this week in art

ATMOSPHERES: ARTISTS ON FEMINISM AND THE ENVIRONMENT

Torkwase Dyson (photo by Suzie Howell), Candice Hopkins (photo by Thatcher Keats), and Joan Jonas (photo by Toby Coulson) will be at New Museum December 14 for special conversation

Who: Candice Hopkins, Torkwase Dyson, Joan Jonas
What: Artist talk inspired by Judy Chicago’s ecofeminist performances from the 1970s
Where: New Museum Theater, 235 Bowery at Rivington St.
When: Thursday December 14, $10, 6:30
Why: Between 1968 and 1974, Chicago-born multidisciplinary artist Judy Chicago staged a series of events, called “Atmospheres,” that used fireworks to bring feminist impulses to site-specific environments, sometimes involving butterflies; she revisited the works in 2012, 2015, 2020, and 2021. In conjunction with the New Museum career survey “Judy Chicago: Herstory,” the Bowery institution is hosting what should be a compelling discussion on December 14. “Atmospheres: Artists on Feminism and the Environment” brings together curator Candice Hopkins, abstract artist Torkwase Dyson, and multimedia installation pioneer Joan Jonas to discuss the incorporation of the natural world into works that explore ecofeminism, from the 1970s to today. Hopkins is the executive director of Forge Project, which “fosters relationships between the land and the built environment, creating spaces of kinship for the people who use them.” The exhibition, which covers four floors of the New Museum, continues through March 3; there will be a live virtual tour on January 9 at 2:00 and the conversation “Herstory: Responses to ‘The City of Ladies’” on January 11 at 6:30 with scholar Sophie Lewis, poet Simone White, novelist Kate Zambreno, and moderator and exhibition cocurator Madeline Weisburg.

[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]

MY HARRY

Photographer unknown, Harry Smith at Naropa Institute, gelatin silver print, 1990 (Harry Smith Papers, Getty Research Institute, Los Angeles; gift of the Harry Smith Archives)

MY HARRY
Whitney Museum of American Art, Education Center and Hess Family Theater
99 Gansevoort St.
December 8-10, $18-$25
212-570-3600
whitney.org

The Whitney celebrates the legacy of American polymath Harry Smith in the three-day festival “My Harry.” Held in conjunction with the multimedia exhibition “Fragments of a Faith Forgotten: The Art of Harry Smith,” which continues at the museum through January 28, the revelry features listening sessions, illustrated lectures, film screenings, conversations, live music, art workshops, and more, with appearances by friends and colleagues of Smith, who was born in Portland, Oregon, in 1923 and died in New York City in 1991 at the age of sixty-eight, leaving behind a treasure trove of music, art, and film that he both made and collected, as well as a lifelong interest in the occult. Among those participating in the weekend are Carol Bove, Ali Dineen, Bradley Eros, Raymond Foye, Andrew Lampert, April and Lance Ledbetter, James Inoli Murphy, Rani Singh, Peter Stampfel, Charles Stein, and Anne Waldman. Below is the full schedule.

My Harry: Magick and Mysticism
Friday, December 8, $8-$10, 5:30–9 pm

Listening Session: Harry Smith’s Field Recordings, 5:30

Fragments of a Faith Forgotten: A Presentation by Carol Bove, with Carol Bove and Andrew Lampert, 6:30

Screening of Harry Smith’s “Film No. 14: Late Superimpositions,” 7:30

Harry Smith and the Future of Magick: A Presentation by Charles Stein, with Charles Stein and Raymond Foye, 8:00

Harry Smith, Untitled [Zodiacal hexagram sctratchboard], ink on cardstock, ca 1952 (Lionel Ziprin Archive, New York)

My Harry: Stories, Songs, and Strings
Saturday, December 9, free with museum admission, 11:00 am – 6:00 pm

Stop Motion Animation Studio and Paper Airplane Workshop, hosted by Bradley Eros, 11:00 am – 3:00 pm

