimate dialogue between performer and viewer, as each dancer puts on a twelve-to-fifteen-minute piece, followed by a moderated open discussion and audience vote. The artists and audiences then convene for a postperformance reception where they can mingle and talk more. On Wednesday, the competitors will be Julie Bour (Compagnie Julie Bour), Eunkyungkim (GoGoVertigoat Dance and/or Performance), Yin Yue, and Takehiro Ueyama (TAKE Dance), while Helen Simoneau, Lauri Stallings (gloATLANTA), Aaron McGloin (Aaron McGloin Dance), and Alejandro Chavez (Compañia Ciudad Interior) will go at it on Thursday and Michel Kouakou (Daara Dance), Christopher Williams, Satoshi Haga (binbinFactory), and Roger Celedonio and Esther Mayda (Alma Boliviana) battling it out on Friday. The three winners of each night will be back on Saturday, when the ultimate victor will be decided by a panel of experts.

ZERO FILM FESTIVAL

November 13 & 20, Nutroaster Studios, 120 Ingraham St., Brooklyn, $12-$15, 7:00
November 14-19, Invisible Dog Art Center, 51 Bergen St., $5 donation
November 13-20
www.zerofilmfest.com

The Zero Film Festival was founded by Richard Hooban as a platform to show truly independent, self-financed works. Now in its third year, the festival gets under way tonight with an opening party that includes two blocks of short films, four cinematic installations, visually enhanced live performances by Oberhofer, Sherlock’s Daughter, and Asobi Seksu, and a dance party with DJ Dmitry and free booze. The festival then continues at the Invisible Dog Art Center November 14-19, with screenings of international shorts, features, and special installations that the programmers promise “you will not see anywhere else.” The November 18 slate includes visually enhanced performances by Dirty Churches, Paradise Band, and Contradia. The festival concludes on November 20 with an awards ceremony, a DJ set by Bear in Heaven, a dance party with DJ Morsy and DJ Scallywag, and visually enhanced performances by Natureboy and School of Seven Bells. Admission to the opening and closing parties are $12 in advance, $15 at the door, while all other screenings request a $5 donation. This is a great opportunity to see lots of fascinating films as well as see some hot up-and-coming bands in one-of-a-kind settings.

ERYC TAYLOR DANCE

Eryc Taylor Dance will present six new works at Joyce SoHo debut November 10-13 (photo by Satoshi)

Joyce SoHo
155 Mercer St. between Houston & Prince Sts.
November 10-13, $15, 8:00
212-242-0800
www.joyce.org
www.eryctaylor.com

Los Angeles native Eryc Taylor will make his Joyce SoHo debut this week with six new works that display the New York City-based choreographer’s unusual melding of contemporary dance and classical ballet. Admittedly “mesmerized with creating his dances en pointe,” Taylor combines the sophisticated with the sexy in his physically and emotioinally challenging pieces that delve deep into the human psyche. The new works will be performed by dancers Michelle Pellizzon, Danielle Schulz, Gierre Godley, Dillon Honiker, Isa Fernandez, and Erin Ginn and include the quartet “Terminus,” the two-woman duet “I Know That You Are There,” and the two-man duet “Uncharted Territory,” with original music by Daniel Tobias and lighting design by Seth Reiser.

SOUL LEAVES HER BODY

SOUL LEAVES HER BODY is a multimedia mélange running at HERE Arts Center through November 23

HERE Arts Center
145 Sixth Ave. at Dominick St.
Through November 23, $25
212-352-3101
www.here.org

A multimedia mélange of interpretive dance, film, poetry, and song, SOUL LEAVES HER BODY is a creative but too often confusing production running at HERE through November 23. The seventy-minute show pairs a contemporary story with a historical tale, centering on an arranged marriage between a young man (Sean Donovan) and woman (codirector and choreographer Jennie MaryTai Liu) whom the woman’s mother (Leslie Cuyjet) strangely refers to as brother and sister. The three characters have alter egos, dressed in ancient Japanese costumes and makeup, who appear on a four-paneled screen at the back of the stage. Later, the screens move to the front, projecting a film directed by Peter Flaherty that deals with a mah jongg scam run by three siblings living on a sampan in Hong Kong harbor. Unfortunately, the concurrent fractured narratives and awkward movements will leave audiences scratching their heads as scene after scene falls short of the show’s lofty expectations. Perhaps the preshow cocktail talk on November 11 or the postshow discussions on November 11 and 15 will shed more light on SOUL LEAVES HER BODY, which is part of the HERE Artist Residency Program.