Singing Circle with Ali Dineen, 11:00 am

Peter Stampfel and the Atomic Meta-Pagan Posse, with Peter Stampfel, Eli Smith, Zoe Stampfel, Eli Hetko, Steve Espinola, Paul Nowinski, Sam Werbalowsky, Heather Wagner, and Dok Gregory, 12:00

String Figure Workshop with James Inoli Murphy, 12:00

Paper Airplane Contest with Bradley Eros, 2:00

On Mahagonny: A Presentation by Rani Singh, 5:00

My Harry: Affinities
Sunday, December 10, free with museum admission, 11:00 am – 5:00 pm

Listening Session: Harry Smith’s Field Recordings, 11:00 am

On Harry’s Trail: A Presentation by Dust-to-Digital, with Lance and April Ledbetter, 12:00

Screening: A selection of films and videos featuring Harry Smith by a variety of the artist’s friends and associates, 1:00

Friendly Rivals: The Art of Jordan Belson, a Presentation by Raymond Foye, 3:00

Anne Waldman, 4:00

[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]

CECILY BROWN: DEATH AND THE MAID

Cecily Brown, Maid in a Landscape, oil on linen, 2021 (private collection / © Cecily Brown)

CECILY BROWN: DEATH AND THE MAID
Metropolitan Museum of Art, Met Fifth Ave.
Gallery 913
1000 Fifth Ave. at 82nd St.
Through December 3, $30 (NY, NJ, CT residents pay-what-you-wish)
212-535-7710
www.metmuseum.org

London-born, New York City–based artist Cecily Brown creates paintings of deep, swirling colors that combine abstraction with figuration, echoing specific works by Jackson Pollock, Pieter Bruegel the Elder, Peter Paul Rubens, François Boucher, Diego Velázquez, and others, in addition to double imagery and classical still-lifes, with objects and subjects slowly coming to life as viewers spend time with the canvases. This weekend is the last chance to catch the revelatory exhibition “Cecily Brown: Death and the Maid,” continuing at the Met through December 3. “The woman looking in a mirror is a subject I’ve returned to so many times over and over again. It’s the world reflected back at you, but you also feel like you’re seeing into another world,” Brown explains in the below Met video. “It is that sense of looking into another world that’s so fascinating about art in the first place.”

The show consists of approximately fifty paintings, drawings, sketchbooks, and monotypes from throughout Brown’s more than twenty-five-year career, including pieces made for the exhibition. Among the highlights are Maid in a Landscape, Death and the Maid, Nature Morte, Untitled (Vanity), Selfie, and Aujourd’hui Rose. The utter beauty of the works are intense and rewarding, each one unfolding to reveal its multiple layers; for example, do not miss the black cat in Lobsters, Oysters, Cherries, and Pearls. Several of the larger paintings are simply staggering; this exhibition is not one that should be hustled through but instead savored, a fascinating look into other worlds as only Brown can see them.

[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]

DRAWING DIALOGUES: MEL CHIN AND SHELLYNE RODRIGUEZ

Left, Shellyne Rodriguez, BX Third World Liberation Mixtape No. 2 (Esquire Strikes Empire), colored pencil on paper, 2021; right, Mel Chin, detail, Elements of a Trophy Frame for Leopold II, graphite on vellum, gold leaf, drafting dots, 2007 (photos courtesy of the artists)

Who: Mel Chin, Shellyne Rodriguez
What: Artist conversation
Where: National Academy of Design, 519 West Twenty-Sixth St. between Tenth & Eleventh Aves., second floor
When: Tuesday, December 5, free with advance RSVP, 6:30
Why: Formerly located in the Archer Milton Huntington House on Museum Mile, the National Academy of Design has moved to Chelsea, where it is hosting its inaugural exhibition in the new space, “Drawing as Practice,” a group show featuring work by such artists as Richard Artschwager, Judith Bernstein, Cecily Brown, Mark di Suvero, Jim Dine, Frank Gehry, Jasper Johns, Alex Katz, Christine Sun Kim, Sol LeWitt, Ana Mendieta, Robert Mangold, Mary Mattingly, Robert Motherwell, Claes Oldenburg and Coosje van Bruggen, Clifford Owens, Renzo Piano, Judy Pfaff, Howardena Pindell, Jenny Polak and Dread Scott, Liliana Porter, Joel Shapiro, Arlene Shechet, Kiki Smith, Billie Tsien, Rafael Viñoly, and many others. On December 5 at 6:30, National Academician Mel Chin and Shellyne Rodriguez, both of whom are represented in the show, will sit down for an artist talk, part of the series “Drawing Dialogues.” The exhibit, which continues through December 16, includes Chin’s Elements of a Trophy Frame for Leopold II and Convo Pool Mood Board and Rodriguez’s India and Bangladesh on Pugsley Avenue and BX Third World Liberation Mixtape No. 2 (Esquire Strikes Empire).

[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]

HIROSHI SUGIMOTO: ON PHOTOGRAPHY AND JAPANESE ART

Hiroshi Sugimoto will be at Asia Society on November 30 to discuss his latest work (photo courtesy Sugimoto Studio)

Who: Hiroshi Sugimoto, Dr. Yasufumi Nakamori
What: Artist talk about the photography of Hiroshi Sugimoto
Where: Asia Society Museum, 725 Park Ave. at Seventieth St.
When: Thursday, November 30, $15, 6:30
Why: You’ll have to travel to London to catch the largest survey to date of the work of Japanese photographer and architect Hiroshi Sugimoto, on view through January 7 at Hayward Gallery. But Asia Society on the Upper East Side is offering the next best thing: Seeing Sugimoto himself. On November 30 at 6:30, the seventy-five-year-old Tokyo-born artist, who is based in Tokyo and New York City, will be at Asia Society for an artist talk, “On Photography and Japanese Art,” speaking with Asia Society museum director Yasufumi Nakamori, focusing on Sugimoto’s latest series, “Brush Impression,” featuring calligraphic brushstrokes on photographic paper, started during the coronavirus crisis.

“When I finally returned to my New York studio after the three-year-long disruption of the Covid-19 pandemic, I discovered that I was in possession of a large amount of photographic paper which had passed its expiry date. Rather like fresh food, this special paper for photographic printing deteriorates over time,” Sugimoto explains in his artist statement. “The defining feature of my prints is the subtle expression of different shades, something that is very hard to achieve with photographic paper that is even slightly degraded. What I therefore did was to flip my thinking, Copernicus-style. My idea was not to accept deterioration as deterioration per se but to treat it as a form of beautification instead. When ancient works of art are exposed to the operations of time, deterioration usually causes an aesthetic improvement. The white of photographic paper looks rather like albumenized paper, while black tones acquire a certain softness on it. I decided to bring the calligraphy skills I had mastered during three years of enforced leisure into the dark room. In the dim room suffused with pale orange light, I spread out a sheet of photographic paper, then dunk my brush into the developer. In the darkness, I gropingly draw the characters which I cannot actually see. Then, just for a fleeting moment, I expose the paper to a burst of light like a flash.

“Just the areas which are touched by the brush metamorphose into Japanese characters and float to the surface in black. Having shown that it was possible to do calligraphy using a developer, I then tried dipping my brush in photographic fixer. I plied my bush surrounded by the stench of acid; this time it was white characters appearing on a jet-black ground. As I wrote, I tried to concentrate on the invisible characters, focusing my mind on the place where the meaning of the characters would manifest itself. Protean and shapeshifting, fire is an extraordinary thing. Gaze at it and you will feel yourself being drawn into another world. This planet of ours was originally born from the fires of the sun. A blazing flame is at once a sacrament of birth and an echo of a burned-out death. Sometimes, as here, the burning flame flings out its arms and legs to be transcribed as the kanji character for fire.”

Sugimoto has proved himself to be a genius with such exhibitions as “History of History,” “Still Life,” “Gates of Paradise,” and “Sea of Buddha” as well as such performances as Rikyu-Enoura and Sanbaso, divine dance, so be ready for a fascinating evening.

[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]

JewCE!: THE JEWISH COMIC EXPERIENCE

THE FIRST ANNUAL JEWISH COMIC BOOK CONVENTION
Center for Jewish History
15 West Sixteenth St. between Fifth & Sixth Aves.
Sunday, November 12, $40 (children eight and under free)
jewce.org
www.cjh.org

Jews played key roles in the development of the comic book industry in the United States, as artists, illustrators, editors, and publishers. In 2006-7, the Jewish Museum presented with the Newark Museum the outstanding exhibit “Masters of American Comics,” which explored the work of fourteen artists, several of whom were Jewish.

This weekend the Center for Jewish History is hosting “JewCE!: The Jewish Comic Experience,” being held in conjunction with the exhibit “The Museum and Laboratory of the Jewish Comics Experience,” consisting of original art, historical memorabilia, and interactive installations focusing on Jewish history, culture, and identity as depicted in comic books, on view through December 29.

Awards will be handed out Saturday night, in such categories as Career Contributions to Jewish Comics, Diverse Jewish Representation, Historical Narratives, Autobiographical Content, Contemporary Topics, and Combating Prejudice. The big day is Sunday, with a full slate of lectures, panel discussions, workshops, artist booths, and more. The guest of honor is Trina Robbins, the Brooklyn-born cartoonist and activist who is in the Will Eisner Hall of Fame and is one of the three characters in the Joni Mitchell song “Ladies of the Canyon” (“Trina takes her paints and her threads / And she weaves a pattern all her own”).

Among the events are “Jewish Roots of the Comic Industry,” “Queering Jewish Comics,” “Kids Comics for Mini Mensches,” “Jewish Female Narratives in the Graphic Arts,” and “Holy Graphic Novels!”; the lineup of participants includes Frank Miller, Stephanie Phillips, Neil Kleid, Koren Shadmi, Fabrice Sapolsky, Yehudi Mercado, Dean Haspiel, Chari Pere, Ken Krimstein, Danny Fingeroth, Barry Deutsch, Roy Schwartz, Amy Kurzweil, E. Lockhart, Ben Kahn, Emily Bowen Cohen, Jenny Caplan, Karen Green, Leela Corman, Paul Levitz, Tahneer Oksman, Terri Libenson, Simcha Weinstein, JT Waldman, Jessica Tamar Deutsch, and Stan Mack, as well as Source Point Press, Big Apple Comics, Jews in Doodles, Israeli Defense Comics, Jewish Arts Salon, Stand Up! Comics/Stand Up! Records, and Torah Comics. Below is the full schedule.

Exhibition continues at the Center for Jewish History through December 29

Jewish Roots of the Comic Industry, with Arie Kaplan, Roy Schwartz, and Simcha Weinstein, moderated by Danny Fingeroth, auditorium, 10:00

Jewish Folklore in Comics, with Dani Colman, Trian Robbins, Chanan Beizer, and Yehudi Mercado, moderated by Eddy Portnoy, Kovno Room, 10:00

Jump into Drawing Comics!, with Joshu Edelglass, for kids ages 8-12, Discovery Room, 10:00

From Strength to Strength: Jewish Superheroes through the Ages!, with Brian Michael Bendis, E. Lockhart, Dean Haspiel, and Frank Miller, moderated by Roy Schwartz, auditorium, 11:30

Queering Jewish Comics, with Ben Kahn, Shira Spector, Barry Deutsch, and Miriam Libicki, moderated by Tahneer Oksman, Kovno Room, 11:30

Jewish Comics Trivia Game: JewCE Edition, with Sholly Fisch and Jeremy Arcus-Goldberg, Discovery Room, 11:30

Breaking the Mainstream: Getting Past Ashkenormativity and Secularism in Comics, with Daniel Lobell, Emily Bowen Cohen, Joshua Sky, and Carol Isaacs, moderated by Arnon Shorr, auditorium, 1:00

Kids Comics for Mini Mensches, with Yehudi Mercado, Terri Libenson, Chari Pere, and Barry Deutsch, moderated by Jeremy Dauber, Kovno Room, 1:00

Torah Comic Workshop, with Andrew Galitzer, for kids ages 6-12, Discovery Room, 1:00

Canons Are Made to Blow Up! Retconning, Rebooting, Jossing, and Other Paradigm Shifts, with Brian Michael Bendis, Brian Azzarello, Joshua Sky, and Barbara Slate, moderated by Jenny Caplan, auditorium, 2:30

Jewish Comics and Remembrance Culture, with Rafael Medoff, Ken Krimstein, Stan Mack, and Trina Robbins, moderated by Samantha Baskind, Kovno Room, 2:30

From Perek to Panel: Using Pictures to Explore Interpretation, with Ben Schachter, for teens and adults, Discovery Room, 2:30

Will Eisner: The First Poet Laureate of the Jewish Graphic Novel, with Paul Levitz and Jules Feiffer (via Zoom), auditorium, 4:00

Telling Other People’s Stories, with Tracy White, Stephanie Phillips, Koren Shadmi, and Neil Kleid, moderated by Julian Voloj, Kovno Room, 4:00

Jewish Comics Trivia Game: JewCE Edition, with Sholly Fisch and Jeremy Arcus-Goldberg, Discovery Room, 4:00

Jewish Female Narratives in the Graphic Arts, with Leela Corman, Amy Kurzweil, Alisa Whitney, and Miriam Libicki, moderated by Karen Green, auditorium, 5:30

Holy Graphic Novels!, with JT Waldman, moderated by Jordan B. Gorfinkel, Kovno Room, 5:30

[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]

LAURA ORTMAN & RAVEN CHACON LIVE IN BROOKLYN BRIDGE PARK

Raven Chacon and Laura Ortman will perform a free show in Brooklyn Bridge Park on November 5

Who: Laura Ortman & Raven Chacon
What: Live concert presented by Public Art Fund
Where: Empire Fulton Ferry Lawn, Brooklyn Bridge Park
When: Sunday, November 5, free (advance RSVP recommended), 4:00
Why: Following an earlier rainout, Laura Ortman (White Mountain Apache) and Raven Chacon (Navajo) will activate Nicholas Galanin’s Brooklyn Bridge Park sculpture, In every language there is Land / En cada lengua hay una Tierra, with a free concert on November 5 at 5:00. Chacon is a Pulitzer Prize–winning composer, performer, and installation artist based in Red Hook and Albuquerque, while Ortman is a multi-instrumentalist and composer who has collaborated with Tony Conrad, Jock Soto, Nanobah Becker, Okkyung Lee, Martin Bisi, Jeffrey Gibson, Caroline Monnet, New Red Order, and many others.

Discussing the large-scale immersive piece, Galanin, who is based in Sitka, Alaska, said in a promotional video, “Creative sovereignty and creating work is a form of reclamation of our ideas, our knowledge, our language, our place, while including other perspectives and other ideas and other people’s experiences to be accessed through that work too.”

Ortman and Chacon have worked together previously, including at Ende Tymes X in Brooklyn, the American Academy in Berlin, the Center for Contemporary Arts in Santa Fe, and other locations. In Brooklyn Bridge Park, they will present an improvisational site-specific performance incorporating local field recordings and a mix of instruments. Admission is free, though advance registration is recommended, and attendees are encouraged to bring a blanket to sit on.

[Mark Rifkin is a Brooklyn-born, Manhattan-based writer and editor; you can follow him on Substack here.]